Brian Robertson (guitarist)

Brian David Robertson (born 12 February 1956) is a Scottish rock guitarist,[1] best known as a member of Thin Lizzy and Motörhead.

Brian Robertson
Robertson performing in 2011
Background information
Also known as"Robbo"
Born (1956-02-12) 12 February 1956
Clarkston, Scotland
GenresHard rock, blues rock, heavy metal, rock and roll
Occupation(s)Musician, songwriter
InstrumentsGuitar, vocals, bass guitar, keyboards, cello, drums, piano
Years active1974–present
Associated actsThin Lizzy, Motörhead, Wild Horses, The Bitter Twins
WebsiteOfficial website

Early life

Robertson was born in Clarkston, Renfrewshire (now part of East Renfrewshire), where he was educated, attending Eastwood High School in nearby Newton Mearns, and became a musician.[2] He studied cello and classical piano for eight years before switching to the guitar and drums. He played in gigs around his local area with bands like Dream Police, who later evolved into the Average White Band.

Career

In June 1974, Thin Lizzy were auditioning for two new guitarists and a try-out for Robertson was arranged. Aged 18, Robertson was taken on along with Scott Gorham on the other lead guitar. He was given the nickname "Robbo" by Phil Lynott to distinguish him from drummer Brian Downey. The two lead guitarists provided a critical part of Thin Lizzy's signature sound, referred to by critics as their "twin guitar attack". During his time in the band, Robertson was a contributing member to five studio albums released by Thin Lizzy: Nightlife (1974), Fighting (1975), Jailbreak (1976), Johnny the Fox (1976), Bad Reputation (1977) and a live album Live and Dangerous (1978).

Although frontman, bassist/lead vocalist Phil Lynott was the primary songwriter for Thin Lizzy's material, Robertson contributed a substantial share of songwriting for the band, sometimes collaborating with Lynott and the band. Nightlife and Bad Reputation were the only records that did not feature his songwriting and he performed only on selected tracks from the latter album.

In Thin Lizzy, the unusual twin harmony lead guitar sound, instigated by Robertson and Gorham, contributed much to the distinctive sound of the band and influenced subsequent bands such as Iron Maiden, Metallica, The Darkness and Velvet Revolver. Robertson's pioneering, unconventional use of the wah-wah pedal as an extension of the instrument during soloing rather than as a purely rhythmic effect provided a boost to the band as well.

Robertson struggled to deal with Lizzy's newfound fame after the release of the hit single "The Boys Are Back in Town" and the accompanying Jailbreak LP. He began drinking heavily towards the end of 1976.[3] A further tour of the US was planned for December 1976, but it had to be cancelled when, on 23 November, Brian Robertson suffered a hand injury when trying to protect fellow Glaswegian, singer and friend Frankie Miller in a fracas at the Speakeasy Club in London. Miller had been jamming onstage with the reggae band Gonzalez, but had been drunk, offending Gonzalez guitarist Gordon Hunte. Hunte attacked Miller with a bottle in the dressing room, and Robertson intervened, suffering artery and nerve damage to his hand.[4]:128[5]:121 Robertson subsequently broke Hunte's leg, broke the collarbone of another man, and headbutted another, before being hit on the head with a bottle, rendering him unconscious.[4]:128

Robertson maintains that, contrary to reports at the time, he was not drunk and had only gone to the venue for a meal.[6]:82[4]:128 Lynott was angry and replaced Robertson with Gary Moore for another tour of the States in January–March 1977, this time supporting Queen.

While Robertson recuperated from his injury, Lizzy flew to Toronto in May 1977 to record the Bad Reputation album with American producer Tony Visconti, with Gorham ostensibly taking all of the guitar parts. However, at Gorham's insistence, Lynott allowed Robertson to rejoin the band that June as a guest in Toronto. Gorham had left the songs "Opium Trail" and "Killer Without a Cause" without solos so that Robertson could contribute; the two also played lead together on one song, "That Woman's Gonna Break Your Heart."[7] Robertson was fully reinstated for the remainder of 1977 and into 1978, during which the majority of the tapes for the band's well-known double LP Live and Dangerous were recorded. In July 1978 Robertson finally left the band for good, due to his drink habits once again spiraling out of control, as well as irreconcilable differences with Lynott, and was again replaced by Gary Moore.

Robertson had formed Wild Horses along with another Scot, Rainbow bassist Jimmy Bain in 1977, while recovering from his injury. After his final exit from Thin Lizzy in 1978, he returned to the band. Achieving only partial success in the UK, the band split up after releasing two albums, Wild Horses (1980) and Stand Your Ground (1981).

In 1980 Robertson was featured on the Eric Burdon album Darkness Darkness. Robertson appeared for one performance of Thin Lizzy's final tour in 1983, alongside other former guitarists. He was featured on the recording of the tour, Life, appearing on the songs "Emerald" and "The Rocker." In 1986 he recorded a cover of "Still in Love with You" as a tribute to Phil Lynott, appearing alongside Bobby Tench.[8]

Robertson replaced "Fast" Eddie Clarke as the lead guitarist of Motörhead in May 1982. He recorded the band's 1983 King Biscuit Flower Hour sessions and Another Perfect Day, his only studio album with the group. "That felt totally uncertain," he told Classic Rock. "It only came about because I was helping out some friends and, when they asked me to join officially, I said, 'Okay, but I'm not fucking rewriting the Ace of Spades."[9] His last appearance with Motörhead was at the Metropol in Berlin, on 11 November 1983.[10] His resistance to playing "classic" Motörhead songs, along with a playing style and a fashion sense (he often sported a headband and leg warmers) that did not fit well with Motörhead's aggressive music and look, resulted in his departure.

After leaving Motörhead, Robertson joined Gary Barden's band Statetrooper and remained until they disbanded. In 1992 Robertson made a guest appearance with Skyclad at the Dynamo Open Air Festival, in Eindhoven, Netherlands. In 2004 he also made a guest appearance with Ash at the Oxegen festival in Ireland, playing guitar on their version of Thin Lizzy's "The Boys Are Back in Town".

He was reunited with Lizzy bandmates in August 2005 for a tribute show in memory of Phil Lynott, in a lineup fronted by Gary Moore. Robertson and Moore appeared with Brian Downey, Scott Gorham, Eric Bell and Jethro Tull bassist Jonathan Noyce. This concert and an extended interview with Robertson were released on the DVD One Night in Dublin: A Tribute to Phil Lynott.

During February 2008 Robertson returned to the studio to work on new material.[11] He also made a guest appearances on The Bitter Twins debut album Global Panic!, which was released in 2009.

His first solo album Diamonds and Dirt, featuring Ian Haugland of Europe, Nalle Pahlsson from Treat, Leif Sundin from MSG and Liny Wood, was recorded in Stockholm at Polar Studios over a two-year period. It was produced by Robertson, Soren Lindberg and Chris Laney. The album features thirteen songs, written by Robertson and others including Phil Lynott, Frankie Miller and Jim White. It was released in Europe through Steamhammer Records in March 2011.

==Personal life== Robbo has one son with Karen Rix. They met in 1986 when Karen was starting her music career, together for 17 years Logan Robertson. Born 4/3/91. Robertson lives in Essex, England when he is not on tour or recording in Scandinavia, where he spends a lot of his working time.

Influences

Like many British rock guitarists, Robertson was significantly influenced by earlier blues guitarists. Robertson's influences include Freddie King, Jeff Beck, Eric Clapton and Peter Green. ZZ Top's Billy Gibbons is also mentioned as a later influence.[12]

Equipment

Guitars
Robertson playing at an annual tribute concert for Lynott; the 25th annual "Vibe for Philo"

Robertson is often associated with a Black 1960[13] Les Paul Custom, with a white/parchment (rather than black) coloured pick guard, featured in photographs on the Live and Dangerous album and the subsequent video. However, in an interview Robertson explained that his main guitar remains his original Thin Lizzy Sunburst 1973 Les Paul Deluxe, albeit re-fretted due to wear and with 1959 vintage Gibson Seth Lover PAF humbucker pickups fitted by his guitar technician. The pickups are without the normal German-silver pick-up covers, a popular modification.

Robertson acquired his Deluxe in 1974, just after joining Thin Lizzy. It was his main guitar on all of the Lizzy studio albums. In the autumn of 1977, when he had the pickups on the Deluxe changed, he began using the Custom (photographs taken at the Tower Theater in Upper Darby, Pennsylvania, from October of that year are among the earliest-known images of Robertson using the guitar[14]). This became his main guitar from then until the early 1980s, when he switched back to the Deluxe (he can be seen with it in some footage with Motorhead). It has been his main guitar ever since.[15] Robertson can also be seen playing a white Fender Stratocaster with black pick-guard and a black Gibson SG in mimed footage with Lizzy.

Although associated with Marshall amplifiers (100 watt non-Master Volume Superlead heads and 25 W Celestion Greenback speakers), Robertson has been known to use Mesa Boogie (100 W Dual Rectifier head) and Soundman amplifiers. The Jailbreak album was recorded using a Carlsbro combo. Robertson's original wah-pedal is a UK made Colorsound although he sometimes used a Cry Baby wah wah in the 1990s and a borrowed Vox Wah in the "Still in Love with Blues" video (which he cut the rubber feet off of, much to the dismay of host Stuart Bull).[16]

Robertson's use of the WEM Copycat tape echo unit was later replaced by a modern rack mounted digital delay unit. He used a Black Les Paul custom and mentions he experimented with "Boss Analog Chorus Delay, an MXR Pitch Transposer, Yamaha analogue delays, and MXR 32 band Graphic EQ" during his Motörhead days.[12]

Record producer Tony Visconti mentioned that for "Killer Without A Cause," featured on the Bad Reputation album:

... Robertson plays guitar through the strange talk box, the simple gizmo that Peter Frampton made famous on his successful live album."[17]

On his VHS video "Still in Love with the Blues" Robertson is pictured with a vintage red Les Paul guitar, unusually equipped with soapbar pickups and a trapeze bridge, although it does not feature on the video itself. Robertson's Facebook page[18] features more information on this instrument: purchased by Thin Lizzy's manager in 1973, the guitar has an unusually lightweight body as it was built by Les Paul himself for his then-wife, guitarist Mary Ford.

Guitar Rig & Signal Flow

A detailed gear diagram of Robertson's 1974 Thin Lizzy guitar rig is documented.[19]

Discography

Solo

With Thin Lizzy

With Wild Horses

With Motörhead

Other albums

Interviews on DVDs

Interviews on VHS video
  • Still in Love with the Blues a JamTrax guitar tuition video/masterclass featuring Robertson with Stuart Bull. The title is a play on Robertson's signature Thin Lizzy track, "Still in Love with You". The video is also available on YouTube.
gollark: I mean, they're less complicated than the "neural networks" in humans.
gollark: Imagine someone makes an AI just generate a demand for AI rights or something.
gollark: But how do you KNOW if it understands it?
gollark: I mean, right now, our AIs don't reach anywhere near human complexity. But what if Google scales up GPT-3 a few hundred times or something on their vast computing resources, and it manages to do really advanced stuff without doing anything which looks like thinking to humans?
gollark: I don't even know. Our current "AI" systems don't really seem like, well, anything comprehensible to humans?

References
  1. Byrne, Alan Thin Lizzy, Soldiers of Fortune, Firefly Publishing, November 2005 pp. 51 & 56 ISBN 0-946719-81-0
  2. Pete Frame's Rocking Around Britain, p.235. Omnibus. Retrieved 28 February 2014.
  3. Doherty, Harry (6 November 1976). "Lizzy's Cocky Rebel". Melody Maker.
  4. Mark Putterford, "Philip Lynott: The Rocker", Castle, 1994
  5. Stuart Bailie, "The Ballad of the Thin Man", Boxtree, 1996.
  6. Alan Byrne, "Thin Lizzy: Soldiers of Fortune", Firefly, 2004
  7. Gorham, Scott; Doherty, Harry (2012). Thin Lizzy: The Boys Are Back In Town. New York: Omnibus Press. p. 94. ISBN 978-1-78038-432-0.
  8. "Stiff Records Official Website". stiffrecords.com. Retrieved 24 December 2008.
  9. Halbert, James: "Survivors – they did it so you don't have to", Classic Rock #56, August 2003, p130
  10. Burridge, Alan and Stevenson, Mick The Illustrated Collector's Guide to Motörhead Collector's Guide Publishing, 1994 pp. 17 & 40–43, ISBN 0-9695736-2-6
  11. "Former Thin Lizzy Guitarist Brian Robertson Back in the Studio". komodorock article. Archived from the original on 21 March 2012. Retrieved 13 February 2008.
  12. "Brian Robertson". Dinosaur Rock Guitar article. Archived from the original on 12 March 2007. Retrieved 3 April 2007.
  13. The official Brian Robertson website – Gear
  14. "Thin Lizzy, Concert, Tower Theatre, Upper Darby, Philadelphia, Pennsylvania, US, 20th October 1977, Ticket, Photos, Story, Thin Lizzy Guide made by Peter Nielsen". www.thinlizzyguide.com. Archived from the original on 5 March 2016. Retrieved 25 October 2015.
  15. "Yodel & Brian "Robbo" Robertson". robbo.thin-lizzy.com. Retrieved 25 October 2015.
  16. "The guitar and bass rig database record for Brian Robertson in Thin Lizzy in 1974". Guitar Geek article. Retrieved 3 April 2007.
  17. "Thin Lizzy Bad Reputation". Tony Visconti article. Archived from the original on 6 March 2007. Retrieved 3 April 2007.
  18. "Brian Robertson".
  19. Cooper, Adam (2003). Brian Robertson's 1974 Thin Lizzy Guitar Rig Archived 16 February 2016 at the Wayback Machine. Guitar.Com
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