Anna Hyatt Huntington

Anna Vaughn Hyatt Huntington (March 10, 1876 – October 4, 1973) was an American sculptor and was once among New York City's most prominent sculptors. At a time when very few women were successful artists, she had a thriving career. Hyatt Huntington exhibited often, traveled widely, received critical acclaim at home and abroad, and won awards and commissions.

"Anna Huntington" redirects here. For the American painter, see Anna Huntington Stanley.
Anna Hyatt Huntington
Anna Hyatt Huntington in 1921
Born
Anna Vaughn Hyatt

(1876-03-10)March 10, 1876
Cambridge, Massachusetts
DiedOctober 4, 1973(1973-10-04) (aged 97)
Redding, Connecticut
NationalityAmerican
EducationArt Students League of New York
Known forSculpture
AwardsChevalier de la Légion d'honneur[1]

During the first two decades of the 20th century, Hyatt Huntington became famous for her animal sculptures, which combine vivid emotional depth with skillful realism. In 1915, she created the first public monument by a woman in New York City, outside of Central Park: Her Joan of Arc, located on Riverside Drive at 93rd Street, is also the city’s first monument dedicated to a historical woman.[2]

Biography

Huntington was born in Cambridge, Massachusetts, on March 10, 1876. Her father Alpheus Hyatt was a professor of paleontology and zoology at Harvard University and MIT. He encouraged her early interest in animals and animal anatomy. Anna Hyatt first studied with Henry Hudson Kitson in Boston, who threw her out after she identified equine anatomical deficiencies in his work (Rubenstein 1990). Later she studied with Hermon Atkins MacNeil and Gutzon Borglum at the Art Students League of New York. In addition to these formal studies, she spent many hours doing extensive study of animals in various zoos (including the Bronx Zoo)[3] and circuses. She was one of 250 sculptors who exhibited in the 3rd Sculpture International held at the Philadelphia Museum of Art in the summer of 1949. Her work was also part of the sculpture event in the art competition at the 1928 Summer Olympics.[4]

In 1932, Huntington became one of the earliest woman artists to be elected to the American Academy of Arts and Letters. [5] Between the years of 1927 and 1937, Huntington contracted and survived tuberculosis.

Huntington and her husband, Archer Milton Huntington, founded Brookgreen Gardens near Myrtle Beach, South Carolina. She was a member of the National Academy of Design and the National Sculpture Society (NSS). A donation of $100,000 from her and her husband underwrote the NSS Exhibition of 1929. Because of her husband's enormous wealth and the shared interests of the couple, the Huntingtons founded fourteen museums and four wildlife preserves. They also donated the land for the Collis P. Huntington State Park, consisting of approximately 800 acres (3.2 km2) of land in Redding, Connecticut, to the State of Connecticut.

Anna Hyatt Huntington, works on a statue of Jose Marti

Anna Vaughn Hyatt Huntington died October 4, 1973 in Redding, Connecticut. She is buried in Woodlawn Cemetery, The Bronx, New York City.[6] Her grave is next to that of her husband Archer Milton Huntington who died on December 11, 1955.[7]

Legacy

Her papers are held at Syracuse University,[8] and the Archives of American Art of the Smithsonian Institution.[9]

The Metropolitan Museum of Art listed Huntington among the foremost woman sculptors in the United States to have undertaken large, publicly commissioned works, alongside Malvina Hoffman and Evelyn Longman.[10]

She was the aunt of the art historian A. Hyatt Mayor.

Public equestrian monuments

Her animal sculptures, figures of both life-sized and in smaller proportions, are in museums and collections throughout the United States. Hyatt Huntington’s work is now displayed in many of New York’s leading institutions and outdoor spaces, including Columbia University, the Metropolitan Museum of Art, the National Academy of Design, the New-York Historical Society, the Hispanic Society of America, the Cathedral of St. John the Divine, Central Park, Riverside Park and the Bronx Zoo.[2] She spent two years collaborating with Abastenia St. Leger Eberle to produce Man and Bull, which was exhibited at the St. Louis Exposition in 1904.

The Hispanic Society of America was founded in 1904 by her husband, Archie Huntington. Anna was responsible for the art in its courtyard,[11] including:

  • the towering 1927 bronze statue, El Cid[12]—there are also editions in: Seville, Spain; Valencia, Spain; Lincoln Park, San Francisco; Balboa Park, San Diego (El Cid Campeador); and Buenos Aires, Argentina
  • the four bronze Castillian warriors around the El Cid statue,
  • the bronze flagpole bases,
  • the limestone bas-relief of Don Quixote, and
  • the limestone bas-relief of Boabdil, the last Moorish king of Spain.

Two statues are located at the entrance to Collis P. Huntington State Park in Redding and Bethel, Connecticut: Mother Bear and Cubs and Sculpture of Wolves. The park was donated to the state of Connecticut by the Huntingtons. Other equestrian statues by Huntington greet visitors to the entrance to Redding Elementary School, the John Read Middle School, and at the Mark Twain Library. The statue at the elementary school is called Fighting Stallions and the one at the middle school is called A Tribute to the Workhorse. The sculpture at the Mark Twain Library, also called The Torch Bearers, is identical in form to the one in Madrid, but is cast in bronze and appears to be smaller.

In her Horse Trainer (Balboa Park, San Diego) she enlivens the theme of the Roman marble Horse Tamers of the Quirinale, Rome, which had been taken up by Guillaume Coustou for the horses of Marly.

Huntington's Joan of Arc stands at the intersection of Riverside Drive and Ninety-third Street in Manhattan catapulted her into the international spotlight after the statue was unveiled with such dignitaries as Mina Edison, Thomas Edison's second wife. [13]

  • Andrew Jackson, A Boy of The Waxhaws, Andrew Jackson State Park, Lancaster, South Carolina, depicts a young Andy Jackson, sitting astride a farm horse. It is a bronze, larger-than-life statue. Usually her horses were noble, prancing, fierce beasts. She made Jackson's horse a gentler animal by fixing the energy and tension of the work on the figure of young Jackson. The sculpture was initiated by a letter from a sixth-grade class at Rice Elementary School in Lancaster, South Carolina, asking Mrs. Huntington if she would sculpt a statue of young Andrew Jackson for the state park. Mrs. Huntington submitted to do so, and replied, in part, "A picture came to mind as I read your letter and I have tried out the composition. I have Jackson as a young man of sixteen or seventeen seated bareback on a farm horse, one hand leaning on the horse's rump and looking over his native hills, to wonder what the future holds for him. He must have been a good looking and thoughtful boy, wondering what the future might hold, moments we all have from our teens to our nineties." The statue was completed at her Bethel, Connecticut studio, and was first worked in clay in half the scale of the final statue. Even then, it was necessary for the octogenarian sculptor to use a tall ladder to reach the top. South Carolina school children responded by donating their nickels and dimes to raise the necessary funds for a massive base to support the statue, which looks out over the large expanse of lawn at the park. County workmen placed the statue on its Lancaster County pink granite base in time for the ceremony marking Andrew Jackson's 200th birthday, in March 1967. This was Huntington's last major work, completed after her ninety-first birthday. The statue is located at Andrew Jackson State Park, about nine miles (14 km) north of Lancaster, South Carolina, just off US 521.
  • General Israel Putnam, Putnam Memorial Park, Redding, Connecticut, commemorates General Putnam's escape from the British in 1779, when he rode down a cliff at Horseneck Heights in Greenwich, Connecticut. The statue is located at the intersection of Routes 58 and 107 at the entrance to Putnam Park.[14]
  • Los Portadores de la Antorcha ("The Torch Bearers"), cast aluminum, Ciudad Universitaria Dental School, Madrid, was given to the people of Spain to symbolize the passing of the torch of Western civilization from age to youth; it was unveiled 15 May 1955.[15] At the time of its construction it was the largest statue in the world at 3,500 pounds (1,600 kg).[16] Replicas of the statue are on the grounds of:
  • Statue of Sybil Ludington to commemorate the 1777 ride of this 16-year-old who rode forty miles at night to warn local militia of approaching British troops in response to the burning of Danbury, Connecticut. The statue is located on Rt. 52 next to Glenedia Lake in Carmel, New York (1961). Smaller versions of the statue exist on the grounds of the DAR Headquarters in Washington, DC; on the grounds of the public library, Danbury, Connecticut; and in the Elliot and Rosemary Offner museum at Brookgreen Gardens, Murrells Inlet, South Carolina.
  • A peaceful statue of Abraham Lincoln reading a book, while sitting on a grazing horse is located in front of the Bethel Public Library, Rt. 302 in Bethel, Connecticut. The statue bears the signature, Anna Huntington, with the date of 1961.[19]
    • The same statue of Abraham Lincoln on horseback is found near the entrance of Lincoln’s New Salem State Historic Site, Route 97, Petersburg, Illinois. In 1964 the sculptor, Anna Hyatt Huntington, gave this bronze statue to the state of Illinois. Depicting a young Lincoln absorbed in studying, it shows a typical scene of Lincoln’s life when he lived in this pioneer village between 1831 and 1837.Lincoln's New Salem
  • Conquering the Wild overlooks the Lions Bridge and Lake Maury at The Mariners' Museum Park in Newport News, Va.
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See also

Notes
  1. "Anna Hyatt Huntington Papers". Syracuse University. Archived from the original on March 26, 2017. Retrieved December 29, 2011.
  2. From a statement by The Miriam and Ira D. Wallach Art Gallery of Columbia University, dated February 12, 2014.
  3. Foner, Daria Rose. "Anna Hyatt Huntington's Jaguars". Wild Things: The Blog of the Wildlife Conservation Society Archives. Wildlife Conservation Society. Retrieved 13 February 2014.
  4. "Anna Hyatt Huntington". Olympedia. Retrieved 29 July 2020.
  5. Metropolitan Museum of Art, Dimmick & Hassler 1999, p. 600.
  6. Anna Vaughn Hyatt Huntington at Find a Grave
  7. Archer Milton Huntington at Find a Grave
  8. "Anna Hyatt Huntington Papers An inventory of her papers at Syracuse University". Library.syr.edu. Archived from the original on 2017-03-26. Retrieved 2013-01-14.
  9. Archives of American Art. "Summary of the Anna Hyatt-Huntington papers, 1902–1967 | Archives of American Art, Smithsonian Institution". Aaa.si.edu. Retrieved 2013-01-14.
  10. "Heilbrunn Timeline of Art History: American Women Sculptors", Metropolitan Museum of Art. Retrieved 2014-04-28.
  11. Dare, Kitty. "The Hispanic Society Sculptural Program". Media Center for Art History at Columbia University. Retrieved 21 April 2013.
  12. "buenos aires: monumento al cid campeador | line of sight". Wrighton.com.ar. 2011-05-31. Archived from the original on 2012-03-24. Retrieved 2013-01-14.
  13. Salmon 2009, p. 77.
  14. Illustration. Archived 2006-11-06 at the Wayback Machine
  15. http://www.histden.org/journal/jhd_v55_2007_3_secured.pdf
  16. "The Talk of the Town: Package". The New Yorker. Retrieved 2013-01-14.
  17. http://www.ctpost.com/local/article/Torch-Bearers-headed-to-Houston-5100394.php
  18. "Visit the SC Williams Library at Stevens Institute of Technology". Stevens.edu. Archived from the original on 2013-01-19. Retrieved 2013-01-14.
  19. Note: this may be a scale model of the oversize statue of the same subject at the State University of New York College of Environmental Science and Forestry, in Syracuse, New York, pictured elsewhere in this article.
  20. Christen, Arden G., and Joan A. Christen. 2007. "An Ethical Lesson Learned from the Equestrian Sculpture, "The Torch Bearers," at the University of Madrid Dental School," Journal of the History of Dentistry 55(3): 160-164. Accessed: March 8, 2013.
  21. Wright, Robert. 2011, May 31. "Buenos Aires: Monumento al Cid Campeador," Line of Sight (blog). Archived 2012-03-24 at the Wayback Machine Accessed: March 8, 2013.

References
  • Armstrong, Craven, et al., 200 Years of American Sculpture, Whitney Museum of Art, New York, 1976.
  • Craven, Wayne, Sculpture in America, Thomas Y. Crowell Co, New York, 1968.
  • Evans, Cerinda W., Anna Hyatt Huntington, The Mariners Museum, Newport News, Virginia, 1965.
  • Metropolitan Museum of Art; Dimmick, Lauretta; Hassler, Donna J. (1999). John P. O'Neill (ed.). American Sculpture in the Metropolitan Museum of Art: A catalogue of works by artists born between 1865 and 1885. Metropolitan Museum of Art. ISBN 9780870999239.CS1 maint: ref=harv (link) - Total pages: 788
  • National Sculpture Society, Contemporary American Sculpture 1929, National Sculpture Society, New York, 1929.
  • Opitz, Glenn B, Editor, Mantle Fielding’s Dictionary of American Painters, Sculptors & Engravers, Apollo Book, Poughkeepsie, New York, 1986.
  • Proske, Beatrice Gilman, Brookgreen Gardens Sculpture, Brookgreen Gardens, South Carolina, 1968.
  • Rubenstein, Charlotte Streifer, American Women Sculptors, G.K. Hall & Co., Boston, 1990.
  • Salmon, Robin R. (2009). Sculpture of Brookgreen Gardens. Arcadia Publishing. ISBN 9780738566566.CS1 maint: ref=harv (link) - Total pages: 128
  • Leary, Joseph, A Shared Landscape: A Guide & History of Connecticut's State Parks & Forests, Friends of Connecticut State Parks Inc., Hartford, CT, 2004.
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