Alizarin

Alizarin (also known as 1,2-dihydroxyanthraquinone, Mordant Red 11, C.I. 58000, and Turkey Red[1]) is an organic compound with formula C
14H
8O
4 that has been used throughout history as a prominent red dye, principally for dyeing textile fabrics. Historically it was derived from the roots of plants of the madder genus.[2] In 1869, it became the first natural dye to be produced synthetically.[3]

Alizarin
Names
Preferred IUPAC name
1,2-Dihydroxyanthracene-9,10-dione
Other names
1,2-Dihydroxy-9,10-anthracenedione
1,2-Dihydroxyanthraquinone
Turkey red
Mordant red 11
Alizarin B
Alizarin red
Identifiers
3D model (JSmol)
3DMet
1914037
ChEBI
ChEMBL
ChemSpider
ECHA InfoCard 100.000.711
34541
KEGG
UNII
Properties
C14H8O4
Molar mass 240.214 g·mol−1
Appearance orange-red crystals or powder
Density 1.540 g/cm3
Melting point 279 to 283 °C (534 to 541 °F; 552 to 556 K)
Boiling point 430 °C (806 °F; 703 K)
slightly to sparingly soluble
Acidity (pKa) 6.94
Hazards
Safety data sheet External MSDS
GHS pictograms
GHS Signal word Warning
GHS hazard statements
 H302, H315, H319
P264, P270, P280, P301+312, P302+352, P305+351+338, P321, P330, P332+313, P337+313, P362, P501
Related compounds
Related compounds
 anthraquinone, anthracene
Except where otherwise noted, data are given for materials in their standard state (at 25 °C [77 °F], 100 kPa).
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Infobox references

Alizarin is the main ingredient for the manufacture of the madder lake pigments known to painters as Rose madder and Alizarin crimson. Alizarin in the most common usage of the term has a deep red color, but the term is also part of the name for several related non-red dyes, such as Alizarine Cyanine Green and Alizarine Brilliant Blue. A notable use of alizarin in modern times is as a staining agent in biological research because it stains free calcium and certain calcium compounds a red or light purple color. Alizarin continues to be used commercially as a red textile dye, but to a lesser extent than in the past.

History

Madder has been cultivated as a dyestuff since antiquity in central Asia and Egypt, where it was grown as early as 1500 BC. Cloth dyed with madder root pigment was found in the tomb of the Pharaoh Tutankhamun and in the ruins of Pompeii and ancient Corinth. In the Middle Ages, Charlemagne encouraged madder cultivation. Madder was widely used as a dye in Western Europe in the Late Medieval centuries.[4] In 17th century England, alizarin was used as a red dye for the clothing of the parliamentary New Model Army. The distinctive red color would continue to be worn for centuries (though also produced by other dyes such as cochineal), giving English and later British soldiers the nickname of "redcoats".

alizarin color

The madder dyestuff is combined with a dye mordant. According to which mordant used, the resulting color may be anywhere from pink through purple to dark brown. In the 18th century the most valued color was a bright red known as "Turkey Red". The combination of mordants and overall technique used to obtain the Turkey Red originated in the Middle East or Turkey (hence the name). It was a complex and multi-step technique in its Middle Eastern formulation, some parts of which were unnecessary.[5] The process was simplified in late 18th-century Europe. By 1804, a dye maker George Field in Britain had refined a technique to make lake madder by treating it with alum, and an alkali,[6] that converts the water-soluble madder extract into a solid, insoluble pigment. This resulting madder lake has a longer-lasting color, and can be used more efficaciously, for example by blending it into a paint. Over the following years, it was found that other metal salts, including those containing iron, tin, and chromium, could be used in place of alum to give madder-based pigments of various other colors. This general method of preparing lakes has been known for centuries[7] but was simplified in the late 18th and early 19th centuries.

In 1826, the French chemist Pierre-Jean Robiquet found that madder root contained two colorants, the red alizarin and the more rapidly fading purpurin.[8] The alizarin component became the first natural dye to be synthetically duplicated in 1868 when the German chemists Carl Graebe and Carl Liebermann, working for BASF, found a way to produce it from anthracene.[9] About the same time, the English dye chemist William Henry Perkin independently discovered the same synthesis, although the BASF group filed their patent before Perkin by one day. The subsequent discovery (made by Broenner and Gutzhow in 1871) that anthracene could be abstracted from coal tar further advanced the importance and affordability of alizarin's artificial synthesis.[10]

The synthetic alizarin could be produced for a fraction of the cost of the natural product, and the market for madder collapsed virtually overnight. The principal synthesis entailed oxidation of anthraquinone-2-sulfonic acid with sodium nitrate in concentrated sodium hydroxide. Alizarin itself has been in turn largely replaced today by the more light-resistant quinacridone pigments developed at DuPont in 1958.

Structure and properties
1,4-Dihydroxyanthraquinone, also called quinizarin, is an isomer of alizarin.[3][11]

Alizarin is one of ten dihydroxyanthraquinone isomers. It is soluble in hexane and chloroform, and can be obtained from the latter as red-purple crystals, melting point 277–278 °C.[2]

Alizarin changes color depending on the pH of the solution it is in, thereby making it a pH indicator.[12]

Applications

Alizarin Red is used in a biochemical assay to determine, quantitatively by colorimetry, the presence of calcific deposition by cells of an osteogenic lineage. As such it is an early stage marker (days 10–16 of in vitro culture) of matrix mineralization, a crucial step towards the formation of calcified extracellular matrix associated with true bone.

Alizarin's abilities as a biological stain were first noted in 1567, when it was observed that when fed to animals, it stained their teeth and bones red. The chemical is now commonly used in medical studies involving calcium. Free (ionic) calcium forms precipitates with alizarin, and tissue block containing calcium stain red immediately when immersed in alizarin. Thus, both pure calcium and calcium in bones and other tissues can be stained. These alizarin-stained elements can be better visualized under fluorescent lights, excited by 440–460 nm.[13] The process of staining calcium with alizarin works best when conducted in acidic solution (in many labs, it works better in pH 4.1 to 4.3).[14]

In clinical practice, it is used to stain synovial fluid to assess for basic calcium phosphate crystals.[15] Alizarin has also been used in studies involving bone growth, osteoporosis, bone marrow, calcium deposits in the vascular system, cellular signaling, gene expression, tissue engineering, and mesenchymal stem cells.[14]

In geology, it is used as a stain to differentiate the calcium carbonate minerals, especially calcite and aragonite in thin section or polished surfaces.[16][17]

Madder lake had been in use as a red pigment in paintings since antiquity.[18]

  • Red alizarin staining of rat's embryonic bones for osteogenesis study
  • Red alizarin stained juvenile Roosterfish (Nematistius pectoralis) lit by fluorescent light. [19]
  • Johannes Vermeer, Christ in the House of Martha and Mary, 1654-56. The red blouse of Mary is painted in madder lake
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See also

References
  1. SigmaAldrich Catalog: Alizarin
  2. The primary madder species from which alizarin historically has been obtained is Rubia tinctorum. See also Vankar, P. S.; Shanker, R.; Mahanta, D.; Tiwari, S. C. (2008). "Ecofriendly Sonicator Dyeing of Cotton with Rubia cordifolia Linn. Using Biomordant". Dyes and Pigments. 76 (1): 207–212. doi:10.1016/j.dyepig.2006.08.023.
  3. Bien, H.-S.; Stawitz, J.; Wunderlich, K. "Anthraquinone Dyes and Intermediates". Ullmann's Encyclopedia of Industrial Chemistry. Weinheim: Wiley-VCH. doi:10.1002/14356007.a02_355.
  4. Many examples of the use of the word "madder", meaning the roots of the plant Rubia tinctorum used as a dye, are given in the Middle English Dictionary, a dictionary of late medieval English.
  5. Lowengard, S. (2006). "Industry and Ideas: Turkey Red". The Creation of Color in 18th Century Europe. Gutenberg-E.org. ISBN 9780231503693. Additional 18th century history at "Turkey Red Dyeing in Blackley - The Delaunay Dyeworks". ColorantsInHistory.org.
  6. George Field's notes are held at the Courtauld Institute of Art. See "FIELD, George (?1777-1854)". Retrieved 2012-08-04.
  7. Thompson, D. V. (1956). The Materials and Techniques of Medieval Painting. Dover. pp. 115–124. ISBN 978-0-486-20327-0.
  8. See:
  9. Note:
    • In 1868, Graebe and Liebermann showed that alizarin can be converted into anthracene. See: C. Graebe and C. Liebermann (1868) "Ueber Alizarin, und Anthracen" (On alizarin and anthracene), Berichte der Deutschen chemischen Gesellschaft zu Berlin, 1 : 49-51.
    • In 1869, Graebe and Liebermann announced that they had succeeded in transforming anthracene into alizarin. See: C. Graebe and C. Liebermann (1869) "Ueber künstliche Bildung von Alizarin" (On the artificial formation of alizarin), Berichte der Deutschen chemischen Gesellschaft zu Berlin, 2 : 14.
    • For Graebe and Liebermann's original process for making alizarin from anthracene, see: Charles Graebe and Charles Liebermann, "Improved process of preparing alizarine," U.S. Patent no. 95,465 (issued: October 5, 1869). (See also their English patent, no. 3,850, issued December 18, 1868.)
    • A more efficient process for making alizarin from anthracene was developed by Caro, Graebe and Liebermann in 1870. See: H. Caro, C. Graebe, and C. Liebermann (1870) "Ueber Fabrikation von künstlichem Alizarin" (On the manufacture of artificial alizarin), Berichte der Deutschen chemischen Gesellschaft zu Berlin, 3 : 359-360.
  10. Brönner, J.; Gutzkow, H. (1871). "Verfahren zur Darstellung von Anthracen aus dem Pech von Steinkohlentheer, und zur Darstellung von Farbstoffen aus Anthracen" [Process for Preparing Anthracene from Coal-Tar Pitch, and Preparation of Dye-Stuffs from Anthracene]. Dinglers Polytechnisches Journal (in German). 201: 545–546.
  11. Bigelow, L. A.; Reynolds, H. H. (1926). "Quinizarin". Org. Synth. 6: 78. doi:10.15227/orgsyn.006.0078.
  12. Meloan, S. N.; Puchtler, H.; Valentine, L. S. (1972). "Alkaline and Acid Alizarin Red S Stains for Alkali-Soluble and Alkali-Insoluble Calcium Deposits". Archives of Pathology. 93 (3): 190–197. PMID 4110754.
  13. Smith, W. Leo; Buck, Chesney A.; Ornay, Gregory S.; Davis, Matthew P.; Martin, Rene P.; Gibson, Sarah Z.; Girard, Matthew G. (2018-08-20). "Improving Vertebrate Skeleton Images: Fluorescence and the Non-Permanent Mounting of Cleared-and-Stained Specimens". Copeia. 106 (3): 427–435. doi:10.1643/cg-18-047. ISSN 0045-8511.
  14. Puchtler, H.; Meloan, S. N.; Terry, M. S. (1969). "On the History and Mechanism of Alizarin Red S Stains for Calcium". The Journal of Histochemistry and Cytochemistry. 17 (2): 110–124. doi:10.1177/17.2.110. PMID 4179464.
  15. Paul, H.; Reginato, A. J.; Schumacher, H. R. (1983). "Alizarin Red S Staining as a Screening Test to Detect Calcium Compounds in Synovial Fluid". Arthritis and Rheumatism. 26 (2): 191–200. doi:10.1002/art.1780260211. PMID 6186260.
  16. Green, O. R. (2001). A Manual of Practical Laboratory and Field Techniques in Palaeobiology. Springer. p. 56. ISBN 978-0-412-58980-5.
  17. Dickson, J. A. D. (1966). "Carbonate identification and genesis as revealed by staining". Journal of Sedimentary Research. 36 (4): 491–505. doi:10.1306/74D714F6-2B21-11D7-8648000102C1865D.
  18. Schweppe, H., and Winter, J. Madder and Alizarin in Artists’ Pigments. A Handbook of Their History and Characteristics, Vol 3: E.W. Fitzhugh (Ed.) Oxford University Press 1997, p. 111 – 112
  19. Smith, W. Leo; Buck, Chesney A.; Ornay, Gregory S.; Davis, Matthew P.; Martin, Rene P.; Gibson, Sarah Z.; Girard, Matthew G. (2018-08-20). "Improving Vertebrate Skeleton Images: Fluorescence and the Non-Permanent Mounting of Cleared-and-Stained Specimens". Copeia. 106 (3): 427–435. doi:10.1643/cg-18-047. ISSN 0045-8511.

Further reading
  • Schweppe, H., and Winter, J. "Madder and Alizarin", in Artists’ Pigments: A Handbook of Their History and Characteristics, Vol. 3: E.W. Fitzhugh (Ed.) Oxford University Press 1997, pp. 109–142
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