Victor Stiebel

Victor Frank Stiebel (14 March 1907—6 February 1976)[1] was a South African-born British couturier. A founder member of the Incorporated Society of London Fashion Designers, he was among the top ten designers in Britain in the war and post-war years.[2] Among his more notable designs were the uniforms for the Women's Royal Naval Service in 1951 and the going-away outfit for Princess Margaret's wedding in 1960.[3]

Victor Stiebel
Victor Stiebel, photographed by Cecil Beaton
Born(1907-03-14)14 March 1907
Durban, South Africa
Died6 February 1976(1976-02-06) (aged 68)
London, England
EducationJesus College, Cambridge
OccupationCouturier
Partner(s)Richard Addinsell

Early life and education

Victor Frank Stiebel was born in 1907 in Durban, South Africa. He arrived in Britain in 1924 to study architecture at Jesus College, Cambridge.[2]

Having designed for theatre wardrobe at university, Stiebel worked as a dress designer for the House of Reville for three years, beginning in 1929.[4] Founded by Wallace Reville Terry and Miss Rossiter, Reville (also known as Reville-Terry and Reville & Rossiter) was one of the foremost court dressmakers and fashion houses in London before the First World War.[2][4] As was customary at the time, Stiebel learned the art of fashion design by working directly with a professional.[2]

Career

Pre-war

Steibel opened his own fashion house at 22 Bruton Street, just off Berkeley Square in 1932.[5] This proved so successful that he was able to expand the showroom to the Georgian ballroom next door within a year. He was assisted by his sister Noelle Stiebel, who managed much of the business's administration.[1] The celebrated interior designer Syrie Maugham created the all-white decor that was her trademark style and Constance Spry—who later became a firm friend—supplied the flowers for the showroom and his twice-yearly fashion shows.[6]

Stiebel became well-known for his women's clothes and his use of striped fabrics.[7] As reported in Vogue, "Stiebel has taken the lives and hearts and aspirations of Englishwomen and transmuted them into clothes, adding that touch of the artist, something that is rich and strange and exciting."[6]

Evening dress, designed by Victor Stiebel, late 1950s. Fashion Museum, Bath.

Wartime and post-war

Stiebel enlisted for the Second World War in 1940, closing his house, but he was allowed to continue designing while involved with the services thanks to his involvement as a founder member of the Incorporated Society of London Fashion Designers, his designs being manufactured as part of the war effort using government stock fabrics.[2] Called "Utility Fashion", each designer in the scheme produced a coat, dress, suit and shirt or blouse.[8]

Stiebel returned to designing in 1946, succeeding Bianca Mosca as head of the house of Jacqmar, and becoming Chairman of the Incorporated Society of London Fashion Designers. He was commissioned to design new uniforms for the Women's Royal Naval Service (1951) and the Women's Royal Air Force (1954).

He reopened his own house in 1958, having great initial success, including designing the going-away outfit for Princess Margaret on her marriage to Lord Snowdon in 1960. Stiebel was forced to close the business in 1963, after just five years, having become confined to a wheelchair as a result of multiple sclerosis.[2] Hardy Amies took on all 120 of Stiebel's employees.[2]

Stiebel's clients included Katharine Hepburn and Vivien Leigh.[9] Stiebel and Leigh also became close friends,[10] as illustrated by his more than 100 letters in the Vivien Leigh Archive, housed in the Victoria and Albert Museum.[9]

Personal life

For many years, Stiebel lived discreetly with his romantic partner, the composer Richard Addinsell.[11] In 1968, he published an account of his youth in South Africa.[12]

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gollark: PHP is an exciting mishmash of thin wrappers for C libraries, horribly named general utilities, "good" "OOP" tacked on later, and random things someone once used.
gollark: The actual C socket API has basically that interface, if I remember my accursed dealings with it right.
gollark: Well, two ways.

References
  1. "Obituary: Mr Victor Stiebel, creator of elegant clothes". The Times. 7 February 1976. p. 14.
  2. De la Haye, Amy (2002). "Gilded Brocade Gowns and Impeccable Tailored Tweeds: Victor Stiebel (1907–76) a Quintessentially English Designer". In Breward, Christopher; Conekin, Becky; Cox, Caroline (eds.). The Englishness of English Dress. Oxford. pp. 147–157. ISBN 1-85973-523-1.
  3. "Overalls, Victor Stiebel". Victoria & Albert Museum. Retrieved 19 July 2018.
  4. Adburgham, Alison (1966). View of Fashion. London: Allen & Unwin. p. 251.
  5. Behlen, Beatrice. "Miss Levy's Wedding Dress". Museum of London Blog. Museum of London. Retrieved 12 August 2014.
  6. Shephard, Sue (2010). The Surprising Life of Constance Spry. London: Pan Macmillan. ISBN 9780330 536110. Retrieved 12 August 2014.
  7. "Day dress, Victor Stiebel". Victoria & Albert Museum. Retrieved 19 July 2018.
  8. Goodyear, Jill (2003). "Fashions during Wartime".
  9. "Catalogue Note, Evening Gown, designed by Victor Stiebel". Sotheby's. 2017. Retrieved 19 July 2018.
  10. Capua, Michelangelo. Vivien Leigh: A Biography. Jefferson, NC: McFarland & Company, Inc. p. 26.
  11. Hischak, Thomas S. (2015). The Encyclopedia of Film Composers. London: Rowman & Littlefield. p. 1.
  12. Stiebel, Victor (1968). South African Childhood. London: André Deutsch.
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