They Stole a Tram
They Stole a Tram (Italian: Hanno rubato un tram), aka We Stole a Tram,[1] is a 1954 Italian comedy film written by and starring Aldo Fabrizi, and directed by Fabrizi and his assistant director Sergio Leone after director Mario Bonnard) left the film midway completed.[2][3] Sergio Leone also appeared in a brief scene as a contest presenter, Mario Bava was the film's cinematographer and future horror film director Lucio Fulci contributed to the screenplay. The film's music score was by Carlo Rustichelli.
| They Stole a Tram | |
|---|---|
 | |
| Directed by | Aldo Fabrizi Uncredited: Mario Bonnard Sergio Leone |
| Produced by | Luigi Rovere |
| Written by | Aldo Fabrizi Mario Bonnard Ruggero Maccari Lucio Fulci Alessandro Continenza |
| Story by | Luciano Vincenzoni |
| Music by | Carlo Rustichelli |
| Cinematography | Mario Bava |
Release date |
|
Running time | 91 minutes |
| Language | Italian |
Plot
Tram conductor Cesare Mancini (Aldo Fabrizi) accidentally hits a woman riding on a bicycle, and gets demoted down to a humble ticket taker.
Cast
- Aldo Fabrizi as Cesare Mancini
- Carlo Campanini as Bernasconi
- Juan de Landa as Rossi
- Lucia Banti as Marcella
- Mimo Billi as Caposervizio
- Fernanda Giordani as Suocera
- Lia Rainer as Teresa
- Bruno Corelli as Pretore
- Sergio Leone as the presenter of the contest
- Zoe Incrocci
gollark: People somehow can't accept positive-sum games.
gollark: > A core proposition in economics is that voluntary exchanges benefit both parties. We show that people often deny the mutually beneficial nature of exchange, instead espousing the belief that one or both parties fail to benefit from the exchange. Across 4 studies (and 7 further studies in the Supplementary Materials), participants read about simple exchanges of goods and services, judging whether each party to the transaction was better off or worse off afterwards. These studies revealed that win–win denial is pervasive, with buyers consistently seen as less likely to benefit from transactions than sellers. Several potential psychological mechanisms underlying win–win denial are considered, with the most important influences being mercantilist theories of value (confusing wealth for money) and naïve realism (failing to observe that people do not arbitrarily enter exchanges). We argue that these results have widespread implications for politics and society.
gollark: (linking because I happened to read it recently)
gollark: But look at this: https://psyarxiv.com/efs5y/
gollark: I mean, *maybe* some behaviors make sense at population scale or in some bizarre game-theoretic way?
References
- https://filmandtv.com/se-EN/title/we-stole-a-tram
- Roberto Chiti; Roberto Poppi; Enrico Lancia. Dizionario del cinema italiano: I film. Gremese, 1991. ISBN 8876055487.
- Paolo Mereghetti. Il Mereghetti. B.C. Dalai Editore, 2010. ISBN 8860736269.
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