The Decline of the American Empire

The Decline of the American Empire (French: Le Déclin de l'empire Américain) is a 1986 Canadian sex comedy-drama film directed by Denys Arcand and starring Rémy Girard, Pierre Curzi and Dorothée Berryman. The film follows a group of intellectual friends from the Université de Montréal history department as they engage in a long dialogue about their sexual affairs, touching on issues of adultery, homosexuality, group sex, BDSM and prostitution. A number of characters associate self-indulgence with societal decline.

This article is about a film by Denys Arcand. It is not to be confused with American decline.

The Decline of the American Empire
French-language film poster
Le Déclin de l'empire Américain
Directed byDenys Arcand
Produced byRoger Frappier
René Malo
Written byDenys Arcand
StarringDominique Michel
Dorothée Berryman
Rémy Girard
Pierre Curzi
Louise Portal
Yves Jacques
Geneviève Rioux
Daniel Brière
Gabriel Arcand
Music byFrançois Dompierre
CinematographyGuy Dufaux
Edited byMonique Fortier
Release date
  • June 19, 1986 (1986-06-19) (Quebec)
Running time
101 minutes
CountryCanada
LanguageFrench
English
Budget$1.8 million[1]
Box office$30 million[2]

The film was a box office success in Canada and internationally and received good reviews. It won the FIPRESCI Prize at the Cannes Film Festival, nine Genie Awards, including Best Motion Picture, and was the first Canadian film nominated for the Academy Award for Best Foreign Language Film. It was followed by two sequels, The Barbarian Invasions in 2003 and Days of Darkness in 2007.

Plot

In an interview with CBC Radio, Université de Montréal History Professor Dominique St. Arnaud tells Diane about her new book, Variations on the Idea of Happiness, which discusses her thesis that modern society's fixation on self-indulgence is indicative of its decline, predicting a collapse in the "American Empire", of which Quebec is on the periphery. Several of Dominique and Diane's friends, mostly intellectual history professors at the university, prepare for a dinner later in the day, with the men at work in the kitchen while the women work out at the gym.

As the dinner draws nearer, the men and women mainly talk about their sex lives, with the men being open about their adulteries, including Rémy, who is married to Louise. Most of the women in the circle of friends have had sex with Rémy, though he is not attractive, but they conceal this from Louise to spare her feelings. Louise has been to an orgy with Rémy, but believes he is generally faithful to her in Montreal. The friends are also accepting of their homosexual friend Claude, who speaks about pursuing men reckless of fear of STDs, while secretly being fearful of having one. During the dinner party, the friends listen to Dominique's theories about the decline of society, with Louise expressing skepticism. To retaliate against Louise, Dominique reveals she has had sex with Rémy and their friend Pierre, causing her to have an emotional meltdown. By morning, relationships have gone back to normal.

Cast

Production

Development
Director Denys Arcand wrote the script influenced by a small budget and seeing an interest in personal pleasures as becoming predominant in society.

In the wake of the 1980 Quebec referendum, director Denys Arcand felt Quebec's interests had shifted from politics to "individual pleasures", and with a small budget of $800,000 for his next project, envisioned a dialogue-heavy film like Louis Malle's 1981 film My Dinner with Andre. Arcand viewed sex as the most likely topic that could sustain audience interest for an entire film.[4] He worked on the screenplay throughout the summer of 1984, under the working title Conversations scabreuses.[4] He chose tenured university professors as his subject matter because he felt that such people had less of a Quebecois accent, which would make the film more accessible to French-speaking audiences around the world. He avoided naming local places for the same reason, even though this went against the wishes of the National Film Board of Canada, which co-sponsored the film.[5]

As Arcand worked on the script, producer Roger Frappier saw the story as promising and lobbied René Malo to co-produce, allowing for a bigger budget.[6] Frappier and Malo raised $1.8 million, allowing for more settings depicted in the film.[1] Most of the funding came from the governments of Canada and Quebec.[7]

Arcand had Rémy Girard and Yves Jacques in mind for principal roles after working with them on The Crime of Ovide Plouffe (Le Crime d'Ovide Plouffe) (1984), and named the main character Rémy after Girard. Nevertheless, their lack of celebrity meant Girard had to audition for the part named for him, to satisfy producers.[1]

Filming
Filming took place near Lake Memphremagog in Quebec from September to October 1985.

Filming began in Montreal in August 1985, and moved to Lake Memphremagog in September, finishing in October.[8] Filmmaker Jacques Leduc is given credit for photographing the nature scenes in the film.[9]

In filming sex scenes, Arcand felt visual depictions were overused, which is why he focused on the verbal aspect. He also felt the sex scenes were challenging because of actors' modesty, and sought to place the camera in novel positions.[10]

Release

The film was screened at the 1986 Cannes Film Festival, where it received a 20-minute standing ovation, after which distribution to 60 countries was assured.[11] In Canada, the film premiered in Montreal on 20 June, and opened across the country in September and October.[11]

The film was screened for months in Montreal and Paris and was the highest-grossing film ever in Quebec,[12] making $2.2 million in the province alone.[13] Outside Quebec, the film made $1 million in Canada.[11] In France, it drew an audience of 1,236,322 people, the highest for a Quebec film ever.[14] The film ultimately made $30 million.[2]

Critical reception
Critics gave positive reviews to the cast, including Pierre Curzi, who was nominated for the Genie Award for Best Actor.

Roger Ebert gave the film three stars, saying that despite the sexual dialogue, "the real subject is wit", and comparing it to My Dinner with Andre.[15] Vincent Canby of The New York Times wrote "Not since Alain Tanner's Jonah Who Will Be 25 in the Year 2000 has there been a comedy that so entertainingly and successfully expresses itself through intelligent characters defined entirely in their talk", and called the cast, including Rémy Girard and Pierre Curzi, "excellent".[16] Rita Kempley of The Washington Post found most characters unlikable but wrote "The Decline of the American Empire is certainly the year's most intellectual work, a frequently funny, unrepressed meditation on midnight in North America".[17] Peter Keough of the Chicago Reader wrote "The laughs come easy in Decline, but also a bit guiltily when you recognize that this hip sex comedy is actually a reactionary tract", given what he saw as the ending's victory for "traditional heterosexuality" while the homosexual character had an STD.[18] David Denby of New York magazine panned the film, calling it "pompous and tiresome".[19] In France, many critics highlighted the film's use of Quebec's natural landscape.[20]

The Toronto International Film Festival ranked it in the Top 10 Canadian Films of All Time twice, in 1993 and 2004.[21] Shortly after the release of the sequel The Barbarian Invasions in 2003, the British Film Institute called The Decline of the American Empire "a witty and provocative look at the battle of the sexes".[22] In 2011, marking the 25th anniversary of the film, Isabelle Houde of the Montreal-based La Presse remarked the film was daring for 1986 in portraying homosexuality as normal.[23]

Accolades

The film won nine Genie Awards in 1987, including Best Motion Picture and Best Director and Best Original Screenplay for Arcand. It also received the FIPRESCI Prize at the Cannes Film Festival.[24]

The film was nominated for the Academy Award for Best Foreign Language Film at the 59th Academy Awards,[25] the first Canadian film so honoured.[12] Its sequel, The Barbarian Invasions (Les Invasions barbares), would go on to win Canada's first Oscar in the category in 2003.[26]

Award Date of ceremony Category Recipient(s) Result Ref(s)
Academy Awards 30 March 1987 Best Foreign Language Film Denys Arcand Nominated [25]
Cannes Film Festival 8 – 19 May 1986 FIPRESCI Prize Won [24]
Chicago International Film Festival November 1986 Silver Hugo Award Won [27]
Genie Awards 1987 Best Motion Picture Roger Frappier and René Malo Won [24]
Best Direction Denys Arcand Won
Best Actor Pierre Curzi Nominated
Rémy Girard Nominated
Best Actress Dorothée Berryman Nominated
Best Supporting Actor Gabriel Arcand Won
Yves Jacques Nominated
Best Supporting Actress Louise Portal Won
Geneviève Rioux Nominated
Best Original Screenplay Denys Arcand Won
Best Editing Monique Fortier Won
Best Sound Adrian Croll, Jean-Pierre Joutel and Richard Besse Won
Best Sound Editing Paul Dion, Diane Boucher and Andy Malcolm Won
Golden Reel Award The Decline of the American Empire Won
New York Film Critics Circle 25 January 1987 Best Foreign Language Film Won [10]
Toronto International Film Festival 4 – 13 September 1986 Best Canadian Feature Film Won [24]
People's Choice Award Won

Sequels
See also: The Barbarian Invasions and Days of Darkness (2007 Canadian film)

The Barbarian Invasions, released in 2003, uses the same characters as The Decline of the American Empire and presents an aftermath to the ending of the first film, having Rémy's marriage end, and is thus a sequel.[28] Before 2007, critics called the two films, along with Arcand's 1989 film Jesus of Montreal, the "Montreal trilogy" because of their shared setting and allegory.[29] There are also characters from Jesus of Montreal in The Barbarian Invasions.[30]

In 2007, Arcand's film Days of Darkness was released. This film, along with The Decline of the American Empire and The Barbarian Invasions, was considered to complete a trilogy "about where Western civilization stands in the run-up to and the aftermath of the new millennium".[31] The Decline character Pierre, played by Pierre Curzi, also appears in Days of Darkness to update his story from The Barbarian Invasions.[32] Arcand's 2018 film, The Fall of the American Empire, continued themes of money degrading civilization, although it was not a direct sequel to The Decline of the American Empire apart from its similar name.[33]

gollark: Impressive.
gollark: No idea.
gollark: And not even a good one.
gollark: Really? A CPU miner?
gollark: Generally, I mean, not just for krist mining etc.

See also

References
  1. Loiselle 2008, p. 22.
  2. Rosenthal, Donna (22 July 1990). "THE PASSION OF DENYS ARCAND". The Washington Post. Retrieved 9 August 2016.
  3. Loiselle 2008, p. 67.
  4. Loiselle 2008, p. 17.
  5. Pike 2012, p. 93.
  6. Loiselle 2008, p. 21.
  7. Melnyk 2004, p. 140.
  8. Loiselle 2008, p. 23.
  9. Harcourt 2006, p. 150.
  10. Insdorf, Annette (25 December 1986). "View From Across The Border : Director Surveys 'American Empire'". Los Angeles Times. Retrieved 9 August 2016.
  11. Loiselle 2008, p. 25.
  12. Loiselle 2008, p. 3.
  13. Houde, Isabelle (25 February 2011). "Le déclin de l'empire américain: un tournage idyllique". La Presse. Retrieved 10 August 2016.
  14. Marshall 2001, p. 85.
  15. Ebert, Roger (21 November 1986). "The Decline of the American Empire". Rogerebert.com. Retrieved 9 August 2016.
  16. Canby, Vincent (27 September 1986). "FILM FESTIVAL; 'DECLINE,' A COMEDY BY FRENCH-CANADIANS". The New York Times. Retrieved 9 August 2016.
  17. Kempley, Rita (26 December 1986). "'The Decline of the American Empire' (R)". Washington Post. Retrieved 9 August 2016.
  18. Keough, Peter. "The Decline of the American Empire". Chicago Reader. Retrieved 9 August 2016.
  19. Denby, David (24 November 1986). "Bull Session". New York. p. 80.
  20. Spaas 2000, p. 95.
  21. "Top 10 Canadian Films of All Time". The Canadian Encyclopedia. 2012. Retrieved 28 April 2013.
  22. "The Decline of the American Empire". British Film Institute. 25 February 2011. Retrieved 10 August 2016.
  23. Houde, Isabelle (25 February 2011). "Le déclin de l'empire américain, 25 ans plus tard: une oeuvre dérangeante et visionnaire". La Presse. Retrieved 10 August 2016.
  24. "Awards". The Decline of the American Empire. National Film Board of Canada. Retrieved 7 November 2009.
  25. "The 59th Academy Awards (1987) Nominees and Winners". oscars.org. Retrieved 16 August 2015.
  26. Thompson 2014, p. 5.
  27. "Acclaimed Quebec Film Wins U.S. Hugo Award". The Ottawa Citizen. 14 November 1986. p. F14.
  28. Dancyger 2006, p. 67.
  29. Dundjerovic, AS (2005–2006). "Contradictions and Paradoxes in Denys Arcand's The Barbarian Invasion". London Journal of Canadian Studies. 21: 4.
  30. Pike 2012, p. 102.
  31. Honeycutt, Kirk (31 May 2007). "Days of Darkness". The Hollywood Reporter. Retrieved 21 August 2016.
  32. Howell, Peter (21 March 2008). "'Days of Darkness': Arcand triumph". The Toronto Star. Retrieved 21 August 2016.
  33. "Une première bande-annonce pour La chute de l'empire américain de Denys Arcand". Radio-Canada. 8 March 2018. Retrieved 8 April 2018.

Bibliography
  • Dancyger, Ken (2006). The Director's Idea: The Path to Great Directing. Amsterdam and Boston: Focal Press. ISBN 0240806816.CS1 maint: ref=harv (link)
  • Harcourt, Peter (2006). "Le Déclin de l'empire américain The Decline of the American Empire". In White, Jerry (ed.). The Cinema of Canada. Wallflower Press. ISBN 1904764606.CS1 maint: ref=harv (link)
  • Loiselle, André (2008). Denys Arcand's Le Déclin de L'empire Américain and Les Invasions Barbares. Toronto, Buffalo and London: University of Toronto Press. ISBN 0802099335.CS1 maint: ref=harv (link)
  • Marshall, Bill (2001). Quebec National Cinema. Montreal and Kingston: McGill-Queen's University Press. ISBN 077352116X.CS1 maint: ref=harv (link)
  • Melnyk, George (2004). One Hundred Years of Canadian Cinema. Toronto, Buffalo and London: University of Toronto Press. ISBN 0802084443.CS1 maint: ref=harv (link)
  • Pike, David Lawrence (2012). Canadian Cinema Since the 1980s: At the Heart of the World. Toronto, Buffalo and London: University of Toronto Press. ISBN 1442698322.CS1 maint: ref=harv (link)
  • Spaas, Lieve (2000). Francophone Film: A Struggle for Identity. Manchester and New York: Manchester University Press. ISBN 0719058619.CS1 maint: ref=harv (link)
  • Thompson, Wayne C. (2014). Canada 2014 (30 ed.). Rowman and Littlefield. ISBN 147581240X.CS1 maint: ref=harv (link)
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.