Alain Tanner

Alain Tanner (born 6 December 1929) is a Swiss film director.

Alain Tanner
Born (1929-12-06) 6 December 1929
Geneva, Switzerland
OccupationFilm director
Years active1957–present

Early years and education

Tanner studied economics at the University of Geneva. In 1951, he joined the film club which Claude Goretta had recently established at the university. After his graduation and a short time working for international shipping companies, he felt drawn to film.

Film career

Tanner found work at the British Film Institute in 1955, subtitling, translating, and organizing the archive.[1] His first film, Nice Time (1957), a short documentary film about Piccadilly Circus during weekend evenings, was made with Claude Goretta.[2] Produced by the British Film Institute Experimental Film Fund, it was first shown as part of the third Free Cinema programme at the National Film Theatre in May 1957. The debut film won a prize at the film festival in Venice and much critical praise.[1]

Tanner went to France for a while where he assisted with several commercial films. There, he met some of the most important directors of the French New Wave in Paris as well as Henri Langlois, the director of the Cinémathèque Française. Some critics have found the influences of Jean-Luc Godard and Robert Bresson in his films . But the atmosphere in the film circles of Paris displeased him; he described it as "cutthroat."

Between 1960 and 1968, Tanner returned to Switzerland, and he made more than 40 films as well as documentaries for French-language television there. In 1962, he became the co-founder of the Swiss young filmmakers' "Groupe Cinque."

His first feature film, Charles, Dead or Alive (1969), won the first prize at the international film festival in Locarno.[1] His next two films, La Salamandre (1971) and Jonah Who Will Be 25 in the Year 2000 (1976), were made in close collaboration with the art critic and novelist John Berger, who had also worked with him, to a lesser degree and without a credit, on the writing of Charles.[3]

1993

Influenced by his involvement with the British "Free Cinema" movement in London and with the French New Wave during his years in Paris, Tanner is best known for his movies Jonas qui aura 25 ans en l'an 2000 (Jonah Who Will Be 25 in the Year 2000), Dans la ville blanche (In the White City) and Messidor. Dans la ville blanche was entered into the 33rd Berlin International Film Festival.[4]

Filmography
  • Paul s'en va (2004)
  • Fleurs de sang (2002)
  • Jonas et Lila, à demain (1999)
  • Requiem (1998)
  • Fourbi (1996)
  • Les Hommes du port (1995)
  • Le Journal de Lady M (The Diary of Lady M) (1993)
  • L'Homme qui a perdu son ombre (The Man Who Lost His Shadow) (1991)
  • La Femme de Rose Hill (The Woman from Rose Hill) (1989)
  • La Vallée fantôme (1987)
  • Une flamme dans mon coeur (A Flame in My Heart) (1987)
  • No Man's Land (1985)
  • Dans la ville blanche (In the White City) (1983)
  • Les Années lumière (Light Years Away) (1981)
  • Messidor (1979)
  • Jonas qui aura 25 ans en l'an 2000 (Jonah Who Will Be 25 in the Year 2000) (1976)
  • Le Milieu du monde (The Middle of the World) (1974)
  • Le Retour d'Afrique (1972)
  • La Salamandre (The Salamander) (1971)
  • Charles mort ou vif (Charles, Dead or Alive) (1969)
  • Docteur B., médecin de campagne (1968)
  • Une ville à Chandigarh (A City at Chandigarh) (1966)
  • Les Apprentis (The Apprentices) (1964)
  • L'École (1962)
  • Ramuz, passage d'un poète (1961)
  • Nice Time (1957)
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References
  1. "Alain Tanner: marin et cinéaste, deux métiers si peu suisses" (in French). Le Courrier. 7 February 2004. Retrieved 2009-10-27.
  2. "Alain Tanner ou filmer l'ailleurs" (in French). L'Humanité. 3 June 1998. Archived from the original on July 8, 2008. Retrieved 2009-10-27.
  3. Canby, Vincent (13 February 1987). "Film: 'No Man's Land'". The New York Times. Retrieved 2009-10-27.
  4. "Berlinale: 1983 Programme". berlinale.de. Archived from the original on 11 October 2010. Retrieved 2010-11-14.
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