The Chronicles of Narnia: Prince Caspian

The Chronicles of Narnia: Prince Caspian is a 2008 high fantasy film co-written and directed by Andrew Adamson, based on Prince Caspian (1951), the second published, fourth chronological novel in C. S. Lewis's epic fantasy series, The Chronicles of Narnia. It is the second in The Chronicles of Narnia film series from Walden Media, following The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005). William Moseley, Anna Popplewell, Skandar Keynes, Georgie Henley, Liam Neeson, and Tilda Swinton reprise their roles from the first film, while new cast includes Ben Barnes, Sergio Castellitto, Peter Dinklage, Eddie Izzard, Warwick Davis, Ken Stott, and Vincent Grass. In the film, the four Pevensie children return to Narnia to aid Prince Caspian in his struggle with the "secret" help of Aslan for the throne against his corrupt uncle, King Miraz.

For the book, see Prince Caspian. For other uses, see Prince Caspian (disambiguation).

The Chronicles of Narnia: Prince Caspian
Theatrical release poster
Directed byAndrew Adamson
Produced by
Screenplay by
  • Andrew Adamson
  • Christopher Markus
    Stephen McFeely
Based onPrince Caspian
by C. S. Lewis
Starring
Music byHarry Gregson-Williams
CinematographyKarl Walter Lindenlaub
Edited bySim Evan-Jones
Production
company
Distributed byWalt Disney Studios Motion Pictures
Release date
  • May 7, 2008 (2008-05-07) (New York City)
  • May 16, 2008 (2008-05-16) (United States)
  • June 26, 2008 (2008-06-26) (United Kingdom)
Running time
150 minutes
Country
  • United Kingdom
  • United States
LanguageEnglish
Budget$225 million[1]
Box office$419.7 million[2]

Prince Caspian, a British-American production, is the last Narnia film to be co-produced by Walt Disney Pictures, as 20th Century Fox became the distributor for the next film The Chronicles of Narnia: The Voyage of the Dawn Treader due to budgetary disputes between Disney and Walden Media, but as a result of Disney eventually purchasing Fox on March 20, 2019, Disney now owns the rights to all three Narnia movies.[3] Work on the script began before The Lion, the Witch and the Wardrobe was released, so filming could begin before the actors grew too old for their parts. Director Andrew Adamson wanted to make the film more spectacular than the first, and created an action sequence not in the novel. The Narnians were designed to look wilder as they have been hiding from persecution, stressing the darker tone of the sequel. The filmmakers also took a Spanish influence for the antagonistic race of the Telmarines. Filming began in February 2007 in New Zealand, but unlike the previous film, the majority of shooting took place in Central Europe, because of the larger sets available in those countries. To keep costs down, Adamson chose to base post-production in the UK, because of recent tax credits there.

The Chronicles of Narnia: Prince Caspian premiered on May 7, 2008 at the Ziegfeld Theatre in New York City, before it was theatrically released on May 16 in the United States and on June 26 in the United Kingdom. The film received mostly positive reviews from film critics. Many praised the performances and visual effects; however, the film's darker tone and mature themes drew polarizing opinions. It was a moderate success at the box office, grossing $55 million during its opening weekend. By the end of its theatrical run, it had grossed over $419.7 million worldwide. The film became the 10th-highest-grossing film worldwide in 2008.

Plot

In Narnia, almost 1,300 years have passed after the Pevensie siblings left, Caspian, a Telmarine prince, is awoken by his mentor Doctor Cornelius, who informs him that his aunt has just given birth to a son and that his life is now in grave danger. Cornelius gives him Queen Susan's ancient magical horn and instructs him to use it if he is in dire need of help. Knowing that his Uncle Miraz would kill him in order to be king, Caspian flees. Chased by several Telmarine soldiers, Caspian falls off his horse and encounters two Narnian dwarfs and a talking badger in the woods. One of the dwarfs, Trumpkin, is captured by the soldiers after sacrificing himself to save Caspian, while the other dwarf, Nikabrik, and the badger, Trufflehunter, save Caspian. Not knowing that they are trying to save him, Caspian blows the magical horn, trying to summon help.

In England, the four Pevensie children wait at the Strand tube station for their train which will take them to boarding school. One year has passed in their world after they left Narnia. Just as the train pulls into the station the station tears apart, transporting them back in Narnia. There, they discover their castle, Cair Paravel, was attacked and ruined in their absence. The Pevensies save a bound and gagged Trumpkin, who is about to be drowned, and they set off together.

Meanwhile, Nikabrik and Trufflehunter lead Caspian to the Dancing Lawn, where all the old Narnians have assembled. Caspian convinces them to help him win his throne. Caspian and his troops encounter the Pevensies and Trumpkin, and they journey together to Aslan's How, a huge underground hall built over the Stone Table. Lucy wants to wait for Aslan, but Peter decides they have waited long enough and suggests attacking Miraz's castle. The Narnians succeed in infiltrating the castle, but Peter calls for a retreat when the gate is sabotaged. Half of the Narnians manage to escape, but the rest are trapped behind the closed gate and brutally slaughtered.

Nikabrik tells Caspian that there is a way he can claim his throne and guarantee Miraz's death. When Caspian agrees, a hag uses black sorcery to summon the White Witch. From inside a wall of ice, the Witch tries to convince Caspian to give her a drop of his blood in order to set her free. Peter, Edmund, and Trumpkin arrive and dispatch Nikabrik while Edmund shatters the wall of ice before the Witch can be freed.

Miraz and his army arrive at Aslan's How. Peter challenges Miraz to a one-on-one duel, in order to buy Lucy and Susan time to find Aslan. Peter is able to wound Miraz, and gives his sword to Caspian to finish him off. Caspian, who cannot bring himself to do it, spares Miraz's life but says that he intends to give Narnia back to its people. Lord Sopespian, one of Miraz's generals, suddenly stabs and kills Miraz with an arrow and blames the Narnians, igniting a massive battle between the Narnians and the Telmarines. Lucy, meanwhile, has found Aslan in the woods; he awakens the trees and the whole forest suddenly attacks the Telmarines, Lord Sopespian orders the retreat, where they are confronted by Lucy and Aslan. Aslan summons a river god, which wipes out the majority of the Telmarine army, including Sopespian; all of the surviving Telmarine soldiers surrender and hand over their weapons.

Caspian becomes the King of Narnia and, with Aslan's help, brings peace between the Narnian and Telmarine kingdoms. Before the Pevensies depart, Peter and Susan declare to Caspian, Edmund, and Lucy that Aslan says that Susan and Peter will never enter Narnia again because they have learned all they could from being in Narnia, but Lucy and Edmund might come back. Susan kisses Caspian, knowing she will never see him again, and the Pevensies then go back to England, leaving Caspian as King of Narnia.

Cast
Pevensies
  • William Moseley as Peter Pevensie. In a departure from the novel, Peter has a rivalry with Caspian. Moseley explained, "Peter's got his own issues to deal with, and Caspian's got his own issues to deal with, and when neither is willing to compromise, there's bound to be friction. Peter came back to Narnia expecting to be king again and that everyone would do as he said, and Caspian is unwilling to let him take over, so that causes some of it. That's really what happens. And it's a lot about humility. I think they both have to learn a certain humility [...] and that's really what a great king needs is to be humble, to listen to his people, to be willing to compromise, and they start off as these sort of angry teenagers, and become kings at the end." In real life, the two actors got on well together. Moseley also stated that he identified with Peter, having gone back to school between shooting both films.[4] He trained for three months in New York City to improve his performance and his physicality.[5]
  • Anna Popplewell as Susan Pevensie, the second oldest Pevensie. Popplewell had been disappointed she barely used her bow and arrows in the first film.[6] Adamson convinced Douglas Gresham to have her present during the battles by suggesting her passive role in the novel indicated Lewis' view of women before he met Joy Gresham. "I think [Lewis] cast women down in the earlier books, but when you look at The Horse and His Boy, it has a strong female character. Doug's mother was a strong woman."[7] Adamson also chose to have her fall for Caspian, because "The kids are growing up. If you look at Ben and you look at Anna, it seems really implausible that they wouldn't have some feelings for each other." He knew it had to be "sensitively handled" though,[8] and ultimately it is not about romance, but "[accepting] the fact that you can have a wondrous experience, enjoy it and move on".[9] Popplewell added that it would not make sense for the Narnians not to use Susan, a talented archer, in battle, and that the romance contributed to her character's reconciliation with losing Narnia in the first place.[10]
  • Skandar Keynes as Edmund Pevensie, the second-youngest Pevensie. Edmund matured during the events of The Lion, the Witch and the Wardrobe, so the writers saw him "as our Han Solo", "[doing] the right thing" and "probably going to be a little low-key about it", highlighting the immaturity of his older brother.[11] Keynes bruised his heel when performing a stunt where he jumped onto a horse. He narrowly missed landing on it and hit his foot against a column when holding on. Excepting that, he enjoyed performing the action.[12]
  • Georgie Henley as Lucy Pevensie. Henley acknowledged Lucy represents faith in the story, being the youngest and therefore most open-minded of the Pevensies.[5] During filming, Henley's baby teeth were falling out, so she wore fake teeth to fill in the gaps.[13]
Telmarines
  • Ben Barnes as Prince Caspian. Adamson said "Caspian is a coming-of-age and, to some degree, a loss of innocence story, with Caspian starting out quite naïve, then craving revenge and finally letting go of the vengeance."[9] While many readers interpret Caspian as a child, a passage in the novel mentions his age to be near that of Peter's, so an older actor was sought to match Moseley. Barnes had read the novel as a child, and was cast in two-and-a-half weeks after meeting with the filmmakers. He spent two months in New Zealand horse riding and stunt training to prepare for shooting.[14][15] Barnes modelled his Spanish accent on Mandy Patinkin's performance as Inigo Montoya in The Princess Bride,[16] though he also had a dialect coach aiding him.[15] Adamson did not expect to cast a British actor as Caspian, and said Barnes fitted well into the surrogate family of Adamson and the four actors playing the Pevensies.[17] When cast, Barnes was set to tour with the Royal National Theatre's production of The History Boys: producer Mark Johnson joked Barnes "probably isn't the Nation's favourite actor right now". Barnes left England without telling the Theatre.[18] They were furious when they found out that he had left them without permission, so they considered suing him for breach of contract, but decided against it.[15]
  • Sergio Castellitto as King Miraz. Castellitto was not familiar with the novel, but his four children had enjoyed the first film. Miraz marks the first time the Italian actor has portrayed a villain, and he found it interesting to "act out a stereotype." Nonetheless, he also felt that he and Adamson brought depth to the role, explaining Miraz is a soldier, not a coward, and that he takes the throne for his son. He compared the character to King Claudius in Hamlet.[19]
  • Pierfrancesco Favino as General Glozelle, Miraz's military commander, who plots with Sopespian to have his king killed in combat with Caspian and Peter in order to lead his own attack on the Narnians. However, in the end, Glozelle repents and is the first to volunteer to go into the Pevensies' world, and in return, is granted a good future by Aslan. This was Favino's idea, because originally Glozelle would have died in battle.[20] Adamson dubbed the character "a real Benedict Arnold".[9] Favino is able to speak several languages and generally acted as a translator to Adamson on set while working with actors and crew members of multiple nationalities.[6]
  • Damián Alcázar as Lord Sopespian.[21] "In some ways Sopespian turns out to be the real bad guy of the film," Adamson said. "Where it seems that Miraz has the upper hand at the beginning, we see that Sopespian, like Shakespeare's Iago, is trying to manipulate the situation."[9]
  • Vincent Grass as Dr. Cornelius: Caspian's mentor,[22] who is half-dwarf. Adamson compared Caspian and Cornelius's relationship to Aristotle and Alexander the Great.[9] Cornelius's role in the movie is significantly smaller than in the novel, and he is not named on screen, being referred to only as "Professor".
  • Alicia Borrachero as Queen Prunaprismia.[23] Prunaprismia was Miraz's wife. When she had learned that her husband had killed his own brother, she became heartbroken. After Miraz's death, Prunaprismia was the second volunteer to go back to our world (with her child). Because of her repenting, Prunaprismia and her child were promised a good life back in our world.
  • Simón Andreu as Lord Scythley.[24]
  • Predrag Bjelac as Lord Donnon.[25]
  • David Bowles as Lord Gergiore. He served as one of the marshals during the duel between Peter and Miraz.
  • Juan Diego Montoya Garcia as Lord Montoya.
Narnians
  • Liam Neeson reprises his role as the voice of the lion Aslan. Aslan is "more parental here, [he] lets the kids, well, make their own mistakes".[9] Aslan's entrance was filmed as a dream sequence to emphasize his messianic nature, and not make it reflect badly on his absence when Narnia is in turmoil.[26] Although the character is considered C.S. Lewis' version of Jesus, Neeson "see[s] him more as the spirit of the planet—this living, breathing planet. That's what he stands for, for me; more what the native Americans would believe."[27] As Aslan has fewer action scenes than in the first film, the animators found it difficult to make him move interestingly. His pose had to be regal, but if he moved his head too much, he would remind viewers of a dog. As well as having his size increased by fifteen percent,[28] Aslan's eyes were also changed to look less "Egyptian".[29] Many of his shots were finished at the last minute.[6]
  • Peter Dinklage as Trumpkin, a cynical red dwarf. Dinklage was Adamson and Johnson's first choice, having seen him in The Station Agent.[18] He accepted because "often, you get the hero and the villain and not much in between. Trumpkin is in between. He is not a lovable Snow White dwarf. Audiences appreciate these cynical characters. It helps parents and adults to go along with the journey."[30] Dinklage's prosthetics took three hours to apply,[18] and restricted his performance to his eyes. Even his frown was built into the make-up.[20] On his first day of filming, he was bitten by sand flies and fell into a river. "We were lucky that he returned after his first day!" recalled Johnson.[18]
  • Warwick Davis as Nikabrik, a black dwarf. He is descendant of Ginarrbrik, who served the White Witch, and bears one of his rings, which was passed down from each generation.[31] Mark Johnson acknowledged casting Davis as the treacherous Nikabrik was casting against type:[18] Berger covered all his face bar his eyelids in prosthetics, to allow Davis to ward off the audience's perceptions of him.[32] Nikabrik's nose was based on Berger.[33] Davis feared filming in the Czech Republic, because the grass is filled with ticks, so he put elastic bands to hold his trousers against his legs.[34] Davis portrayed Reepicheep in the 1989 BBC production of Prince Caspian.
  • Ken Stott as the voice of Trufflehunter the badger.[35] Adamson called Trufflehunter "a walking and talking Narnian library [who is] totally old-school".[9] The animators visited a badger sanctuary to aid in depicting his performance.[29]
  • Eddie Izzard as the voice of Reepicheep, a swashbuckling mouse. Over 100 actors auditioned to voice the character.[36] Izzard approached Reepicheep as less camp and more of a bloodthirsty assassin with a sense of honour (a cross between Mad Max and a Stormtrooper from Star Wars): Izzard interpreted Reepicheep as someone whose family was killed by the Telmarines.[32] The Narnia series were some of the few books Izzard read as a child, and he cherished them.[37] When discussing Reepicheep to the animators, Adamson told them to rent as many Errol Flynn films as possible.[18] Adamson credits Izzard for making the role his own; beforehand, the director was approaching the character similarly to Puss in Boots in Shrek 2.[38]
  • Cornell John as Glenstorm the Centaur.[39] Adamson had seen John perform in Porgy and Bess in London, and liked his long face.[32] John imagined the character as being 170 years old, and wanted to convey "honour, pride and tradition".[36]
    • Lejla Abbasová as Windmane (Glenstorm's wife).[32]
    • Yemi Akinyemi as Ironhoof (Glenstorm's son).[40]
    • Carlos Da Silva as Suncloud (Glenstorm's son).[40]
  • David Walliams as the voice of the Bulgy Bear.[41]
  • Klara Issova as a Narnian Hag who attempts to resurrect the White Witch.[32] She used some Arabic words in her incantation.[20]
  • Gomez Mussenden (son of costume designer Isis Mussenden) plays Lightning Bolt, a child Centaur.[42]
  • Jan Pavel Filipensky as Wimbleweather the giant.[40]
  • Shane Rangi as Asterius, an elderly minotaur who aids Caspian. Josh Campbell provides the voice for the character. Asterius is killed during the raid while holding the gate open to allow some of the army to escape. Rangi also stood in for Aslan, the Bulgy Bear, the Werewolf, another Minotaur, and the Wild Bear on set.[43] Rangi played General Otmin in the previous film and Tavros in The Voyage of The Dawn Treader. He was able to see more in the redesigned animatronic minotaur heads, though "in order to make the eye line straight and correct, you've actually got to hold your head down, so your view is only about a foot and a half in front of you, which still makes it a little bit hard". This resulted in Rangi knocking himself against the rising gate of the Telmarine castle, although he was fine and it was the animatronic head that bore the brunt of the damage.[44] The costumes were still very hot, reducing him to a "walking waterfall". Although a head sculpt of Aslan was used to stand in for the character on the first film, Rangi had to portray the character on set because Lucy interacts with him more.[45] Rangi lost four kilograms wearing all his costumes.[44]
Cameos

Production

Writing
We had some difficulty figuring out how to make Caspian work as a film. In the book, the children arrive in Narnia, and they all sit down around the campfire and Trumpkin tells them the story of Prince Caspian – which means that the four Pevensie children vanish for half of the book.

Douglas Gresham[47]

Before the release of The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, the screenplay for the sequel Prince Caspian had already been written.[48] Director Andrew Adamson said the decision was made to follow the publication order of the novels because "if we don't make it now we'll never be able to, because the [actors will] be too old". Prince Caspian, the second published novel in the series, is the fourth chronologically. The Horse and His Boy takes place during a time only hinted at in The Lion, the Witch and the Wardrobe.[49] The writers briefly considered combining Caspian with The Voyage of the Dawn Treader, which the BBC did for their television adaptation.[40]

Screenwriters Christopher Markus & Stephen McFeely wanted to explore how the Pevensies felt after returning from Narnia, going from being kings and queens back to an awkward year as school children. They noted, "[C. S. Lewis] doesn't much consider what it would be like for a King of Narnia to return to being a 1940s schoolchild." They also decided to introduce the Pevensies back into Narnia nearer the start, in order to weave the two separate stories of the Pevensies and Caspian, in contrast to the book's structure.[50] A sense of guilt on the Pevensies' part was added, seeing the destruction of Narnia in their absence,[51] as was hubris for Peter to enhance the theme of belief: his arrogance means he is unable to see Aslan.[52]

Adamson also desired to make the film larger in scale; "I've gained confidence having gone through the first. This time, I was able to go larger [in] scale, with more extras and bigger battle scenes."[30] Inspired by a passage in the novel where Reepicheep says he would like to attack the castle,[53] a new battle scene in which Peter and Caspian make an attempted raid on Miraz's castle was created.[54] Adamson felt the imagery of mythological Greek creatures storming a castle was highly original.[17] Markus and McFeely used the sequence to illustrate Peter and Caspian's conflict and Edmund's maturity, in an effort to tighten the script by using action as drama. Adamson preferred subtlety to the drama scenes, asking his young male actors not to perform angrily. Adamson copied Alfred Hitchcock by "tell[ing] people at the end of the scene, 'Now just give me something where you're not thinking about anything.' By using it in context, the audience will read an emotion into it."[53]

Design
Concept art of Miraz's armour. The Telmarines are stereotypically Spanish in appearance, and their masked helmets are partly based on conquistadors.

Andrew Adamson described the film as being darker, as it takes place "another 1300 years later, [and] Narnia has been oppressed by Telmarines for a large period of that time, so it's a dirtier, grittier, darker place than the last world was".[55] He added, "This one is more of a boy's movie. It's a harsher world. The villains are human, and that lends a more realistic attitude."[30] Creatures were designed by veteran horror and monster concept artist Jordu Schell[56] and supervised by Howard Berger, who said that Prince Caspian would be more medieval than The Lion, the Witch and the Wardrobe.[51] Alongside Adamson, Berger's children critiqued his designs, aiding the process:[34] his son thought the werewolf's ears were silly, so they were made smaller.[32]

For the Narnians, Berger envisioned them as more wild in appearance, as they have been forced into the forests. He also decided to increase the portrayal of various ages, sizes and races.[57] The black dwarfs are distinguished from the red dwarfs as they have more leather and jewellery, and a darker colour scheme in their costumes.[31] Each race of creatures also had their fighting styles made more distinguishable.[58] The minotaurs have maces, and the centaurs use swords.[59] The satyrs were redesigned, as their creation on the first film had been rushed.[42] Four thousand and six hundred make-up jobs were performed, which Berger believes is a record.[36]

The filmmakers interpreted the Telmarines, including Caspian, as being Spanish because of their pirate origins, which producer Mark Johnson noted made Caspian "a contrast to the lily-white [Pevensies]".[60] Production designer Roger Ford originally wanted the Telmarines to be French, as they had a confrontational history with the English, who are represented by the Pevensies. This was scrapped as the crew were unable to shoot at Pierrefonds Castle, for Miraz's lair, so they went for the Spanish feel.[61] Weta Workshop created masked helmets for their army, and faceplates for the live horses on set. The stunt soldiers wield two hundred polearms in two different styles, two hundred rapiers of varying design, over a hundred falchions, two hundred and fifty shields and fifty-five crossbows. Caspian's own sword is a variation of the Royal Guard's weapons.[59] Costume designer Isis Mussenden looked to the paintings of El Greco to inspire the Telmarines' costumes.[51] She wanted to use colours that looked "acidic and hot and cool at the same time", unlike the red and gold seen in the Narnian soldiers.[31] Their masked helmets are based on conquistadors and samurai.[62] She visited the armour archives of the Metropolitan Museum of Art for inspiration.[36] An eagle emblem was incorporated into the characters' lairs to make them feel fascist.[63]

Filming

Eight months were spent scouting locations,[40] including Ireland,[64] China and Argentina,[65] before New Zealand, Prague, Slovenia and Poland were chosen.[40] Whereas the previous film was predominantly shot in New Zealand with a few months of filming in Central Europe, Adamson decided New Zealand lacked enough sound stages to accommodate the larger scale of the film.[55] The decision to film most of the picture in Europe also allowed the ability to shoot during summer in both continents,[66] although the weather turned out to be so erratic during filming that Adamson joked he had been lied to.[6]

The Pevensies' return to Narnia was shot at Cathedral Cove because of an arch which mirrors the train tunnel the children are transported from.

Filming began on February 12, 2007 in Auckland.[35] The scene where the Pevensies return to the ruined Cair Paravel was shot at Cathedral Cove. The filmmakers chose the location because it had a tunnel-like arch, which echoed the train tunnel the children go into before being summoned back into Narnia.[61] Henderson Valley Studios was used for the Pevensies' ancient treasure room and the Underground station.[36][67]

On April 1, 2007, the crew began filming at Barrandov Studios in Prague.[68] There, sets such as Miraz's castle, Aslan's How and the underground hiding places of the Narnians were created.[54] The 200-foot-tall (61 m) castle was built to scale because Adamson felt he overused digital sets on the last film.[53] The castle was built in the open air during winter, where the temperature would drop to −4 °F (−20 °C).[67] Miraz's courtyard is the largest set in production designer Roger Ford's career, including the previous Narnia film. Aslan's How was modified into the hideout after filming for those scenes was finished.[54] To create Trufflehunter's den, Ford's crew put a camera inside a badger's den to study what it should look like.[40] The den's roof had to be raised by three inches because Ben Barnes was too tall.[20]

In June 2007, they shot the bridge battle near Bovec in the Soča Valley, Slovenia.[69] The location was chosen for its resemblance to New Zealand. A large bridge was built, which was modelled on the one Julius Caesar built to cross the Rhine.[61] Whereas Caesar supposedly built his bridge in ten days, the filmmakers had around forty. The schedule was short though, but the authorities would only allow them this build time to not completely disrupt normal summer activities on the lake. The filmmakers made a trench to change the river's course, so they could deepen the drained sides of the riverbed so it looked like one could drown in it. The crew also cut down 100 trees for shots of the Telmarines building the bridge; the trees were moved to another side of the river for decoration.[70] The bridge stood for two months before being dismantled.[71] As part of the clean-up, the cut-down trees and parts of the bridge were sent to a recycling plant, while other portions of the bridge were sent to the studio for close-ups shot against bluescreen.[70]

Part of the battle was shot at Ústí nad Labem in the Czech Republic.[72] Only the entrance to Aslan's How was built on location. Adamson wanted Peter and Miraz's duel to feel unique and not like a controlled, overly choreographed fencing match: Moseley and Castellitto began training for the scene in November 2006. The stunt coordinator Allan Poppleton doubled for Castellitto in some shots because they are similar in size. For claustrophobic shots, cameras were built into their shields.[73] The main camera was placed on a 360-degree track surrounding the ruin it takes place on.[40] The filmmakers dug a large hole in the ground for the scene where the Narnians cause the pillars supporting the growth near Aslan's How to collapse on the Telmarines. The earth was then restored following completion of the scene. They also had to restore the grass after filming numerous cavalry charges. 18,000 fern plants were imported to the Czech Republic to create a forest. A scene shot in Poland, which involved building a cliff face, also had to leave no trace behind.[67] Filming finished by September 8, 2007.[74]

Effects

Prince Caspian has over 1,500 special effects shots, more than The Lion, the Witch and the Wardrobe's 800 effects shots, yet the film had less time to complete them.[51] The scale of special effects led Andrew Adamson to base production in the UK, to take advantage of new tax credits. Therefore, it legally qualifies as a British film.[75] This also meant the director only had to walk five minutes from the editing room to supervise the effects.[76] British visual effects companies the Moving Picture Company and Framestore CFC were hired to create the visual effects alongside Weta Digital. Framestore worked on Aslan, Trufflehunter and the door in the air; Scanline did the River-god; Weta created the werewolf, the wild bear and Miraz's castle; MPC and Escape Studios did the main battle, the tunnel scene, the castle assault, the council scenes and all the other creatures.[76][77][78]

Alex Funke, who worked on The Lord of the Rings, directed the film's miniatures unit.[51] These include 1/24th- and 1/100th-scale miniatures of Miraz's castle.[59] A scale model was built of the Narnians' cave hideouts during the climactic battle, which the actor playing the giant Wimbleweather was filmed against.[79] One of the improvements made over the previous film was to make the centaurs walk during dialogue scenes, so Cornell John as Glenstorm wore Power Risers (mechanical stilts with springs), to mimic a horse's canter and height.[54] The animatronic Minotaur heads were also improved to properly lip sync,[79] although this was not as successful as hoped and had to be revamped digitally.[80]

In the climactic battle, 150 extras stood in for the Narnians, while 300 extras were used for the Telmarines. These were digitally duplicated until there were 1,000 Narnians and 5,000 Telmarines onscreen. The animators found it easier to create entirely digital centaurs and fauns, rather than mix digital legs with real actors.[76] The dryads were entirely computer-generated, whereas in the first film digital petals had been composited over actors.[29] However, Adamson had chosen to make the centaurs not wear armour, meaning the animators had to make the human–horse join behave more cohesively. Combining digital characters with actors, such as when Lucy hugs Aslan, had become easier since the first film, as lighting had improved.[76] To achieve Lucy hugging Aslan, Framestore even replaced Georgie Henley's arm with a digital version.[29] For the gryphons, a motion control rig was created for the actors to ride on. The rig could simulate subtle movements such as wing beats for realism.[28] Adamson cited the river-god as the character he was most proud of. "It was a really masterful effect: to control water like that is incredibly difficult", he said. "The [visual effects company] told us they'd been waiting to do a shot like that for ten years."[76]

The film features catapults resembling windmills, that can fire rapidly, and a ballista that can fire three projectiles at a time. The practical versions of these were metal with fibreglass painted and aged to resemble wood on top. Weta created props of the missiles thrown by the Telmarine equipment. The practical version of the catapult had its upper half painted blue, to composite a digital version programmed for rapid firing movement.[81]

Music
Further information: The Chronicles of Narnia: Prince Caspian (soundtrack)

The Lion, the Witch and the Wardrobe composer Harry Gregson-Williams began composing the sequel in December 2007. Recording began at Abbey Road Studios the following month, and finished by April 2008. The Crouch End Festival Chorus,[82] Regina Spektor's song, "The Call", Oren Lavie's song, "Dance 'Round The Memory Tree" and Switchfoot's song, "This Is Home", are featured on the soundtrack. Imogen Heap, who sang "Can't Take It In" for the first film, wrote a new song which Gregson-Williams considered too dark.[83]

Gregson-Williams' score is darker to follow suit with the film. Gregson-Williams wanted Caspian's theme to convey a vulnerability, which would sound more vibrant as he became more heroic. It originally used a 3/4 time signature, but the opening scene required a 4/4 and thus it was changed. To represent Miraz's cunning, the heroic theme from the first film was inverted. For Reepicheep, a muted trumpet was used to present his militaristic and organised character.[84] Gregson-Williams considered arranging his theme for a small pennywhistle, but found that it sounded too cute and broke the tension of the night raid.[85]

Release
Entrance to the O2 premiere in London on June 19, 2008

During pre-production, Disney announced a December 14, 2007 release date,[86] but pushed it back to May 16, 2008, because Disney opted to not release it in competition with The Water Horse, another Walden Media production.[87] Disney also felt the Harry Potter films comfortably changed their release dates from (Northern Hemisphere) winters to summers, and Narnia could likewise do the same because the film was darker and more like an action film.[1] The world premiere was held at the Ziegfeld Theatre in New York City on May 7, 2008.[88] The British premiere was held at the O2 Arena on June 19, the first time the dome has hosted a film screening. Around 10,000 people attended the event, the proceeds of which went to Great Ormond Street Hospital.[89]

The film opened in 3,929 theaters in the United States and Canada on May 16, 2008.[90] The Motion Picture Association of America gave the film a PG. To earn this rating, which the filmmakers were contractually bound by Disney to do, Adamson altered a shot of a fallen helmet to make clear that it did not contain a severed head.[91] Adamson made numerous edits to the film beforehand after showing the film to a young audience, explaining "When you sit down and you're watching it, and you see the kids' faces while making the film, you're just making an attempt, you're making it exciting, you're doing all of these things because you're essentially making the film for yourself. When you start showing it to an audience, that then influences how you feel about the film."[26]

Marketing

Adding to the film's $225 million budget (almost $100 million of which were spent on the effects), Disney also spent $175 million on promoting the film.[1] Play Along Toys created a playset of Miraz's castle, a series of 3¾-inch and 7-inch action figures, and roleplaying costumes. Weta Workshop's Collectibles unit also created statues, busts and helmets based on their props for the film,[92] and there was also a Monopoly edition based on the film.[93] In the UK, Damaris Trust was commissioned to produce resources relating to the film for churches and schools, which are available from the official UK Narnia website.[94] In June 2008, the Journey into Narnia: Prince Caspian Attraction opened at Disney's Hollywood Studios, featuring a recreation of the Stone Table, behind-the-scenes footage, concept art, storyboards, props and costumes from the film.[95] The tone of the film's marketing focused on the film's action, and unlike The Lion, the Witch and the Wardrobe Disney and Walden did not screen the film for pastors or give Bible-based study guides in North America.[96]

Home media

Prince Caspian was released on DVD and Blu-ray Disc in the UK on November 17, 2008, and on December 2, 2008 in North America. It was the top-selling DVD of its release week in the U.S.[97] taking in $54.7 million.[98] The film was released in Australia on November 27, 2008. There were one-disc and three-disc DVD editions (two-disc only in the UK), and two-disc and three-disc Blu-ray Disc editions (two-disc only in the UK). The first two discs contain an audio commentary by Adamson, blooper reel, deleted scenes and documentaries, while the third disc contains a digital copy of the film.[99] For the Blu-ray Disc, Circle-Vision 360° was used to allow viewers to watch the night raid from different angles.[100] An additional disc of special features was only made available in Japan and Zavvi stores in the UK, while a separate version containing a disc of electronic press kit material was exclusive to Sanity stores in Australia.[101] By the end of 2008, the film earned almost $71 million in DVD sales.[102]

Reception

Critical response

The review aggregator website Rotten Tomatoes reported that 67% of critics gave the film positive reviews, based on 192 reviews. The site's critical consensus reads, "The Chronicles of Narnia: Prince Caspian is an entertaining family adventure worthy of the standard set by its predecessor."[103] Metacritic reported the film had an average score of 62 out of 100, based on 34 critics, indicating "generally favorable reviews".[104] Audience members polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.[105]

Film critic Leonard Maltin gave the film 3 out of 4 stars (as he did with The Lion, The Witch, and The Wardrobe), calling the performances "strong", the storytelling "solid", and the scenery "breathtaking", though he also said, "it's a dark tale, and the climactic battle scenes go on at length."[106]

Two film industry trade journals gave the film positive reviews. Todd McCarthy of Variety felt Adamson's direction had a "surer sense of cinematic values" and praised the improved special effects, the "timeless" locations and production design. On the performances, he felt "the four kids overall have more character and are therefore more interesting to watch than they were before, and Italian actor Castellitto registers strongly with evil that's implacable but not overplayed."[107] Michael Rechtshaffen of The Hollywood Reporter noted the film was darker than its predecessor, with "the loss of innocence theme ... significantly deepened". He highlighted Peter Dinklage's performance, which "outmaneuver[ed] the title character as Narnia's most colorful new inhabitant".[108]

A number of critics took issue with what they interpreted as the film's underlying messages. San Francisco Chronicle critic Mick Lasalle wrote in his parental advisory that "basically, this is a movie about kids who go into another world and dimension and spend the whole time killing people."[109] MSNBC reviewer Alonso Duralde noted that "all the heroes have British accents while the Telmarines are all decidedly Mediterranean in appearance and inflection".[110] An Anglican Journal review described the movie as reasonably faithful to the adventure elements of the book, much lighter on the religious faith aspects, which they found integral to the novel, and deficient on character and emotion.[111]

The Visual Effects Society nominated it for Best Visual Effects and Best Compositing.[112] It was nominated for Best Fantasy Film, Best Costumes, Best Make-up, and Best Special Effects at the Saturn Awards.[113] Keynes and Henley received nominations at the Young Artist Awards.[114]

In 2010, Mark Johnson, a producer from all of the Narnia movies, admitted that "We made some mistakes with Prince Caspian and I don't want to make them again." He also said Caspian lacked some of the "wonder and magic of Narnia," was "a little bit too rough" for families, and too much of a "boys' action movie."[115]

Box office

When released on May 16 in the United States and Canada, the film grossed $55 million from 8,400 screens at 3,929 theaters in its opening weekend, ranking #1 at the box office.[116] Disney said it was happy with the film's performance, although the opening fell short of industry expectations of $80 million and was also behind The Lion, The Witch and the Wardrobe's opening gross of $65.6 million.[117] By June 1 it grossed $115 million, while the first film had grossed $153 million in the same amount of time.[118] Disney CEO Robert Iger attributed the film's underperformance to being released between two of the year's biggest hits, Iron Man and Indiana Jones and the Kingdom of the Crystal Skull.[87][119]

On May 16, the film also opened at number one in twelve other countries,[117] grossing $22.1 million, and bringing the worldwide opening total to about $77 million.[120] The film opened in Russia with $6.7 million, the biggest opening of the year; it earned $6.3 million (15% more than the first) in Mexico; $4 million in South Korea, making it in the third-most-successful Disney film there; $2 million from India, which was triple the gross of the first; and it earned $1.1 million in Malaysia, making it the country's third-most-popular Disney film after the Pirates of the Caribbean sequels.[121] The film also opened with $1 million in Argentina on June 13, which was Disney's third-biggest opening in the country and the biggest of 2008 at that time.[122] Prince Caspian made $141.6 million in the United States and Canada while the worldwide total stands at $419.7 million. The movie was the tenth-highest-grossing film of 2008 worldwide,[123] and was Disney's second-highest-grossing film of 2008 after WALL-E.[1]

Accolades
Year Award Category/Recipient Result
2008 MTV Movie Awards Best Summer Movie So Far Nominated
Teen Choice Awards Choice Movie: Action Won
Choice Movie: Male Breakout Star (Ben Barnes) Nominated
National Movie Awards Best Family Film Nominated
Best Performance – Male (Ben Barnes) Nominated
2009 People's Choice Awards Favorite Family Movie Nominated
Costume Designers Guild Awards Excellence in Costume Design for Film – Fantasy Nominated
Golden Reel Awards Best Sound Editing – Sound Effects, Foley, Dialogue and ADR in a Foreign Feature Film Nominated
Visual Effects Society Awards Outstanding Visual Effects in a Visual Effects Driven Motion Picture Nominated
Outstanding Compositing in a Feature Motion Picture Nominated
Young Artist Award Best Performance in a Feature Film – Young Ensemble Cast (Georgie Henley, Skandar Keynes, William Moseley, Anna Popplewell) Nominated
Best Performance in a Feature Film – Leading Young Actress (Georgie Henley) Nominated
Best Performance in a Feature Film – Leading Young Actor (Skandar Keynes) Nominated
Taurus World Stunt Awards Best Fight Nominated
BMI Film & TV Awards BMI Film Music Award Won
MTV Movie Awards Breakthrough Male Performance (Ben Barnes) Nominated
Saturn Awards Best Fantasy Film Nominated
Best Costume Nominated
Best Make-Up Nominated
Best Visual Effects Nominated
gollark: Well, most people would.
gollark: They mostly *are*.
gollark: Well, laptops mostly, since the remaining desktops around are likely high-powered-ish workstations, or in ancient companies.
gollark: I expect laptops and desktops will mostly be replaced with docks for phones soon.
gollark: Good luck doing that on anything serious without a melting GPU.

References
  1. Patrick Goldstein (January 19, 2009). "The secret history of why Disney dumped 'Narnia". Los Angeles Times. Retrieved January 20, 2009.
  2. "The Chronicles of Narnia: Prince Caspian". Box Office Mojo. Retrieved August 8, 2009.
  4. Edward Douglas (October 19, 2007). "William Moseley is Peter Pevensie". Comingsoon.net. Retrieved November 24, 2007.
  5. "NYC Interview Series: Will and Georgie". NarniaWeb. May 16, 2008. Retrieved May 16, 2008.
  6. Inside Narnia: The Adventure Returns, 2008 DVD featurette
  7. Mark Moring (May 6, 2008). "The Weight of Story". Christianity Today. Archived from the original on July 9, 2008. Retrieved May 7, 2008.
  8. Josh Horowitz (May 8, 2008). "'Chronicles Of Narnia: Prince Caspian' Stars Get Royal Red-Carpet Treatment As They Defend Movie's Romantic Twist". MTV. Retrieved May 8, 2008.
  9. Tom Johnson (April 11, 2008). "The Chronicles of Narnia: Prince Caspian Character Guide". Moviefone. Archived from the original on April 13, 2008. Retrieved April 11, 2008.
  10. "Prince Caspian Video Interviews". Empire Online. Archived from the original on February 14, 2012. Retrieved June 25, 2008.
  11. "NYC Interview Series: Chris Markus and Steve McFeely". NarniaWeb. May 17, 2008. Retrieved May 17, 2008.
  12. Joe Utichi (June 25, 2008). "RT Interview: Skandar Keynes on the Action Challenge of Prince Caspian". Rotten Tomatoes. Archived from the original on July 3, 2008. Retrieved July 1, 2008.
  13. Linda Canup (May 2008). "Prince Caspian: The Return to Narnia". In Touch Ministries. pp. 26–27.
  14. Edward Douglas (October 19, 2007). "Ben Barnes is Prince Caspian". Comingsoon.net. Retrieved November 24, 2007.
  15. Brook Barnes (May 8, 2008). "Disney's Newly Crowned Prince, Plucked From a London Stage". The New York Times. Retrieved May 8, 2008.
  16. Dan Jolin (April 2008). "Ben Barnes is Prince Caspian". Empire. p. 96.
  17. "Orchestrating Magic in Narnia All Over Again". Disney Insider. Retrieved April 3, 2008.
  18. Joe Nazzaro (May 2008). "Return to Narnia". Starlog. pp. 47–50.
  19. Edward Douglas (October 19, 2007). "Castellitto and Favino are King Miraz and Gen. Glozelle". Comingsoon.net. Retrieved November 24, 2007.
  20. Audio commentary with Andrew Adamson, Ben Barnes, William Moseley, Anna Popplewell, Skandar Keynes and Georgie Henley, 2008 DVD by Walt Disney Home Entertainment
  21. "Damián Alcázar Cast as Sopespian". NarniaWeb. March 14, 2007. Retrieved March 14, 2007.
  22. "Vincent Grass Cast as Doctor Cornelius". NarniaWeb. February 5, 2007. Retrieved February 6, 2007.
  23. John Hopewell (February 5, 2007). "Borrachero cast in 'Prince Caspian'". Variety. Retrieved February 5, 2007.
  24. "Simon Andreu Cast as Lord Scythley". NarniaWeb. March 24, 2007. Retrieved March 24, 2007.
  25. "The First and Best Predrag Bjelac Resource". www.predrag-bjelac.com. June 15, 2007. Archived from the original on June 23, 2007. Retrieved June 15, 2007.
  26. "NYC Interview Series: Andrew Adamson". NarniaWeb. May 15, 2008. Retrieved May 16, 2008.
  27. Edel Coffey (July 1, 2008). "Lion heart". Irish Independent. Retrieved July 1, 2008.
  28. Jack Egan (June 4, 2008). "Disney brings in two VFX Supervisors to break CGI barriers in the second Narnia". CGSociety. Retrieved September 18, 2008.
  29. "Framestore details Prince Caspian's detailed FX". Digital Arts. July 1, 2008. Archived from the original on June 24, 2009. Retrieved September 18, 2008.
  30. Susan Wloszczyna (January 21, 2008). "Peter Dinklage is big on dwarf role in 'Caspian'". USA Today. Retrieved January 21, 2008.
  31. Isis Mussenden (November 15, 2007). "Costume Design". Official blog. Archived from the original on December 19, 2007. Retrieved December 14, 2007.
  32. Jonathan Crocker (June 2008). "The Monster Master". Total Film. pp. 94–98.
  33. Warwick Davis: The Man Behind Nikabrik DVD featurette, 2008
  34. "Total Film/Sky Movies Event Previews PC". NarniaWeb. March 20, 2008. Retrieved March 20, 2008.
  35. Walt Disney Pictures (February 16, 2007). "Narnia Sequel Starts Principal Photography". ComingSoon.net. Retrieved February 16, 2007.
  36. "Production notes" (PDF). Disney.com. Archived from the original (PDF) on June 11, 2008. Retrieved September 18, 2008.
  37. Anita Singh (April 22, 2008). "Eddie Izzard lends voice to The Chronicles of Narnia: Prince Caspian". London: The Daily Telegraph. Retrieved April 22, 2008.
  38. Eric Vespe (April 3, 2008). "Quint visits the PRINCE CASPIAN edit bay and sees 45 minutes of the movie!". Ain't It Cool News. Retrieved April 3, 2008.
  39. "Cornell John Cast as Glenstorm". NarniaWeb. April 18, 2007. Retrieved April 19, 2007.
  40. "The Official Movie Companion Book Review". NarniaWeb. March 29, 2008. Retrieved March 31, 2008.
  41. "David Walliams to Voice the Bulgy Bear". NarniaWeb. March 15, 2008. Retrieved March 15, 2008.
  42. "Interview: Howard Berger & Dean Wright". NarniaWeb. August 14, 2007. Retrieved August 14, 2007.
  43. NarniaWeb (July 23, 2007). "Shane Rangi Interview". NarniaWeb.com. Retrieved July 23, 2007.
  44. Shane Rangi DVD easter egg, 2008
  45. Edward Douglas (September 4, 2007). "Narnia Creature Performer, Shane Rangi". Comingsoon.net. Archived from the original on February 9, 2008. Retrieved February 21, 2008.
  46. "Gresham to Have Cameo in Prince Caspian". NarniaWeb. August 20, 2007. Retrieved August 20, 2007.
  47. Mark Moring (April 8, 2008). "A Poorer Story, but a Better Movie". Christianity Today. Archived from the original on July 9, 2008. Retrieved April 9, 2008.
  48. Ian Nathan (October 28, 2005). "Narnia". Empire Issue 198. p. 97.
  49. "Caspian to be second Narnia movie". BBC. January 18, 2006. Retrieved December 1, 2006.
  50. Christopher Markus, Stephen McFeely (May 4, 2007). "Adapting Caspian". Movie Blog. Archived from the original on December 19, 2007. Retrieved December 14, 2007.
  51. Heather Newgen (July 30, 2007). "Prince Caspian Audio Interviews". Comingsoon.net. Retrieved July 31, 2007.
  52. Rebecca Cusey (May 16, 2008). "'Prince Caspian' walks tightrope for Christian fans". USA Today. Retrieved May 19, 2008.
  53. Peter Debruge (May 7, 2008). "'Narnia' director guided by principals". Variety. Retrieved May 8, 2008.
  54. Edward Douglas (July 23, 2007). "Prince Caspian Prague Set Visit Part 1". Comingsoon.net. Retrieved July 23, 2007.
  55. Edward Douglas (July 23, 2007). "Prince Caspian Director Andrew Adamson". Comingsoon.net. Retrieved July 23, 2007.
  56. "The Most Realistic Grand Moff Tarkin Bust Ever Made". At Tha Movies. January 27, 2014. Retrieved January 27, 2014.
  57. Howard Berger (April 17, 2007). "A Look Into The Creatures Of Narnia". Movie Blog. Archived from the original on December 19, 2007. Retrieved December 14, 2007.
  58. Eric Vespe (August 1, 2007). "Quint catches up on Disney's PRINCE CASPIAN and WALL-E panel at Comic-Con!!!". Ain't It Cool News. Retrieved August 1, 2007.
  59. Richard Taylor (September 7, 2007). "Weta Workshop on Prince Caspian". Official blog. Archived from the original on December 19, 2007. Retrieved December 14, 2007.
  60. Tom Ambrose (July 26, 2007). "Heroes of 2008". Empire. p. 78.
  61. Roger Ford (November 1, 2007). "Designing Narnia". Official blog. Archived from the original on December 19, 2007. Retrieved December 14, 2007.
  62. "Miraz". Official blog. October 4, 2007. Archived from the original on December 19, 2007. Retrieved December 14, 2007.
  63. Edward Douglas (September 4, 2007). "Narnia Production Designer Roger Ford". ComingSoon.net. Archived from the original on February 9, 2008. Retrieved February 21, 2008.
  64. "Ireland Considered for Narnia". NarniaWeb. January 30, 2006. Retrieved January 13, 2007.
  65. "Close up: Andrew Adamson". TV One NZ. February 5, 2006. Archived from the original (Video) on February 10, 2007. Retrieved February 5, 2007.
  66. Joanna Hunkin (February 5, 2007). "Adamson back in NZ to shoot next Narnia film". The New Zealand Herald. Retrieved February 5, 2007.
  67. Jeremie Noyer (December 4, 2008). "Frank Walsh: Setting The World of Narnia". Animated Views. Archived from the original on December 1, 2008. Retrieved December 4, 2008.
  68. Steffen Silvis (April 4, 2007). "Stillking is still king". The Prague Post.
  69. Bovec (February 22, 2007). "Parts of Disney's Chronicles of Narnia to Be Shot in Slovenia". Republic of Slovenia. Archived from the original on August 9, 2007. Retrieved April 8, 2007.
  70. Jeremie Noyer (December 2, 2008). "Frank Walsh: On set with Prince Caspian's Final Battle – The Beruna Bridge Sequence". Animated Views. Archived from the original on January 17, 2013. Retrieved December 4, 2008.
  71. Lizerne Guiting. "Narnia's New Zealand & Eastern Europe". Fandango. Archived from the original on April 29, 2008. Retrieved May 9, 2008.
  72. Drew McWeeny (March 13, 2008). "Moriarty Visits Narnia... In Prague!". Ain't It Cool News. Retrieved March 14, 2008.
  73. Secrets of the Duel, 2008 DVD featurette
  74. "Dawn Treader Locations". NarniaWeb. September 9, 2007. Retrieved September 9, 2007.
  75. Adam Dawtrey (December 13, 2006). "'Caspian' to qualify as U.K. movie". Variety. Retrieved December 21, 2006.
  76. Joe Strike (May 17, 2008). "Adamson Gets Animated About Narnia and VFX in 1991". VFXWorld. Retrieved May 17, 2008.
  77. Bill Desowitz (January 10, 2008). "2008 VFX Sneaks: The Top 20 Movies". VFXWorld. Retrieved March 22, 2008.
  78. "Pixar Releases RenderMan Certified Courseware". Pixar. Archived from the original on May 21, 2008. Retrieved May 21, 2008.
  79. Edward Douglas (September 4, 2007). "Narnia FX Gurus Dean Wright & Howard Berger". ComingSoon.net. Archived from the original on February 9, 2008. Retrieved February 21, 2008.
  80. Mike Szymanski (December 4, 2008). "More Creatures In Dawn Treader". SCI FI Wire. Archived from the original on December 7, 2008. Retrieved December 7, 2008.
  81. Jeremie Noyer (July 4, 2008). "Frank Walsh: On set with Prince Caspian's Final Battle". Animated Views. Archived from the original on December 1, 2008. Retrieved December 4, 2008.
  82. Dan Goldwasser (March 20, 2008). "Harry Gregson-Williams returns to Narnia with The Chronicles of Narnia: Prince Caspian". ScoringSessions.com. Retrieved March 20, 2008.
  83. "Composer Harry Gregson-Williams: What Goes Around, Comes Around". Tracksounds. May 30, 2008. Retrieved September 17, 2008.
  84. Daniel Schweigher (June 5, 2008). "E-Notes: Harry Gregson-Williams returns to 'Narnia' with 'Prince Caspian'". iF Magazine. Archived from the original on June 5, 2008. Retrieved June 7, 2008.
  85. "ScoreKeeper With Composer Harry Gregson-Williams About PRINCE CASPIAN, THE TAKING OF PELHAM 123, And More!!". Ain't It Cool News. July 1, 2008. Retrieved July 1, 2008.
  86. "Narnia pushed back to Summer 2008". Comingsoon.net. May 17, 2006. Retrieved October 2, 2006.
  87. Paul Bond (May 29, 2008). "Disney errs on 'Prince Caspian' release date". Reuters/The Hollywood Reporter. Retrieved November 24, 2012.
  88. "Prince Caspian Premiere Details". NarniaWeb. April 7, 2008. Retrieved April 7, 2008.
  89. Archie Thomas (May 8, 2008). "Brits set 'Narnia' arena bash". Variety. Retrieved May 8, 2008.
  90. Josh Friedman (May 16, 2008). "'Prince Caspian' will rule at the box office". Los Angeles Times. Retrieved May 16, 2008.
  91. John Horn (May 3, 2008). "Action speaks louder in 'The Chronicles of Narnia: Prince Caspian'". Los Angeles Times. Retrieved April 3, 2008.
  92. Disney Consumer Products (May 6, 2008). "The Chronicles of Narnia: Prince Caspian Product Line Brings Action & Adventure to Life". Business Wire. Retrieved May 8, 2008.
  93. "Prince Caspian Monopoly". NarniaWeb. February 9, 2008. Retrieved March 11, 2008.
  94. "Church and school resources for The Chronicles of Narnia: Prince Caspian". Archived from the original on June 8, 2008. Retrieved June 26, 2008.
  95. "Opening June 2008 – Journey into Narnia: Prince Caspian Attraction". Disney's Hollywood Studios. Archived from the original on June 2, 2008. Retrieved June 4, 2008.
  96. Paul O'Donnell (January 9, 2009). "Disney: The Narnia Thing Gets Old". Beliefnet. Retrieved January 9, 2009.
  97. "'Prince Caspian' top selling DVD of last week". The Hollywood Reporter. December 14, 2008. Archived from the original on December 19, 2008.
  98. "'Prince Caspian' DVD numbers". the-numbers.com. December 16, 2008.
  99. "'Prince Caspian' DVD/Blu-ray Releasing December 2". NarniaWeb. August 15, 2008. Retrieved August 16, 2008.
  100. Jim Hill (September 30, 2008). "Disney pushes Blu-ray limits with 360 degree Circlevision". Electric Pig. Retrieved October 3, 2008.
  101. "Additional 'Caspian' Extras in Japan and Zavvi Stores in UK". NarniaWeb. December 4, 2008. Retrieved December 5, 2008.
  102. "2008 DVD chart". The Numbers. Retrieved April 3, 2009.
  103. "The Chronicles of Narnia: Prince Caspian Movie Reviews, Pictures – Rotten Tomatoes". Rotten Tomatoes. Retrieved May 23, 2020.
  104. "The Chronicles of Narnia: Prince Caspian Reviews". Metacritic. Retrieved May 16, 2008.
  105. Scott Bowles (May 18, 2008). "'Prince Caspian' rules, but 'Iron Man' stays strong at box office". USA Today. Retrieved May 18, 2008.
  106. [Leonard Maltin's Movie Guide page 245]
  107. Todd McCarthy (May 9, 2008). "The Chronicles of Narnia: Prince Caspian". Variety. Retrieved May 10, 2008.
  108. Michael Rechtshaffen (May 9, 2008). "A bit of the magic is gone, but the enchantment lives on". The Hollywood Reporter. Archived from the original on May 11, 2008. Retrieved May 10, 2008.
  109. Mick Lasalle (May 15, 2008). "'Narnia' sequel lacks magic". San Francisco Chronicle. Retrieved May 16, 2008.
  110. Alonso Duralde (May 13, 2008). "Return to 'Narnia' a trip worth taking". Today.com. Retrieved May 16, 2008.
  111. John Arkelian (May 20, 2008). "Narnia film long on action, short on faith". Anglican Journal. Archived from the original on January 15, 2009. Retrieved May 25, 2008.
  112. "Visual Effects Society". IESB.net. January 19, 2009. Archived from the original on January 20, 2009. Retrieved January 19, 2009.
  113. "Nominations for the 35th Annual Saturn Awards". Academy of Science Fiction, Fantasy & Horror Films. Archived from the original on September 27, 2007. Retrieved March 17, 2009.
  114. "30th Annual Young Artist Awards". Young Artist Awards. Archived from the original on March 19, 2009. Retrieved March 16, 2009.
  115. "Will 'The Dawn Treader' Float?". Christianity Today. Retrieved March 9, 2010.
  116. Brandon Gray (May 19, 2008). "'Narnia' Retreats with Sequel". Box Office Mojo. Retrieved May 20, 2008.
  117. Dean Goodman (May 18, 2008). "New 'Narnia' film falls short at box office". Reuters. Retrieved May 20, 2008.
  118. "'Iron Man' Jumps 'Caspian'". NarniaWeb. June 1, 2008. Retrieved June 4, 2008.
  119. Britt Russ (May 18, 2008). "Disney's Iger: 'Narnia' falls victim to crowded field". Market Watch. Retrieved August 16, 2014.
  120. "Overseas Total Box Office – May 16–18, 2008". Box Office Mojo. May 18, 2008. Retrieved May 21, 2008.
  121. Dave McNary (May 23, 2008). "'Caspian' takes charge overseas". Variety. Retrieved June 4, 2008.
  122. Dave McNary (June 15, 2008). "'Happening' beats 'Hulk' overseas". Variety. Retrieved June 16, 2008.
  123. "2008 WORLDWIDE GROSSES". Box Office Mojo. Retrieved January 21, 2011.


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.