The Adoration of the Kings (Bruegel)

The Adoration of the Kings is an oil-on-panel painting of the Adoration of the Magi by the Netherlandish Renaissance artist Pieter Bruegel the Elder, painted in 1564, and now in the National Gallery, London.

The Adoration of the Kings
ArtistPieter Bruegel the Elder
Year1564, signed and dated at bottom right "BRVEGEL M.D.LXIIII"
TypeOil on panel
Dimensions111 cm × 83.5 cm (44 in × 32.9 in)
LocationNational Gallery, London

Description

In the chronological sequence of Bruegel's work, this painting of 1564 marks an important departure as the first to be composed almost exclusively of large figures. The group of people, taken from Italian mannerist painters like Parmigianino, permits Bruegel to concentrate on individual faces, giving each a quite distinct, and sometimes grotesque, expression.[1]

This emphasis on the uniqueness of each figure, and Bruegel's lack of interest in depicting ideal beauty in the Italian manner, makes it clear that although borrowing an Italian compositional scheme, Bruegel is putting it to quite a different use. In this treatment, the painter's first purpose is to record the range and intensity of individual reactions to the sacred event.[2]

gollark: Something like that, but it's not because of higher or lower gravity.
gollark: If you go deeper underwater, then the change in pressure isn't due to higher gravity - it's not significant enough of a change - but... more being above you, or something, so it's compressed more?
gollark: I mean, very slightly yes, but not significantly.
gollark: No, actually.
gollark: Also gravitational field strength.

References
  2. Cf. Pietro Allegretti, Brueghel, Skira, Milano 2003. ISBN 0-00-001088-X (in Italian)

Below a series of images detailing Bruegel's painting:

  • Mary and Baby Jesus
  • Joseph and a figure whispering
  • One of the Kings
  • Group of figures
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