Sislej Xhafa
Sislej Xhafa (Albanian: Sislej Xhafa, Serbian: Сислеј Џафа, Sislej Džafa) (born 1970 in Peja, SFR Yugoslavia (now Kosovo) is a Kosovar contemporary artist, based in New York.
Sislej Xhafa | |
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Portrait during a workshop with students of Accademia di Belle Arti in Florence, 2015 | |
Born | 1970 (age 49–50) Peja, SFR Yugoslavia (present-day Republic of Kosovo |
Nationality | Kosovo Albanian |
Known for | Contemporary art |
Notable work | Padiglione Clandestino Albanese (1997); Pleasure our Flower (2000); Again and Again (2000); Y (2011) |
He is represented by Galleria Continua, San Gimignano / Beijing / Le Moulin.
Exhibitions
Xhafa has exhibited widely, including:
- Italian Pavilion of the 55th Venice Biennale Vice Versa Venice Biennale, Venice, Italy
- 21st Century Museum of Contemporary Art, Kanazawa Borderline: Collection Exhibition II, Kanazawa, Japan (2013)
- MADRE Museum of Contemporary Art Donna Reggina Still Untitled, Naples, Italy (2012)
- François Pinault Foundation The World Belongs to You, Palazzo Grassi, Venice, Italy
- Hardau City Park Y, Zürich, Switzerland
- The Power Plant Rearview Mirror, Toronto, Ontario, Canada (2011)
- PRISM Misericordia, West Hollywood, California, United States
- MAXXI Spazio. Dalle collezioni di arte e architettura, Rome, Italy
- Il Museo Privato. La passione per l'arte contemporanea nelle collezioni bergamasche GAMeC, Bergamo, Italy
- Röda Sten 2705 Baci… Göteborg (2010), MART Rovereto; Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Language and Experimentations
- PAC Padiglione d'Arte Contemporanea, Milano Ibrido. Genetica delle forme
- DEPO Indefinite Destinations, Istanbul, Turkey
- MADRE Barock, Naples, Italy (2009)
- Havana Biennial, Havana, Cuba
- Modern Art Oxford Transmission Interrupted, Oxford, England
- Gwangju Biennale, Gwangju, South Korea
- Museum of Contemporary Art Detroit Business As Usual, Detroit, Michigan, United States
- Schirn Kunsthalle Frankfurt All-Inclusive. A Tourist World, Frankfurt, Germany (2008)
- Istanbul Museum of Modern Art Time Present, Time Past, Istanbul, Turkey
- Göteborg International Biennial for Contemporary Art Rethinking Dissent, Gothenburg, Sweden
- Mori Art Museum All About Laughter Humor in Contemporary Art, Tokyo, Japan (2007)
- PERFORMA05 performance biennial, New York (2005)
- I Bienal de Arte Contemporáneo de Sevilla, Fundación BIACS, La alegria de mis sueños, Monasterio la Cartuja de Santa María de las Cuervas, Seville, Spain
- The Renaissance Society, New Video, New Europe, Chicago, Illinois, United States
- Contemporary Art Museum St. Louis, St.Louis, Missouri, United States
- Tate Modern, London, England
- Stedelijk Museum Amsterdam, Amsterdam, Netherlands
- North Dakota Museum of Art, Grand Forks, North Dakota, United States
- Fundació 'la Caixa' la Sala Montcada, Barcelona, Spain
- Haifa Museum of Art, Haifa, Israel (2004)
- Palais de Tokyo, Paris, France (2003)
- Gwangju Biennale, Pause, Gwangju, South Korea (2002)
- Istanbul Biennial, Egofugal, Istanbul, Turkey
- Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Casino, Ghent, Belgium
- PS1, Uniform, Queens, New York City, New York, United States (2001)
- Manifesta III, Ljubljana, Slovenia
- Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Over the Edges, Ghent, Belgium (2000)
- Venice Biennale (1997, 1999 and 2005)
Awards
- Hardau City Park Y, Zürich; Supported by City of Zürich, ZHDK and IFCAR 2009-2011
- "Axis of Silence" in collaboration with Contemporary Art Fund of the City and Canton of Geneva (Fmac and FCAC) Plaine de Plainpalais; Geneva 2008
- Fondazione Pistoletto, Biella 2001
- Fondazione Querini Stampalia, Premio Querini- Furla per l'Arte, Venice 2000
- Onufri National Gallery, Tirana 1999
gollark: I think America's transport dynamics are affected a lot by it just being very big and not dense.
gollark: They're very different languages, despite the names.
gollark: They just tacked piles of features on with no regard for how they fit together.
gollark: Based on my limited experience of low level things, and C++'s poor design, C++ use → suffering.
gollark: Perhaps it was, but one which happened to get written into religious books somehow.
References
- "Biennale 2013: Sislej Xhafa", Vogue Italia.
- "Italian Pavilion in the 55th International Art Exposition of the Venice Biennale - Vice versa - The Exhibition Project", 1F mediaproject
- Urs Steiner, Neue Zürcher Zeitung, 2 July 2012.
- Adi Kälin, Neue Zürcher Zeitung, 24 September 2011.
- http://www.albinfo.ch/sq/node/81790%5B%5D
- "The most expensive key I’ve ever owned opens the doors to a world of trash (not that I’m complaining)", Time Out Istanbul, June 12, 2012.
- http://www.darsmagazine.it/gormley-buren-xhafa-galleria-continua/
- http://artforum.com/picks/section=eu&mode=past#picks31076
- http://frieze-magazin.de/archiv/kritik/sislej-xhafa/?lang=en%5B%5D
- http://www.tagesanzeiger.ch/zuerich/stadt/Wie-ein-Kosovare-Zuerich-bereichern-will/story/28637795
- http://blog.frieze.com/in-the-public-realm-sislej-xhafa/%5B%5D
- Smith, Roberta, "Performance Art Gets Its Biennial", The New York Times, November 4, 2005.
- Povoledo, Elisabetta, "Contemporary work has unlikely home", The New York Times, February 21, 2006.
- GENOCCHIO, BENJAMIN. The New York Times, August 3, 2007. "Theater of Cruelty"
- The Free Library by Farlex. Artforum International, May 1, 2001. Openings Sislej Xhafa.
- Povoledo, Elisabetta, "Contemporary work has unlikely home", International Herald Tribune, Tuesday, February 21, 2006.
External links
Wikimedia Commons has media related to Sislej Xhafa. |
- http://www.phaidon.com/store/art/cream-3-9780714843117/
- http://www.artbook.com/catalog--art--monographs--xhafa--sislej.html
- http://findarticles.com/p/articles/mi_m0268/is_9_39/ai_75914284/
- http://www.mocadetroit.org/past-exhibitions.html
- http://www.sternberg-press.com/index.php?pageId=1222
- http://blog.zhdk.ch/y-hardau/2009/08/24/the-role-of-public-art/%5B%5D
- http://www.theartnewspaper.com/articles/Silvio-set-in-sand/20209
- "Axis of Silence" a Neon installation, on the Plaine of Plainpalais, Geneva.
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