Servilia (opera)

Servilia (Russian: Сервилия, Serviliya, the name of a main character), is an opera in five acts by Nikolai Rimsky-Korsakov. The work was completed in 1901, and was first performed in 1902 in St. Petersburg, Russia. The composer wrote the libretto, which is based on the drama by Lev Alexandrovich Mey. The story is set in Ancient Rome during Nero's reign.

Servilia
Opera by Nikolai Rimsky-Korsakov
The composer in 1898
Native title
Russian: Сервилия, romanized: Serviliya
LibrettistRimsky-Korsakov
LanguageRussian
Based ondrama by Lev Mey
Premiere
1902 (1902)
Mariinsky Theatre, St. Petersburg

Performance history

The world premiere took place in St. Petersburg on 14 October (O.S. / 1 October) 1902 at the Mariinsky Theatre. It was the only one of Rimsky's late operas not performed in Mamontov's private theatre - conducted by Feliks Blumenfeld. A second performance took place in 1904, and a third in 1944.[1] An LP of extracts from Act 3 scene 5 and Acts 4 scenes 5 and 6 was recorded in 1951 under Onisim Bron with Olga Piotrovskaya in the role of Servilia, Georgi Nelepp as Valery and Pavel Lisitsian as Egnaty. Only one aria, the Act 3 "my flowers" aria of Servilia («Цветы мои, и вы в палящий полдень»), has survived in the concert repertoire, and was recently recorded in 2006 by Renée Fleming for a Decca recital under Valery Gergiev.

Synopsis

Servilia, daughter of the senator Soranus, is desired by her father to contract an alliance with Trasea, but the latter, hearing of her preference for his adopted son Valerius, withdraws his suit. Egnatius, the freedman of Soranus, being enamoured of Servilia, conspires against his master and Trasea, and intimates to Servilia that her submission alone will secure their safety. Valerius has mysteriously disappeared, and Servilia, becoming a convert to Christianity, renounces the World. Called before the tribunal, Trasea and Soranus are sentenced to banishment, while Servilia is awarded to Egnatius. Valerius now returns, bearing a proclamation from Nero that the tribunal is dissolved. The sudden reappearance of her lover causes Servilia's death, and Valerius is only prevented from destroying himself by the intervention of his foster-father. Egnatius, in his woe, invokes the Divine Being, and the rest join him in acclaiming the Christian God.[2]

gollark: Would still probably cost more in electricity than you get from it?
gollark: That is almost certainly not profitable.
gollark: In that case I doubt you can increase the power much. Without breaking/damaging the diode.
gollark: This poses an interesting philosophical question: if you take a laser pointer, replace all the components, then build a new laser pointer from the removed components, which (if any) is the original laser pointer?
gollark: I see. Kind of confusing to equate them when you're talking about them going up/down, is all.

References
  1. Опера Николая Римского-Корсакова «Сервилия» "Спектакль не имел успеха и быстро сошел со сцены. Вторая постановка была осуществлена в 1904 г. артистами Оперного товарищества в Москве, но тоже успеха не имела. Оперный ансамбль ВТО исполнял «Сервилию» в 1944 " г. А. Гозенпуд
  2. Source: "The Opera Glass", Stanford University, from M. Montagu Nathan, Rimsky-Korsakof, Duffield & Co., New York, 1917

Sources
  • Frolova-Walker, Marina (2003). "17. Grand opera in Russia; Three case-studies: Rogneda, The Maid of Orleans and Servilia". In David Charlton (ed.). The Cambridge Companion to Grand Opera. Cambridge Companions to Music. London: Cambridge University Press. pp. 355–363. ISBN 0-521-64683-9.
  • Holden, Amanda (Ed.), The New Penguin Opera Guide, New York: Penguin Putnam, 2001. ISBN 0-14-029312-4
  • "Servilia". Opera Glass at Stanford University. Retrieved 2007-06-09.
  • Taruskin, Richard (2007). L. Macy (ed.). "Servilia [Serviliya]". New Grove Dictionary of Opera / Grove Music Online. Retrieved 2007-06-09.
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