Scenic painting (theatre)

Theatrical scenic painting includes wide-ranging disciplines, encompassing virtually the entire scope of painting and craft techniques. An experienced scenic painter (or scenic artist) will have skills in landscape painting, figurative painting, trompe l'oeil, and faux finishing, and be versatile in different media such as acrylic, oil, and tempera paint. The painter might also be accomplished in three-dimensional skills such as sculpting, plasterering and gilding.

A scenic painter at work at the Semperoper in Dresden, Germany

The scenic painter takes direction from the theatre designer. In some cases designers paint their own designs.

The techniques and specialized knowledge of the scenic painter replicate an image to a larger scale from a designer's maquette, perhaps with accompanying photographs, printouts and original research, and sometimes with paint and style samples.

Scenic paint

Scenic paint has traditionally been mixed by the painter using pigment powder colour, a binder and a medium. The binder adheres the powder to itself and to the surface on which it is applied. The medium is a thinner which allows the paint to be worked more easily, disappearing as the paint dries. Today it is common to use brands of ready-made scenic paint, or pigment suspended in a medium to which a binder will be added.

gollark: Interesting, why?
gollark: ↑ see above
gollark: Again, you seem to just be assuming personhood here.
gollark: I disagree with saying "someone" for non-people entities.
gollark: There are various problems with this:- massive increase of complexity in guns- you would need to recharge it constantly, and it would need batteries and such, and would generally be a hassle- GPS spoofing (possibly just jamming, depending on design) would stop guns working- people could probably just remove the geofencing bit- how are you planning to keep the "do not shoot here" lists updated on all of them?

References

    Further reading
    • Crabtree, Susan; Beudert, Peter (2011), Scenic Art for the Theatre, Focal Press, ISBN 0240812905


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