Rina Banerjee

Rina Banerjee (born 1963) is an Indian-American artist and sculptor.[1] She currently lives and works in New York City.[1]

Rina Banerjee
Born1963
Calcutta, West Bengal, India
Known forSculpture
Websiterinabanerjee.com

Early life and career

In 1963, Banerjee was born in a Bengali family in Calcutta (now Kolkata) in the Indian state of West Bengal.[2] She grew up in London and New York City,[3] and has lived in the United States ever since. Banerjee has mentioned in interviews that the inspiration for her art comes from her childhood memories of visiting her grandfather during his homeopathic treatments. Many of the images and visuals from her visits with her grandfather have stayed with her and can be seen in her art work. She likes her artwork to be not static, but ever changing.[4] She completed an M.F.A. in Painting and Printmaking from Yale School of Art, Yale University in 1995, after graduating from Case Western Reserve University, Ohio with a B.S. in Polymer Engineering.[3] Banerjee's work has been exhibited at the Bronx Museum of the Arts, the Whitney Museum of American Art, and other notable museums. She is currently represented by Hosfelt Gallery in San Francisco.

"Make Me a Summary of the World"

Rina Banerjee: Make Me a Summary of the World is the first in-depth exploration of the contemporary practice of the artist, co-organized by the Pennsylvania Academy of the Fine Arts (PAFA) and the San José Museum of Art (SJMA). Known for her large-scale sculptures and installations made from materials sourced throughout the world, Banerjee’s works investigate the splintered experiences of identity, tradition, and culture, prevalent in diasporic communities. Using a variety of materials ranging from African tribal jewelry to colorful feathers, light bulbs, and Murano glass, Banerjee’s art celebrates diversity at the material level. These sensuous assemblages present themselves simultaneously as familiar and unfamiliar, thriving on tensions between visual cultures and raising questions about exoticism, cultural appropriation, globalization, and feminism.

Solo exhibitions

List of solo exhibitions:[5]

  • 1998: Home within a Harem, Colgate University Gallery, NY
  • 2000: Auf Weidersehen, Admit One, Chelsea, NY[6] — Banerjee uses Asian and Western materials. The exhibit has plastic tubing that runs along the walls and ending which end with rotten-looking fruit and leaves. The plants in the show represent tropical plants that were taken by western settlers to bring to other countries; some of the plants didn't translate well to other land while some blossomed. The room is also filled with a thick webbing which is meant to represent a digestive system, and within the system colorful ritual powder and spices are captured.[6]
  • 2001: Antenna, Bose Pacia Modern, New York
  • 2001: Phantasmal Pharmacopeia, Debs & Company, Chelsea, NY[6]
  • 2002: Phantasmal Pharmacopeia, curated by Susette Min, Painted Bride Art Center, Philadelphia, PA (catalogue)
  • 2006: Fantasies without travel will travel, AMT Gallery, Como, Italy
  • 2007: Foreign Fruit, Galerie Nathalie Obadia, Paris
  • 2007: "Where the Wild Things Are" ...is no place at all and all places that cannot be lived in but visited, realized out of our careful, playful and tenacious tourism of others, realized as our mobility wanders too far, Galerie Volker Diehl, Berlin (2007)[7][5]
  • 2008: Distant Nearness (with Bharti Kher and Subodh Gupta), Nerman Museum of Contemporary Art, Kansas City, KS
  • 2008: Allure, Gallery Espace, New Delhi, India
  • 2009: Look into my eyes and you will see a world unexplainable, out of place, Galerie Nathalie Obadia, Brussels
  • 2009: Rina Banerjee and Raqib Shaw, Thomas Gibson Ltd., London
  • 2010: Forever Foreign, Haunch of Venison, London — Banerjee's first solo show in the UK.[8]
  • 2011: Chimeras of India & the West, Musée Guimet, Paris[3]
  • 2011: Imagining the other half of the world from here, Galerie Nathalie Obadia, Paris
  • 2012: Creationismʼs Kiss, Galerie Nathalie Obadia, Brussels
  • 2012: A World of Lies, Galerie Espace, Hong Kong, China
  • 2013: Bowerbirdnest, Future Perfect, Singapore
  • 2013: A world lost, The Smithsonian Sackler Gallery, Washington, D.C.
  • 2013: What am I made of and how do you know my name?, Ota Fine Art, Tokyo
  • 2013: Seven Sisters, Jenkins Johnson Gallery, San Francisco, CA
  • 2014: Of Men and Worlds, curated by Alain Berland, College des Bernardins, Paris
  • 2014: Disgust, L.A. Louver, Venice, CA — Her four sculptures in this show are made from an uncountable number of small objects that are wired and strung together. She uses cowry shells, rooster feathers, gourds, acrylic horns, glass vials, silk, and many other objects.[9] Her sculptures could be either human or animal, still life or moving. It seems as though Banerjee does not look through junk to find materials for her art, but instead will selectively chose what she wants by ordering her materials off of specialty sites. This selective process she uses emphasizes the global culture of her art, and how she has many different pieces from all over the world, all of which form one cohesive work of art.[10]
  • 2015: Migrations Breath, OTA Fine Arts, Gillman Barracks, Singapore[11] — Colorful yet suggestive pieces of art, which seem to change with different angles or positions. She uses many objects in her works such as Indian sarees, glass bottles, and seashells. Critics have suggested that some of the names of Banerjee's artwork carry sexual implications. For example, the piece She Drew A Premature Prick and many of the pieces have been suggested to represent reproductive organs. Banerjee has said that she enjoys the way that artwork can be fluid and how one's perspective could change with something so simple as wind blowing.[4]
  • 2019: Rina Banerjee: Make Me a Summary of the World, Pennsylvania Academy of the Fine Arts, Philadelphia;[12] Traveling to San Jose Museum of Art, San Jose, CA; Fowler Museum at University of California, Los Angeles, CA; Frist Art Museum, Nashville, TN; Nasher Museum of Art at Duke University, Durham, NC
  • 2019: Rina Banerjee: Blemish, Hosfelt Gallery, San Francisco
gollark: If you look at it, you'll see that it clearly says "PotatOS 6.2 [and then possibly more digits] [assigned version name] [build number]".
gollark: ...
gollark: It is not wrong. It is, by definition, accurate.
gollark: HAHA FUNNY MEME NUMBER HAHA
gollark: It's horrible. The entire wall needs to be fully transparent windows.

References
  1. "Bio", Rinabanerjee.com, Retrieved online 17 October 2018.
  2. Home page, Rinabanerjee.com.
  3. Rina Banerjee, Artforum, 22 June 2011.
  4. Shetty, Deepika (3 February 2014). "Suggestive sculptures that move by New York-based artist Rina Banerjee". Retrieved 4 March 2015.
  5. "Rina Banerjee - Artist Biography" (PDF). www.lalouver.com/. Retrieved 3 March 2018.
  6. Cotter, Holland (16 June 2000). "ART IN REVIEW; Rina Banerjee". newspaper review. Retrieved 4 March 2015.
  7. "CV". rinabanerjee.com. Retrieved 3 March 2018.
  8. "First UK Solo Show of Bengali-American Artist Rina Banerjee at Haunch of Venison", ArtDaily.org, 11 April 2010
  9. Vikram, Anuradha (2017). Decolonizing culture: essays on the intersection of art and politics (First ed.). San Francisco: Art Practical + Sming Sming Books. pp. 103–105. ISBN 9780998500652. OCLC 1007152194.
  10. Pagel, David (14 May 2014). "Review Rina Banerjee "Disgust" at LA Louvre". Art review.
  11. "Rina Banerjee: Migration's Breath | Ota Fine Arts | Artsy". www.artsy.net. Retrieved 3 March 2018.
  12. "Hannah Stamler on Rina Banerjee". www.artforum.com. Retrieved 22 March 2019.
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