Pixelization

Pixelization (British English, pixelisation) or mosaic is any technique used in editing images or video, whereby an image is blurred by displaying part or all of it at a markedly lower resolution. It is primarily used for censorship. The effect is a standard graphics filter, available in all but the most basic bitmap graphics editors.

This article is about the graphical editing/censorship technique. For the undesirable phenomenon in which individual pixels are visible, see Pixelation. For the stop motion animation technique, see Pixilation.

As censorship

A familiar example of pixelization can be found in television news and documentary productions, in which vehicle license plates and faces of suspects at crime scenes are routinely obscured to maintain the presumption of innocence, such as how it appears in the television series COPS. Bystanders and others who do not sign release forms are also customarily pixelized. Footage of nudity (including male and female genitals, buttocks, nipples, pubic hair, or areolae) is likewise obscured in some media: before the watershed in many countries, in newspapers or general magazines, or in places in which the public cannot avoid seeing the image (such as on billboards). Drug references, as well as gestures considered obscene (such as the finger) may also be censored in this manner. Pixelization is not usually used for this purpose in films, DVDs, subscription television services, or pornography (except for countries in which the law requires it). When obscene language is censored by an audible bleep, the mouth of the speaker may be pixelized to prevent lip reading, such as in COPS. Graphic injuries and excess blood may also be pixelized.

Pixelization may also be used to avoid unintentional product placement, or to hide elements that would date a broadcast, such as date and time stamps on home video submissions. Censorship for such purposes is most common on reality television series.

  • Pixelization was used to anonymize this photograph.
  • Marshall B. Webb, an American general, sits in the White House Situation Room during Operation Neptune Spear. A classified document on the desk in front of him was pixelized by the government of the United States before the photo was released.
  • Wall poem in Amsterdam. The image was self-censored by the artist, Rombout Oomen, in 2004. (Pixelization of the pubic hair.)
  • Part of this image, a mural at the entrance to the offices of The Pokémon Company in Tokyo, has been pixelized for copyright reasons.
  • The wallpaper and computer icons of this aluminum unibody MacBook have been mosaicked for copyright reasons

In media

Pixelization has also been used for artistic effect, notably in the art print The Wave of the Future, a reinterpretation of Katsushika Hokusai's The Great Wave at Kanagawa. In this updated print, the image of the large ocean wave shifts from the traditional style of the Japanese woodcut print to a pixelized image and finally to a wireframe model computer graphics image.[1][2] Westworld (1973) was the first feature film to use digital image processing to pixelize photography to simulate an android's point of view.

Alternative techniques
The mosaic tiles of this human figure in the Saint Stephen Church in Umm Er-Rasas in Jordan have been rearranged by aniconists.

A black rectangular or square box (known as censor bars) may be simply be used to occlude parts of images completely (for example, a black bar covering the eyes instead of the entire face being pixelized). Censor bars were extensively used as a graphic device in the January 2012 protests against SOPA and PIPA.

A drawback of pixelization is that any differences between the large pixels can be exploited in moving images to reconstruct the original, unpixelized image;[3] squinting at a pixelized, moving image can sometimes achieve a similar result. In both cases, integration of the large pixels over time allows smaller, more accurate pixels to be constructed in a still image result. Completely obscuring the censored area with pixels of a constant color or pixels of random colors escapes this drawback but can be more aesthetically jarring.

An additional drawback, when pixelization is used to reduce the repulsing, disturbing or, more generally shocking, aspect of an image, is that all information contained in the pixelized area are lost for the audience.[4] Other visual processing techniques, on the other hand can help reduce the shocking aspect of images or videos while preserving most of the information of the media.[4][5]

Nudity is obscured on television networks in the United States. Japanese pornography laws require that genitals in films (including animated works) and other forms of adult media (such as eroge, drawings, etc) be obscured. In Thailand, restrictions are placed on television broadcast depiction of cigarettes being smoked,[6] alcohol being consumed, or guns being pointed at people. Pixelization is one method of censoring this content; otherwise, censor bars are used.

In the Philippines, pixelization is also used if there are scenes of naked people or cadavers, bloody depiction of death by any means (e.g. gunshot wounds) and exposure of innards (sometimes rendered in black and white and blurred), and the finger gesture, among objectionable content. However, nudity and some bloody scenes are cut entirely and pointing of guns or blades to oneself or others are cropped.

gollark: Just ignore all of them except, say, three you like. Simple.
gollark: Do you not like real numbers?
gollark: Anyway, assuming `result2.name` is defined it looks as if it should work.
gollark: What does `getItemDetail` return again?]
gollark: You set `recipes[stringRecipeType][result.name] = {}` in every iteration of the loop.

See also

References
  1. vorpal.us: "Wave of the Future is now the Past". Retrieved July 13, 2009
  2. vorpal.us: "High resolution image of 'Wave of the Future'". Retrieved July 14, 2009
  3. Newton, EM; Sweeney, L; Malin, B (Jan 2005). "Preserving privacy by de-identifying face images" (PDF). IEEE Transactions on Knowledge and Data Engineering. 17. doi:10.1109/TKDE.2005.32.
  4. Besançon, Lonni; Semmo, Amir; Biau, David; Frachet, Bruno; Pineau, Virginie; Sariali, El Hadi; Soubeyrand, Marc; Taouachi, Rabah; Isenberg, Tobias; Dragicevic, Pierre (2019). "Reducing Affective Responses to Surgical Images and Videos Through Stylization". Computer Graphics Forum. 39 (1): 462–483. doi:10.1111/cgf.13886. ISSN 0167-7055.
  5. Besançon, Lonni; Semmo, Amir; Biau, David; Frachet, Bruno; Pineau, Virginie; Sariali, El Hadi; Taouachi, Rabah; Isenberg, Tobias; Dragicevic, Pierre (2018). "Reducing affective responses to surgical images through color manipulation and stylization": 1–13. doi:10.1145/3229147.3229158. Cite journal requires |journal= (help)
  6. 2Bangkok.com: "Smoking on Thai TV" Archived 2010-07-25 at the Wayback Machine Retrieved February 15, 2007
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