Oral History of American Music

Oral History of American Music (OHAM), founded in 1969, is an oral history project and archive of audio and video recordings consisting mainly of interviews with American classical and jazz musicians.[1] It is a special collection of the Irving S. Gilmore Music Library at Yale University and housed within the Sterling Memorial Library building in New Haven, Connecticut.[2] It currently holds over 2,000 interviews with more than 900 subjects[3] and is considered the definitive collection of its kind.[4][5]

Oral History of American Music
AbbreviationOHAM
Formation1969 (1969)
Location
Official language
English
Director
Libby Van Cleve
Founder
Vivian Perlis
Parent organization
Yale University Library
Websitehttp://web.library.yale.edu/oham/about
Formerly called
Oral History, American Music

Background

The creation of Oral History of American Music was a result of musicologist Vivian Perlis's research on the life of American composer Charles Ives, for which she interviewed sixty individuals who had known him personally. During the course of the interviews, Perlis recognized the need for a larger project that would collect and preserve the oral history of American composers, and began the OHAM project in 1969 with that intent.[6] Perlis's interviews with friends, family and colleagues of Ives became OHAM's initial collection, and were later used in her 1974 book, Charles Ives Remembered: An Oral History,[7] for which she received the American Musicological Society's Otto Kinkeldey Award—the first time it had been awarded either to a woman or for work on American music.[8] In addition to Perlis's biography of Ives, the project's collection played an instrumental role in a number of other historical works: A Good Dissonance Like a Man, a documentary film about Ives;[9] Aaron Copland's two-volume autobiography Copland: 1900 through 1942 and Copland: Since 1943, co-written with Perlis;[10] and the book Composers' Voices from Ives to Ellington, co-written by Perlis and Libby Van Cleve.[4] Perlis served as the project's director until she retired in 2010 and was succeeded by its current director, Van Cleve.[11]

OHAM expanded through interviews conducted by Perlis, Van Cleve and others, as well as by acquisitions of recordings from scholars, radio producers, and concert presenters. Its largest component today is the Major Figures in American Music series, which primarily documents classical composers at varying stages in their careers. OHAM also holds five series of extensive interviews centered around specific persons and topics.[12]

Grants to preserve and digitize OHAM's recordings have come from the Grammy Foundation,[13] Gladys Krieble Delmas Foundation,[14] the National Endowment for the Humanities,[15][16][17] and the Save America's Treasures initiative.[18] In 2009, the Aaron Copland Fund for Music donated $500,000 to establish an endowment fund for the organization.[19]

In January 2019, OHAM announce a new research guide entitled An African American Studies Critical Guide to Oral History of American Music. This guide was created by Clara Wilson-Hawkins. It highlights the voices of people of color represented in OHAM’s oral histories, with a focus on African American figures and music, as well as those whose work has been influenced by and/or shaped African American music from the early twentieth century through today. [20]

Collections

Oral History of American Music's collection consists primarily of audio and video interviews which are digitized and transcribed. The collection is split into six major components in addition to its acquired materials:

  • Major Figures in American Music: audio and video interviews with about 1,000 composers, performers, and other significant musicians
  • The Ives Project
  • The Paul Hindemith Project
  • The Duke Ellington Oral History
  • The Steinway Project: an oral history of the Steinway & Sons company
  • The Yale Student Composers Project: video interviews with graduate student composers at the Yale School of Music

Notable subjects who have received significant attention from Oral History of American Music include:[21]

Access

OHAM provides access to interview recordings and text transcripts for personal research use, teaching, and educational purposes. Free online streaming access to most interview recordings is also available for a limited period of 30 days. Digital copies of most transcripts are also available at no charge. To request online streaming access and copies of transcripts, please complete a Reproduction Request Form. Not all interviews have been digitized and transcribed. A staff member will contact you if OHAM is not able to fulfill your request. [22]

gollark: Wow, how naÏve I was.
gollark: Perhaps.
gollark: Yes.
gollark: How elegant.
gollark: But that would be verbose. We're not writing Java here.

References
  1. "About Oral History of American Music (OHAM) | Yale University Library". web.library.yale.edu. Retrieved February 25, 2019.
  2. "Irving S. Gilmore Music Library | Yale University Library". web.library.yale.edu. Retrieved February 25, 2019.
  3. Tommasini, Anthony (April 9, 2010). "It's History: Audio, Video and Live Performance". New York Times. Retrieved August 31, 2015.
  4. Wise, Brian. "The Flip Side of American Music". New York Times. Retrieved August 31, 2015.
  5. Susan, Wolf (May 25, 2006). "Pioneers in Oral History of American Music Will Speak at Mark Twain Library May 31". Redding Pilot.
  6. "In the Voice of the Artist: An Interview with Vivian Perlis". Musicworks (51): 22–28. Autumn 1991.
  7. Robinson, Dale (February 1, 2004). "Saving a Spoken Soundscape". New Haven Register.
  8. "Otto Kinkeldey Award Winners". American Musicological Society. Archived from the original on March 23, 2019. Retrieved September 9, 2015.
  9. Fox, John J. (Fall 1981). "Oral History, American Music Celebrates 10th Birthday". New England Association for Oral History Newsletter. 6 (1).
  10. Elder, Sharon (May 1991). "Let's Talk Music". Yale Alumni Magazine: 16–21.
  11. "Vivian Perlis announces retirement from Oral History of American Music project". Yale School of Music Website. Retrieved August 31, 2015.
  12. "More About OHAM". Archived from the original on November 28, 2015. Retrieved August 31, 2015.
  13. "GRAMMY Foundation Grant Recipients". GRAMMY.org. Retrieved August 31, 2015.
  14. "Research Library Program Grants, 1993–2015". The Gladys Krieble Delmas Foundation. Retrieved August 31, 2015.
  15. "Grant Details". Retrieved August 31, 2015.
  16. "Grant Details". Retrieved August 31, 2015.
  17. "Grant Details". Retrieved August 31, 2015.
  18. "Save America's Treasure Awards 1999–2010 by State" (PDF). Save America's Treasures. Retrieved August 31, 2015.
  19. "Yale's Oral History of American Music Project Receives Endowment Support from the Aaron Copland Fund for Music". YaleNews. Retrieved August 31, 2015.
  20. "OHAM African American Studies Guide | Yale University Library". web.library.yale.edu. Retrieved February 25, 2019.
  21. "OHAM: Major Figures in American Music". Retrieved February 25, 2019.
  22. Rhodes, Anne. "Yale University Library Research Guides: Oral History of American Music Collections Guide: Home". guides.library.yale.edu. Retrieved February 25, 2019.
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