Neo-expressionism

Neo-expressionism is a style of late modernist or early-postmodern painting and sculpture that emerged in the late 1970s. Neo-expressionists were sometimes called Transavantgarde, Junge Wilde or Neue Wilden ('The new wild ones'; 'New Fauves' would better meet the meaning of the term). It is characterized by intense subjectivity and rough handling of materials.[1]

Vasiliy Ryabchenko, Red room I, 1989

Neo-expressionism developed as a reaction against conceptual art and minimal art of the 1970s. Neo-expressionists returned to portraying recognizable objects, such as the human body (although sometimes in an abstract manner), in a rough and violently emotional way, often using vivid colors. It was overtly inspired by German Expressionist painters, such as Emil Nolde, Max Beckmann, George Grosz, Ernst Ludwig Kirchner, James Ensor and Edvard Munch. It is also related to American Lyrical Abstraction painting of the 1960s and 1970s, The Hairy Who movement in Chicago, the Bay Area Figurative School of the 1950s and 1960s, the continuation of Abstract Expressionism, New Image Painting and precedents in Pop Painting.[2]

Critical reception

Neo-expressionism dominated the art market until the mid-1980s. The style emerged internationally and was viewed by many critics, such as Achille Bonito Oliva and Donald Kuspit, as a revival of traditional themes of self-expression in European art after decades of American dominance. The social and economic value of the movement was hotly debated.

Critics such as Benjamin Buchloh, Hal Foster, Craig Owens, and Mira Schor were highly critical of its relation to the marketability of painting on the rapidly expanding art market, celebrity, the backlash against feminism, anti-intellectualism, and a return to mythic subjects and individualist methods they deemed outmoded. Women were notoriously marginalized in the movement, and painters such as Elizabeth Murray and Maria Lassnig were omitted from many of its key exhibitions, most notoriously the 1981 "New Spirit in Painting" exhibition in London which included 38 male painters but no female painters.

Neo-expressionism around the world
Kevin Larmee, Chicago Beach, 2005

Australia

Austria

Brazil

France
Main article: Figuration Libre

Germany

India

Iraq

Italy
Main article: Transavantgarde

Mexico

Poland

South Africa

Spain

Sweden

Switzerland

Ukraine

United Kingdom

United States
gollark: Not specifically wordpress, no.
gollark: I would probably use nginx, because I'm used to it and it has nicer configuration:```nginxhttp { # whatever important configuration you have for all HTTP servers, `nginx.conf` probably ships with some # fallback in case someone visits with an unrecognized Host header server { listen 80 default_server; listen [::]:80 default_server; return 301 http://somedomain$request_uri; } server { listen 80; # you may (probably do) want HTTPS instead, in which case this bit is somewhat different - you need to deal with certs and stuff, and use port 443 - also you should probably add HTTP/2 listen [::]:80; # IPv6 server_name domain1.com; location / { proxy_pass http://backend1:8080/; } } server { listen 80; listen [::]:80; server_name domain2.com; location / { proxy_pass http://backend2:8080/; } }}```
gollark: The reverse-proxy solution is in my opinion the best one, although it would require some config.
gollark: I think LetsEncrypt may not be very happy with that, though.
gollark: Yes, and you can just use a reverse proxy (with "vhosts" or whatever) for that, easy enough.

See also

References
  1. Chilvers, Ian and John Glaves-Smith. A Dictionary of Modern and Contemporary Art. Oxford University Press (2009), p. 503
  2. Chilvers, Ian and John Glaves-Smith. A Dictionary of Modern and Contemporary Art. Oxford University Press (2009), p. 503-504
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.