Nachiyar Koil

Nachiar Kovil or Thirunarayur Nambi Temple in Thirunarayur, a village in the outskirts of Kumbakonam in the South Indian state of Tamil Nadu, is dedicated to the Hindu god Vishnu and his wife Lakshmi. It is the sub urban region of business city of Kumbakonam.

Nachiyar Kovil
Religion
Affiliation	Hinduism
District	Tanjore
Deity	Naraiyur Nambi Perumal Vanchulavalli Nachiyar Kal Garudar
Location
Location	Nachiyar Kovil
State	Tamil Nadu
Country	India
Location in Tamil Nadu
Geographic coordinates	10°55′N 79°26′E
Architecture
Type	Tamil architecture
Creator	Kochengat Cholan

Top of the ornamental Nachiarkoil or Annam lamp of Tamilnadu.

Constructed in the Dravidian style of architecture, the temple is glorified in the Divya Prabandha, the early medieval Tamil canon of the Azhwar saints from the 6th to 9th centuries AD. It is one of the 108 divyadesams dedicated to Vishnu, who is worshipped as Srinivasa Perumal and his consort Lakshmi as Nachiyar. The temple is the place where god Vishnu is believed to have initiated Pancha Samskara (religious initiation) to Thirumangai Azhwar. The temple follows the Thenkalai mode of worship.

The temple is believed to have been built by Kochengat Cholan of the late 3rd century AD, with later contributions from Medieval Cholas and Vijayanagar kings. A granite wall surrounds the temple, enclosing all its shrines, while it has a five-tiered rajagopuram, the temple's gateway tower. The temple is maintained and administered by the Hindu Religious and Endowment Board of the Government of Tamil Nadu.

Vishnu is believed to have appeared to the sage Medhavi and married his daughter at this temple, witnessed by Brahma and other gods. Six daily rituals and four yearly festivals are held at the temple, of which the Brahmotsavam, celebrated during the Tamil month of Margazhi (December–January), is the most prominent. The Kal Garuda image in the temple used during the festive occasions is believed to increase in weight seeking 4, 8, 16, 32, 64 and 128 people in succession when the procession comes out of various gates from the sanctum to the main entrance of the temple. Nachiyarkovil is famous for Nachiarkoil lamp brass lamp. The lamps are made by resident artisans called Pathers (Kammalar) who are living in large numbers at Kammalar street, Natchiyarkovil.

Legend

As per Hindu legend, the sage Medhavi was doing penance at this place. While taking a bath in the river, he found an image of Chakrathazhwar entwined with Yoga Narasimha. A divine voice asked him to install the image in his hermitage and worship it. The goddess Lakshmi, the consort of Vishnu chose to grow in the hermitage and appeared to the sage in the form of a small girl and requested him to take care of her. Vishnu traveled in search of Lakshmi on his vehicle Garuda, the eagle. Garuda found the presence of Lakshmi in the hermitage. Vishnu appeared to Medhavi, pleased by the latter's devotion and asked his daughter to be married to him. The sage happily married Lakshmi to Vishnu and requested him to stay in his place, which Vishnu accepted.[1][2] There is another local legend that king Kochengat Cholan was once defeated and he was advocated to seek the blessings of Vishnu, which he obliged.[2]

Architecture

The temple tank adjacent to the temple

The temple is believed to have been built by King Kochengat Cholan. He is believed to have built 70 temples dedicated to Shiva and Thirunaraiyur is the only Vishnu temple constructed by him. The temple has a 5-tiered rajagopuram on the eastern side, raising up to a height of 75 ft (23 m). The entrance through the eastern gateway leads to a hall of 16 pillars, called Neenila Mutram. The centre of the hall is occupied by Dwajasthamba (the flag pole) and Balipeeda (the place of sacrifice), one behind the other. The front portion of the flag pole has a small shrine for Garuda. The flag pole, place of sacrifice and Garuda's shrine are in axial position from the entrance to the main sanctum. The shrine of Thirumangai Azhwar is located on the northern side. The central hall of the temple, the Goratha Mandapam, houses the images of Ramanuja, Koorathazhwar and idols of eleven azhwars, leaving that of Andal.[3]

The southern side of the temple has a garden where the Magizha tree, the Sthala Vriksha (temple tree) is present. The Vasantha Mandapa or the spring hall is located next to it, which hosts the Vasanthothsavam or spring festival during the Tamil month of Vaikasi (May–June). The temple also has a 100-pillared hall where the wedding festival is held during the Tamil month of Aavani (September–October). There is a separate shrine in the north that houses images of Rama, Lakshmana and Sita and another shrine in the south that houses the image of Hanuman. There is a shrine for Chakrathazhwar and Yoga Narasimha, believed to have been installed and worshipped by Sage Medhavi. The first precinct has separate shrines for Manavala Mamunigal and Vedanta Desika and idols of the utsava deities (festive images) of the 108 divyadesams.[3]

The temple has an elevated structure approached through a flight of 21 steps. The presiding deity of the temple is Vishnu in the form of Narayur Nambi and his consort Lakshmi as Vanchulavalli Thaayaar (also called Neela Devi Nachiyar), both of whom are housed in the main sanctum. Unlike other Vishnu temples where Vishnu is given importance, in this temple Nachiyar (Thayar) is prominent. The sanctum also houses the images of Brahma, Pradyumna, Aniruddha, Sankarshana and Purushothaman (Vishnu) and a set of gods, who are depicted attending the wedding. The festive idols of Srinivasa (Vishnu), Sridevi (Lakshmi), Vanjulavalli (Lakshmi) and Bhudevi are housed in the same shrine.[1] The temple is maintained and administered by the Hindu Religious and Endowment Board of the Government of Tamil Nadu.[3]

Kal Garuda

Kal Garudar (Stone Garuda) procession

Kal Garuda, an image of Vishnu's mount - Garuda, is the most prominent feature of the temple. As per local legend, the sculptor who sculpted the idol of Garuda got frustrated as the bird flew away each time, a new image was prepared. In frustration, he threw a stone at Garuda, who got injured and decided to stay at the temple as Kal Garuda. The image of Kal Garuda is made of saligrama and is housed in the shrine outside the main sanctum. During festive procession during the Tamil months of Margazhi (December–January) and Panguni (March - April), the festive images are carried out in procession in Kal Garudar. While only four people are needed to carry the idol of Garuda out of the shrine, it multiples to 8, 16, 32, 64 and 128 people when the image is taken outside the temple. The weight of the idol remains the same when carried by 4 people and stays the same when carried outside by 128. Only supernatural force is acting on that idol when 4 people carry, if we replicate the same idol somewhere else, 128 people are required to lift. On the way back only 4 people are required to carry the float in the decreasing order 128, 64, 32, 16, 8, 4. The aspect is treated magical as drops of sweat are also observed on the image of Kal Garuda during the six-hour-long procession. During the festive occasion, Garuda receives honors from Srinivasa Perumal (presiding deity) in the form of dress and ornaments. Jewels and dress are also presented to Garuda by Ranganatha, the presiding Vishnu form of Srirangam Ranganthaswamy Temple.

Festivals and religious practices

The shrines of the temple as viewed from the temple tank

The temple priests perform the pooja (rituals) during festivals and on a daily basis. As at other Vishnu temples of Tamil Nadu, the priests belong to the Vaishnavaite community, a Brahmin sub-caste. The temple rituals are performed six times a day: Ushathkalam at 7 a.m., Kalasanthi at 8:00 a.m., Uchikalam at 12:00 p.m., Sayarakshai at 6:00 p.m., Irandamkalam at 7:00 p.m. and Ardha Jamam at 10:00 p.m. Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Srinivasa and Nachiyar. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the sacred texts Vedas are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple.[3]

The prime festival or Brahmmotsavam is a 10-day festival celebrated during the Tamil month of Margazhi (December–January). Garuda Sevai is celebrated during the Tamil month of Panguni (March–April). During both these festivals, the festive images of Kal Garuda are taken out around the streets of the temple. Vasanthothsavam or spring festival is celebrated during the Tamil month of Vaikasi (May–June). The Thirukalyana Utsavam or the wedding festival is celebrated in the 100-pillared hall during the Tamil month of Aavani (September–October).[3][4]

Religious significance

Sculpture of Narasimha and Ranganatha on the walls around the first precinct

The temple is revered in Nalayira Divya Prabandham, the 7th–9th century Vaishnava canon, by Thirumangai Azhwar in hundred hymns. It is the second temple revered by Thirumangai having more than hundred verses, the first one being the Neelamegha Perumal Temple at Thirukannapuram. Thirumangai compares Srinivasa Perumal of the temple with Venkateshwara (form of Vishnu) at Tirupathi and believes that he found the same beauty in both of them. It is also believed that when Thirumangai was asked to present a madal (ballad) by Ranganatha of Srirangam Ranganathaswamy temple, Thirumangai replied that he built the walls in Srirangam, while he built the verses for Thirunaraiyur.[1] It is believed that the Azhwar had his initiation to Vaishnavism in this temple.[5]

The temple is classified as a divyadesam, one of the 108 Vishnu temples that are mentioned in the book. The temple is the place where Vishnu is believed to have initiated Pancha Samskara (religious initiation) to Thirmangai. The temple is also quoted as a Siddhi Kshetra, a sacred place where sages attain earthly liberation. The place is considered sacred on account of being the hermitage of Sage Medhavi.[1][4] In Vaishanava theology, Varadaraja Perumal Temple at Kanchipuram is referred as Athigiri and Tirumala Venkateswara Temple at Tirupathi as Seshagiri and the temple at Thirunaraiyur is referred as Suganthagiri.[4]

Nachiyar Koil is one of the few divyadesams where the goddess has prominence over Vishnu. Some of the other temples where such female dominance is observed are Andal Temple at Srivilliputhur, Azhagiya Manavala Perumal Temple at Woraiyur and Pundarikakshan Perumal Temple in Thiruvellarai. While Srivilliputhur is called Nachiyar Thiru Maaligai, Thirunaraiyur is called Nachiyar Koil.[2]

Vishnu was of the view that during Kali Yuga, men would have to listen to women. Hence he decided that he would first set an example and listen to the goddess here. During all festive occasions, the first rights are reserved for Nachiyar, who moves ahead, while Srinivasa follows her. Even the food is first served to Nachiyar and then to Srinivasa. Being a temple where goddess has prominence, Vishnu is located slightly by the side and goddess has the prominent position inside the sanctum.[1][4]

The place is the birthplace of Vaishnava saint Nambiyandar Nambi. Though he was named Nambi after the presiding deity of the Vishnu temple, he followed Saivism. He was an eleventh-century Shaiva scholar of Tamil Nadu in South India who compiled the hymns of Sampantar, Appar and Sundarar and was himself one of the authors of the eleventh volume of the canon of the Tamil liturgical poetry of Shiva, the Tirumurai.[6]

Notes

1. "Unique drama unfolds during procession". The Hindu. 8 April 2005. Retrieved 9 September 2013.
2. R. 2001, pp. 511-12
3. "Sri Tirunarayur Nambi temple". Dinamalar. Retrieved 9 September 2013.
4. S., Prabhu (27 December 2012). "Unique drama unfolds during procession". The Hindu. Retrieved 9 September 2013.
5. Ayyar, P. V. Jagadisa (1982). South Indian Shrines: Illustrated. New Delhi: Asian Educational Services. p. 534. ISBN 9788120601512.
6. V., Meena (1974). Temples in South India (1st ed.). Kanniyakumari: Harikumar Arts. p. 29.

References

• R., Dr. Vijayalakshmy (2001). An introduction to religion and Philosophy - Tévarám and Tivviyappirapantam (1st ed.). Chennai: International Institute of Tamil Studies.

External links