Mission of Burma

Mission of Burma was an American post-punk band formed in Boston, Massachusetts in 1979. The band was formed by Roger Miller (guitar), Clint Conley (bass), Peter Prescott (drums) and Martin Swope (tape manipulator/sound engineer).[2] Miller, Conley and Prescott share singing and songwriting duties.

Mission of Burma
Mission of Burma in 2004
Background information
OriginBoston, Massachusetts, United States
GenresPost-punk, indie rock
Years active1979–1983, 2002–2016[1]
LabelsAce of Hearts, Taang! Records, Matador, Fire
Associated actsMoving Parts, Birdsongs Of The Mesozoic, Volcano Suns, Kustomized, Peer Group, Consonant, Shellac, Trinary System
Websitewww.missionofburma.com
MembersRoger Miller
Clint Conley
Peter Prescott
Bob Weston
Past membersMartin Swope

In early years the band's recordings were all released on the small Boston-based record label Ace of Hearts.[2] Despite initial success, Mission of Burma disbanded in 1983 due to Miller's development of tinnitus caused by the volume of the band's live performances.[3] In its original lineup, the band released only two singles, an EP, and one LP, Vs. Mission of Burma reformed in 2002, with Bob Weston replacing Swope,[3] and has since recorded four more albums, ONoffON, The Obliterati, The Sound The Speed The Light and Unsound.

History

Formation and early history

Mission of Burma's history began with a short-lived Boston rock group called Moving Parts.[2] The band included Roger Miller, who had moved to Boston from Ann Arbor, Michigan, and Clint Conley, who came from Darien, Connecticut.[4] When Moving Parts broke up amicably in December 1978, Miller and Conley began practicing. Auditioning new drummers was accomplished, as Michael Azzerad puts it, "by playing 'out' music, such as Sun Ra and James Brown, until the applicant left."[5] They eventually recruited ex-Molls drummer Peter Prescott, who had admired the music of Moving Parts.[6]

They took their name from a "Mission of Burma" plaque Conley saw on a New York City diplomatic building; he thought the phrase had a "sort of murky and disturbing" quality.[6] Mission of Burma made their debut on April 1, 1979 as a trio, performing at The Modern Theater. Later that month Miller wrote a song, "Nu Disco", that he felt would be improved by a tape loop.[7] Miller then contacted Martin Swope, with whom he had earlier written some John Cage and Karlheinz Stockhausen-inspired pieces for piano and tape. Swope was immediately enlisted as the group's live audio engineer and occasional tape-effects artist. His latter role grew gradually, until by 1981 he was adding tape work to most of the group's songs, and was regarded as an integral part of the group, appearing in group photographs and receiving equal credit on recordings.

From the start, Mission of Burma received support from local music magazine Boston Rock, which printed a lengthy interview with the band before they released their first record, and MIT community radio station WMBR. The station played Conley's "Peking Spring" repeatedly, and it became the station's most-played song of 1979. Mission of Burma wanted to release the song as a single, but by the time they had found a label, they felt the song had run its course.[8]

Signals and Vs.

By 1981, the band signed a record deal with the Boston-based record label Ace of Hearts. Their debut single was Conley's "Academy Fight Song", with Miller's "Max Ernst" (titled after the dada artist) as the B-side. Rick Harte's layered production was far more refined than the band's ragged live performances, and the band initially objected to the single. However, the first pressing of the single sold out quickly, and the band thereafter trusted Harte's judgment.

Their debut release, the EP Signals, Calls, and Marches, was released in 1981. By the end of that year, the EP had sold out its initial pressing of 10,000 copies.[9]

In 1982, Mission of Burma released their first full-length album, Vs.. The album has since seen wide praise; one review notes "very few American bands from the 1980s released an album as ambitious or as powerful as Vs., and it still sounds like a classic".[10]

Breakup and aftermath

In 1983, after the release of Vs., the group disbanded due to Miller's worsening tinnitus, attributed in large part to their notoriously loud live performances—during their farewell tour, Miller took to augmenting his usual small foam earplugs with rifle-range earphones onstage. A live compilation, The Horrible Truth About Burma, was assembled of recordings from the farewell tour and released on Ace of Hearts in 1985. In 1988, Rykodisc released a compilation album, Mission of Burma, the first compact disc to exceed 80 minutes of playing time.[11][12][13]

Miller and Swope then turned their attention to their side project, the quieter Birdsongs Of The Mesozoic (co-founded with their old friend Erik Lindgren, who had played with Miller and Conley in Moving Parts), which they both left in the 1990s, Miller to produce several solo efforts and film scores, and Swope to semi-reclusion in Hawaii. Prescott remained active in the Boston music scene, forming Volcano Suns and later Kustomized and The Peer Group. Other than producing Yo La Tengo's debut record, Conley dropped out of music (working as a producer for Boston television station WCVB's newsmagazine Chronicle); in 2001 he returned with Consonant.

Reunion

While disbanded, Mission of Burma accrued a larger fanbase. In the 1980s and 90s, Taang! Records and Rykodisc kept the band's music in print via reissues of the Ace of Hearts catalog as well as unreleased recordings. Mission of Burma was also one of the 13 groups featured in Michael Azerrad's book Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981–1991, marking them as an iconic group in the American indie rock canon.

In 2002, Mission of Burma reunited but without Swope as he declined to join.[14] Conley, Miller and Prescott instead played reunion shows with Bob Weston of Shellac (and formerly Prescott's Volcano Suns bandmate) replacing Swope at the mixing board and tape manipulation. In an interview Miller relates that "when we approached Bob Weston to fill Martin's position, we told him he could use current digital technology which accomplishes Martin's antics in an easier fashion. However, Bob opted for maintaining the original integrity, and uses a tape deck." Weston began using a digital looping box from Electro-Harmonix in 2007 during live performances, but still uses actual tape loops in the studio. Weston regularly joins the band onstage during encores, playing bass while Conley plays second guitar.

The band initially planned on playing just two reunion gigs, one in Boston and another in New York. When tickets sold out very quickly and concert dates expanded to two nights in New York and three in Boston, Mission of Burma decided to re-form more permanently to tour and record new material.[15]

A new album, ONoffON, was produced in 2004 by Weston with Rick Harte and the band, and released by Matador Records in May. The album finished 90th in the Village Voice Pazz & Jop critic's poll. They also released Snapshot, a live recording of the reunited lineup, through online digital channels. In September 2005, the band returned to the studio with Weston for an album tentatively titled (among other names) Aluminum Washcloth and rechristened The Obliterati. Released in May 2006, again on Matador, it ranked #33 of best records of 2006 by Pitchfork Media and placed 50th in the Pazz & Jop poll.

In 2006, a documentary about the band was released entitled Not a Photograph: The Mission of Burma Story.[16]

In March 2008, Matador re-released remastered versions of Signals, Calls, and Marches, Vs., and The Horrible Truth About Burma from the band's original era. In a September 2008 interview with the L.A. RECORD, Prescott explained that the sheer physical exertion involved in performing Mission of Burma songs meant that the band could only play together for a "couple more years at most."[17]

In March 2009 the band recorded 14 tracks for their fourth full-length studio album, The Sound The Speed The Light.[18][19] Matador released a two non-album songs on a 7″ single in August and the full album in October.[20][21]

In January 2012, Mission of Burma parted ways with Matador and recorded their fifth full-length album, Unsound, for Fire Records. The album saw release in July 2012, preceded by the single "Dust Devil".[22]

In a June 2019 Facebook post, it was revealed that the band has no plans to make further albums.[23] As of June 2020, the band was officially finished.[1]

Musical style

Miller's songs were typically more unorthodox, both lyrically and structurally. Critic Franklin Bruno described Conley as a "hook machine".[24] "That's When I Reach for My Revolver" has been covered by Moby, Graham Coxon, and Catherine Wheel. Though Miller and Conley handled most of the singing and songwriting, Prescott contributes a few songs per record as well.

Live performances

Prescott explained Swope's methods in a 1997 interview: "What Martin did ... was tape something that was going on live, manipulate it, and send it back in (via the soundboard) as a sort of new instrument. You couldn't predict exactly how it would sound, and that got to be the really fun thing I think we all liked. We wanted to play this hammer-down drony noise stuff, but we also wanted another sound in there."[9] Swope's tapework ranged from subtle and nearly subaural (such as the quiet shifting feedback sounds in Conley's "That's When I Reach For My Revolver"), to prominent and even jarring (such as the high-pitched two-note squeal in Miller's "Red"). Journalist Michael Azerrad later wrote: "A lot of people never knew about Swope's contribution and were mystified by how the musicians onstage could wring such amazing phantom sounds from their instruments." Though his contribution is widely considered an integral part of Burma's sound, Swope very rarely appeared onstage, only occasionally appearing to play second guitar during encores.

Their live performances were notoriously hit-or-miss, and were usually far more rough-edged than their recordings; the Horrible Truth of their live album (The Horrible Truth About Burma) being an in-joke about their inconsistency. Boston critic Tristam Lozaw described Mission of Burma live: "When they were good, they were very very good, but when they were bad they were horrid ... But that was the nature of the beast ... Because they took chances, you never knew whether you were going to get one of the most spectacular experiences of your life or if it was going to be a ball of incomprehensible noise." [25] While the band's improvisational side and the unpredictable chaos of Swope's tape work contributed a little to this inconsistency, the two main factors were (as Lozaw implies) the live sound and the pacing and timing of their sets. When faced with a venue where the sound system or room acoustics weren't up to the task of conveying clarity along with the band's trademark volume, Swope always refused to compromise, and opted for volume. The band's set lists (composed by committee a few minutes before going on stage) could range from well-constructed to seemingly picked at random, and (aside from "Secrets" as a frequent opener and "All World Cowboy Romance" or a cover as an encore) there was a general reluctance to repeat any song placement or sequence that had worked in the past.

Legacy

Many bands and musicians have cited Burma as an inspiration, including Nirvana,[26] Pearl Jam,[27] Foo Fighters,[28] Superchunk, Jawbox, The Grifters, R.E.M., Miracle Legion (the last two have even covered "Academy Fight Song": the former on their Green tour and the latter on their debut[29]), Thurston Moore,[30] Drive Like Jehu, Throwing Muses, Yo La Tengo,[31] Pixies, Sugar, Guided by Voices, Shellac, Catherine Wheel, Graham Coxon, Pegboy, Moby and Down by Law—the last five of which have covered Conley's "That's When I Reach for My Revolver".[32] In 2009 the city of Boston declared October 4 to be "Mission of Burma Day" in honor of the band's work in a ceremony held at the MIT East Campus Courtyard.[33] The indie rock band Versus took their name from the Mission of Burma album Vs.

Discography
Main article: Mission of Burma discography

Studio albums

Notes
  1. Sullivan, Jim (June 19, 2020). "Bidding A Quiet Adieu To Cacophonous Post-Punk Band Mission Of Burma". WBUR-FM. Retrieved June 20, 2020.
  2. Milner, Greg (July 9, 2002). "The undeniable truth about Burma". Salon. Retrieved February 4, 2020.
  3. Smyers, Darryl (July 22, 2011). "Q&A: Mission of Burma's Clint Conley on Why His Band is Unlike The Pixies". Dallas Observer. Retrieved February 4, 2020.
  4. Azerrad, 2001. p. 96
  5. Azerrad, 2001.
  6. Azerrad, 2001. p. 97
  7. Azerrad, 2001. p. 98
  8. Azerrad, 2001. p. 99
  9. Woodlief, Mark (July 4, 1997). "Mission impossible". The Worcester Phoenix. Worcester, Massachusetts: The Portland News Club. Archived from the original on March 10, 2005. Retrieved December 28, 2004.
  10. Deming, Mark. "Vs". AllMusic. Retrieved 25 May 2016.
  11. Christgau, Robert (September 27, 1988). "Christgau's Consumer Guide". The Village Voice. New York City: Voice Media Group. Retrieved May 8, 2018.
  12. Rykodisc (1988). "80 Minute CD No Kidding (advertisement)". Spin. San Francisco, California: SpinMedia. 3 (10). Retrieved May 8, 2018.
  13. "Mission of Burma 1988 Rykodisc compilation information". discogs.com. Retrieved January 18, 2011. This Rykodisc release was the first compact disc to contain 80 minutes of music; 78 minutes had previously been the longest length possible to encode on a CD.
  14. Smyers, Darryl (July 22, 2011). "Q&A: Mission of Burma's Clint Conley on Why His Band is Unlike The Pixies". Dallas Observer. Retrieved February 13, 2020.
  15. Thorn, Jesse (December 22, 2015). "Barney Frank & Mission of Burma". Bullseye. National Public Radio. Retrieved January 4, 2016.
  16. Estes, Jeremy (January 4, 2007). "Mission of Burma: Not a Photograph [DVD]". PopMatters. Retrieved April 4, 2020.
  17. Blood, Darryl (September 24, 2008). "Mission of Burma: When the World is Insane". L.A. Record. Los Angeles, California: YBX Media Inc. Retrieved May 25, 2016.
  18. "Waterfront Flyer". Matadorrecords.com. Archived from the original on October 11, 2012. Retrieved September 3, 2012.
  19. "Mission of Burma - UNSOUND available now". Missionofburma.com. Retrieved 25 May 2016.
  20. Fenway Recordings Press Release, May 4
  21. "Matablog". Matador Records. July 13, 2009. Archived from the original on July 16, 2009. Retrieved 2012-09-03.
  22. Pelly, Jenn (March 26, 2012). "Mission of Burma: "Dust Devil"". Pitchfork. New York City: Condé Nast. Archived from the original on August 24, 2012. Retrieved September 3, 2012.
  23. "Mission of Burma". Retrieved June 10, 2019.
  24. "Archived copy". Archived from the original on March 20, 2015. Retrieved November 10, 2006.CS1 maint: archived copy as title (link)
  25. Azerrad, 2001. p. 106
  26. Nugent, Benjamin (July 31, 2001). "The Bands That Made Nirvana". Time. New York City: Meredith Corporation. Retrieved May 25, 2016.
  27. Fantano, Anthony (October 2, 2009). "Mission Of Burma: The Story Begins Again". NPR. Retrieved August 28, 2018.
  28. Gottleib, Jed (July 17, 2015). "Foo on Boston". Boston Herald. Boston, Massachusetts: GateHouse Media. Retrieved May 25, 2016.
  29. "Cover versions of Academy Fight Song by Mission of Burma - SecondHandSongs". Secondhandsongs.com. Retrieved 25 May 2016.
  30. Drozdowski, Ted (January 10–17, 2002). "Burmese days". Boston Phoenix. Boston, Massachusetts: The Portland News Club. Archived from the original on October 10, 2015. Retrieved February 1, 2016.CS1 maint: date format (link)
  31. Joyce, Colin (August 26, 2015). "A Revisionist History: Yo La Tengo Pick Their All-Time Favorite Covers". Spin. San Francisco, California: SpinMedia. Retrieved 25 May 2016.
  32. "Cover versions of That's When I Reach for My Revolver by Clint Conley". Second Hand Songs. Retrieved May 25, 2016.
  33. Peters, Bill (October 5, 2009). "Sunday was officially declared Mission of Burma Day in Boston". The Republican. Springfield, Massachusetts: Advance Publications. Retrieved May 25, 2016.
gollark: Idea: upgrade to a Pentium 4.
gollark: Eventually won't you spend more on maintaining piles of outdated tech than new stuff would cost?
gollark: As a cool person with modern ish AMD stuff, I might be able to get PCIe 4 on my board eventually with a new CPU, not that it matters much.
gollark: Old/few PCIe lanes?
gollark: It'll probably occasionally matter.

References
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