Michael Hastings (playwright)

Michael Gerald Hastings (2 September 1938 – 19 November 2011)[1] was a British playwright, screenwriter, and occasional novelist and poet.

Michael Hastings
Born
Michael Gerald Hastings

(1938-09-02)2 September 1938
London, England, United Kingdom
Died19 November 2011(2011-11-19) (aged 73)
United Kingdom
OccupationWriter, playwright

He is best known for his 1984 stage play and 1994 screenplay Tom & Viv, about the poet T.S. Eliot and his wife Vivienne Haigh-Wood.

Biography

Hastings was born in London, UK. His early plays –Don't Destroy Me (1956), Yes And After (1957) – reflected the influence of the Angry Young Men movement and his brief involvement with the circle surrounding Colin Wilson.[2][3]

Hastings later enjoyed mainstream West End success with Gloo Joo (1978), a farce about a West Indian threatened with deportation from the United Kingdom, which won the Evening Standard Comedy of the Year Award in 1979. He wrote numerous stage plays, television screen plays, and in addition to the Tom & Viv film, scripts for two motion pictures, The American (1998) and The Nightcomers (1971, based on the Henry James novella The Turn of the Screw and starring Marlon Brando). Hastings also wrote two libretti for Michael Nyman: Man and Boy: Dada (2003, assisted by Victoria Hardie) and Love Counts (2005).[1]

Hastings' 1950's play The Cutting of the Cloth saw its world premiere at the Southwark Playhouse in London, from 11 March till 4 April 2015. The cast were Alexis Caley, Andy de la Tour, James El-Sharawy, Paul Rider and Abigail Thaw, directed by Tricia Thorns.[4]

Hastings published his first novel, The Game in 1957, followed by The Frauds. His 1970 novel Tussy Is Me – about Eleanor Marx – won him the Somerset Maugham Award. As a poet, he published one collection, Love Me, Lambeth, and Other Poems, in 1961, and his work appeared in Michael Horovitz's 1969 anthology Children of Albion: Poetry of the Underground in Britain.[5]

Hastings died aged 73 on 19 November 2011.[1]

Selected works

Theatre
  • Don't Destroy Me (1956)
  • Yes And After (1957)
  • The World's Baby (1964)
  • For the West (Congo) (1965)
  • Blue as His Eyes the Tin Helmet He Wore (1966)
  • Lee Harvey Oswald: A Far Mean Streak of Independence Brought on by Negleck (also known as The Silence of Lee Harvey Oswald) (1967)
  • The Silence of Saint-Just (1972)
  • The Cutting of the Cloth (written 1973)
  • For the West (Uganda) (1977)
  • Gloo Joo (1978)
  • Full Frontal (1979)
  • Carnival War a Go Hot (1979)
  • Murder Rap (1980)
  • Midnight at the Starlight (1980)
  • Tom & Viv (1984)
  • Calico (2004)

Television
  • Gloo Joo (1979)

Books
Fiction
  • The Game (1957)
  • The Frauds (1960)
  • Tussy Is Me (1970)
  • The Nightcomers (1971; based on his own screenplay)
  • And in the Forest the Indians (1975)
  • Bart's Mornings and Other Tales of Modern Brazil (1975) (short stories)
Non-fiction
  • Rupert Brooke: The Handsomest Young Man in England (1967)
  • Sir Richard Burton: A Biography (1978)
Poetry
  • Love Me, Lambeth, and Other Poems (1961)
gollark: Your core beliefs are best expressed by a painting consisting entirely of purple ink on canvas.
gollark: You are like a function with gradient x³-¾x.
gollark: Wow. Can we make a better one?
gollark: Or possibly TAI, because leap second.
gollark: Yes, embrace UTC, the weird French acronym.

References
  1. "Michael Hastings". The Daily Telegraph. London. 22 November 2011. Retrieved 22 November 2011.
  2. Kenneth Allsop, The Angry Decade, London: Peter Owen (1964), p. 132.
  3. Sidney Campion, The World of Colin Wilson, F. Muller (1962), p. 147.
  4. Southwark Playhouse playbill, 2015.
  5. Robert Sheppard, The Poetry of Saying: British Poetry and Its Discontents 1950-2000, Liverpool University Press, 2005, p. 42.
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