Merzak Allouache
Merzak Allouache (born 6 October 1944) is an Algerian film director and screenwriter. He has directed 18 films since 1976. His 1976 film Omar Gatlato was entered into the 10th Moscow International Film Festival where it won the Silver Prize.[1] His 1996 Salut cousin! was submitted to the 69th Academy Awards in the category of Best Foreign Language Film.[2]
Merzak Allouache | |
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Allouache in 2017 | |
Born | Algiers, Algeria | 6 October 1944
Occupation | Film director |
Years active | 1976-present |
His 2011 film Normal! won the award for Best Film at the 2011 Doha Tribeca Film Festival.[3] In 2012, his film The Repentant was screened in the Directors' Fortnight section at the 2012 Cannes Film Festival.[4][5] It won the FIPRESCI Award for Best Asian Film at the 17th International Film Festival of Kerala.[6]
He was born in Algiers.
Selected filmography
- Omar Gatlato (1976)
- Mughamarat batal (1979)
- Homme qui regardait les fenêtres, L' (1986)
- Un amour à Paris (1987)
- Après-Octobre, L' (1989)
- Bab El-Oued City (1994)
- Lumière et compagnie (1995)
- Dans la décapotable (1996)
- Salut cousin! (1996)
- Alger-Beyrouth: Pour mémoire (1998) (TV)
- À bicyclette (2001) (TV)
- Autre monde, L' (2001)
- Chouchou (2003)
- Bab el web (2005)
- Tamanrasset (2008) (TV)
- Harragas (2009)
- Normal! (2011)
- The Repentant (2012)
- The Rooftops (2013)
- Madame Courage (2015)
gollark: School but instead of reading random poems you memorise 'life skills' would be quite ae ae ae, as they say.
gollark: If I were to redesign school, it would be much less regimented (you would not be grouped by year etc.), more flexible (an actually sane schedule and more/earlier choice of subjects), and focus on more general skills (not overly specific reading of books, or learning procedures for specific maths things, or that sort of thing). Additionally, more project-based work and more group stuff.
gollark: Those are specific uses of some of those things, yes. Which is why those are important. Although programming isn't intensely mathy and interest is trivial.
gollark: I assume you mean interpersonal? School is really bad for that as it stands because you're artificially segmented into people of ~exactly the same age in a really weird environment.
gollark: *Ideally*, at least, school works as a place to learn things from those who know them well and discuss it with interested peers.
References
- "10th Moscow International Film Festival (1977)". MIFF. Archived from the original on 16 January 2013. Retrieved 13 January 2013.
- "39 Countries Hoping for Oscar Nominations". Academy of Motion Picture Arts and Sciences. 13 November 1996. Archived from the original on 9 February 1999. Retrieved 5 October 2015.
- "Algerian Filmmaker Merzak Allouache Struggles with Censorship After Long Career". al-akhbar.com. Archived from the original on 4 March 2016. Retrieved 6 April 2012.
- Leffler, Rebecca. "Cannes 2012: Michel Gondry's 'The We & The I' to Open Director's Fortnight". The Hollywood Reporter. Retrieved 26 May 2012.
- "2012 Selection". quinzaine-realisateurs.com. Directors' Fortnight. Archived from the original on 26 April 2012. Retrieved 26 May 2012.
- "Curtains down on IFFK, Sta. Nina bags Suvarna Chakoram". Malayala Manorama. 14 December 2012. Retrieved 14 December 2012.
Further reading
- Will Higbee, "Merzak Allouache: (Self)Censorship, Social Critique, and the Limits of Political Engagement in Contemporary Algerian Cinema" in: Josef Gugler (ed.), Ten Arab Filmmakers: Political Dissent and Social Critique, Indiana University Press, 2015, ISBN 978-0-253-01644-7, pp. 188-212
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