Marlon James (novelist)
Marlon James (born 24 November 1970)[1] is a Jamaican writer. He has written four novels: John Crow's Devil (2005), The Book of Night Women (2009), A Brief History of Seven Killings (2014), winner of the 2015 Man Booker Prize, and Black Leopard, Red Wolf (2019). Now living in Minneapolis, Minnesota, in the U.S., James teaches literature at Macalester College in St. Paul, Minnesota.[2][3] He is also a faculty lecturer at St. Francis College's Low Residency MFA in Creative Writing.[4]
Marlon James | |
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Marlon James at the 2014 Texas Book Festival | |
Born | Kingston, Surrey County, Jamaica | 24 November 1970
Occupation | Novelist |
Nationality | Jamaican |
Alma mater | University of the West Indies, Wilkes University |
Period | 2002–present |
Genre | Fiction |
Literary movement | Postcolonialism |
Notable works | The Book of Night Women (2009); A Brief History of Seven Killings (2014) |
Notable awards | OCM Bocas Prize for Caribbean Literature (Fiction), 2015; Anisfield-Wolf Book Award, 2015; Man Booker Prize, 2015 |
Early life
James was born in Kingston, Jamaica, to parents who were both in the Jamaican police: his mother (who gave him his first prose book, a collection of stories by O. Henry) became a detective and his father (from whom James took a love of Shakespeare and Coleridge) a lawyer.[5][6] James attended Kingston's prestigious Wolmer's Trust High School for Boys.[7] He is a 1991 graduate of the University of the West Indies, where he read Language and Literature. He left Jamaica to escape homophobic violence and economic conditions that he felt would mean career stagnation,[8] later explaining: "Whether it was in a plane or a coffin, I knew I had to get out of Jamaica."[2] He received a master's degree in creative writing from Wilkes University (2006).[9]
Career
His first novel, John Crow's Devil (2005) – which was rejected 70 times before being accepted for publication [10] – tells the story of a biblical struggle in a remote Jamaican village in 1957.[11] His second novel, The Book of Night Women (2009), is about a slave woman's revolt in a Jamaican plantation in the early 19th century.[12] His 2014 novel, A Brief History of Seven Killings, explores several decades of Jamaican history and political instability through the perspectives of many narrators. It won the fiction category of the 2015 OCM Bocas Prize for Caribbean Literature[13] and the 2015 Man Booker Prize for Fiction, having been the first book by a Jamaican author ever to be shortlisted.[14][15] He is the second Caribbean winner of the prize, following Trinidad-born V. S. Naipaul who won in 1971.[16] James's most recent work, Black Leopard, Red Wolf (2019), is the first in a planned fantasy series.[17]
James has taught English and creative writing at Macalester College in St. Paul, Minnesota, since 2007.[18][19] He is also a faculty lecturer at St. Francis College's Low Residency MFA in Creative Writing.[4]
In February 2019, James gave the seventh annual Tolkien Lecture at Pembroke College, Oxford.[20]
In 2020, James began co-hosting a literary podcast with his editor Jake Morrissey called "Marlon and Jake Read Dead People" that explores in a casual setting the work of deceased authors.[21]
Works
- John Crow's Devil (2005)
- The Book of Night Women (2009)
- A Brief History of Seven Killings (2014)
- Black Leopard, Red Wolf (2019), Book 1 in the Dark Star Trilogy
Themes
Themes in James’s work span religion and the supernatural, sexuality, violence, and colonialism. Often, his novels display the struggle to find an identity, whether it be as a slave or a postcolonial inhabitant of Jamaica.
John Crow's Devil (2005)
In John Crow's Devil, his first novel, James explores postcolonial Jamaica through a religiously-charged, archetypal battle of good and evil. His characters in this novel represent, through their archetypal portrayals, many facets of humanity including hope. Despite the particular setting, the novel "conveys archetypal situations that reside in the collective unconsciousness."[22] Additionally, this piece of Caribbean gothic reveals the power of guilt and hypocrisy both in a person and in a community, and generally reveals truths of human nature. The ghosts of colonialism are more subtle, but the instability and struggle for identity is clear to the reader.
The Book of Night Women (2009)
In The Book of Night Women, James challenges the traditional slave narrative by presenting a protagonist (Lilith) who approaches her enslavement with complex duality, despite the constant description of antagonism between slaves and masters on a plantation in Jamaica. Lilith hates the masters, but much of the novel deals with how she "aspires to obtain a privileged stature within plantation society by submitting to the sexual subjugation of a white overseer, Robert Quinn".[23] This is additionally challenged by Lilith and Robert's "love", leading the reader to question the limits of love and relationships. James intends to have readers root for Robert and Lilith, but then catch themselves, as Robert Quinn has a reputation as a brutal, violent overseer—even ordering Lilith to be severely whipped. The situation for the reader is further complicated because Quinn is Irish, another population that was looked down upon during the time period. While this at times brings him sympathy, his whiteness overshadows his Irishness.
Additionally, the novel explores the complexity of what it is to be a woman, with some characters having deep connections to Obeah and Myal spiritualism. The female slaves are portrayed as strong-willed and intelligent, while the male slaves are often portrayed as weak, thoughtless, and even traitorous. "Rape, torture, murder and other dehumanizing acts propel the narrative, never failing to shock in both their depravity and their humanness. It is this complex intertwining that makes James’s book so disturbing and so eloquent".[24] The novel "defies hegemonic notions of empire by pointing out the explosive and antagonistic relationship between colonizers and colonized."[23]
A Brief History of Seven Killings (2014)
James's 2014 novel, A Brief History of Seven Killings, portrays "a passionate, often angry account of postcolonial society struggling to balance identity and a burgeoning criminal element."[25] The novel has twelve narrators, contributing to the "excess" that Sheri-Marie Harrison explores in her article "Excess in A Brief History of Seven Killings".[26] She explains: "James's rejection of a purely nationalist tradition, like that of other authors in his cohort, concretizes his critique of the ways nationalism distracts us from the increased deregulation of global capital and its production of material inequality around the globe. This disruption of privileged tropes in the interest of turning attention onto the transnational forces that structure inequality helps to explain James's use of 'a poetics of excess.' His experimentation with form functions to rework now familiar paradigms and themes that have been central to the literary imagination of postcolonial realities for a little over half a century."[26]
Black Leopard, Red Wolf (2019)
His most recent book, Black Leopard, Red Wolf (2019) — characterized as "an African Game of Thrones[27] — is the first instalment of a planned trilogy.[28] It has been described by NPR journalist Ari Shapiro as "an epic fantasy quest — full of monsters, sex, and violence, set in a mythic version of ancient Africa."[29] According to TIME magazine, the novel "joins the ranks of those by authors like Tomi Adeyemi and N.K. Jemisin, whose works push back against stereotypes about the types of figures who 'should' appear in fantasy fiction."[27]
Influences
James's influences include authors as well as musicians. In his acceptance speech for the Man Booker Prize in 2015, James explained: "The reggae singers Bob Marley and Peter Tosh were the first to recognize that the voice coming out our mouths was a legitimate voice for fiction and for poetry."[30] In other words, these singers empowered other artists such as James to create. In his popular 2015 essay "From Jamaica to Minnesota to Myself", published in the New York Times Magazine, James describes reading Salman Rushdie's novel Shame (1983): "Its prose was so audacious, its reality so unhinged, that you didn't see at first how pointedly political and just plain furious it was. It made me realize that the present was something I could write my way out of."[2]
James has said that he re-read Ben Okri's 1991 novel The Famished Road while writing Black Leopard, Red Wolf: "Okri is such an influence on me. I’ve read Famished Road like four times."[28]
Tone and style
James's work carries a unique style, often referred to as disturbing, brutal, and violent, leading him to be compared in one review to Quentin Tarantino, who is known for his excessive use of violence in his films. James does not hold back in his graphic descriptions of sexual and violent acts, which contributes to the raw nature of his writing. "James does not set out to entertain, he does not want readers to be entertained by shocking events: he believes they should be rightly horrified…"[25] His work is challenging and lyrical, and he often uses Jamaican Patois in dialogue, and often uses multiple dialects for different characters. His style strays from traditional and expected Caribbean Literature by "creating wild and risky new possibilities for thinking about the region's place in our contemporary reality."[26] James has stated that he commits offences in his writing that he would not allow his students to commit, "such as writing seven-page sentences."[25] James's writing has been compared to Toni Morrison, William Faulkner, and Gabriel García Márquez.
Reception
Reception of James's novels has been conflicted—the same elements that some critics find to be strengths, others believe are his weaknesses. The conflicting nature of how readers and reviewers respond stems from reactions to the often upfront brutality juxtaposed with the mechanical elements that James uses to tell his stories. One critic writes: "The linguistic and stylistic excess which dominates A Brief History of Seven Killings both elevates it and burdens it."[25] Another reviewer explained, "I have had conversations with fellow Caribbeanists and students in which they have used terms like 'orgiastic' and 'masturbatory' to describe James's writing."[26] When reviewing The Book of Night Women, another critic explains: "Rape, torture, murder and other dehumanizing acts propel the narrative, never failing to shock in both their depravity and their humanness. It is this complex intertwining that makes James’s book so disturbing and so eloquent."[24]
Awards and recognition
- 2009 – National Book Critics Circle Award finalist for The Book of Night Women[31]
- 2010 – Dayton Literary Peace Prize (Fiction) for The Book of Night Women[32]
- 2010 – Minnesota Book Award (Novel & Short Story) for The Book of Night Women[33]
- 2013 – Silver Musgrave Medal from the Institute of Jamaica[34]
- 2014 – National Book Critics Circle Award finalist for A Brief History of Seven Killings[35]
- 2015 – Anisfield-Wolf Book Award for Fiction for A Brief History of Seven Killings[36]
- 2015 – OCM Bocas Prize for Caribbean Literature (Fiction category winner), for A Brief History of Seven Killings[13]
- 2015 – Man Booker Prize for Fiction for A Brief History of Seven Killings[14][37][38][39]
- 2015 – Green Carnation Prize for A Brief History of Seven Killings[40]
- 2019 – National Book Award for Fiction finalist for Black Leopard, Red Wolf[41]
References
- "Man Booker Prize for Fiction Winner: A Brief History of Seven Killings by Marlon James" Archived 19 October 2018 at the Wayback Machine, LiteraryFestivals.co.uk, 14 October 2015.
- James, Marlon (10 March 2015). "From Jamaica to Minnesota to Myself". The New York Times.
- Richards, Kimberley (14 October 2015), "Marlon James Becomes First Jamaican Winner Of Booker Prize", Huffington Post – Arts & Culture.
- "MFA in Creative Writing", St. Francis College.
- Akbar, Arifa (14 October 2015), "Marlon James: 'I don’t believe in PG violence’", The Independent.
- Harvey, Chris (13 October 2015), "Marlon James interview: 'I didn’t want to fall into a pornography of violence'", The Telegraph.
- Tolentino, Jia (21 January 2019), "Why Marlon James Decided to Write an African 'Game of Thrones'", The New Yorker.
- Wright, André (15 October 2015), "Why Marlon James had to get out of Jamaica to win the Booker prize", The Guardian.
- Marlon James: Books, Biography, Blog, Audiobooks, Kindle. Amazon.com.
- "Man Booker Prize winner Marlon James 'in exile' from Jamaica", Channel 4 News, 14 October 2015.
- John Crow's Devil: Marlon James. Amazon.com: Books
- Reed, Troy, "The Book of Night Women" (review), HNR, Issue 48 (May 2009). Historical Novel Society.
- "Top three books named for 2015 OCM Bocas Prize" Archived 5 April 2015 at the Wayback Machine, NGC Bocas Lit Fest website, 31 March 2015.
- "The Man Booker Prize for Fiction 2015 shortlist is revealed" Archived 25 September 2015 at the Wayback Machine, The Man Booker Prize website, 15 September 2015.
- "Jamaican writer makes history", News Americas, 15 September 2015.
- "OCM Bocas Prize winner gets world’s biggest literary award", Daily Express (Trinidad), 14 October 2015.
- Liptak, Andrew (12 December 2015). "Marlon James's Next Book Will Be 'African Game of Thrones'". io9. Retrieved 13 December 2015.
- "About Marlon James", Penguin.com. Archived 3 December 2013 at the Wayback Machine: "A professor of literature and creative writing at Macalester College, he divides his time among Minnesota, New York, and Jamaica."
- "Marlon James, Assistant Professor English", Macalester College.
- Video and Photos of Marlon James’s Tolkien Lecture, 'Video and Photos of Marlon James’s Tolkien Lecture', 28 February 2019. Retrieved 16 May 2020.
- Libbey, Peter (24 January 2020). "Marlon James to Host New Literary Podcast". The New York Times. ISSN 0362-4331.
- Madore, Joel (2011). "Jamaican Signatures: An Archetypal Analysis of Marlon James' John Crow's Devil". Journal of Caribbean Literatures. 7: 69–75 – via EBSCO.
- Ozuna, Ana. "Feminine Power: Women Contesting Plantocracy in The Book of Night Women". Retrieved 15 June 2018.
- Glover, Kaiama L. (26 February 2009). "Womanchild in the Oppressive Land". The New York Times.
- Battersby, Eileen (13 October 2015). "Booker Winner Marlon James Tops Tarantino for Body Count". Irish Times.
- Harrison, Sheri-Marie (24 October 2015). "Excess in A Brief History of Seven Killings". Post45. Retrieved 27 June 2018.
- Feldman, Lucy (5 February 2019), "How Marlon James Built a New World in His 'African Game of Thrones'", TIME.
- Preston, Alex (17 February 2019), "Marlon James: 'You have to risk going too far'", The Observer.
- "Marlon James Builds A New World From Old Stories In 'Black Leopard'", All Things Considered, NPR, 5 February 2019.
- Ulin, David L. (13 October 2015). "Marlon James' powerful mix of influences and cultures lands him the Man Booker Prize". latimes.com.
- ArtsBeat, "National Book Critics Circle Finalists Are Announced", The New York Times, 23 January 2010.
- Dayton Literary Peace Prize - Press Release Announcing 2010 Winners.
- "Minnesota Book Awards Past Winners & Finalists", The Friends of the Saint Paul Public Library.
- Reynolds-Baker, Athaliah (18 October 2018). "Eight Outstanding Jamaicans Awarded Musgrave Medals". Jamaica Information Service. Retrieved 5 February 2015.
- "National Book Critics Circle Announces Finalists for Publishing Year 2014". Critical Mass (NBCC blog). 19 January 2015. Archived from the original on 22 January 2015. Retrieved 29 January 2015.
- The Anisfield-Wolf Book Awards. "Winners by Year"
- Masters, Tim (13 October 2015), "Man Booker Prize 2015: Marlon James wins for A Brief History of Seven Killings", BBC News.
- Brown, Mark (13 October 2015), "Marlon James wins the Man Booker prize 2015", The Guardian.
- Singh, Anita (14 October 2015), "Booker Prize 2015 winner Marlon James: 'I almost gave up'", The Telegraph.
- Onwuemezi, Natasha (9 December 2015), "Marlon James wins Green Carnation Prize", The Bookseller.
- "The 2019 National Book Awards Finalists Announced". National Book Foundation. 7 October 2019. Retrieved 9 October 2019.
Further reading
- Battersby, Eileen. "Booker Winner Marlon James Tops Tarantino for Body Count". Contemporary Literary Criticism, edited by Lawrence J. Trudeau, vol. 405, Gale, 2017. Literature Resource Center
- Frank, Alex. "Marlon James on Winning the Man Booker Prize, Fictionalizing Bob Marley, and Why He Loves Kendrick Lamar", Vogue, 1 February 2017.
- Gifford, Sheryl. "(Re)Making Men, Representing the Caribbean Nation: Individuation in the Works of Fred D’Aguiar, Robert Antoni, and Marlon James." Diss. Florida Atlantic University, 2013. Print.
- Harrison, Sheri-Marie. "Excess in a Brief History of Seven Killings." Post45, 24 October 2015.
- James, Marlon. "From Jamaica to Minnesota to Myself", The New York Times, 10 March 2015.
- Machado Sáez, Elena (2015), "Writing the Reader: Literacy and Contradictory Pedagogies in Julia Alvarez, Michelle Cliff, and Marlon James", Market Aesthetics: The Purchase of the Past in Caribbean Diasporic Fiction, Charlottesville: University of Virginia Press, ISBN 978-0-8139-3705-2.
- Ozuna, Ana. "Feminine Power: Women Contesting Plantocracy in The Book of Night Women", Journal of Pan African Studies, vol. 10, no. 3, 2017, pp. 132+. Literature Resource Center.
- Polk, James. "Spiritual Combat". Review of John Crow's Devil, by Marlon James. The New York Times, 13 November 2005: 54.
- Thomson, Ian. "God 'and Rum' on the Rocks". Review of John Crow's Devil, by Marlon James. The Independent, 28 October 2005: 21.
External links
- Paul Holdengraber, "Marlon James needs noise to write (and other revelations)" (interview), The Literary Hub, 10 August 2017.
Media related to Marlon James (novelist) at Wikimedia Commons