Mammisi

A mammisi (mamisi) is an ancient Egyptian small chapel attached to a larger temple (usually in front of the pylons[1]), built from the Late Period,[2][3] and associated with the nativity of a god.[1] The word is derived from Coptic – the last phase of the ancient Egyptian language – meaning "birth place".[1][2] Its usage is attributed to the French egyptologist Jean-François Champollion (1790–1832).[3]

Religious references

Major temples inhabited by a divine triad could be completed by a peristyle-surrounded mammisi, in which the goddess of the triad would give birth to the son of the triad itself.[1] The son, whose divine birth was celebrated annually, was associated with the Pharaoh (even in the hierogamy scenes on the walls).[1]

The Roman mammisi attached to the Dendera Temple complex, in an ancient photogravure

Relief with Ra, Hathor and Emperor Trajan (AD 98–117) in the Roman mammisi of Dendera

Ruins of the Temple of Montu at Armant, with a glimpse of the mammisi Cleopatra VII dedicated to her son

Taweret, Raet-Tawy and the Seven Hathors who presided over childbirth were particularly revered here, but it is equally common to find references to Bes, Khnum and Osiris himself as fertility deities. Mammisis thus formed an architectural translation of the myth of divine birth and its eternal repetition. From the end of the Late Period these buildings confirm the restoration of royal power that each dynasty will strive to assert in the very heart of the great sanctuaries of the country, including the Roman emperors.

Temple complex	Dedication
Dendera (1st)	Birth of Harsiese, "Horus son of Isis"[2]
Dendera (2nd)	Birth of Ihy, son of Horus and Hathor[3]
Philae	Birth of Harpocrates, "Horus the Child"[2]
Kom Ombo	Birth of Panebtawy, "Horus Lord of the Two Lands, the Child"[3][4]
Edfu	Birth of Harsomtus, "Horus Unifier of the Two Lands"[5]
Esna	Birth of Heka, son of Khnum and Neith[2]
Athribis	Birth of Kolanthes, son of Min and Repyt[6][7]
Armant (1st)	Birth of Harpre, "Horus the sun"[2][8]
Armant (2nd)	Birth of Caesarion, son of Cleopatra VII and Julius Caesar[2][9][10]
Kellis (Dakhla Oasis)	Tutu[11]
El Kab	Nekhbet as Hathor[12]

Dendera

Further information: Dendera Temple complex

The most important surviving examples in Dendera, Edfu, Kom Ombo, Philae, El Kab, Athribis, Armant, the Dakhla Oasis etc.[1][2] are from the Ptolemaic and Roman periods in Egypt;[13] but the first one, in Dendera, dates back to the 30th dynasty Pharaoh Nectanebo I (379/378–361/360 BC), one of the last native rulers of Egypt. Equipped with a hypostyle by Pharaoh Ptolemy VI Philometor (181–145 BC) and with a peristyle by Ptolemy X Alexander I (110–88 BC), it was dedicated to Harsiese ("Horus son of Isis").[2] This 30th dynasty project was then repeated, by the Græco-Roman rulers, for some of the major shrines in the country.

The famous Roman mammisi – the less ancient one associated with the Dendera Temple complex – was built by Augustus immediately after his conquest of Egypt (31 BC). The murals show Augustus' far successor Trajan at the sacrificial ceremony for Hathor and are among the most beautiful in Egypt. The mammisi was dedicated to Hathor and her child Ihy.[3] On the abacus above the pillar capitals are representations of Bes as the patron god of birth.

• 
  Ruins of the Philae mammisi, built by various Ptolemaic Pharaohs, in a vintage photograph.
• 
  Ruins of the Dendera mammisi built by Pharaoh Nectanebo I (379/378–361/360 BC), one of the last native pharaohs.
• 
  Ruins of the Kom Ombo mammisi built by Pharaoh Ptolemy VIII Physcon (2nd century BC).
• 
  Ruins of the Dendera mammisi built by various Roman Emperors in a vintage photograph
• 
  Ruins of the Edfu mammisi built by various Ptolemaic and Roman rulers.

References

1. Rachet, Guy (1994). Dizionario della civiltà egizia. Rome: Gremese Editore. ISBN 88-7605-818-4. p. 186.
2. "The mammisi". www.reshafim.org.il. Archived from the original on 2018-04-15. Retrieved 2018-04-18.
3. "Ancient Egyptian Temple Elements - Associated Element". www.touregypt.net (in Russian). Retrieved 2018-04-19.
4. "Panebtawy, Lord of the Two Lands". www.reshafim.org.il. Retrieved 2018-04-19.
5. Christian Leitz u. a. Lexikon der ägyptischen Götter und Götterbezeichnungen. (LGG) Vol. 5: Ḥ – ḫ (= Orientalia Lovaniensia analecta. Vol. 114). Peeters, Leuven 2002, ISBN 90-429-1150-6. p. 289.
6. Christian, Leitz (2008-10-01). "Le temple d'Athribis en Haute Égypte". Annuaire de l'École pratique des hautes études (EPHE), Section des sciences religieuses. Résumé des conférences et travaux (in French) (115). ISSN 0183-7478.
7. "Kolanthes". Henadology. 2009-08-11. Retrieved 2018-04-20.
8. Lurker, Manfred (2015-04-29). A Dictionary of Gods and Goddesses, Devils and Demons. Routledge. ISBN 9781136106200.
9. "HERMONTHIS (Armant) Egypt".
10. Remler, Pat (2010). Egyptian Mythology, A to Z. Infobase Publishing. ISBN 9781438131801.
11. Kaper, Olaf E. (2003). The Egyptian God Tutu: A Study of the Sphinx-god and Master of Demons with a Corpus of Monuments. Peeters Publishers. ISBN 9789042912175.
12. Dolińska, Monika; Beinlich, Horst (2010). 8. Ägyptologische Tempeltagung: interconnections between temples : Warschau, 22.-25. September 2008. Otto Harrassowitz Verlag. ISBN 9783447062381.
13. Wilkinson, Richard H. (2000). The Complete Temples of Ancient Egypt. Thames & Hudson. p. 73

Further reading

• Alexander Badawy: The Architectural Symbolism of the Mammisi-Chapels in Egypt. In: Chronique d'Égypte. Vol. 38, 1933, p. 87–90.
• Ludwig Borchardt: Ägyptische Tempel mit Umgang. Cairo 1938.
• François Daumas: Les mammisis des temples égyptiens. Paris 1958.
• Francois Daumas: Geburtshaus, in: Lexikon der Ägyptologie. Vol. II, p. 462–475.
• Sandra Sandri: Har-Pa-Chered (Harpokrates): Die Genese eines ägyptischen Götterkindes. Peeters, Leuven 2006, ISBN 90-429-1761-X.
• Daniela Rutica: Kleopatras vergessener Tempel. Das Geburtshaus von Kleopatra VII. in Hermonthis. Eine Rekonstruktion der Dekoration (= Göttinger Miszellen. Occasional Studies Vol. 1). Georg-August-Universität Göttingen, Seminar für Ägyptologie und Koptologie, Göttingen 2015, ISBN 978-3-9817438-0-7.