Medb

Medb (pronounced [mɛðv])—later forms Meḋḃ, Maedhbh ([mɛɣv]), Méabh ([mʲeːv]), and Maedbh ([mʲeːv]) and also Maeve—is queen of Connacht in the Ulster Cycle of Irish mythology. Her husband in the core stories of the cycle is Ailill mac Máta, although she had several husbands before him who were also kings of Connacht. She rules from Cruachan (now Rathcroghan, County Roscommon). She is the enemy (and former wife) of Conchobar mac Nessa, king of Ulster, and is best known for starting the Táin Bó Cúailnge ("The Cattle Raid of Cooley") to steal Ulster's prize stud bull Donn Cúailnge.

Medb
Ulster Cycle character
Queen Maev by J. C. Leyendecker
In-universe information
AliasMeḋḃ
OccupationQueen
SpouseAilill mac Máta
NationalityIrish

Medb is strong-willed, ambitious, cunning and promiscuous, and is an archetypal warrior queen.[1] She is believed to be a manifestation of the sovereignty goddess.[2][3][4] Medb of Connacht is probably identical with Medb Lethderg, the sovereignty goddess of Tara, and may also be linked with the Morrígan.[3] She may be the inspiration for the fairy Queen Mab found in William Shakespeare's Romeo and Juliet and other media.

Name

In Old Irish her name is Medb (pronounced [mɛðv]); in Middle Irish, Meḋḃ; in early modern Irish[5][6], Meadhbh or Meaḋḃ (pronounced [mɛɣv]); and in modern Irish Maedbh or Méabh (pronounced [mʲeːv]).[6] This is generally believed to come from the Proto-Celtic *medu- ("mead") or *medua ("intoxicating"), and the meaning of her name has thus been interpreted as "mead-woman" or "she who intoxicates".[7] This is thought to reflect her role as sovereignty goddess. In ancient and medieval Ireland, the drinking of mead was a key part of a king's inauguration ceremony. In myth, a supernatural woman representing the sovereignty of the land chooses a king by offering him an alcoholic drink, thus bestowing sovereignty upon him.[8] However, it is also suggested that the name comes from Proto-Celtic *medwa ("the ruler").[7]

The name has been Anglicised as Maeve, Maev, Mave or Maiv (pronounced /mv/). There are several place names in Ireland containing the name Medb. According to Kay Muhr of the Ulster Place-Name Society, some of these names suggest Medb was also an earth and fertility goddess. They include Ballypitmave (Baile Phite Méabha, "townland of Medb's vulva") in County Antrim and Sawel Pitmave (Samhail Phite Méabha, "likeness to Medb's vulva")[7] in County Tyrone, both in northern Ulster. Other placenames include Maeve's Cairn in County Sligo, Barnavave (Bearna Mhéabha, "Medb's gap")[9] in County Louth, Boveva (Boith Mhéabha, "Medb's huts")[10] in County Londonderry, Knockmaa (Cnoc Meá, "Medb's hill") in County Galway, Meskanmave (Meascán Mhéabha, "Medb's lump")[11] in County Donegal, Milleen Meva (Millín Mhéabha, "Medb's knoll")[12] at Rathcroghan in County Roscommon.

Description

Medb is described as a fair haired wolf queen, whose form was so beautiful that it robbed men of two-thirds of their valor upon seeing her.[13]

Marriages and rise to power

How Medb came to power in Connacht and married Ailill mac Máta is told in the tale Cath Bóinde ("The Battle of the Boyne"), also known as Ferchuitred Medba ("Medb's man-share").[14] Her father, Eochaid Feidlech, the High King of Ireland, married her to Conchobar mac Nessa, king of Ulster, because he had killed Conchobar's purported father, the former High King Fachtna Fáthach, in battle. She bore him a son, Glaisne, but the marriage was a bad one and she left him. Eochaid gave Conchobar another of his daughters, Eithne (or Clothru),[15] but Medb murdered her while she was pregnant; her son Furbaide was born by posthumous caesarian section.

Eochaid deposed the then-king of Connacht, Tinni mac Conri, and installed Medb in his place. However, Tinni regained a share of the throne when he and Medb later became lovers. Conchobar raped Medb after an assembly at Tara, and war ensued between the High King and Ulster. Tinni challenged Conchobar to single combat, and lost. Eochaid Dála of the Fir Domnann, who had been Tinni's rival for the kingship, protected the Connacht army as it retreated, and became Medb's next husband and king of Connacht. Medb demanded her husband satisfy her three criteria—that he be without fear, meanness, or jealousy. The last was particularly important, as she had many lovers. While married to Eochaid Dála, she took Ailill mac Máta, chief of her bodyguard, as her lover. Eochaid discovered the affair, challenged Ailill to single combat, and lost. Ailill then married Medb and became king of Connacht.

Medb's children

Queen Meave and the Druid by Stephen Reid, from Eleanor Hull's The Boys' Cuchulainn (1904)

Medb and Ailill had seven sons, all called Maine. They originally all had other names, but when Medb asked a druid which of her sons would kill Conchobar, he replied, "Maine". She did not have a son called Maine, so she renamed all her sons as follows:

  • Fedlimid became Maine Athramail ("like his father")
  • Cairbre became Maine Máthramail ("like his mother")
  • Eochaid became Maine Andoe ("the swift") and was also known as Cich-Maine Andoe or Cichmuine[16]
  • Fergus became Maine Taí ("the silent")
  • Cet became Maine Mórgor ("of great duty")
  • Sin became Maine Mílscothach ("honey-speech")
  • Dáire became Maine Móepirt ("beyond description")

The prophecy was fulfilled when Maine Andoe went on to kill Conchobar, son of Arthur, son of Bruide — not Conchobar, son of Fachtna Fathach, as Medb had assumed the druid meant.[14] Medb and Ailill also had a daughter, Findabair.[17]

Cattle Raid of Cooley

Medb insisted that she be equal in wealth with her husband, and started the Cattle Raid of Cooley when she discovered that Ailill was one powerful stud bull richer than her. She discovered that the only rival to Ailill's bull, Finnbennach, was Donn Cúailnge, owned by Dáire mac Fiachna, a vassal of Conchobar's. She sent messengers to Dáire, offering wealth, land and sexual favours in return for the loan of the bull, and Dáire initially agreed. But when a drunken messenger declared that, if he had not agreed, the bull would have been taken by force, Dáire withdrew his consent, and Medb prepared for war.

An army was raised including contingents from all over Ireland. One was a group of Ulster exiles led by Conchobar's estranged son Cormac Cond Longas and his foster-father Fergus mac Róich, former king of Ulster and one of Medb's lovers. It is reported that it took thirty men to satisfy her, or Fergus once.[18] Medb's relationship with Fergus is alluded to in the early poem Conailla Medb míchuru ("Medb has entered evil contracts") by Luccreth moccu Chiara (c. 600); it asserts that Medb wrongly seduced Fergus into turning against Ulster "because he preferred the buttocks of a woman to his own people".[19]

Because of a divine curse on the Ulstermen, the invasion was opposed only by the teenage Ulster hero Cúchulainn, who held up the army's advance by demanding single combat at fords. Medb and Ailill offered their daughter Findabair in marriage to a series of heroes as payment for fighting Cúchulainn, but all were defeated. Nevertheless, Medb secured the bull. However, after a final battle against Conchobar's assembled army, she was forced to retreat. Donn Cúailnge was brought back to Cruachan, where it fought Ailill's bull, Finnbennach, killing him, but dying of his wounds.

Also, throughout the Táin Bó Cúailnge Medb has several encounters with Cúchulainn in which he kills either her pets or handmaidens and the place in which they were killed is then named after them, which illustrates the importance of landscape throughout the text of the Táin Bó Cúailnge. Examples of this occur when Cúchulainn "slung a stone and killed a pet stoat as it sat on Medb's shoulder by her neck, south of the ford. Hence the name Meithe Togmaill, Stoat Neck"[20] and when he kills Medb’s handmaid: “He slung a stone at her from the heights of Cuincu and killed her on the flat place that bears her name, Reid Locha, Locha’s Level, in Cualinge.”[20] Medb’s behaviour further illustrates the importance of the landscape when she goes to great lengths to permanently alter it to show her contempt for Ulster. ”She preferred to cross the mountain by leaving a track that would show forever her contempt for Ulster… to make the Pass of the Cualinge Cattle.”[21]

Later years

Out of jealousy for his affair with Medb, Ailill had Fergus killed.[22] In his old age, after Conchobar's death, the Ulster hero Conall Cernach came to stay with Ailill and Medb, as they were the only household capable of supporting him. Medb tasked him to keep an eye on Ailill, who was seeing other women. Finding Ailill in flagrante, she ordered Conall to kill him, which he was happy to do in revenge for Fergus. However, the dying Ailill sent his men after him, and he was killed while trying to escape.[18]

Death

In her later years, Medb often went to bathe in a pool on Inchcleraun (Inis Cloithreann), an island on Lough Ree, near Knockcroghery. Furbaide sought revenge for the death of his mother. He took a rope and measured the distance between the pool and the shore, and practised with his sling until he could hit an apple on top of a stake Medb's height from that distance. The next time he saw Medb bathing he put his practice to good use and killed her with a piece of cheese. She was succeeded to the throne of Connacht by her son Maine Athramail.[15]

According to legend, Medb is buried in Miosgán Médhbh, a 40-foot (12 m) high stone cairn on the summit of Knocknarea (Cnoc na Ré in Irish) in County Sligo. Supposedly, she is buried upright facing her enemies in Ulster. Her home in Rathcroghan, County Roscommon is also a potential burial site, with a long low slab named 'Misgaun Medb' being given as the most likely location.

Interpretations

Historians suggest that she was probably originally a "sovereignty goddess", whom a king would ritually marry as part of his inauguration.[23] Medb Lethderg, who performs a similar function in Tara, is probably identical with or the inspiration for this Medb.[24][25] Her name is said to mean 'she who intoxicates', and is cognate with the English word 'mead'; it is likely that the sacred marriage ceremony between the king and the goddess would involve a shared drink. Medb's "pillow talk" argument with her consort contains suggestions of matrilineality, as does Ailill's taking his name from his mother Máta Muirisc.[26] Recently, Irish and Irish-American poets have explored Medb as an image of woman's power, including sexuality, as in "Labhrann Medb" ("Medb Speaks") by Irish-language poet Nuala Ní Dhomhnaill[27] and "Intoxication" by Irish-American poet Patricia Monaghan.[28]

The name "Connacht" is an apparent anachronism: the stories of the Ulster Cycle are traditionally set around the time of Christ, but the Connachta, after whom the province is named, were said to have been the descendants of Conn Cétchathach, who is supposed to have lived several centuries later. Later stories use the name Cóiced Ol nEchmacht as an earlier name for the province of Connacht to get around this problem. But the chronology of early Irish historical tradition is an artificial attempt by Christian monks to synchronise native traditions with classical and biblical history, and it is possible that the cycle has been chronologically misplaced.[29]

gollark: Unsecured WiFi networks.
gollark: But it might try and connect itself anyway, and you still have the security issues and possible random breakage.
gollark: Unfortunately, non-smart TVs are somewhat rare and more expensive now.
gollark: ·.··
gollark: I'd still prefer SSH.

See also

References

  1. Fraser, Antonia (1990). The Warrior Queens. Canada Ltd, 20801 John Street, Markham, Ontario L3R 1B4: Penguin Books: Penguin books. pp. 15, 16, 17. ISBN 0 1400 8517 3.CS1 maint: location (link)
  2. Ó hÓgáin, Dáithí. Myth, Legend & Romance: An encyclopaedia of the Irish folk tradition. Prentice Hall Press, 1991. pp.294-295
  3. Monaghan, Patricia. The Encyclopedia of Celtic Mythology and Folklore. Infobase Publishing, 2004. p.319
  4. Koch, John T. Celtic Culture: A Historical Encyclopedia. ABC-CLIO, 2006. p.1282
  5. "Queen Maeve". Rathcroghan Visitor Centre. Retrieved 2 February 2020.
  6. "Queen Maedbh (Maeve) Cheat Sheet". Lora O'Brien. Retrieved 27 April 2020.
  7. Irslinger, Britta. "Medb 'the intoxicating one'? (Re-)constructing the past through etymology". Ulidia 4: Proceedings of the Fourth International Conference on the Ulster Cycle of Tales, 2013.
  8. Monaghan, Patricia. Goddesses in World Culture. ABC-CLIO, 2011. pp.226-227
  9. Bearna Mhéabha/Barnavave. Placenames Database of Ireland.
  10. Bovevagh. Place Names NI.
  11. Meascán Mhéabha. Placenames Database of Ireland.
  12. Millín Mhéabha/Milleen Meva. Placenames Database of Ireland.
  13. The Metrical Dindsenchas "Fert Medba" Poem 128
  14. "Cath Bóinde", tr. Joseph O'Neill, Ériu 2 (1905) 173–185. Archived 26 December 2013 at the Wayback Machine
  15. Vernam Hull, "Aided Meidbe: The Violent Death of Medb" Archived 29 November 2013 at the Wayback Machine, Speculum vol. 13 issue 1, Jan 1938, pp. 52–61
  16. "Revue celtique".
  17. A. H. Leahy (ed. & trans.), "Tain Bo Fraech" Archived 30 December 2013 at the Wayback Machine, Heroic Romances of Ireland vol. II, 1906.
  18. Kuno Meyer, "The Cherishing of Conall Cernach and the Deaths of Ailill and of Conall Cernach", Zeitschrift für celtische Philologie vol. 1, 1897, pp. 102–111
  19. Tristram, Hildegard L. C. (1 January 1998). "Neue Methoden Der Epenforschung". Gunter Narr Verlag via Google Books.
  20. Carson, Ciaran. "Guerilla Tactics." The Tain. New York: Penguin Group, 2007. 56–58. Print.
  21. Carson, Ciaran. "Guerilla Tactics." The Tain. New York: Penguin Group, 2007. 59–60. Print.
  22. Kuno Meyer, "The Death of Fergus mac Róich" Archived 22 August 2010 at the Wayback Machine, The Death-Tales of the Ulster Heroes.
  23. Dexter, Miriam Robbins. "Indo-European Reflections of Virginity and Autonomy." Mankind Quarterly, 26 (1–2): 57–74 (Fall/Winter 1985)
  24. Byrne, Francis John, Irish Kings and High-Kings. Four Courts Press, Dublin. 2nd edition, 2001
  25. T. F. O'Rahilly: Early Irish History and Mythology, Dublin 1946 – cited in Thomas Kinsella: THE TAIN Dolmen Press, Dublin 1969/1986 ISBN 0-85105-178-2
  26. Dexter, Miriam Robbins. "The Brown Bull of Cooley and Matriliny in Celtic Ireland" in From the Realm of the Ancestors: Essays in Honor of Marija Gimbutas: 218–236. Joan Marler, ed. Manchester, Connecticut: Knowledge Ideas and Trends, 1997.
  27. Ní Dhomhnaill, Nuala, "Rogha Dánta/Selected Poems", Raven Arts Press, 1988
  28. Monaghan, Patricia, "The Red-Haired Girl from the Bog," New World Library, 2003, p. 75-106
  29. Francis J. Byrne, Irish Kings and High Kings, Four Courts Press, 2001, p. 50.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.