Louis D'Angelo

Louis D'Angelo (May 6, 1888 – August 9, 1958) was an American bass-baritone of Italian birth who was particularly known for his performances at the Metropolitan Opera during the first half of the 20th century. He created roles in the world premieres of seven operas at the Met, including Marco in Puccini's Gianni Schicchi in 1917.

Louis D'Angelo
The opera singer in 1917
Born(1888-05-06)May 6, 1888
Naples, Italy
DiedAugust 9, 1958(1958-08-09) (aged 70)
Jersey City, New Jersey
OccupationOperatic bass-baritone
OrganizationMetropolitan Opera

D'Angelo also sang roles in the United States premieres of thirteen works. In total, he appeared in 1,882 performances at the Met.

He sang a broad repertoire of more than 300 roles at the Met ranging from leading roles to comprimario parts. His voice was recorded for several Metropolitan Opera radio broadcasts, and on several complete opera recordings made by the Met for Naxos Records.

Early life and career

D'Angelo was born on May 6, 1888 in Naples, Italy.[1] With his family he moved to the United States at the age of three.[1] He was trained in the United States and began his career as a leading baritone with the Century Opera Company in 1914.[2] He made his debut with that company as Macroton in L'amore medico.[3] Other roles he sang at the Century Opera House included Silvio in Pagliacci, Baron Douphol in La traviata, Kagama in Natoma, and Yamadori in Madama Butterfly.[4][5][6][7]

Work with the Metropolitan Opera

From 1917–1948 D'Angelo was a performer with the Metropolitan Opera in New York City where he appeared in a total of 1,882 performances.[1] He made his debut with the Met at the Brooklyn Academy of Music as Sciarrone in Tosca with Geraldine Farrar in the title role on November 13, 1917.[8] His first performance at the "Old Met" was on November 17, 1917 as Wagner in Faust with Giovanni Martinelli as the eponymous hero.[1]

World premiere roles

D'Angelo created roles in several world premieres at the Met, including:

Singing roles in U.S. premieres

At the Met he also sang roles in the United States premieres of thirteen works, including:

First stagings at the Met

D'Angelo also performed roles in the Met's first stagings of several operas, including:

Other roles

Other roles he performed for the company included:

Final appearance

His last appearance at the Metropolitan Opera was on February 15, 1948 as Grenvil in La traviata.[29]

Death and legacy

D'Angelo died on August 9, 1958 at Jersey City, New Jersey, aged 70.[1][30] He sang an extensive repertoire of more than 300 roles in a total of 1,882 performances at the Metropolitan Opera.[1]

Recordings
gollark: Quite a lot of the time you can use Linux, or run Windows in a VM, or use Wine, or dual-boot, or something.
gollark: There would still be bones...
gollark: I hope they aren't still stuck in there.
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gollark: I just let the messes and randomly tangled cables build up.

References
  1. "Louis D'Angelo, Singer, 70, Dead" (PDF). The New York Times. August 10, 1958. p. 94.
  2. "Soloist From Audience" (PDF). The New York Times. February 23, 1914.
  3. "Wolf-Ferrari's "L'Amore Medico" and Moliere's Comedy Ballet – An Attack on the Doctors". The New York Times. March 15, 1914.
  4. "Music of the Week" (PDF). The New York Times. October 11, 1914. p. 87.
  5. "'La Traviata' Is Sung At Century". The New York Times. September 30, 1914. p. 9.
  6. "Century Opera House" (PDF). The New York Times. April 12, 1914. p. 69.
  7. "Century Opera House" (PDF). The New York Times. April 5, 1914. p. 95.
  8. "MME. Farrar Sings Tosca: Puccini's Opera is Excellently Conducted by Roberto Moranzoni". The New York Times. November 20, 1917. p. 11.
  9. James Gibbons Huneker (December 15, 1918). "Opera: A World Premier of Puccini Operas. "Il Tabarro." "Suor Angelica." "Gianni Schicchi."" (PDF). The New York Times. p. 22.
  10. "New Native Operas Foreign In Scene" (PDF). The New York Times. March 9, 1919. p. 50.
  11. Richard Aldrich (February 1, 1920). "The Opera" (PDF). The New York Times. p. 21.
  12. Olin Downes (February 18, 1927). "Hailed As Best American Opera" (PDF). pp. 1, 24.
  13. "Great Ovation Won By 'Peter Ibbetson' At World Premiere". The New York Times. February 8, 1931. pp. 1, 26.
  14. Olin Downes (February 11, 1934). "'Merry Mount' Gets A Stirring Ovation" (PDF). pp. 80, 82.
  15. "Damrosch Cheered At Opera Premiere". The New York Times. May 13, 1937. pp. 27, 30.
  16. Richard Aldrich (March 25, 1920). "The Opera: Based on a Work of Pushkin" (PDF). The New York Times. p. 9.
  17. Richard Aldrich (March 10, 1921). "Indian Chief Sings Leading Opera Role" (PDF). The New York Times.
  18. Richard Aldrich (January 24, 1922). "The Opera" (PDF). The New York Times. p. 22.
  19. Richard Aldrich (March 2, 1923). "Opera" (PDF). The New York Times. p. 18.
  20. Olin Downes (January 3, 1924). "Music; Tragedy and Comedy at Opera". The New York Times. p. 13.
  21. Olin Downes (January 3, 1926). "Opera: "The Jest" a Dramatic Success". The New York Times. p. 29.
  22. Olin Downes (March 7, 1926). "Opera" (PDF). The New York Times. p. 30.
  23. "'Madonna Imperia' Shown To America" (PDF). The New York Times. February 9, 1928. p. 28.
  24. "Programs of the Week" (PDF). The New York Times. November 18, 1928. p. 169.
  25. Olin Downes (March 22, 1929). "'Fra Gherardo' Has American Premiere". The New York Times.
  26. "American Premiere Of Fantasy 'Sadko'" (PDF). The New York Times. January 26, 1930. p. 27.
  27. Olin Downes (December 3, 1931). "Montemezzi Opera Is A Melodrama" (PDF). The New York Times. p. 35.
  28. Olin Downes (February 5, 1937). "' Caponsacchi' Has Premiere Here; Audience Acclaims Hageman Opera". The New York Times. p. 16.
  29. "D'Angelo, Louis [Baritone]". Metropolitan Opera Performance Archives. Retrieved January 9, 2016.
  30. "Ex-Met Singer D'Angelo Dies". The Courier-Journal. Louisville, Kentucky. August 10, 1958. p. 17 – via Newspapers.com.
  31. Clyde T. McCants (2004). American Opera Singers and Their Recordings: Critical Commentaries and Discographies. McFarland & Company. p. 298.
  32. Clyde T. McCants (2004). American Opera Singers and Their Recordings: Critical Commentaries and Discographies. McFarland & Company. p. 184.
  33. Clyde T. McCants (2004). American Opera Singers and Their Recordings: Critical Commentaries and Discographies. McFarland & Company. p. 275.
  34. Clyde T. McCants (2004). American Opera Singers and Their Recordings: Critical Commentaries and Discographies. McFarland & Company. p. 210.
  35. Clyde T. McCants (2004). American Opera Singers and Their Recordings: Critical Commentaries and Discographies. McFarland & Company. p. 377.
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