Leoncillo Leonardi

Leoncillo Leonardi (18 November 1915 – 3 September 1968), commonly known as Leoncillo, was an Italian sculptor who worked principally in glazed ceramics, often large-scale, and often using vivid colours. Until the mid-1950s his work was mostly figurative, but became more abstract thereafter.[1] In 1946 he was among the founding members of the Nuova Secessione Artistica Italiana, which soon became the Fronte Nuovo delle Arti.[2] He received the Premio Faenza in 1954 and again in 1964,[3] and won the sculpture prize at the Biennale di Venezia of 1968.[1]

Leoncillo Leonardi
Born18 November 1915
Spoleto, Umbria, Italy
Died3 September 1968
Rome
NationalityItalian
Other namesLeoncillo
Occupationceramic artist
Years active1940–1968
Parents
  • Fernando Leonardi (father)
  • Giuseppina Magni (mother)

Life

Leonardi was born on 18 November 1915 in Spoleto, in Umbria in central Italy, to Fernando Leonardi and Giuseppina Magni.[4] One of his grandfathers was a cabinet-maker, the other a maker of musical instruments, and his father taught draughtsmanship at the Istituto Tecnico of Spoleto. In 1926 Leonardi started at the same school. From 1931 to 1935 he studied at the Istituto d'Arte of Perugia, in northern Umbria.[4]

In 1935 he moved to Rome. He taught drawing at the Collegio Santa Maria, where his elder brother Lionello also taught, and also studied under Angelo Zanelli at the Accademia di Belle Arti di Roma.[4] Through his brother, he met Libero de Libero, whose Galleria della Cometa was a meeting-place for the artists of the Scuola Romana, among them Mario Mafai and Antonietta Raphael, Afro and Mirko Basaldella, Corrado Cagli, Pericle Fazzini and Marino Mazzacurati.[4][5]:106

In 1939 Leonardi married Maria Zampa; they had studied together at the Istituto d'Arte of Perugia. He moved to Umbertide, in Umbria, and became manager of a pottery works, the Ceramiche Rometti, where he acquired valuable practical experience.[6]:18[7] In 1942 he moved, without his family, back to Rome to take up a position teaching ceramics at the Istituto Statale d'Arte (now suppressed), where he would remain for ten years. During the Second World War, after the fall of the Fascist regime in Italy, he was active as a partisan, at first in Rome, and later with the Communist Brigata Innamorati in Umbria.[4][8]:31 He was strongly anti-Fascist in his views, and became a member of the Italian Communist Party.[4] From 1947 he was among the artists who had – at a peppercorn rent – the use of studio space in the Villa Massimo, which until it was sequestered in 1945 had housed the Deutsche Akademie in Rome. Leonardi occupied Studio 3, and worked and lived there until 1956, when the villa was handed over to the Federal Republic of Germany. Among the other artists working at the villa were Emilio Greco, Renato Guttuso and Marino Mazzacurati.[9]

Leonardi died suddenly in Rome on 3 September 1968; he was fifty-two.[10]

Career and Works
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References
  1. Leoncillo (in Italian). Enciclopedie on line. Rome: Istituto dell'Enciclopedia Italiana. Accessed February 2018.
  2. [s.n.] (2003). Fronte Nuovo delle Arti. Grove Art Online. Accessed February 2018. doi:10.1093/gao/9781884446054.article.T030040. (subscription required).
  3. Rolando Giovannini, Lori-Ann Touchette (2016). Ceramics That Change. Ceramics: Art & Perception (103): 16–19. (subscription required).
  4. Maura Picciau (2005). Leonardi, Leoncillo (in Italian). Dizionario Biografico degli Italiani, Volume 64. Rome: Istituto dell'Enciclopedia Italiana. Accessed February 2018.
  5. Adrian R. Duran (2016). Minor Arts/Major Crises in Mid-20th Century Italian Ceramics. In: More Than Mere Playthings: The Minor Arts of Italy. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 9781443890403.
  6. Giovanni Carandente (1969). Leoncillo (Leoncillo Leonardi), Spoleto 1915-Roma 1968: Mostra antologica, Spoleto, Chiostri di San Nicolò, 8 luglio–8 settembre 1969 (exhibition catalogue, in Italian). Bologna: Alfa.
  7. Leoncillo. Benezit Dictionary of Artists. Oxford: Oxford University Press. Accessed February 2018. doi:10.1093/benz/9780199773787.article.B00107873. (subscription required).
  8. Adrian R. Duran (2016). Painting, Politics, and the New Front of Cold War Italy. Abingdon; New York:Routledge. ISBN 9781409426912.
  9. Joachim Blüher, Angela Windholz (2003). Si torna all’Arcadia! (lecture, in Italian). Deutsche Forschungs- und Kulturinstitute in Rom in der Nachkriegszeit. Rome: Deutschen Historischen Institut, 29 – 31 October 2003. Text reproduced at: Rome: Accademia Tedesca di Roma Villa Massimo. Accessed February 2018.
  10. Filiberto Menna (4 September 1968). L'improvvisa morte dello scultore Leonardi. Il Mattino, 5 September 1968.
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