Lady Sings the Blues (Billie Holiday album)

Lady Sings the Blues is an album by American jazz vocalist Billie Holiday released in December 1956. It was Holiday's last album released on Clef Records; the following year, the label would be absorbed by Verve Records. Lady Sings the Blues was taken from sessions taped during 1954 and 1956. It was released simultaneously with her ghostwritten autobiography of the same name.

Lady Sings the Blues
Studio album by
ReleasedDecember 1956[1]
RecordedJune 6, 7, 1956 New York City, Fine Sound Studios
September 3, 1954, Los Angeles, Capitol Studios
GenreJazz
LabelClef
ProducerNorman Granz
Billie Holiday chronology
Velvet Mood
(1956)
Lady Sings the Blues
(1956)
Body and Soul
(1957)
Professional ratings
Review scores
SourceRating
AllMusic
Down Beat (1956 Review)
Encyclopedia of Popular Music[2]

Content

Taken from sessions taped during 1954–56, Lady Sings the Blues features Holiday backed by tenor saxophonist Paul Quinichette, trumpeter Charlie Shavers, pianist Wynton Kelly, and guitarist Kenny Burrell. Though Holiday's voice had arguably deteriorated by the 1950s, the album is well regarded – in a 1956 review, Down Beat awarded the album 5 out of 5 stars, and had this to say about the co-current book:

Lady Sings The Blues is Billie Holiday's autobiography [...] she tries to get the reader on her side of the mirror, so don't expect a three-dimensional view of the subject. The book was written with William Dufty, assistant to the editor of the New York Post [...] Seldom in the book does she talk about her singing[.]

On November 10, 1956, Holiday appeared in concert at Carnegie Hall in front of a sold-out crowd. The show was planned to commemorate the edition of her autobiography, some paragraphs being read during the performance.

Track listing

Side 1
  1. "Lady Sings the Blues" (Billie Holiday, Herbie Nichols) - 3:46
  2. "Trav'lin' Light" (Trummy Young, Jimmy Mundy, Johnny Mercer) - 3:08
  3. "I Must Have That Man" (Dorothy Fields, Jimmy McHugh) - 3:04
  4. "Some Other Spring" (Irene Higginbotham, Arthur Herzog, Jr.) - 3:36
  5. "Strange Fruit" (Lewis Allan) - 3:05
  6. "No Good Man" (Irene Higginbotham, Sammy Gallop, Dan Fisher) - 3:18
Side 2
  1. "God Bless the Child" (Billie Holiday, Arthur Herzog, Jr.) - 4:00
  2. "Good Morning Heartache" (Irene Higginbotham, Ervin Drake, Dan Fisher) - 3:28
  3. "Love Me or Leave Me" (Walter Donaldson, Gus Kahn) - 2:38
  4. "Too Marvelous for Words" (Johnny Mercer, Richard Whiting) - 2:16
  5. "Willow Weep for Me" (Ann Ronell) - 3:08
  6. "I Thought About You" (Jimmy Van Heusen, Johnny Mercer) - 2:47

When issued on CD, 3 bonus tracks from the 3 September recording were added:

  1. "P.S. I Love You" (Gordon Jenkins, Johnny Mercer) - 3:36
  2. Softly (Eddie Beal, Joe Greene) - 2:55
  3. Stormy Blues (Billie Holiday) - 3:27

Personnel

June 6 & 7 1956, Fine Sound Studios, New York City (Tracks 1-8)
September 3, 1954, Capitol Studios
gollark: I mean, all recent Intel CPUs have the Intel Management Engine, i.e. a mini-CPU with full access to everything running unfathomable code.
gollark: At some point you probably have to decide that some issues aren't really realistic or useful to consider, such as "what if there are significant backdoors in every consumer x86 CPU".
gollark: Presumably most of the data on the actual network links is encrypted. If you control the hardware you can read the keys out of memory or something (or the decrypted data, I suppose), but it's at least significantly harder and probably more detectable than copying cleartext traffic.
gollark: Well, yes, but people really like blindly unverifiably trusting if it's convenient.
gollark: Or you can actually offer something much nicer and better in some way, a "killer app" for decentralized stuff, but if you do that and it's not intrinsically tied to the decentralized thing the big platforms will just copy it.

References

  1. "Lady Sings the Blues". The Billboard. The Billboard Publishing Co. 22 December 1956. Retrieved 21 June 2019.
  2. Larkin, Colin (2007). Encyclopedia of Popular Music (4th ed.). Oxford University Press. ISBN 978-0195313734.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.