Künstlerroman
A Künstlerroman (German pronunciation: [ˈkʏnstlɐ.ʁoˌmaːn]; plural -ane), meaning "artist's novel" in English, is a narrative about an artist's growth to maturity.[1][2] It could be classified as a sub-category of Bildungsroman.[3]
Examples by language
German
- Johann Wolfgang von Goethe's 1795 Wilhelm Meister's Apprenticeship
- Ludwig Tieck's 1798 Franz Sternbalds Wanderungen
- Novalis's 1802 Heinrich von Ofterdingen
- Hermann Hesse's Demian (1919) and Klingsor's Last Summer (1920)
- Thomas Mann's Tonio Kröger (1903), and Doctor Faustus (1947)
- Jakob Wassermann's 1915 Das Gänsemännchen
- Rainer Maria Rilke's 1910 The Notebooks of Malte Laurids Brigge
English
- 1805 William Wordsworth's The Prelude
- 1847 Charlotte Brontë's Jane Eyre
- 1848 Anne Brontë's The Tenant of Wildfell Hall
- 1850 Charles Dickens' David Copperfield
- 1852 Herman Melville's Pierre: or, The Ambiguities
- 1856 Elizabeth Barrett Browning's Aurora Leigh
- 1875 Henry James's Roderick Hudson
- 1890 Henry James's The Tragic Muse
- 1903 Samuel Butler's The Way of All Flesh
- 1909 Jack London Martin Eden
- 1913 D. H. Lawrence's Sons and Lovers
- 1915 W. Somerset Maugham's Of Human Bondage
- 1915 Willa Cather's The Song of the Lark
- 1916 James Joyce's A Portrait of the Artist as a Young Man[1]
- 1918 Wyndham Lewis's Tarr
- 1920 F. Scott Fitzgerald's This Side of Paradise
- 1928 Radclyffe Hall's The Well of Loneliness
- 1929 Thomas Wolfe's Look Homeward, Angel
- 1933 Malcolm Lowry's Ultramarine
- 1936 George Orwell's Keep the Aspidistra Flying
- 1939 John Fante's Ask the Dust
- 1943 Betty Smith's A Tree Grows in Brooklyn
- 1945 Richard Wright's Black Boy
- 1947 W.O. Mitchell's Who Has Seen the Wind
- 1952 Patricia Highsmith's The Price of Salt
- 1952 Ernest Buckler's The Mountain and the Valley
- 1955 William Gaddis's The Recognitions
- 1961 Irving Stone's The Agony and the Ecstasy
- 1963 Leonard Cohen's The Favourite Game
- 1970 Patrick White's The Vivisector
- 1971 Alice Munro's Lives of Girls and Women
- 1972 Chaim Potok's My Name Is Asher Lev
- 1973 Milan Kundera's Life Is Elsewhere
- 1974 Margaret Laurence's The Diviners
- 1978 John Irving's The World According to Garp
- 1981 Alasdair Gray's Lanark: A Life in Four Books
- 1982 Charles Bukowski's Ham on Rye[4]
- 1985 Jeanette Winterson's Oranges Are Not the Only Fruit[5]
- 1988 Margaret Atwood's Cat's Eye
- 1999 Tracy Chevalier's Girl with a Pearl Earring[6]
- 2003 Jennifer Donnelly's A Northern Light
- 2006 Alison Bechdel's Fun Home
- 2006 Stew's Passing Strange
- 2010 Eileen Myles's Inferno (A Poet's Novel)
- 2010 Wena Poon's Alex y Robert
- 2011 Ben Lerner's Leaving the Atocha Station
Notes
- A semiautobiographical narrative takes up two of the four books of Gray's Lanark.
- In John Dos Passos' U.S.A. trilogy, the Camera Eye sections add up to a modernist autobiographical Künstlerroman.
- John Barth's Lost in the Funhouse is a collection of short stories that are often read as a postmodernist Künstlerroman.
French
- 1831, 1837 Honore de Balzac's The Unknown Masterpiece
- 1904–1905 Romain Rolland's Jean-Christophe
- 1913– 1927 Marcel Proust's In Search of Lost Time[7][8]
Italian
- Gabriele D'Annunzio's Il Piacere, Le Vergini Delle Rocce and Il Fuoco
- 1975 Gavino Ledda's My Father, My Master (Padre Padrone)
- 2012–2015 Elena Ferrante's Neapolitan Novels
Icelandic
- Halldór Laxness's World Light
- Halldór Laxness's The Fish Can Sing
Russian
Croatian
- 1932 Miroslav Krleža's The Return of Filip Latinovicz
Malayalam
Norwegian
- 2009–2011 Karl Ove Knausgaard's My Struggle (Knausgård novels)
Portuguese
- 1883 Maria Benedita Bormann's Lésbia[9]
- 1976 Ferreira Gullar's Poema Sujo
Turkish
- 1896–1897 Halit Ziya Uşaklıgil's Blue and Black (Mavi ve Siyah)
Bengali
1999 Malay Roy Choudhurys Chhotoloker Chhotobela
gollark: I'm interested in watching the ecosystem do ecosystem stuff and not getting plants.
gollark: If you cheat a bit, you can run the speed at about 1000x usual and do one tick per second.
gollark: Ignore the arbitrary rules and focus on figuring out how they ended up here.
gollark: Try and escape the room. If they can get out, they'll be able to ask people on the internet for the answer.
gollark: Turns out that the Cookie Clicker garden feature allows primitive self-sustaining ecosystems.
References
- Werlock, James P. (2010) The Facts on File companion to the American short story, Volume 2, p.387
- A Studio of One's Own: Fictional Women Painters and the Art of Fiction by Roberta White (page 13) published 2005 by Rosemont Publishing & Printing Crops. Accessed Via Google Books August 13, 2013.
- Germaine de Staël in Germany: Gender and Literary Authority by Judith E. Martin (page 128) 2001 Fairleigh & Dickinson University Press
- Calonne, David Stephen. Charles Bukowski. Reaktion Books, London, 2012. p. 146. ISBN 978-1-78023-023-8
- 'True stories', John Mullan, The Guardian, 27 October 2007.
- Miriam de Paiva Vieira, "From Canvas to Paper: The Novel by Tracy Chevalier", Art and New Media: Vermeer’s Work under Different Semiotic Systems p.19
- John Neary Something and nothingness: the fiction of John Updike & John Fowles p.54
- Gilles Deleuze. Marcel Proust et les signes. Paris: PUF, 1964]
- Rodríguez, Ileana; Szurmuk, Mónica (2015), The Cambridge History of Latin American Women's Literature (ebook), New York: Cambridge University Press, p. 212
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