John Barleycorn Must Die

"Empty Pages (edited version)"
John Barleycorn Must Die
Studio album by Traffic
Released	July 1, 1970
Recorded	February–April 1970
Studio	Island Studios and Olympic Studios, London
Genre	Progressive rock; folk rock; jazz-rock[1];
Length	35:06
Label	Island (UK); United Artists (US); Polydor (Canada);
Producer	Chris Blackwell, Steve Winwood, Guy Stevens
Traffic chronology
Singles from John Barleycorn Must Die
	"Empty Pages (edited version)"; Released: July 1, 1970 (US only);

John Barleycorn Must Die is the fourth studio album by English rock band Traffic, released in 1970 as Island ILPS 9116 in the United Kingdom, United Artists UAS 5504 in the United States, and as Polydor 2334 013 in Canada. It marked the band's comeback after a brief disbandment, and peaked at number 5 on the Billboard 200, making it their highest charting album in the US,[2] and has been certified a gold record by the RIAA. In addition, the single "Empty Pages" spent eight weeks on the Billboard Hot 100, peaking at number 74.[3] The album was marginally less successful in the UK, reaching number 11 on the UK Albums Chart.[4]

Background and content

In late 1968, Traffic disbanded, with guitarist Dave Mason leaving the group for the second time prior to the completion of the Traffic album. In 1969, Steve Winwood joined the supergroup Blind Faith, while drummer and lyricist Jim Capaldi and woodwinds player Chris Wood turned to session work. Wood and Winwood also joined Blind Faith's drummer Ginger Baker in his post-Blind Faith group Ginger Baker's Air Force for their first album, Ginger Baker's Air Force (1970).[5]

At the beginning of 1970, after the demise of Blind Faith, Winwood returned to the studio ostensibly to make his first solo album, originally to be titled Mad Shadows. He recorded two tracks with producer Guy Stevens, "Stranger to Himself" and "Every Mother's Son", but yearned for like-minded musicians to accompany. Inviting Wood and Capaldi to join him, Winwood's erstwhile solo album became the reunion of Traffic (minus Dave Mason), and a re-launch of the band's career.[6] Mad Shadows would go on to be the title of Mott the Hoople's second album, also produced by Guy Stevens.

As did most of their albums, it featured influences from jazz and blues, but the version of the traditional English folk tune "John Barleycorn" also showed the musicians attending to the same strains of modern interpretations of traditional folk music as contemporary British bands Pentangle and Fairport Convention.

It was reissued for compact disc in the UK on 1 November 1999, with five bonus tracks, including three recorded in concert from the Fillmore East in New York City. In the US, the remastered reissue of 27 February 2001 included only the two studio bonus tracks.

Steve Winwood oversaw a deluxe edition version that was released on 15 March 2011,[7] featuring the original studio album, digitally remastered on disc one, plus a second disc of bonus material including more of the Fillmore East concert with alternate mixes and versions of album tracks.

Cover

The original LP release of the album had the front cover design on a background consisting of a photograph of burlap. Later LP copies had the design on a grey background. The cover is displayed prominently during a party scene in the 1971 movie by Dario Argento, Four Flies on Grey Velvet.

Reception

Professional ratings
Review scores
Source	Rating
AllMusic	[8]
Christgau's Record Guide	C+[9]
Encyclopedia of Popular Music	[10]

Retrospective reviews of the album have been mixed. AllMusic criticised the vocal sections as "excuses for Winwood to exercise his expressive voice as punctuation to the extended instrumental sections", but made note of how the album took the band's jazz/rock leanings beyond mere jamming.[8] Village Voice critic Robert Christgau said the departure of Mason hurt Traffic's songwriting on the album, leaving the band to depend on Winwood's "feckless improvised rock, or is it folksong-based jazz?"[9]

It was voted number 369 in Colin Larkin's All Time Top 1000 Albums 3rd Edition (2000).[11]

Track listing and personnel

Side one
No.	Title	Writer(s)	Personnel	Length
1.	"Glad"	Steve Winwood	Personnel: Steve Winwood — organ, piano, bass guitar, percussion Chris Wood — saxophone, electric saxophone, flute, percussion Jim Capaldi — drums, percussion	6:59
2.	"Freedom Rider"	Winwood, Jim Capaldi	Personnel: Winwood — vocals, organ, piano, percussion Wood — saxophone, electric saxophone, flute, percussion Capaldi — drums, percussion	6:20
3.	"Empty Pages"	Winwood, Capaldi	Personnel: Winwood — vocals, organ, electric piano, bass guitar Wood — organ Capaldi — drums, percussion	4:47

Side two
No.	Title	Writer(s)	Personnel	Length
4.	"Stranger to Himself"	Winwood, Capaldi	Personnel: Winwood — vocals, all instruments Capaldi — vocals	4:02
5.	"John Barleycorn (Must Die)"	traditional; arranged by Winwood	Personnel: Winwood — vocals, acoustic guitar, piano Wood — flute, percussion Capaldi — vocals, tambourine	6:20
6.	"Every Mother's Son"	Winwood, Capaldi	Personnel: Winwood — vocals, all instruments other than drums Capaldi — drums	7:05
Total length:				35:06

Previously unreleased studio bonus tracks 4. ("I Just Want You To Know") and 8. ("Sittin' Here Thinkin' of My Love") appear to be demos left over from when Winwood was still planning to make this a solo album (titled Mad Shadows). Recorded on 18/19 November at the Fillmore East, the live tracks compose what was to have been side one of a concert Traffic album, Live November 70 (ILPS 9142), presumably shelved in favour of Welcome to the Canteen.

1999 reissue
No.	Title	Writer(s)	Personnel	Length
1.	"Glad"	Winwood		6:59
2.	"Freedom Rider"	Winwood, Capaldi		5:30
3.	"Empty Pages"	Winwood, Capaldi		4:34
4.	"I Just Want You to Know"	Winwood, Capaldi	Personnel: Winwood — vocals, all instruments	1:30
5.	"Stranger to Himself"	Winwood, Capaldi		3:57
6.	"John Barleycorn"	traditional; arranged by Winwood		6:27
7.	"Every Mother's Son"	Winwood, Capaldi		7:08
8.	"Sittin' Here Thinkin' of My Love"	Winwood, Capaldi	Personnel: Winwood — vocals, all instruments	3:33
9.	"Backstage and Introduction" (live; introduction by Bill Graham)	Winwood, Capaldi		1:50
10.	"Who Knows What Tomorrow May Bring" (live)	Capaldi, Winwood, Chris Wood	Personnel: Winwood — vocals, Hammond organ, bass pedals Wood — saxophone Ric Grech — guitar Capaldi — drums	6:56
11.	"Glad" (live)	Winwood	Personnel: Winwood — Hammond organ Wood — saxophone Grech — bass guitar Capaldi — drums	11:29

Island Records 314 548 541-2, also includes the previously unreleased tracks "I Just Want You to Know" and "Sittin' Here Thinkin' of My Love".

2001 US remastered reissue
No.	Title	Length
1.	"Glad"	6:57
2.	"Freedom Rider"	5:29
3.	"Empty Pages"	4:38
4.	"I Just Want You to Know"	1:33
5.	"Stranger to Himself"	3:57
6.	"John Barleycorn"	6:26
7.	"Every Mother's Son"	7:08
8.	"Sittin' Here Thinkin' of My Love"	3:24

2011 deluxe reissue disc two
No.	Title	Writer(s)	Length
1.	"Stranger to Himself" (alternative mix)	Winwood, Capaldi	4:09
2.	"John Barleycorn Must Die" (first version)	traditional; arranged by Winwood	5:05
3.	"Every Mother's Son" (alternative mix)	Winwood, Capaldi	7:03
4.	"Back Stage and Introduction"		1:44
5.	"Medicated Goo" (live)	Winwood, Jimmy Miller	4:17
6.	"Empty Pages" (live)	Winwood, Capaldi	4:47
7.	"Forty Thousand Headmen" (live)	Winwood, Capaldi	4:30
8.	"Who Knows What Tomorrow May Bring?" (live)	Winwood, Capaldi, Wood	5:16
9.	"Every Mother's Song" (live)	Winwood, Capaldi	7:00
10.	"Glad" / "Freedom Rider" (live)	Winwood / Winwood, Capaldi	14:30

Tracks 4–10 recorded on 18–19 November 1970 at the Fillmore East.

Personnel

Steve Winwood - vocals, acoustic guitar, bass guitar, organ, piano, electric piano, percussion.
Jim Capaldi - drums, percussion, tambourine, vocals.
Chris Wood - saxophone, flute, organ, percussion.[12]

Technical personnel

Andy Johns, Brian Humphries – engineer
Mike Sida – album design
Richard Polak – photography

gollark: Sure. I'm questioning the commercial viability of it.

gollark: If you can get decent-looking stuff with a few iterations of prompt tweaking you're probably not going to pay another person to do it for you.

gollark: If they want art because it looks nice or they need to advertise something, say, then they'll care less about it being "real art" by humans.

gollark: If people care about art as a status signal or art for some philosophical reason they might want it to be human-made.

gollark: It does seem plausible that AI art might kill off much of commissioned art/graphic design.

References

Murphy, Sean (29 March 2017). "The 100 Best Classic Progressive Rock Songs: Part 4, 40–21". PopMatters. Retrieved 19 May 2019. ...and a more jam-based jazz-rock on the masterful (but not-proggy) John Barleycorn Must Die,
"Billboard 200 – Traffic". Retrieved 19 September 2017.
"Empty Pages" Chart History, Billboard.com. Retrieved 9 August 2011.
Traffic in the UK Charts Archived 20 November 2011 at the Wayback Machine, The Official Charts. Retrieved 9 August 2011.
Nick Logan and Bob Woffinden, editors. The Illustrated New Musical Express Encyclopedia of Rock. New York: Harmony Books, 1977, p. 234.
John Barleycorn Must Die, 1999 reissue Island Records IMCD 266 546499-2, liner notes p. 3.
Progressive Rock with a Capital P. – PopMatters.
AllMusic: Traffic – John Barleycorn Must Die (1970) album review by William Ruhlmann
Christgau, Robert (1981). "Consumer Guide '70s: T". Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN 089919026X. Retrieved 16 March 2019 – via robertchristgau.com.
Larkin, Colin (2007). Encyclopedia of Popular Music (5th ed.). Omnibus Press. ISBN 978-0857125958.
Colin Larkin, ed. (2000). All Time Top 1000 Albums (3rd ed.). Virgin Books. p. 143. ISBN 0-7535-0493-6.
Credits on Allmusic

External links

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.

[1] Murphy, Sean (29 March 2017). "The 100 Best Classic Progressive Rock Songs: Part 4, 40–21". PopMatters. Retrieved 19 May 2019. ...and a more jam-based jazz-rock on the masterful (but not-proggy) John Barleycorn Must Die,

[2] "Billboard 200 – Traffic". Retrieved 19 September 2017.

[3] "Empty Pages" Chart History, Billboard.com. Retrieved 9 August 2011.

[UK_Charts-4] Traffic in the UK Charts Archived 20 November 2011 at the Wayback Machine, The Official Charts. Retrieved 9 August 2011.

[5] Nick Logan and Bob Woffinden, editors. The Illustrated New Musical Express Encyclopedia of Rock. New York: Harmony Books, 1977, p. 234.

[6] John Barleycorn Must Die, 1999 reissue Island Records IMCD 266 546499-2, liner notes p. 3.

[7] Progressive Rock with a Capital P. – PopMatters.

[AllMusic-8] AllMusic: Traffic – John Barleycorn Must Die (1970) album review by William Ruhlmann

[CG-9] Christgau, Robert (1981). "Consumer Guide '70s: T". Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN 089919026X. Retrieved 16 March 2019 – via robertchristgau.com.

[10] Larkin, Colin (2007). Encyclopedia of Popular Music (5th ed.). Omnibus Press. ISBN 978-0857125958.

[Larkin-11] Colin Larkin, ed. (2000). All Time Top 1000 Albums (3rd ed.). Virgin Books. p. 143. ISBN 0-7535-0493-6.

[12] Credits on Allmusic

Traffic
Steve Winwood Jim Capaldi Chris Wood Dave Mason Ric Grech Jim Gordon Rebop Kwaku Baah Roger Hawkins David Hood Barry Beckett Rosko Gee Randall Bramblett Michael McEvoy Walfredo Reyes Jr.
Studio albums	Mr. Fantasy Traffic Last Exit John Barleycorn Must Die The Low Spark of High Heeled Boys Shoot Out at the Fantasy Factory When the Eagle Flies Far from Home
Live albums	Welcome to the Canteen On the Road The Last Great Traffic Jam
Compilations	Best of Traffic Heavy Traffic More Heavy Traffic Smiling Phases Gold
Songs	"Paper Sun" "Hole in My Shoe" "Here We Go Round the Mulberry Bush" "Dear Mr. Fantasy" "40,000 Headmen" "Feelin' Alright?" "John Barleycorn" "The Low Spark of High Heeled Boys"
Related articles	Discography Blind Faith Ginger Baker's Air Force
Book Category