Homewood, Knebworth

Homewood is an Arts and Crafts style country house in Knebworth, Hertfordshire, England. Designed and built by architect Edwin Lutyens around 1900–3, using a mixture of vernacular and Neo-Georgian architecture, it is a Grade II* listed building.[1] The house was one of Lutyens' first experiments in the addition of classical features to his previously vernacular style,[2] and the introduction of symmetry into his plans.[3] The gardens, also designed by Lutyens, are Grade II listed in the National Register of Historic Parks and Gardens.[4]

Homewood, garden front, showing the cutaway roof revealing a classical facade (1921)

House

Lutyens designed the house for his mother-in-law, Edith Bulwer-Lytton, the dowager countess of Lytton, and her daughter, the suffragette Constance Lytton.[5] It was built at the southern end of Park Wood on the Lyttons' Knebworth estate, about 1 kilometre (0.62 miles) southeast of Knebworth House, using whitewashed brick, weatherboarding and plain tiles.[4] Construction was carried out by the estate builders, to a tight budget.[5] Sources differ on the dates, ranging from 1900,[6] to 1903.[2]

The house's square plan has been compared to Philip Webb's earlier design for Joldwynds, in Surrey. The northwest, entrance front with its three gables is very like that of Joldwynds. The southwest, side elevation has only two gables, however. The southeast, garden front differs radically from Webb. The roof is cut away in the centre to reveal a two-storey, classical facade with Ionic pilasters,[2] creating the appearance of an embedded villa,[7] emerging from the vernacular covering of tiled roofs and elm weatherboarding, which elsewhere around the house come down to the tops of the ground floor windows. The garden front is flanked by two loggias facing each other across a terrace.[2] Other classical touches, on the house's entrance front, include a central, rusticated porch,[7] which has been called Mannerist,[2] and two flanking small pavilions with rusticated piers.[1] The western pavilion contained a darkroom, and the northern one a larder and scullery.[3] There is a small extension on the northeast, service side of the house.[2]

The interior is classical, with the rooms laid out compactly on a grid of three by three units.[2] At the centre is a large, well-lit staircase.[5] The centre of the garden front is occupied by the dining room,[3] with large french windows leading onto the terrace.[2] From the entrance front, the porch is entered via an arched door which Lutyens surmounted with an open, unglazed tympanum.[5] This leads into a long passage, with a door on the right giving access to the vestibule.[3] This arrangement produced draughts and helped to make the house cold in the winter; Edith's bedroom gained the nickname "Vladivostok".[5] The house only had one bathroom.[8]

After her ordeals in Holloway Prison, Constance's failing health led to a stroke in 1912, and she spent the rest of her life at Homewood with her mother.[9] She died in 1923, only days after moving out of Homewood to a flat in Paddington, London, in an attempt to restart an active life.[10]

When Edith died in 1936, the house passed to her son Victor Bulwer-Lytton and in 1947 to his daughter, Hermione Cobbold. In the early 1970s, the Pollock-Hill family bought the house. They have restored it, mostly following Lutyens' plans, but have added some bathrooms.[11]

Garden

Beyond the house's southeast front with its stone-flagged terrace are yew hedges and flowerbeds, and a lower area of lawn below a retaining wall. There are views to the southeast over farmland towards distant hills. Beyond the southwest elevation is another lawned area and a raised croquet lawn.[4]

Notes
  1. Historic England. "Homewood (1102736)". National Heritage List for England. Retrieved 1 December 2015.
  2. Gradidge (1981), pp. 46–9.
  3. Butler (2003), pp. 31–6.
  4. Historic England. "Homewood (1000911)". National Heritage List for England. Retrieved 1 December 2015.
  5. Ridley (2002), pp. 139–42.
  6. Richardson (1981), p. 193.
  7. Amery (1981), p. 85.
  8. Jenkins (2015), p. 71.
  9. Jenkins (2015), pp. 195–6.
  10. Jenkins (2015), pp. 228–30.
  11. Jenkins (2015), pp. 234–6.
gollark: We can calculate this ish probably.
gollark: Dinner takes me about 15 minutes, and I eat it while still using my computer for efficiency.
gollark: I don't not not not not not, and *wow* you spend 40 minutes on supper?
gollark: I think either the piston will fly out or it'll be too weak to function usefully with the power they can provide it but who knows.
gollark: Apparently whoever is doing the projectile thing is making a simple vaguely coilgun-type thing. I have no idea if it will actually work as they explained it.

References
  • Amery, Colin (1981). "The Practice Grows". Lutyens: The Work of the English Architect Sir Edwin Lutyens (1869–1944). London: Arts Council of Great Britain. ISBN 0-7287-0304-1.
  • Butler, A. S. G. (2003). The Domestic Architecture of Sir Edwin Lutyens. Woodbridge: Antique Collectors' Club. ISBN 1-85149-100-7.
  • Gradidge, Roderick (1981). Edwin Lutyens: Architect Laureate. London: George Allen and Unwin. ISBN 0-04-720023-5.
  • Jenkins, Lyndsey (2015). Lady Constance Lytton: Aristocrat, Suffragette, Martyr. London: Biteback Publishing. ISBN 978-1-84954-795-6.
  • Richardson, Margaret (1981). "List of Works by Sir Edwin Lutyens". Lutyens: The Work of the English Architect Sir Edwin Lutyens (1869–1944). London: Arts Council of Great Britain. ISBN 0-7287-0304-1.
  • Ridley, Jane (2002). The Architect and his Wife: A Life of Edwin Lutyens. London: Chatto & Windus. ISBN 0-7011-7201-0.

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