Green Fish

Green Fish (Korean: 초록 물고기; RR: Chorok Mulgogi) is a 1997 South Korean film. It was the first feature-length film directed by Lee Chang-dong, who also co-wrote the screenplay. Lee had previously been known as a novelist and high school teacher. The film stars Han Suk-kyu in one of his first major film roles. It was the eighth highest-attended South Korean film of 1997.[1]

Green Fish
Poster for Green Fish
Hangul초록 물고기
Revised RomanizationChorok Mulgogi
McCune–ReischauerCh'orok Mulgogi
Directed byLee Chang-dong
Produced byMyung Gye-nam
Yeo Kyun-dong
Written byLee Chang-dong
Oh Seung-uk
StarringHan Suk-kyu
Shim Hye-jin
Moon Sung-keun
Music byLee Dong-jun
CinematographyYoo Young-gil
Edited byKim Hyeon
Release date
  • February 7, 1997 (1997-02-07)
Running time
111 minutes
CountrySouth Korea
LanguageKorean

Plot

Having just been discharged from the military, Mak-dong is on the train home. As he leans out the train platform, Mi-ae, a beautiful woman in the car ahead of him, is also leaning out. Her pink scarf escapes from her and poignantly lands on Mak-dong's face, blinding him. As he goes back into the train car to return the scarf, he becomes embroiled in a fight with a group of thugs who are harassing Mi-ae. From the beginning, Mak-dong is entangled in a relationship that becomes his undoing.

Home, Ilsan, is not the same for Mak-dong anymore. The fields, acacias and rice paddies have gone, replaced by high rise apartments. He discovers his mother is working as a house maid, and all of his siblings except his mentally disabled brother—who is literally the eldest brother and called "big brother," have left home, struggling to make a living. His sister is working as a hostess, his younger brother is working as an egg delivery man, and his older brother is a detective who is also a violent drunk. Mak-dong's dream, which he expresses to his brother, is for the whole family to live together again, running a family business, and living in harmony. His brother replies then how would any of them make a living?

While looking for work in an alienated neighborhood of Seoul, Youngdeungpo, Mak-dong again sees Mi-ae, the owner of the pink scarf, and follows her into a nightclub where she is a singer. She is also the girlfriend of a gang boss Bae Tae-gon, and when Mak-dong tries to defend her from his thugs when they force her into a car, he ends up getting beat up again. Later, at Mi-ae's urging, the boss gives him a reference for a job at a parking lot.

Mak-dong is given the opportunity to make a lot of money by inciting a fight with a council man who is obstructing Bae Tae-gon's building permit. In order to do this convincingly, Mak-dong breaks his fingers by slamming a door on them. Seeing him complete his task with such dedication, Bae Tae-gon elevates him by allowing him to call him "hyung," or "Big Brother," and admitting him as a full-fledged member of the gang. This causes some of the underlings to become disgruntled, as it would normally take at least a year to reach this status.

Now a member of 'the family', Mak-dong and Mi-ae find in each other a kindred spirit, the feeling between them not clearly defined, yet finding themselves drawn to each other through their common feeling of hopelessness. In an important scene on the train, Mi-ae and Mak-dong talk and he gives her a photo of the large, green tree in front of his home in Ilsan. Mi-ae is struck by Mak-dong's naivete and purity. It is revealed Mak-dong is a virgin. Her beeper goes off, and it is Bae Tae-gun telling her to return home immediately. She tells Mak-dong she will do whatever he says, and with a traditional Korean loyalty, he responds that if big brother has asked them to return they should. Mi-ae laughs bitterly at his old fashioned simplicity. After a night when Bae Tae-gon sends her up to the hotel room of a prosecutor as a sexual "favor", she insults the gang boss. Mak-dong witnesses Bae Tae-gon slapping her, then drives her home. She offers herself to Mak-ong even though she is "dirty."

Suddenly, Bae Tae-gon's own former gang boss Kim Yang-kil arrives from years behind bars to take for himself the little empire Bae Tae-gon has spent his life building. In several encounters with Kim Yang-kil, Bae Tae-gon is humiliated in front of his own gang. Bae Tae-gon takes Mak-dong up to the deserted building where he wants to build his future empire, and asks him what his dream is. Bae replies he also got as far as he did because of one of those dreams. Mak-dong makes a final expression of his loyalty by stabbing Kim Yang-kil to death in a men's bathroom. As blood flows everywhere, Mak-dong becomes hysterical.

Immediately after, Mak-dong calls home in the famous "phone booth" scene. He asks his mentally challenged "big brother" if he remembers how they used to fish in the river, and how one day he lost a whole day of fishing because he tried to catch one of the green fish and lost his slipper in the river. Immediately after, Bae Tae-gon takes Mak-dong to the deserted building, and being consistent with the ruthless nature that has got him so far in life, fatally shoots him, leaving him for dead. Mak-dong staggers out and sprawls across the windshield of Bae's car, staring straight into the camera and dying as Mi-ae screams in horror.

Some time later, Bae Tae-gon and Mi-ae have moved to the Ilsan New Town that typifies the new middle class suburbs that have sprung up around Seoul's satellite cities. One day they come upon an old-style restaurant in an old-style house run by a family. Mi-ae appears to be pregnant. The couple order chicken soup, and a chicken is slaughtered in front of them, recalling the sacrifice Mak-dong made for his dream to come true. Outside, Mi-ae recognizes with tears the tree in the photo she has kept all this time and realizes it is Mak-dong's family home.

Cast

Influence

Although director Lee is renowned for superb writing, he allowed Han to improvise the now-famous extended monologue inside the telephone booth. The scene became iconic enough to be spoofed by the 2002 Korean compendium of satire, "Funny Movie" directed by Gyu-seong Jang. As recently as August 2007, the scene was once again spoofed in the MBC drama "Kimchi Cheese Smile".

The character of "Kim Yang-gil" (a rival mob boss), as played by Myung Gye-nam, has been parodied with an extended back-story in the 2006 black comedy The Customer is Always Right.

The pivotal scene in a men's restroom, has recently been cited by poet/director Yoo Ha for informing the basis of a similar scene in his more stylistically baroque A Dirty Carnival.

Awards and nominations
Awards Category Recipient Result
Baeksang Arts Awards[2] Best Film Green Fish Won
Best Actor Han Suk-kyu Won
Best Actress Shim Hye-jin Won
Best Screenplay Lee Chang-dong Won
Best New Director Won
Grand Bell Awards Best Actor Han Suk-kyu Won
Popularity Award Won
Best Actress Shim Hye-jin Won
Best Supporting Actor Moon Sung-keun Nominated
Best Screenplay Lee Chang-dong Won
Best Music Lee Dong-jun Won
Blue Dragon Film Awards Best Film Green Fish Won
Best Director Lee Chang-dong Won
Best Actor Han Suk-kyu Won
Popular Star Award Won
Best Visual Effects Lee Dong-jun Won
20th Golden Cinematography Awards Most Popular Actor Han Suk-kyu Won
Korean Association of Film Critics Awards Best Film Green Fish Won
Best Actor Han Suk-kyu Won
Best New Director Lee Chang-dong Won
Best Screenplay Won
Cine 21 Awards Best Film Green Fish Won
Best New Director Lee Chang-dong Won
gollark: Discord doesn't have a "log off" thing.
gollark: No, you do exist, you're just also a hologram.
gollark: You've been hypnotized to think that. Or you're lying to help the government. Or you're a hologram. Or you think you're a hologram but aren't. Or you're working at the REAL pyramids on the moon.
gollark: There are no holograms. That would be way too expensive.
gollark: There are no pyramids. They're obviously impossible to build.

References

Notes
  1. "1997". koreanfilm.org. Retrieved 2008-01-14. External link in |publisher= (help)
  2. http://www.cinemasie.com/en/fiche/oeuvre/greenfish/recompenses.html

Bibliography
  • Kim, Kyung-hyun (2004). "1. At the Edge of a Metropolis in A Fine, Windy Day and Green Fish". The Remasculinization of Korean Cinema. Durham and London: Duke University Press. pp. 34–43. ISBN 0-8223-3267-1.
  • Paquet, Darcy. "Green Fish". koreanfilm.org. Retrieved 2008-01-14. External link in |publisher= (help)
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