Gladys Ripley

Gladys Ripley (9 July 1908 – 21 December 1955) was an English contralto.

Early life

She was born in Forest Gate, Essex, the daughter of Alfred and Amy Ripley, and was educated at St. Edmund Roman Catholic School, East Ham, and at Clark's Business College.

Career

In 1925, she gave her first important concert, singing Elijah at the Royal Albert Hall conducted by Albert Coates). Ripley broadcast continually from 1926 in a variety of programmes: opera, oratorio, musical plays, and light music. She sang with all the leading orchestras, under conductors including Adrian Boult, Malcolm Sargent, Thomas Beecham, Charles Thornton Lofthouse, Serge Koussevitzky, Wilhelm Furtwängler, and Victor de Sabata.

Ripley appeared with the Royal Choral Society and other principal societies. She also performed at major festivals: Three Choirs Festival, Three Valleys Festival, Norwich Festival, and Leeds Festival.

Before the Second World War, she sang for six seasons at the Royal Opera House. In 1940, she toured New Zealand as a guest artist for the New Zealand Centennial celebrations.[1]

During the war she sang for the troops frequently, visiting France in 1940, West Africa in 1942, and Belgium and Netherlands in 1945.

In the 1942 film The Great Mr. Handel, Ripley was the singing voice of the character Mrs. Cibber, played by Elizabeth Allan.

In 1949, she toured New Zealand and Australia. In 1950, she toured the Netherlands.

Private life

Ripley married three times:

  1. 1928 Harry W. Gilbert giving one daughter, Shirley Anne
  2. 1945 Squadron Leader John Price (died 1952)
  3. Flight-Lieutenant E. A. Dick

Her recreations were swimming, gardening, knitting, and ballroom dancing. After the war, she lived in London & Pagham, Sussex.

Ripley died in Chichester of breast cancer on 21 December 1955.

Recordings

Albums

Edward Elgar
George Frideric Handel
Constant Lambert

The Rio Grande, Philharmonia Chorus, Gladys Ripley, Kyla Greenbaum, Constant Lambert (conductor) Lambert: Composer, Vol.2 Pearl

Felix Mendelssohn
Henry Purcell

Dido and Aeneas Isobel Baillie (Belinda), Edith Coates (Sorceress), Joan Fullerton, Edna Hobson. Gladys Ripley (Second Witch), Sylvia Patriss (Spirit), Trefor Jones (Sailor), Joan Hammond (Dido), Dennis Noble (Aeneas), Constant Lambert (conductor)

Camille Saint-Saëns

Samson et Dalila Liverpool Philharmonic Orchestra, Gladys Ripley, Malcolm Sargent (conductor) Stars of English Opera, Vol.4 Dutton Laboratories

Giuseppe Verdi

Don Carlo Liverpool Philharmonic Orchestra, Malcolm Sargent (conductor). Stars of English Opera, Vol.1 Dutton Laboratories

Richard Wagner

Die Walküre Kirsten Flagstad, Rudolf Bockelmann, Maria Müller, Mae Craven, Elsa Stenning, Thelma Bardsley, Linda Seymour, Evelyn Arden, Edith Coates, Gwladys Garside, Gladys Ripley, Wilhelm Furtwängler (conductor) Wilhelm Furtwängler Conducts Excerpts from the 1937 Covent garden Performances of Die Walküre and Götterdämmerung Black Top / Wagner - Die Walküre, Act 3 Grammofono / Wagner: Die Walküre, Act 3 Myto

Singles

  • "Only A Rose", Sterno 573 (from The Vagabond King, 1925)
  • "Dream Lover", Sterno 381 (from The Love Parade, 1929)

Books
  • Brook, Donald, Singers of Today (Rockcliff, London, 1949) — pen portraits of various singers, including Ripley (She is not in the revised (1958) edition).
gollark: One alternative interpretation I read somewhere was coordination problems - people don't do much because they feel like it won't be useful unless other people also do.
gollark: I'm not saying that they shouldn't care, to clarify, but that people don't, telling them their preferences are wrong is not really a winning strategy, and the lack of concern of most richer countries for poorer ones reflects most people's demonstrated attitudes.
gollark: Yes, exactly.
gollark: (also, global prosperity is generally going up, illiteracy & extreme poverty going down, etc.)
gollark: Anyway, I find those "various people die of easily preventable deaths → capitalism bad" things unreasonable. I suspect most people don't actually *care* about random people somewhere dying, given the fact that you can quite easily donate to very effective charities for e.g. helping fix malaria under the existing system, and yet nobody does this.

References
  1. The Home Front Volume II CHAPTER 23 The Arts Survive
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