George Goodwin Kilburne

George Goodwin Kilburne,[1] R.I., R.O.I, R.M.S, (24 July 1839 – 1924 London) was an English genre painter specialising in accurately drawn interiors with figures. He favoured the watercolour medium, although he also worked in oils, pencil and initially trained as a wood-engraver.[2]

George Goodwin Kilburne, The Picnic, c. 1900

Life
George Goodwin Kilburne, Watching the hunt, 1895
George Goodwin Kilburne Forewarned is forearmed
"Enoch Arden" (watercolour painting by George Goodwin Kilburne )
The Music room

George was born at Hackford near Reepham in Norfolk, the eldest of the three children of Goodwin Kilburne (1812–1887) and Rebeccca Button (1801–1880).[3]

Kilburne was educated at Hawkhurst, Kent - his father's old school. On leaving at the age of 15, he went to London to serve a five-year apprenticeship as a wood engraver with the Dalziel brothers. He was highly regarded by his employers who described him as "industrious and constant" and "one of the most satisfactory pupils we ever had".[4] His time as an engraver served him well, allowing him to develop the accuracy and detail which would enhance his subsequent painting. He remained with the firm for a further year before leaving to take up watercolour and oil painting professionally, quickly becoming one of the most sought after and well-known artists in England.

In June 1862, Kilburne married Janet Dalziel at Old Church, St. Pancras, London. She was the daughter of the painter Robert Dalziel, the brother of his former employers. They had three sons and two daughters - of these his eldest son, George Goodwin Kilburne Jnr., became a very well known painter of animals and figures, principally of sporting subjects. In 1881 the family were recorded as living in Hampstead, London.[5] Janet died in 1882. In 1889 Kilburne married Edith Golightly (34 years his junior), with whom he had a further two children - Edith May (Born 1900) and Constance Ivy (born 1902).

Kilburne was a keen sportsman and equestrian and involved himself in hunting, cycling and golf. He possessed a good collection of arms and armour, mainly swords, which often figured in his pictures. He was said to be very quiet and almost retiring in manner, yet very companionable and a friendly and a genial host.

He lived for many years at Hawkhurst House, 39 Steeles Road, Haverstock Hill, Hampstead in London and was a member of the Artists' Society Club at Langham Chambers. At the time of his death, in 1924, he was living at 16 Albion Road, Swiss Cottage, London, but died at his daughter Florence's home, next door to his old house, 38 Steeles Road, Haverstock Hill, Hampstead, London.

Work
The New Spinet
Maiden meditation (1866 - watercolour)
Piano practice, by 1924

George's paintings often portrayed the upper classes and ultra-fashionable female beauties in opulent late 18th and early 19th-century settings. His depiction of this beauty was heightened by his attention to detail with dress, and richly decorated interiors. During the period his paintings would have been considered traditional, especially compared to the work of contemporaries such as James McNeill Whistler and the Pre-Raphaelite Brotherhood.

Kilburne travelled extensively in Italy around 1875, and painted in Rome for three months, besides working in Venice at that time, and also in 1876. He did a great deal of sketching in Normandy and Switzerland, besides visiting many parts of England and Wales for the same purpose.

Shortly after the death of the Emperor Napoleon III, the Empress Eugenie commissioned Kilburne to paint several pictures for her. For this purpose he paid many visits to her at Chislehurst, Kent to paint pictures of the rooms used by the late Emperor, which had been kept, just as they were, during his lifetime.

Towards the end of the 19th century he designed and executed a great number of greetings and Christmas cards for the firms of Raphael Tuck & Sons and De La Rue, the minute labour and work for which brought on a serious attack of gout in the eyes. He also contributed a large number of black and white pictures to The Graphic, The Illustrated London News and Cassell's Magazine. Many of his pictures became popular through prints.

Kilburne was elected a member of the New Watercolour Society (RI) in 1866.[6] He became a member of the Royal Miniature Society in 1898 and the Royal Institute of Oil Painters (ROI) in 1883. In London, Kilburne exhibited at the Royal Academy between 1863–1918, at the Royal Society of British Artists (Suffolk Street), New Watercolour Society, Royal Miniature Society, Grosvenor Gallery, Dowdeswell Galleries and others.[7] In the regions he exhibited at Royal Birmingham Society of Artists, the Manchester City Art Gallery, the Royal Glasgow Institute of the Fine Arts and the Walker Art Gallery in Liverpool.

Kilburne's work can be seen in many public and private galleries including the Walker Art Gallery in Liverpool, Manchester City Art Gallery and the Sheffield Art Gallery.

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References
  1. George Goodwin Kilburne was one of the representatives of an ancient family, which takes its name from Kilburn or Kilbourn, a village near Thirsk, in Yorkshire, where they had been seated for many years. The name signifies Cold-stream, and this was most likely suggested by a rivulet of that character which runs through the village. The family left Yorkshire in the early part of the fifteenth century, turning up in Cambridgeshire, located at Trumpington, Waterbeach & Girten and Cambridge itself. George is descended from the Girten branch.
  2. Fisher, S. A Dictionary of Watercolour Painters, 1750-1900 (Foulsham, 1972).
  3. Kilburne's father Goodwin Kilburne (1812-1887) - of Easton, then Hackford in Norfolk and then Hawkhurst in Kent - was a schoolmaster, who was not only a noted Science scholar, but also an amateur artist of considerable ability. His mother Rebecca Button (1801-1880) was from Burwash, Sussex. He had two siblings, a brother William Isaac Kilburne (1844-1874) a Bank Manager, who emigrated and died in Melbourne, Australia and a sister, Sarah Elizabeth Kilburne (1842-1934) an accomplished Painter on China, who never married, but frequently exhibited at the London Galleries.
  4. Dalziel, G. & E. The brothers Dalziel: a record of fifty years' work in conjunction with many of the most distinguished artists of the period 1840-1890 (London: Methuen, 1901) pp 345-346.
  5. The 5 children were: George Goodwin Jnr (1863-1938), Charles Robert (1868-1954), William Richard (1866-1947), Florence Amy (1865-1944), and Mary Maud (born 1867). The family lived at Hawkhurst House, Steeles Road, Hampstead (1881 England Census). His daughter Florence, married Robert Allpress Walton, son of George Walton, the founder of Walton, Hassell & Port Ltd., Grocers and Provision Merchants, the first independent multiple food retailer in the U.K. Another son, Charles, an Accountant, went on to become a Joint Managing Director of the aforesaid Walton, Hassell & Port Ltd. William, also an Accountant became a Surveyor and Probate Valuer. Mary married Ernest Russell Woakes, a Mining Engineer.
  6. Fisher, S. A Dictionary of Watercolour Painters.
  7. The Dictionary of British Artists 1880-1940 (Antique Collectors Club)
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