Fredrikson Stallard

Patrik Fredrikson (born 16 August 1968 in Malmö, Sweden) and Ian Stallard (born 6 October 1973 in Essex, United Kingdom), are two artists who work together as the collaborative art and design studio Fredrikson Stallard.[1] Their furniture and sculptures are recognised as examples of the British avant garde.[2][3][4]

Fredrikson Stallard
Patrik Fredrikson and Ian Stallard standing in front of ‘Prologue’ containing over 8,000 topaz-colored Swarovski crystals at Dubai Design Week
Born
Patrik Fredrikson & Ian Stallard

(1968-08-16)16 August 1968 & (1973-10-06)6 October 1973
NationalitySwedish & British
EducationCentral St Martins
AwardsThe Red Dot Design Award (2010) and The Arts Foundation Fellowship (2006)
Websitefredriksonstallard.com

Early lives

Ian Stallard was born in Essex, England.[5] Patrik Fredrikson was born in Malmö, Sweden.[6][7] The two met at Central St. Martins in 1995.[8] Stallard specialised in ceramics,[9] ”[10] and Fredrikson in furniture. They began to exhibit their work separately at small art fairs in the UK, before they started their collaboration.[11]

Career

Table #1 (2001) [12] and Pyrenees (2007)were acquired by the Victoria and Albert Museum in 2011 [13] In 2005, Patrik Fredrikson and Ian Stallard officially launched their joint practice, ”Fredrikson Stallard” at the Williamsburg gallery Citizen Citizen in New York.[14]

Their practice operates as an artist's studio,[15] using natural and synthetic materials such as aluminium, bronze, crystal, wood, fibre-glass, and polyester to create avant-garde works[16] that blur the line between art and design.[17][18]

Their process often begins with the creation of tiny models.[5] Created in 2011, their Crush series included a glass table with a polished metal sheet inside it and a mirror with a hollow pocket on one side. The form of their King Bonk armchairs and footstools were generated by tying upholstery foam with string[19] before using a chainsaw to carve the final shape from polystyrene. Made from fiberglass, the chairs were available in four paint colours, which were created by Bentley.[20]

In 2006, their work was exhibited at the Design Museum[21] and works were acquired by the French National Art Collection.[22][23]

David Gill Gallery has represented Fredrikson Stallard since 2006.[24]

"David Gill is visionary,’ says Fredrikson ‘They have supported our dreams and ambition from the first day we started to work together – not by tying our hands as slaves to commercialism, but by opening our eyes to the immense possibilities and other dimensions achievable in the progression of our work."[25]

Described in an interview with Wallpaper Magazine as "Kings of avant-garde design,"[16] they are perhaps best known for their vermilion-red sofas, titled Species, which were sculpted from polyurethane, glass fibre and polyester[1] and created for their 10th Anniversary "Momentum" exhibition.[1][16] The pieces were first displayed at the studio's headquarters in Holborn, London in 2015.[24] Species is in the permanent collection of the San Francisco Museum of Modern Art.[26]

Since 2012, their studio has been based in Holborn, London,[6] in an 18th-century warehouse.[27][14]

Collaborations
IRIS by Fredrikson Stallard for Swarovski Crystal Palace (2011)

As a global patron[28] of design for Swarovski, Nadja Swarovski first commissioned Fredrikson Stallard in 2007 to participate in Crystal Palace, at the Salone de Mobile in Milan.[29][30] The kinetic chandelier they presented, Pandora,[31] featured 1,190 crystals on servo-controlled wires, which moved up and down to repeatedly create and then destroy the form of a traditional chandelier.[32]

“Fredrikson Stallard are leading lights of British avant-garde design whose work with Swarovski over the years captures the spirit of adventure and experimentation…their work is always powerful, emotionally engaging and celebrates the beauty of crystal” - Nadja Swarovski[33]

Since 2015, their Prologue sculpture, consisting of 8,000 Swarovski crystals, has been installed annually, on The British Fashion Awards red carpet.[34] Commissioned by Swarovski, Fredrikson Stallard designed the trophy for the British Independent Film Awards BIFA.[35]

Exhibitions and collections

Their work is in the permanent collections of the San Francisco Museum of Modern Art, the Victoria and Albert Museum[36] in London and the French National Art Collection,.[22] Their work was exhibited at the Belvedere Museum in Vienna.[37] They have presented group shows all around the world:[38]

Ming#1 Vase by Fredrikson Stallard, uniting the artists together for the first time.

Publications

Fredrikson Stallard's first monograph (written in part by design scholar and curator Glenn Adamson) surveying their entire career and, presenting it as a case study of 21st century design, is being published by Skira Editore in 2019[39]

They have also self published a series of artist books:

  • 'Intuitive Gestures– London: David Gill Gallery, 2017, Edition 500.[40]
  • 'Hybrideae– London: Fredrikson Stallard, 2017, Edition 150.[41]
  • 'Momentum– London: Fredrikson Stallard, 2015, Edition 350.[42]

Awards
Silver Crush Table by Fredrikson Stallard (2011)

A work by Fredrikson Stallard was named one of top ten designs of the last decade by The Financial Times.[43] and in the top 3 most collectible designs by HSBC Private Bank.[44]

They have also received the following:

  • 2017 – Design of the Year, Wallpaper Magazine[45]
  • 2016 – Designer of the Year, Nomination by Design Museum London [46]
  • 2014 – Best Trophy, Azure Magazine [47]
  • 2010 – Red Dot Design Award, Hyde Chair for Bernhardt Design [48]
  • 2006 – Fellowship to The Arts Foundation[49]
gollark: ++choose 1000 bee apio form
gollark: ++tel graph
gollark: Do you mean https://graphviz.org/docs/attrs/repulsiveforce/ or some other thing?
gollark: Yes, I am.
gollark: However, it is already too late.

References
  1. How To Spend It, 20 September 2015
  2. Eagle, Sam. “Fredrikson Stallard Biography”, Design Gallerist, 1 October 2013. Retrieved 14 January 2019
  3. Admin. "Fredrikson Stallard",Artsy, 2016. Retrieved 29 January 2019
  4. Admin. “Fredrikson Stallard for Swarovski",Artsy, 17 June 2014. Retrieved 1 February 2019
  5. Chalcraft, Emilie. “Crush by Fredrikson Stallard at David Gill Galleries”, ’’Dezeen’’, 13 July 2010. Retrieved 14 January 2019
  6. CW Contributor. "Our Evening with Fredrikson Stallard"Culture Whisper, 31 May 2015. Retrieved 14 January 2019
  7. Krejci, Petr. "Intoview - Fredrikson Stallard", Intoview, 14 September 2016. Retrieved 14 January 2019
  8. Turrell, Claire. “Patrick Fredrikson and Ian Stallard: Rocking The Art World”, Harpers Bazaar Singapore, 18 February 2015. Retrieved 14 January 2019
  9. Admin. “People - Ian Stallard”, University of the Arts London, 13 July 2010. Retrieved 14 January 2019
  10. Bloomfield, Ruth. “Two Artists Create Eclectic Décor”, University of the Arts London, 7 January 2015. Retrieved 29 January 2019
  11. Semperton, Jules. “Perspective - Fredrikson Stallard”, ’’Pocket Mags’’, 13 Sept 2015. Retrieved 14 January 2019
  12. “Decade of Diversification”Financial Times (January 15, 2010)
  13. Admin."Table #1 by Fredrikson Stallard", "Victoria & Albert Museum", 2001. Retrieved 14 January 2019
  14. Bloomfield, Ruth."Abstract Expressionism at Home From their London studio, two artists create decor—side tables, wall hangings, seating—with an industrial edge", "Wall Street Journal", 7 January 2015. Retrieved 1 February 2019
  15. AD Contributor. "London's Hipster Design Duo Fredrikson Stallard Make Waves with a New David Gill Gallery Show"Architectural Digest, 1 September 2017. Retrieved 14 January 2019
  16. Morris, Ali. "Grand gestures: Fredrikson Stallard’s latest work makes a bold statement"Wallpaper Magazine, 12 September 2017. Retrieved 14 January 2019
  17. CW Contributor. "UK Designers Patrik Fredrikson And Ian Stallard Dissolve The Line Between Art And Design"Design Klout, 13 November 2015. Retrieved 29 January 2019
  18. Admin. "Damn Magazine, 3 July 2017. Retrieved 29 January 2019
  19. Dezeen - NKing Bonk by Fredrikson Stallard (June 26, 2008)
  20. Design Gallerist - Fredrikson Stallard (June 26, 2008)
  21. Dezeen (09 February 2007)
  22. Rob Report (13 October 2018)
  23. The London Magazine (05 January 2012)
  24. Dezeen (30 September 2015)
  25. Wallpaper Magazine - Grand gestures: Fredrikson Stallard’s latest work makes a bold statement (12 September 2017)
  27. Stratford, Oli. "Fredrikson Stallard Interview",Disegno, 27 October 2012. Retrieved 14 January 2019
  28. Young Masters - Nadja Swarovski (April 18, 2015)
  29. Dubai Design Week - Q&A for Fredrikson Stallard (16 June 2011)
  30. Swarovski Crystal Palace 3 (20 April 2007)
  31. Wallpaper Magazine - Digital crystal: Swarovski exhibition at the Design Museum, London (April 18, 2012)
  32. Swarovski Crystal Palace - A Revolutionary Project (2002)
  33. Collezioni - Armory by Fredrikson Stallard, yet another beautiful collection by Atelier Swarovski (April 18, 2012)
  34. Sherman, Lauren. "The Fashion Awards Goes Global"The Business of Fashion, 6 December 2016. Retrieved 29 January 2019
  35. https://www.theedinburghreporter.co.uk/2013/11/scottish-films-among-the-nominees/
  36. The Victoria & Albert Museum (03 September 2017)
  37. https://www.belvedere.at/bel_en/exhibition/fredrikson_stallard_and_heinitz_von_heinzenthal_
  38. Design Boom (13 June 2016)
  39. Skira Editore (28 March 2019). Fredrikson Stallard. Skira Editore. ISBN 978-88-572-3522-6.
  40. https://www.artsy.net/show/david-gill-gallery-fredrikson-stallard-intuitive-gestures
  41. https://www.barnebys.com/auctions/lot/475683244/fredrikson-stallard-hybrideae
  42. https://www.davidgillgallery.com/shop/fredrikson-stallard-momentum-book
  43. The Financial Times (15 January 2010)
  44. Malta International Contemporary Art Space (MICAS) (20 September 2018)
  45. Wallpaper Magazine (02 March 2017)
  46. Dezeen (02 April 2016)
  47. Azure Magazine (6 June 2014)
  48. http://designgallerist.com/blog/fredrikson-stallard-biography/Design Week (6 June 2010)
  49. The Arts Foundation (02 March 2006)
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