Federico Zuccari

Federico Zuccaro, also known as Federico Zuccari (c. 1540/1541 – August 6,[1] 1609), was an Italian Mannerist painter and architect, active both in Italy and abroad.

Federico or Federigo Zuccaro
Self-portrait, after 1588
Bornc. 1540-1541
Sant'Angelo in Vado
Died(1609-07-20)July 20, 1609 or (1609-08-06)August 6, 1609 (sources vary) (aged 68-69)
NationalityItalian
Known forPainting and Architecture
MovementRenaissance and Mannerism
Last Judgment (detail ). Dome of Florence Cathedral.

Biography

Zuccaro was born at Sant'Angelo in Vado, near Urbino (Marche).

His documented career as a painter began in 1550, when he moved to Rome to work under Taddeo, his elder brother. He went on to complete decorations for Pius IV, and help complete the fresco decorations at the Villa Farnese at Caprarola. Between 1563 and 1565, he was active in Venice with the Grimani family of Santa Maria Formosa. During his Venetian period, he traveled alongside Palladio in Friuli. He was involved in the following fresco projects:

Another picture in the same collection appears to be a replica of his painting of the "Allegory of Calumny", as suggested by Lucian's description of a celebrated work by Apelles; the satire in the original painting, directed against some of his courtier enemies, was the immediate cause of Zuccaro's temporary exile from Rome. Zuccaro was recalled to Rome by Pope Gregory XIII to continue in the Pauline chapel of the Vatican. He visited Brussels, and there made a series of cartoons for the tapestry-weavers. In 1574 he came to England, where he received a commission from Robert Dudley, Earl of Leicester to portray himself and Queen Elizabeth.[2] He also painted Mary, Queen of Scots, Sir Nicholas Bacon, Sir Francis Walsingham, Lord High Admiral Howard.[3]

He painted a portrait of a Man with Two Dogs, in the Pitti Palace (Florence), and the Dead Christ and Angels in the Galleria Borghese (Rome). In 1585, he accepted an offer by Philip II of Spain to decorate the new Escorial at a yearly salary of 2,000 crowns. He worked at the palace from January 1586 to end of 1588, when he returned to Rome. His paintings (like those of El Greco before him) were disliked by Philip II and many were painted over. However the parting was amicable:"We must not blame him, but those who sent him to us", said Philip.[4] He was succeeded by Pellegrino Tibaldi. He there founded in 1595, under a charter confirmed by Pope Sixtus V, the Accademia di San Luca, of which he was the first president.[3] Bartolomeo Carducci is said to have studied with him.

Like his Giorgio Vasari a generation before, Zuccaro aimed at being an art critic and historian.[3] His chief book, L'idea de' Pittori, Scultori, ed Architetti (1607), was far less popular.

Zuccaro was raised to the rank of cavaliere not long before his death, which took place at Ancona in 1609.[3]

Zuccaro's famed sketch of Queen Elizabeth I.
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References
  1. Liana De Girolami Cheney. "Zuccaro." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 18 Jul. 2013. <http://www.oxfordartonline.com/subscriber/article/grove/art/T093663pg2>.(Subscription required.)
  2. Goldring, Elizabeth: "The Earl of Leicester's Inventory of Kenilworth Castle, c.1578", English Heritage Historical Review, Vol. 2, 2007, p. 38
  3.  One or more of the preceding sentences incorporates text from a publication now in the public domain: Middleton, John Henry (1911). "Zuccaro". In Chisholm, Hugh (ed.). Encyclopædia Britannica. 28 (11th ed.). Cambridge University Press. p. 1047.
  4. Trevor-Roper, Hugh; Princes and Artists, Patronage and Ideology at Four Habsburg Courts 1517-1633, Thames & Hudson, London, 1976, p 69
  • Freedberg, Sydney J. (1993). Pelican History of Art (ed.). Painting in Italy, 1500-1600. enguin Books Ltd.

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