Féréol Bonnemaison

Féréol Bonnemaison (1766 - 1827) was a French portrait painter, lithographer, restorer, and art dealer.

Féréol Bonnemaison, Young Woman Overtaken by a Storm, ca. 1799, oil on canvas, 100 × 80.5 cm. Brooklyn Museum

Life

Born 8 February 1766 in Toulouse,[1] Bonnemaison was educated in Montpellier.[2] Following the French Revolution he fled to England, but returned to France shortly afterwards, and exhibited portraits and other works at the Paris Salon from 1796.[3]:57

He restored five paintings by (or at least then believed to be by) Raphael, which Joseph Bonaparte had removed from the Spanish Royal collection and taken to Paris,[3]:57 and oversaw the transfer of four of them from panel to canvas.[4] For this he was awarded the Légion d’Honneur by Louis XVIII.[3]:57 Johann David Passavant believed that Bonnemaison had mistreated the works, supporting his claim with an anecdote told to him by Jacques-Louis David:

On visiting Bonnemaison one day, at his studio, David found him,to his great consternation, with a sponge full of spirits of turpentine in his hand, with which he was most unmercifully rubbing the injured parts; and that to all his remonstrances on the danger of such a proceeding he could elicit no answer beyond, "That’s of no consequence,turpentine is good for them".[5]

As an art dealer he is recorded as having sold 150 pictures from the collection of Prince Vincenzo Giustiniani to Frederick William III of Prussia in 1815,[6] and two years later he sold Talleyrand's collection of Dutch and Flemish works to a fellow dealer, William Buchanan. He acted as an agent for the 1st Duke of Wellington, buying pictures, including some notable Dutch genre paintings, on his behalf at auctions in Paris in 1817 and 1818.[3]:16 Wellington also commissioned him to make full-sized copies of four of the Raphaels seized from Spain before their return to Madrid in 1818.[3]:16, 57

In 1818 he published a Suite d'études calquées et dessinées d'après cinq tableaux de Raphael, and in 1822 a series of lithographs after recent French paintings in the gallery of the Duchess de Berry.[2]

He died in Paris in 1827.[2]

Selected works owned by Bonnemaison
gollark: You use C for those mostly.
gollark: It would probably have a microcontroller in it, and those typically run C.
gollark: There's probably some way to rewrite them as a bunch of equations, say, then solve those - you know the amount of X atom/ion on the left is equal to the amount on the right, and you know the amount on the left is equal to (moles of reactant A * 3 + moles of reactant B * 2) and so on.
gollark: I think what humans do is randomly guess a bit, tweak the numbers so they match better, then infer the rest when they reach something consistent.
gollark: Oh, hmm, I'm not really sure how you would do that. Did you try looking it up on the interwebs?

References
  1. Léonore Database, ID LH/286/44.
  2. Bryan 1886
  3. Kauffmann, C.M.; Jenkins, Susan (2009). Catalogue of Paintings in the Wellington Museum, Apsley House. English Heritage in association with Paul Holberton Publishing. ISBN 9781903470787.
  4. "Buchananan's Memoirs of Painting". Blackwood's Edinburgh Magazine. 16. November 1824. The transfer was carried out by Hacquin
  5. Passavant, J.D. (1836). Tour of a German Artist in England. 1. p. 173, quoted in Kauffman 2009, p. 57.
  6. The Metropolitan Museum of Art (1985). The Age of Caravaggio. New York: The Metropolitan Museum of Art. p. 281. ISBN 0870993801.

Sources
  •  This article incorporates text from a publication now in the public domain: Bryan, Michael (1886). "Bonnemaison, Féréol". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). I (3rd ed.). London: George Bell & Sons.CS1 maint: ref=harv (link)
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.