Eugen Schüfftan
Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German cinematographer.
He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques.
Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler.
Selected filmography
gollark: You can also say arcanos, again with a very broad interpretation.
gollark: Also, Arcanas is... also okay Latin, assuming we're using the accusative.
gollark: If we go by ridiculous munged Latin.
gollark: Possibly.
gollark: I think it'd be technically valid to just say Arcana as the plural...
See also
- List of German-speaking Academy Award winners and nominees
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.