Curt Siodmak
Curt Siodmak (August 10, 1902 – September 2, 2000) was a German-American novelist and screenwriter. He is known for his work in the horror and science fiction film genres, with such films as The Wolf Man and Donovan's Brain (the latter adapted from his novel of the same name). He was the younger brother of noir director Robert Siodmak.[1]
Curt Siodmak | |
---|---|
Born | Kurt Siodmak August 10, 1902 Dresden, Germany |
Died | September 2, 2000 98) Three Rivers, California, US | (aged
Occupation | Novelist and screenwriter |
Nationality | German-American |
Period | 1929–2000 |
Genre | Short stories, novels and screenplays |
Life and career
Siodmak was born Kurt Siodmak in Dresden, Germany, the son of Rosa Philippine (née Blum) and Ignatz Siodmak.[2] His parents were both from Jewish families in Leipzig. Siodmak acquired a degree in mathematics before beginning to write novels.[3] He invested early royalties earned by his first books in the 1929 movie Menschen am Sonntag, a documentary-style chronicle of the lives of four Berliners on a Sunday based on their own lives. The movie was co-directed by Curt Siodmak's older brother Robert Siodmak and Edgar G. Ulmer, with a script by Billy Wilder in collaboration with Fred Zinnemann and cameraman Eugen Schüfftan.[1] Siodmak was the nephew of film producer Seymour Nebenzal, who funded Menschen am Sonntag with funds borrowed from his father, Heinrich Nebenzahl.
In the following years Siodmak wrote many novels, screenplays, and short stories, including the novel F.P.1 antwortet nicht (F.P.1 Doesn't Answer) (1932) which was adapted into a film featuring Hans Albers and Peter Lorre.[3]
Siodmak decided to emigrate after hearing an anti-Semitic tirade by the Nazi propaganda minister Joseph Goebbels, and departed for England where he made a living as a screenwriter before moving to the United States in 1937.[3] His big break in Hollywood came with the screenplay for The Wolf Man (1941), starring Lon Chaney, Jr., which established this fictional creature as the most popular movie monster after Dracula and Frankenstein's monster.[1] In the film, Siodmak created several werewolf "legends" — being marked by a pentagram; being practically immortal apart from being struck/shot by silver implements/bullets; and the famous verse:
Even a man who is pure in heart,
And says his prayers by night
May become a Wolf when the Wolfbane blooms
And the autumn Moon is bright
(The last line was changed in the sequels to "And the Moon is full and bright".)
Siodmak's science-fiction novel Donovan's Brain (1942) was a bestseller that was translated into many languages and was adapted for the cinema several times, beginning in 1943 with The Lady and the Monster, then 1953's Donovan's Brain and 1962's The Brain.[3] Other films he wrote the screenplays for include Earth vs. the Flying Saucers, I Walked with a Zombie and The Beast with Five Fingers. An extensive interview with Siodmak about his career in both Germany and Hollywood is found in Eric Leif Davin's Pioneers of Wonder. In the plots of his work, Siodmak utilised the latest scientific findings combining those with pseudo-scientific motifs like the Jekyll and Hyde complex, the Nazi trauma and the East–West dichotomy.
In 1998, he won the Berlinale Camera at the 48th Berlin International Film Festival.[4]
Siodmak died in his sleep on September 2, 2000, at his home in Three Rivers, California.
Works
Novels
- F.P.1 Doesn't Answer (1933)
- Black Friday (1939)
- Donovan's Brain (1942)
- The Beast with Five Fingers (1945)
- Whomsoever I Shall Kiss (1952)
- Riders to the Stars (1954)
- Skyport (1959)
- For Kings Only (1964)
- Hauser's Memory (1968)
- The Third Ear (1971)
- City in the Sky (1974)
- Frankenstein Meets Wolfman (1981)
- Gabriel's Body (1991)
Short stories
- The Eggs from Lake Tanganyika (1926)
- Variation of a Theme (1972)
- The P Factor (1976)
- Experiment with Evil (1985)
Non fiction
- Even a Man Who Is Pure in Heart: The Life of a Writer, Not Always to His Liking (1997)
- Wolf Man's Maker (2001) (Posthumous autobiography)
Filmography
Screenwriter
- Mascots (dir. Felix Basch, 1929) — based on a operetta by Georg Okonkowski (libretto) and Walter Bromme (music)
- Escape to the Foreign Legion (dir. Louis Ralph, 1929)
- People on Sunday (dir. Robert Siodmak, Edgar G. Ulmer, 1930)
- The Shot in the Talker Studio (dir. Alfred Zeisler, 1930)
- Der Kampf mit dem Drachen oder: Die Tragödie des Untermieters (dir. Robert Siodmak, 1930, short)
- The Man in Search of His Murderer (dir. Robert Siodmak, 1931) — based on a play by Ernst Neubach
- Le Bal (dir. Wilhelm Thiele, 1931) — based on the novella Le Bal by Irène Némirovsky
- Der Ball (dir. Wilhelm Thiele, 1931) — based on the novella Le Bal by Irène Némirovsky
- F.P.1 antwortet nicht (dir. Karl Hartl, 1932)
- I.F.1 ne répond plus (dir. Karl Hartl, 1933)
- F.P.1 (dir. Karl Hartl, 1933)
- The Invisible Front (dir. Richard Eichberg, 1932)
- Marion, That's Not Nice (dir. E. W. Emo, 1933)
- Model Wanted (dir. E. W. Emo, 1933)
- The Crisis is Over (dir. Robert Siodmak, 1934)
- Girls Will Be Boys (dir. Marcel Varnel, 1934)
- It's a Bet (dir. Alexander Esway, 1935) — based on a novel by Marcus McGill
- The Loves of Madame Dubarry (dir. Marcel Varnel, 1935) — based on the operetta Gräfin Dubarry
- The Tunnel (dir. Maurice Elvey, 1935) — based on the novel Der Tunnel by Bernhard Kellermann
- Abdul the Damned (dir. Karl Grune, 1935)
- Non-Stop New York (dir. Robert Stevenson, 1937) — based on a novel by Ken Attiwill
- Her Jungle Love (dir. George Archainbaud, 1938)
- The Invisible Man Returns (dir. Joe May, 1940) — Universal classic monster series
- Black Friday (dir. Arthur Lubin, 1940)
- The Ape (dir. William Nigh, 1940) — based on a play by Adam Hull Shirk
- The Invisible Woman (dir. A. Edward Sutherland, 1940) — Universal classic monster series
- Aloma of the South Seas (dir. Alfred Santell, 1941) — based on a play by LeRoy Clemens and John B. Hymer
- The Wolf Man (dir. George Waggner, 1941) — Universal classic monster series
- Pacific Blackout (dir. Ralph Murphy, 1941)
- Invisible Agent (dir. Edwin L. Marin, 1942) — Universal classic monster series
- London Blackout Murders (dir. George Sherman, 1943)
- Frankenstein Meets the Wolf Man (dir. Roy William Neill, 1943) — Universal classic monster series
- The Purple V (dir. George Sherman, 1943)
- I Walked with a Zombie (dir. Jacques Tourneur, 1943) — based on a story by Inez Wallace
- The Mantrap (dir. George Sherman, 1943)
- False Faces (dir. George Sherman, 1943)
- Son of Dracula (dir. Robert Siodmak, 1943) — Universal classic monster series
- The Climax (dir. George Waggner, 1944) — based on a play by Edward Locke
- The House of Frankenstein (dir. Erle C. Kenton, 1944) — Universal classic monster series
- Frisco Sal (dir. George Waggner, 1945)
- Shady Lady (dir. George Waggner, 1945)
- The Return of Monte Cristo (dir. Henry Levin, 1946) — sequel to The Count of Monte Cristo
- The Beast with Five Fingers (dir. Robert Florey, 1946) — based on a story by W. F. Harvey
- Berlin Express (dir. Jacques Tourneur, 1948)
- Tarzan's Magic Fountain (dir. Lee Sholem, 1949) — Tarzan film
- Swiss Tour (dir. Leopold Lindtberg, 1949)
- Fireside Theatre: Looking Through (dir. Frank Wisbar, 1951, TV series episode)
- Bride of the Gorilla (dir. Curt Siodmak, 1951)
- Front Page Detective (1951, TV series, 4 episodes)
- Big Town: Twelfth Avenue Pirates (1953, TV series episode)
- The Magnetic Monster (dir. Curt Siodmak, 1953)
- I Led 3 Lives: Infra Red Film (dir. Eddie Davis, 1954, TV series episode)
- Riders to the Stars (dir. Richard Carlson, 1954)
- Waterfront: The Man (1954, TV series episode)
- The Pepsi-Cola Playhouse: The Man Nobody Wanted (1955, TV series episode)
- Creature with the Atom Brain (dir. Edward L. Cahn, 1955)
- Captain Fathom (1955, TV film), also producer
- Earth vs. the Flying Saucers (dir. Fred F. Sears, 1956)
- The Count of Monte Cristo: The Black Death (dir. Sidney Salkow, 1956, TV series episode) — based on The Count of Monte Cristo
- Curucu, Beast of the Amazon (dir. Curt Siodmak, 1956)
- Hey, Jeannie!: Jeannie the Heiress (dir. Don Taylor, 1957, TV series episode)
- Love Slaves of the Amazons (dir. Curt Siodmak, 1957), also producer
- Tales of Frankenstein (dir. Curt Siodmak, 1958, TV film) — Frankenstein film
- 13 Demon Street (1959, TV series)
- The Devil's Messenger (1961) — re-edited version of 3 episodes of 13 Demon Street
- Sherlock Holmes and the Deadly Necklace (dir. Terence Fisher, 1962) — Sherlock Holmes film
- The Lightship (dir. Ladislao Vajda, 1963) — based on a story by Siegfried Lenz
- Ski Fever (dir. Curt Siodmak, 1966)
Actor
- Metropolis (dir. Fritz Lang, 1927), as Working Man (uncredited)
- Monster by Moonlight: The Immortal Saga of the Wolfman (1999), as Himself.[5]
Film adaptations
- The Shot in the Talker Studio, directed by Alfred Zeisler (1930, based on the novel Schuß im Tonfilmatelier)
- F.P.1 antwortet nicht, directed by Karl Hartl (1932, based on the novel F.P.1 antwortet nicht)
- I.F.1 ne répond plus, directed by Karl Hartl (1933, based on the novel F.P.1 antwortet nicht)
- F.P.1, directed by Karl Hartl (1933, based on the novel F.P.1 antwortet nicht)
- Girls Will Be Boys, directed by Marcel Varnel (1934, based on the play The Last Lord)
- The Lady and the Monster, directed by George Sherman (1944, based on the novel Donovan's Brain)
- Donovan's Brain, directed by Felix E. Feist (1953, based on the novel Donovan's Brain)
- Studio One: Donovan's Brain (1955, TV series episode, based on the novel Donovan's Brain)
- The Brain, directed by Freddie Francis (1962, based on the novel Donovan's Brain)
- Hauser's Memory, directed by Boris Sagal (1970, TV film, based on the novel Hauser's Memory)
- Der Heiligenschein, directed by Heinz Schirk (1977, TV film, based on a short story by Curt Siodmak)
References
- "Wettbewerb/In Competition". Moving Pictures, Berlinale Extra. Berlin: 85. 11–22 February 1998.
- Freyermuth, Gundolf S. (1997-09-14). "Despite His Fate, He Found His Fortune". Los Angeles Times. Retrieved 2020-07-12.
- "Berlinale: 1998 Prize Winners". berlinale.de. Retrieved 2012-01-21.
- Monster by Moonlight