Dorothy Boyle, Countess of Burlington

Dorothy Boyle, Countess of Burlington and Countess of Cork (née Savile; 13 September 1699 – 21 September 1758)[2]:116 was a British noble and court official, as well as a caricaturist and portrait painter. Several of her studies and paintings were made of her daughters. Chatsworth House, which descended through her daughter Charlotte, holds a collection of 24 of her works of art.

For her mother-in-law, see Dorothy Savile, Viscountess Halifax.
The Right Honourable

The Countess of Burlington
Michael Dahl, Lady Dorothy Savile, Countess of Burlington and Countess of Cork, oil painting, 1720, Hardwick Hall, National Trust.[lower-alpha 1]
Born
Dorothy Savile

(1699-09-13)13 September 1699
Died21 September 1758(1758-09-21) (aged 59)
Chiswick House
NationalityEnglish
Education
Known forCaricatures and portraits
Spouse(s)
Children
Parent(s)

Boyle had a great interest in the arts and was a patron of David Garrick and George Frideric Handel. She was one of Queen Caroline's Ladies of the Bedchamber. Savile Row, developed at the edge of the Boyle's Burlington House estate, was named after her (based on her surname, Savile).

Biography

Early life

Dorothy Boyle (née Savile) was born to William Savile, 2nd Marquess of Halifax[1] and his second wife Mary Finch, whose father was Daniel Finch, 7th Earl of Winchilsea.[2]:116, 130 Boyle was a co-heiress of her father's estate.[2]:116

Boyle's two brothers both died when they were young. She had a sister, Mary, who wed Sackville, Earl of Thanet. Boyle also had a half-sister, Anne (married to the 3rd Earl of Ailesbury), from her father's first marriage to Elizabeth Grimston, daughter of Sir Samuel Grimston.[3]:468

Marriage and children
William Aikman, Rt. Hon. Richard Boyle and Lady Dorothy Savile, 1723, Harris Museum and Art Gallery, Preston, Lancashire

Dorothy Boyle married Richard Boyle, 3rd Earl of Burlington[1] on 21 March 1721 and brought a substantial dowry and a shared interest of theatre and music to the marriage.[4]:70 She enjoyed the opera, music, and theatre[5] and was a patron of the arts, including David Garrick and George Frideric Handel.[6] Her favorite writer was John Gay.[5]

Soon after their marriage, Boyle began modernising Chiswick House and its grounds.[4]:70 They also lived at Londesborough, East Riding of Yorkshire and in London at Burlington House.[6]

Dorothy Savile, Lady Dorothy Boyle (1724–1742), Countess of Euston, and Her Sister Lady Charlotte Boyle (1731–1754), Later Marchioness of Hartington, National Trust, Hardwick Hall.[lower-alpha 2]

Boyle had three daughters: Dorothy (1724–1742), Julianna (1727–1730), and Charlotte (1731–1754).[3]:77[6] Jean-Baptiste van Loo painted a family portrait of Dorothy Boyle, her husband, and three daughters in 1739. The painting is currently located in Lismore Castle's Devonshire Collection.[6]

In 1741, Boyle's eldest daughter, Dorothy, married the Earl of Euston, and died of smallpox just before her eighteenth birthday in 1742.[5][3]:77 Her youngest daughter, Charlotte, married William, Marquess of Hartington on 28 March 1748.[2]:130 Charlotte passed down her mother's artwork and correspondence to her descendants.[6]

Death

The Countess of Burlington died on 21 September 1758, aged 59.[6]

Ancestry

Artist
Dorothy Savile, Portrait of Lady Charlotte Boyle, Marchioness of Hartington (1731–1754), circa 1740, Chatsworth House. Attributed to Dorothy Savile

Boyle studied how to draw and paint portraits with pastels with William Kent and made copies of good portraits to develop her talent.[8] Kent, who lived with Savile and Boyle for 30 years, studied painting in Rome and in addition to being an artist, he was a designer and landscape gardener.

Kent and Boyle made portraits of each other and George Vertue commented that Boyle's painting of Kent was "much more like than that done by Aikman".[6] By the mid-1720s she had also studied with Joseph Goupy.[8] During that time she advanced from pastels to oil painting. According to Neil Jeffares and the British Museum, she may have had lessons from Charles Jervas, the King's portrait painter.[8][6]

Lady Boyle was a talented caricaturist and made good, though rapid, portraits.[8] Horace Walpole said of Boyle, "She drew in crayons, and succeeded admirably in likenesses; but working with too much rapidity did not do justice to her genius. She had an uncommon talent too for caricatura."[6]

Boyle made a portrait of daughter Dorothy from memory seven weeks after her daughter's death. Of the paintings at Chatsworth, the "new house" at Chiswick, 24 of the works were created by Boyle. Mrs. Selwyn, Lady Isabella Finch, and Lady Fitzwalter were among the friends to have received eight of Boyle's pastels that are now among the Chatsworth collection.[8] The works in the collection include three oil paintings and pastel studies of her daughters and an oil painting of Princess Amelia.[6] Her sketch, Woman at Harpsichord, with a Dog and a Cat, reveals an intimate scene where the woman plays a tune for her own pleasure.[9]

She made a sketch of her friend Alexander Pope[lower-alpha 3] in his grotto and enjoyed making caricatures. He wrote five quatrains about her entitled On the Countess of B—— cutting paper.[5]

Queen Caroline

Boyle was one of Queen Caroline's Ladies of the Bedchamber.[1] She was appointed to the post in 1727[10] at the same time as Mary, the Countess of Pembroke. On her appointment Lord Hervey said her manner was like 'a cringing House-Maid.'

[11]

Philanthropy

Boyle was one of the signatories to Thomas Coram's 1735 petition to King George II[12] calling for the foundation of the Foundling Hospital. She signed the petition on 19 May on the same day as the Countess of Cardigan.[13] The petition was initially unsuccessful, but Dorothy influenced her husband, Richard Boyle, 3rd Earl of Burlington, who in 1739 became involved in the creation of the Foundling Hospital and became a governor of the charity.[14]

Alongside her husband, Richard Boyle, Boyle was a patron of the arts, taking a supporting interest in both David Garrick and George Frideric Handel. Garrick and Boyle were correspondents and a letter survives in the Folger Library collection from Garrick to Boyle from October 1750.[15] Additionally the celebrated dancer Eva Marie Veigel (also known as Violette) lived with Boyle at her home Burlington House when she first came over to England in 1746.[16] Garrick fell in love with the young dancer and in 1749 they wed.[17] Boyle was initially against the match but was later persuaded to support the marriage.

Savile Row
A view of Burlington House in the 1690s, forming the centrepiece of the Burlington Estate.

Boyle drew up plans for a new street for townhouses. The Daily Post reported on 12 March 1733 that new buildings were about to be built on Savile Street[18] in Mayfair, London. The Burlington Estate project was named after Lady Dorothy Boyle's maiden name, Savile.[19][20] Savile Row was built by 1735 on freehold land known as Ten Acres belonging to a merchant tailor, William Maddox,[21] By the late 18th century, it was a center for high-quality tailor shops.[19]

Notes
  1. Her portrait was also painted by James Worsdale, see James Worsdale, Lady Dorothy Savile.[1]
  2. Her painting Lady Dorothy Boyle (1724–1742), Countess of Euston, and Her Sister Lady Charlotte Boyle (1731–1754), Later Marchioness of Hartington is in the Hardwick Hall, National Trust collection in Doe Lea, Chesterfield, Derbyshire, England. It was donated to the National Trust in 1959.[7]
  3. At times she was like Pope's amanuensis, a draft of Master Key to Popery in her handwriting resides at the former home of her youngest daughter, Charlotte, at Chatsworth House.[5]
gollark: There are probably problems like that maybe. I think mostly for cryptography.
gollark: Well, you could set up your tax form such that it's easy for you to make and hard for them to verify.
gollark: > Well, on the other hand, many problems in nature are so computationally brutally hard that we can never truly hope to compute them, which prevents us from building a true virtual universe. I would say that's something positive.How is this a *good* thing?
gollark: That's an HTTP header, not HTML.
gollark: Clock cycle, that is.

References
  1. "Lady Dorothy Savile, Countess of Burlington and Countess of Cork (1699-1758)". National Trust Collections. Retrieved 10 March 2015.
  2. Journal of the Derbyshire Archaeological and Natural History Society. The Society. 1901. p. 130.
  3. John Burke (1831). A General and Heraldic Dictionary of the Peerage of England, Ireland and Scotland. Henry Colburn and Richard Bentley. Retrieved 10 March 2015.
  4. John Harris (1 January 1994). The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick. Yale University Press. p. 70. ISBN 978-0-300-05983-0.
  5. Pat Rogers (2004). The Alexander Pope Encyclopedia. Greenwood Publishing Group. p. 48. ISBN 978-0-313-32426-0.
  6. "Dorothy Boyle, Countess of Burlington". Collections Database. British Museum. Retrieved 10 March 2015.
  7. 1 painting by or after Dorothy Boyle, Countess of Burlington, Art UK. Retrieved 10 March 2015.
  8. Neil Jeffares (2006). Dictionary of pastellists before 1800 (PDF). London: Unicorn Press. OCLC 607845199 – via Pastellists.com.
  9. Richard Leppert (1 November 1993). The Sight of Sound: Music, Representation, and the History of the Body. University of California Press. p. 78. ISBN 978-0-520-91717-0.
  10. "Institute of Historical Research".
  11. DENNISON, MATTHEW (2018). FIRST IRON LADY : a life of caroline of ansbach. [S.l.]: WILLIAM COLLINS. ISBN 0008122024. OCLC 1005693922.
  12. "Ladies of Quality & Distinction - Google Arts & Culture". Google Cultural Institute. Retrieved 17 November 2018.
  13. Wagner, Gillian (2004). Thomas Coram, Gent., 1668-1751. The Boydell Press. ISBN 1843830574. OCLC 777736751.
  14. Ladies of Quality and Distinction exhibition programme, edited by Kathleen Palmer, published by The Foundling Museum, 2018; Foundling Hospital Archive: The paper of the Foundling Hospital from 1731 to the late twentieth century at the London Metropolitan Archives.
  15. "Folger Library, image of manuscript letter from David Garrick to Dorothy Boyle, Countess of Burlington, 13 October, 1750".
  16. "Oxford Dictionary of National Biography: David Garrick".
  17. "Hereford Museum Service: David Garrick".
  18. Richard Anderson (29 October 2009). "The Sunny Side of the Street". Bespoke: Savile Row Ripped and Smoothed. Simon and Schuster. ISBN 978-1-84737-876-7.
  19. Eugenia Bell (2007). The Traditional Shops and Restaurants of London: A Guide to Century-old Establishments and New Classics. Little Bookroom. p. 82. ISBN 978-1-892145-46-8.
  20. Charles Lethbridge Kingsford (1925). The Early History of Piccadilly, Leicester Square, Soho, & Their Neighbourhood. p. 128.
  21. F. H. W. Sheppard (1963). Cork Street and Savile Row Area: Introduction, Survey of London: Volumes 31 and 32. London County Council. p. 442 – via British History Online.

Further reading
  • Susan Jenkins (1998). "Lady Burlington in Court". Lord Burlington: The Man and His Politics. Edwin Mellen Press. ISBN 978-0-7734-8367-5.
  • Mark De Novellis (1999). Pallas Unveil'd: The Life and Art of Lady Dorothy Savile, Countess of Burlington (1699-1758). Twickenham: Orleans House Gallery. ISBN 978-1-902643-02-1. OCLC 55521393.

Media related to Dorothy Savile at Wikimedia Commons

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