Thoth

Thoth (/θθ, tt/; from Koinē Greek: Θώθ thṓth, borrowed from Coptic: Ⲑⲱⲟⲩⲧ, the reflex of Ancient Egyptian: ḏḥwtj "[He] is like the Ibis") is an ancient Egyptian deity. In art, he was often depicted as a man with the head of an ibis or a baboon, animals sacred to him. His feminine counterpart was Seshat, and his wife was Ma'at.[1] He was the god of wisdom, writing, hieroglyphs, science, magic, art, judgment, and the dead.

ḏḥwtj
Thoth
Thoth, in one of his forms as an ibis-headed man
Major cult centerHermopolis
SymbolIbis, moon disk, papyrus scroll, reed pens, writing palette, stylus, baboon, scales
ConsortMaat
OffspringSeshat[lower-alpha 1]

Thoth's chief temple was located in the city of Hermopolis (Ancient Egyptian: ḫmnw /χaˈmaːnaw/, Egyptological pronunciation: "Khemenu", Coptic: Ϣⲙⲟⲩⲛ Shmun). Later known as el-Ashmunein in Egyptian Arabic, it was partially destroyed in 1826.[2]

In Hermopolis, Thoth led "the Ogdoad", a pantheon of eight principal deities, and his spouse was Nehmetawy. He also had numerous shrines in other cities.[3]

Thoth played many vital and prominent roles in Egyptian mythology, such as maintaining the universe, and being one of the two deities (the other being Ma'at) who stood on either side of Ra's solar barge.[4] In the later history of ancient Egypt, Thoth became heavily associated with the arbitration of godly disputes,[5] the arts of magic, the system of writing, the development of science,[6] and the judgment of the dead.[7]

Name



or

Common names for Thoth[8]
in hieroglyphs

The Egyptian pronunciation of ḏḥwty is not fully known, but may be reconstructed as *ḏiḥautī, perhaps pronounced *[t͡ʃʼi.ˈħau.tʰiː] or *[ci.ˈħau.tʰiː]. This reconstruction is based on the Ancient Greek borrowing Thōth (Θώθ [tʰɔːtʰ]) or Theut and the fact that the name was transliterated into Sahidic Coptic variously as ⲑⲟⲟⲩⲧ Thoout, ⲑⲱⲑ Thōth, ⲑⲟⲟⲧ Thoot, ⲑⲁⲩⲧ Thaut, Taautos (Τααυτος), Thoor (Θωωρ), as well as Bohairic Coptic ⲑⲱⲟⲩⲧ Thōout. These spellings reflect known sound changes from earlier Egyptian such as the loss of palatalization and merger of with h i.e. initial ḏḥ > th > tʰ.[9] The loss of pre-Coptic final y/j is also common.[10] Following Egyptological convention, which eschews vowel reconstruction, the consonant skeleton ḏḥwty would be rendered "Djehuti" and the god is sometimes found under this name. However, the Greek form "Thoth" is more common.

According to Theodor Hopfner,[11] Thoth's Egyptian name written as ḏḥwty originated from ḏḥw, claimed to be the oldest known name for the ibis, normally written as hbj. The addition of -ty denotes that he possessed the attributes of the ibis.[12] Hence Thoth's name would mean "He who is like the ibis", according to this interpretation.

Thoout, Thoth Deux fois Grand, le Second Hermés, N372.2A, Brooklyn Museum

Further names and spellings

Other forms of the name ḏḥwty using older transcriptions include Jehuti, Jehuty, Tahuti, Tehuti, Zehuti, Techu, or Tetu. Multiple titles for Thoth, similar to the pharaonic titulary, are also known, including A, Sheps, Lord of Khemennu, Asten, Khenti, Mehi, Hab, and A'an.[13]

In addition, Thoth was also known by specific aspects of himself, for instance the Moon god Iah-Djehuty (j3ḥ-ḏḥw.ty), representing the Moon for the entire month.[14] The Greeks related Thoth to their god Hermes due to his similar attributes and functions.[15] One of Thoth's titles, "Thrice great", was translated to the Greek τρισμέγιστος (trismégistos), making Hermes Trismegistus.[16]

Depictions

Stela showing a male adorer standing before 2 Ibises of Thoth. Limestone, sunken relief. Early 19th Dynasty. From Egypt. The Petrie Museum of Egyptian Archaeology, London
Depiction of Thoth as a baboon (c.1400 BC), in the British Museum

Thoth has been depicted in many ways depending on the era and on the aspect the artist wished to convey. Usually, he is depicted in his human form with the head of an ibis.[17] In this form, he can be represented as the reckoner of times and seasons by a headdress of the lunar disk sitting on top of a crescent moon resting on his head. When depicted as a form of Shu or Ankher, he was depicted to be wearing the respective god's headdress. Sometimes he was also seen in art to be wearing the Atef crown or the United Crowns of Upper and Lower Egypt.[12] When not depicted in this common form, he sometimes takes the form of the ibis directly.[17]

He also appears as a dog-faced baboon or a man with the head of a baboon when he is A'an, the god of equilibrium.[18] In the form of A'ah-Djehuty he took a more human-looking form.[19] These forms are all symbolic and are metaphors for Thoth's attributes.

Attributes

Lee Lawrie, Thoth (1939). Library of Congress John Adams Building, Washington, D.C.

Thoth's roles in Egyptian mythology were many. He served as scribe of the gods,[20] credited with the invention of writing and Egyptian hieroglyphs.[21] In the underworld, Duat, he appeared as an ape, Aani, the god of equilibrium, who reported when the scales weighing the deceased's heart against the feather, representing the principle of Maat, was exactly even.[22]

The ancient Egyptians regarded Thoth as One, self-begotten, and self-produced.[17] He was the master of both physical and moral (i.e. divine) law,[17] making proper use of Ma'at.[23] He is credited with making the calculations for the establishment of the heavens, stars, Earth,[24] and everything in them.[23]

The Egyptians credited him as the author of all works of science, religion, philosophy, and magic.[25] The Greeks further declared him the inventor of astronomy, astrology, the science of numbers, mathematics, geometry, surveying, medicine, botany, theology, civilized government, the alphabet, reading, writing, and oratory. They further claimed he was the true author of every work of every branch of knowledge, human and divine.[21]

Mythology

This detail scene, from the Papyrus of Hunefer (c. 1275 BCE), shows the scribe Hunefer's heart being weighed on the scale of Maat against the feather of truth, by the jackal-headed Anubis. The ibis-headed Thoth, scribe of the gods, records the result. If his heart equals exactly the weight of the feather, Hunefer is allowed to pass into the afterlife. If not, he is eaten by the waiting chimeric devouring creature Ammit composed of the deadly crocodile, lion, and hippopotamus. Vignettes such as these were a common illustration in Egyptian books of the dead.

Thoth has played a prominent role in many of the Egyptian myths. In the Osiris myth, being of great aid to Isis. After Isis gathered together the pieces of Osiris's dismembered body, he gave her the words to resurrect him so she could be impregnated and bring forth Horus. After a battle between Horus and Set in which the latter plucked out Horus' eye, Thoth's counsel provided him the wisdom he needed to recover it.

This mythology also credits him with the creation of the 365-day calendar. Originally, according to the myth, the year was only 360 days long and Nut was sterile during these days, unable to bear children. Thoth gambled with the Moon for 1/72nd of its light (360/72 = 5), or 5 days, and won. During these 5 days, Nut and Geb gave birth to Osiris, Set, Isis, and Nephthys.

History

Thoth, sitting on his throne
Modern impression of an Achaemenid cylinder seal from Iran, with king holding two lion griffins at bay and Egyptian hieroglyphs reading "Thoth is a protection over me". Circa 6th–5th century BC.[26]

Thoth was originally a Moon god. The Moon not only provides light at night, allowing time to still be measured without the sun, but its phases and prominence gave it a significant importance in early astrology/astronomy. The perceived cycles of the Moon also organized much of Egyptian society's rituals and events, both civil and religious. Consequently, Thoth gradually became seen as a god of wisdom, magic, and the measurement and regulation of events and of time.[27] He was thus said to be the secretary and counselor of the sun god Ra, and with Ma'at (truth/order) stood next to Ra on the nightly voyage across the sky.

Thoth became credited by the ancient Egyptians as the inventor of writing (hieroglyphs),[28] and was also considered to have been the scribe of the underworld. For this reason, Thoth was universally worshipped by ancient Egyptian scribes. Many scribes had a painting or a picture of Thoth in their "office". Likewise, one of the symbols for scribes was that of the ibis.

In art, Thoth was usually depicted with the head of an ibis, possibly because the Egyptians saw the curve of the ibis' beak as a symbol of the crescent moon.[29] Sometimes, he was depicted as a baboon holding up a crescent moon.

During the late period of Egyptian history, a cult of Thoth gained prominence due to its main center, Khmun (Hermopolis Magna), also becoming the capital. Millions of dead ibis were mummified and buried in his honor.

Thoth was inserted in many tales as the wise counselor and persuader, and his association with learning and measurement led him to be connected with Seshat, the earlier deification of wisdom, who was said to be his daughter, or variably his wife. Thoth's qualities also led to him being identified by the Greeks with their closest matching god Hermes, with whom Thoth was eventually combined as Hermes Trismegistus, leading to the Greeks' naming Thoth's cult center as Hermopolis, meaning city of Hermes.

In the Papyrus of Ani copy of the Egyptian Book of the Dead the scribe proclaims "I am thy writing palette, O Thoth, and I have brought unto thee thine ink-jar. I am not of those who work iniquity in their secret places; let not evil happen unto me."[30] Chapter XXXb (Budge) of the Book of the Dead is by the oldest tradition said to be the work of Thoth himself.[31]

There was also an Egyptian pharaoh of the Sixteenth dynasty named Djehuty (Thoth) after him, and who reigned for three years.

Artapanus of Alexandria, an Egyptian Jew who lived in the third or second century BC, euhemerized Thoth-Hermes as a historical human being and claimed he was the same person as Moses, based primarily on their shared roles as authors of texts and creators of laws. Artapanus's biography of Moses conflates traditions about Moses and Thoth and invents many details.[32] Many later authors, from late antiquity to the Renaissance, either identified Hermes Trismegistus with Moses or regarded them as contemporaries who expounded similar beliefs.[33]

Archaeology

Egypt’s Minister of Tourism and Antiquities announced the discovery of the collective graves of senior officials and high clergies of the god Thoth in Tuna el-Gebel in Minya in January, 2020. An archaeological mission headed by Mustafa Waziri reported that 20 sarcophagi and coffins of various shapes and sizes, including five anthropoid sarcophagi made of limestone and carved with hieroglyphic texts, as well as 16 tombs and five well-preserved wooden coffins were unearthed by their team.[34][35]

Modern cultural references

Thoth has been seen as a god of wisdom and has been used in modern literature, especially since the early 20th century when ancient Egyptian ideas were quite popular.

gollark: Then it wouldn't be very EWO.
gollark: You can't connect over telnet, this is websocket-based and has a browser frontend.
gollark: Although my monitoring software sent a bunch of alerts.
gollark: Oh, and JS isn't very concurrent.
gollark: My server is totally fast enough for that done efficiently.

See also

Notes

  1. Also said to be his consort.

References

  1. Thutmose III: A New Biography By Eric H Cline, David O'Connor University of Michigan Press (January 5, 2006)p. 127
  2. Miroslav Verner, Temple of the World: Sanctuaries, Cults, and Mysteries of Ancient Egypt (2013) 149
  3. (Budge The Gods of the Egyptians Thoth was said to be born from the skull of Set also said to be born from the heart of Ra.p. 401)
  4. (Budge The Gods of the Egyptians Vol. 1 p. 400)
  5. (Budge The Gods of the Egyptians Vol. 1 p. 405)
  6. (Budge The Gods of the Egyptians Vol. 1 p. 414)
  7. (Budge The Gods of the Egyptians p. 403)
  8. Hieroglyphs verified, in part, in (Budge The Gods of the Egyptians Vol. 1 p. 402) and (Collier and Manley p. 161)
  9. Allen, James P. (2013-07-11). The Ancient Egyptian Language: An Historical Study. Cambridge University Press. ISBN 9781107032460.
  10. Allen, James P. (2013-07-11). The Ancient Egyptian Language: An Historical Study. Cambridge University Press. ISBN 9781107032460.
  11. Hopfner, Theodor, b. 1886. Der tierkult der alten Agypter nach den griechisch-romischen berichten und den wichtigeren denkmalern. Wien, In kommission bei A. Holder, 1913. Call#= 060 VPD v.57
  12. (Budge The Gods of the Egyptians Vol. 1 p. 402)
  13. (Budge The Gods of the Egyptians Vol. 1 pp. 402–3)
  14. (Budge The Gods of the Egyptians Vol. 1 pp. 412–3)
  15. (Budge The Gods of the Egyptians p. 402)
  16. (Budge The Gods of the Egyptians Vol. 1 p. 415)
  17. (Budge The Gods of the Egyptians Vol. 1 p. 401)
  18. (Budge The Gods of the Egyptians Vol. 1 p. 403)
  19. (Budge The Gods of the Egyptians Vol. 1 plate between pp. 408–9)
  20. (Budge Gods of the Egyptians Vol. 1 p. 408)
  21. (Budge Gods of the Egyptians Vol. 1 p. 414)
  22. (Budge Gods of the Egyptians Vol. 1 p. 403)
  23. (Budge The Gods of the Egyptians Vol. 1 p. 407)
  24. (Budge Gods of the Egyptians Vol. 1 p. 401)
  25. (Hall The Hermetic Marriage p. 224)
  26. "Museum item, accession number: 36.106.2". www.metmuseum.org. Metropolitan Museum of Art.
  27. Assmann, Jan, The Search for God in Ancient Egypt, 2001, pp. 80–81
  28. Littleton, C.Scott (2002). Mythology. The illustrated anthology of world myth & storytelling. London: Duncan Baird Publishers. pp. 24. ISBN 9781903296370.
  29. Wilkinson, Richard H., The Complete Gods and Goddesses of Ancient Egypt, 2003, p. 217
  30. The Book of the Dead by E. A. Wallis Budge, 1895, Gramercy, 1999, p. 562, ISBN 0-517-12283-9
  31. The Book of the Dead by E. A. Wallis Budge, 1895, Gramercy, 1999, p. 282, ISBN 0-517-12283-9
  32. Mussies, Gerald (1982), "The Interpretatio Judaica of Thot-Hermes", in van Voss, Heerma, et al. (eds.) Studies in Egyptian Religion Dedicated to Professor Jan Zandee, pp. 91, 97, 99–100
  33. Mussies (1982), pp. 118–120
  34. "In photos: Communal tombs for high priests uncovered Upper Egypt - Ancient Egypt - Heritage". Ahram Online. Retrieved 2020-06-28.
  35. "Tombs of High Priests Discovered in Upper Egypt - Archaeology Magazine". www.archaeology.org. Retrieved 2020-06-28.
  36. Steadman, John L. (2015-09-01). H. P. Lovecraft and the Black Magickal Tradition: The Master of Horror's Influence on Modern Occultism. Weiser Books. ISBN 9781633410008.
  37. Lee, Benjamin (November 13, 2015). "Gods of Egypt posters spark anger with 'whitewashed' cast". The Guardian. London. Retrieved 1 January 2017.
  38. Gedges, Pauline (September 4, 2007). Scroll of Saqqara. Penguin Canada.

Bibliography

  • Bleeker, Claas Jouco. 1973. Hathor and Thoth: Two Key Figures of the Ancient Egyptian Religion. Studies in the History of Religions 26. Leiden: E. J. Brill.
  • Boylan, Patrick. 1922. Thoth, the Hermes of Egypt: A Study of Some Aspects of Theological Thought in Ancient Egypt. London: Oxford University Press. (Reprinted Chicago: Ares Publishers inc., 1979).
  • Budge, E. A. Wallis. Egyptian Religion. Kessinger Publishing, 1900.
  • Budge, E. A. Wallis. The Gods of the Egyptians Volume 1 of 2. New York: Dover Publications, 1969 (original in 1904).
  • Jaroslav Černý. 1948. "Thoth as Creator of Languages." Journal of Egyptian Archæology 34:121–122.
  • Collier, Mark and Manley, Bill. How to Read Egyptian Hieroglyphs: Revised Edition. Berkeley: University of California Press, 1998.
  • Fowden, Garth. 1986. The Egyptian Hermes: A Historical Approach to the Late Mind. Cambridge and New York: Cambridge University Press. (Reprinted Princeton: Princeton University Press, 1993). ISBN 0-691-02498-7.
  • The Book of Thoth, by Aleister Crowley. (200 signed copies, 1944) Reprinted by Samuel Wiser, Inc 1969, first paperback edition, 1974 (accompanied by The Thoth Tarot Deck, by Aleister Crowley & Lady Fred Harris)
  • Stadler, Martin (2012). "Thoth". In Dieleman, Jacco; Wendrich, Willeke (eds.). UCLA Encyclopedia of Egyptology. Department of Near Eastern Languages and Cultures, UC Los Angeles.
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