Cultural influence of Jules Verne

Jules Verne (1828–1905), the French writer best known for his Voyages extraordinaires series, has had a wide influence in both scientific and literary fields.

Monument to Jules Verne in Redondela, Spain

Scientific influence

The pioneering submarine designer Simon Lake credited his inspiration to Twenty Thousand Leagues Under the Sea,[1] and his autobiography begins "Jules Verne was in a sense the director-general of my life."[2] William Beebe, Sir Ernest Shackleton, and Robert Ballard found similar early inspiration in the novel, and Jacques Cousteau called it his "shipboard bible".[3]

The aviation pioneer Alberto Santos-Dumont named Verne as his favorite author and the inspiration for his own elaborate flying machines.[4] Igor Sikorsky often quoted Verne and cited his Robur the Conqueror as the inspiration for his invention of the first successful helicopter.[5]

The rocketry innovators Konstantin Tsiolkovsky, Robert Goddard, and Hermann Oberth are all known to have taken their inspiration from Verne's From the Earth to the Moon.[6] Frank Borman, Jim Lovell, and William Anders, the astronauts on the Apollo 8 mission, were similarly inspired, with Borman commenting "In a very real sense, Jules Verne is one of the pioneers of the space age".[7]

When cosmonaut Georgi Grechko was orbiting Earth with Yuri Romanenko on the Salyut 6 in 1978, he broadcast back a message to celebrate Verne's 150th birthday, saying: "There's hardly a person who hasn't read his books, at any rate not among the cosmonauts, because Jules Verne was a dreamer, a visionary who saw flights in space. I'd say this flight too was predicted by Jules Verne."[8]

Polar explorer Richard E. Byrd, after a flight to the South Pole, paid tribute to Verne's polar novels The Adventures of Captain Hatteras and An Antarctic Mystery by saying "It was Jules Verne who launched me on this trip."[2]

Edwin Hubble, the American astronomer, was in his youth fascinated by Verne's novels, especially From the Earth to the Moon and Twenty Thousand Leagues Under the Sea.[9] Their influence was so strong that, like Verne, Hubble gave up the career path in law that his father intended for him, setting off instead to pursue his passion for science.[10]

The preeminent speleologist Édouard-Alfred Martel noted in several of his scientific reports that his interest in caves was sparked by Verne's Mathias Sandorf.[11] Another influential speleologist, Norbert Casteret, traced his love of "caverns, abysses and underground rivers" to his avid youthful reading of Journey to the Center of the Earth,[12] calling it "a marvelous book, which impressed and fascinated me more than any other", and adding "I sometimes re-read it still, each time finding anew the joys and enthusiasm of my childhood".[13]

The French general Hubert Lyautey took much inspiration from the explorations in Verne's novels. When one of his more ambitious foreign projects was met with the reply "All this, sir, it's like doing a Jules Verne", Lyautey famously responded: "Yes, sir, it's like doing a Jules Verne, because for twenty years, the people who move forward have been doing a Jules Verne."[14]

David Hanson named the Artificial Intelligence conversational character robot designed and built by him Jules in memory of Jules Verne.[15] It is able to speak and respond in a human like manner, based on what it hears and has facial muscles that react to speech.[16]

Other scientific figures known to have been influenced by Verne include Fridtjof Nansen, Wernher von Braun, Guglielmo Marconi, and Yuri Gagarin.[17]

Literary influence
Cover of L'Algerie Magazine, June 15, 1884. The text reads "M. Jules Verne: going to the best sources for authentic information on the underwater world."

Arthur Rimbaud was inspired to write his well-known poem "Le Bateau ivre" after reading Twenty Thousand Leagues Under the Sea, which he extensively alludes to within the poem;[18][19] The Adventures of Captain Hatteras was likely an additional source of inspiration.[20]

In the 1920s, many members of the Surrealist movement named Verne as one of their greatest and most imaginative precursors.[21] Eugène Ionesco said that all of his works, whether directly or indirectly, were written in celebration of Captain Hatteras's conquest of the North Pole.[22] Another surrealist, the Greek poet Andreas Embirikos, paid tribute to Verne in his nine-volume magnum opus The Great Eastern (Megas Anatolikos, 1990), which borrows from Verne's A Floating City and includes Verne himself among its characters.[23]

Raymond Roussel was profoundly influenced both thematically and stylistically by Verne,[24][25] whom he called a "man of incommensurate genius" and an "incomparable master", adding that in many passages Verne "raised himself to the highest peaks that can be attained by human language."[25]

Jean Cocteau cited both Around the World in Eighty Days and Verne's own 1874 dramatization of it as major childhood influences, calling the novel a "masterpiece" and adding "Play and book alike not only thrilled our young imagination but, better than atlases and maps, whetted our appetite for adventure in far lands. … Never for me will any real ocean have the glamour of that sheet of green canvas, heaved on the backs of the Châtelet stage-hands crawling like caterpillars beneath it, while Phileas and Passepartout from the dismantled hull watch the lights of Liverpool twinkling in the distance."[26]

Antoine de Saint-Exupéry, who discovered the Voyages extraordinaires as a child and became one of Verne's enthusiastic adult proponents in the first half of the 20th century,[27] used Verne's The Black Indies as inspiration for his own novel Night Flight.[28]

The French experimental writer Georges Perec ardently read and reread Verne's works from adolescence onward, and allusions to Verne appear in many of his novels, including Life A User's Manual, A Gallery Portrait, and W, or the Memory of Childhood.[19] Perec once commented: "When Jules Verne lists all the names of fish over four pages in Twenty Thousand Leagues under the Seas, I feel as though I am reading a poem."[29]

The Swiss traveler and writer Nicolas Bouvier cited Verne as his initiation into geography, and named Mathias Sandorf and Phileas Fogg among his childhood heroes.[19] The British traveler and filmmaker Graham Hughes has similarly identified Fogg as one of his inspirations.[30]

According to scholarly hypothesis, J.R.R. Tolkien was inspired by Verne during the writing of his Legendarium narratives. The Tolkien scholar Mark T. Hooker and the philosopher Roderick Long have both written that the parallels between The Hobbit and Journey to the Center of the Earth are likely too extensive to have arisen simply by chance (both include a hidden runic message and a celestial alignment directing the adventurers to their goal, among other parallels),[31][32] and the Verne scholar William Butcher has noted similar narrative parallels between The Lord of the Rings and The Adventures of Captain Hatteras.[33]

In an introduction to a biography of Verne, Arthur C. Clarke wrote: "Jules Verne had already been dead for a dozen years when I was born. Yet I feel strongly connected to him, and his works of science fiction had a major influence on my own career. He is among the top five people I wish I could have met in person."[34]

The English novelist Margaret Drabble was deeply influenced by Twenty Thousand Leagues Under the Sea as a child and remains a fervent admirer of Verne. She comments: "I used to be somewhat ashamed of my love of Verne, but have recently discovered that he is the darling of the French avant-garde, who take him far more seriously than we Anglo-Saxons do. So I'm in good company."[35]

Ray Bradbury counted Verne as a main influence on his own fiction as well as on literature and science the world over, saying "We are all, in one way or another, the children of Jules Verne."[36]

Other literary figures known to have been influenced by Verne include Paul Claudel, François Mauriac, Blaise Cendrars, Jean-Paul Sartre, Marcel Aymé, René Barjavel, Claude Roy, Michel Butor, and Roland Barthes.[27] Verne is also often cited as a major influence of the science fiction genre steampunk, though Verne's works themselves are not of the genre.[37]

Monuments and tributes
Monument to Verne at the Jardin des Plantes in Nantes
  • In the film Back to the Future Part III (1990), Doc Emmett Brown's children are named Jules and Verne, and Dr. Brown invented a time machine (DeLorean).
  • Jules Verne appeared in the Transformers: Rescue Bots series episode "Last of Morocco", where he is revealed to be the estranged friend of recurring series antagonist Thaddeus Morocco. He is also a time traveler, having discovered a means of moving through the ages using a device of his own invention and Energon, the power source of all Transformers. After being contacted by his old friend, Verne travels to the present day, meets the Rescue Bots, and reveals that he has encountered other Transformers during his travels through time. At the time that he meets the series' heroes, he has not yet written 20,000 Leagues Under the Sea, but later becomes determined to do so after taking a trip in a submarine. In a paradox, Morocco has a submarine called the Nemo that he presumably named for Jules Verne's character, whom Verne presumably named after the adventure involving the submarine. As a result of the episode's events, Verne takes Morocco - whose memories have been erased so that he no longer remembers his villainous career - to the future to live.
  • JV- The Extraordinary Adventures of Jules Verne is an Italian animated television series that recounts the fictionalized adventures of Jules Verne at age 16.
  • Jules Verne has influenced various Japanese steampunk anime and manga works, notably Hayao Miyazaki's anime productions such as Future Boy Conan (1979), Castle in the Sky (1986) and Nadia: The Secret of Blue Water (1990).[44] Nadia is loosely based on 20,000 Leagues Under the Sea, with Captain Nemo making an appearance.[45]

Notes

Footnotes
  1. Science fiction magazine editors Hugo Gernsback and John W. Campbell were the inaugural deceased members of the Science Fiction and Fantasy Hall of Fame, followed annually by fiction writers H. G. Wells and Isaac Asimov, C. L. Moore and Robert Heinlein, Abraham Merritt and Verne.[41]

References
  1. Strauss 2012, p. 1.
  2. Gunn, James E. (2006), Inside Science Fiction, Lanham, MD: Scarecrow Press, p. 210, retrieved 12 May 2014
  3. Walter, Frederick Paul (2001), Introduction, Twenty Thousand Leagues Under the Seas, by Verne, Jules, translated by Walter, retrieved 2 March 2013 – via Zvi Har’El
  4. Griffith, Victoria (20 July 2012), "The Fabulous Flying Machines of Alberto Santos-Dumont", ABRAMS, Abrams Books, archived from the original on 22 August 2012, retrieved 2 March 2013
  5. Strauss 2012, p. 2.
  6. Wallace, Richard (13 September 2007), "Tsiolkovsky, Goddard and Oberth - Three Fathers of Rocketry", Space: Exploring the New Frontier, The Museum of Flight, archived from the original on 14 May 2013, retrieved 2 March 2013
  7. "French Cheer Frank Borman", Daytona Beach Morning Journal: 37, 6 February 1969, retrieved 30 March 2013
  8. Tufte, Edward R. (1997), Visual Explanations: Images and Quantities, Evidence and Narrative, Cheshire, CT: Graphics Press, p. 95
  9. Kaku, Michio (2005), Parallel Worlds: A Journey Through Creation, Higher Dimensions, and the Future of the Cosmos, New York: Doubleday, p. 46, retrieved 12 May 2014
  10. Kaku, Michio (2008), Physics of the Impossible: A Scientific Exploration into the World of Phasers, Force Fields, Teleportation, and Time Travel, New York: Doubleday, p. x, retrieved 12 May 2014
  11. Šišovič, Davor (October 2003), "Jules Verne's sources for 'Mathias Sandorf'" (PDF), Verniaan, 9: 26–27, retrieved 2 March 2013
  12. "Science: Speleologist", Time, 32: 26, 21 November 1938, retrieved 30 March 2013
  13. Casteret, Norbert (1938), Ten Years Under the Earth, New York: Greystone Press, p. xiv, retrieved 30 March 2013
  14. Margot, Jean-Michel (2012), "Editorial", Verniana, 4: v–viii, retrieved 2 March 2013
  15. Brandon, Elicia. "Invertuality: A message from Jules..." www.youtube.com. You Tube. Retrieved 19 December 2014.
  16. "Jules A.I : 10 Creepy Examples of the Uncanny Valley". www.strangerdimensions.com/2013/11/25/10-creepy-examples-uncanny-valley/. Stranger dimensions. Retrieved 19 December 2014.
  17. Butcher, William (1983), Jules Verne, Prophet or Poet?, Paris: Publications de l’INSEE, retrieved 26 March 2013
  18. Takaoka 1990, p. 44.
  19. Savin, Tristan (1 February 2005), "Les enfants du capitaine Verne", L'Express Culture, L'Express, retrieved 12 March 2013
  20. Takaoka 1990, p. 51.
  21. Angenot 1973, p. 34.
  22. Butcher, William (2005), "Preface", in Verne, Jules (ed.), The Adventures of Captain Hatteras, Oxford: Oxford University Press, retrieved 30 March 2013
  23. Hale & Hugill 2000, pp. 136–138.
  24. Evans 2000, pp. 24–25.
  25. Hale & Hugill 2000, pp. 122–123.
  26. Cocteau, Jean (2000), Round the World Again in 80 Days, London: Tauris, pp. 1–2, retrieved 11 May 2014
  27. Evans 2000, p. 24.
  28. Le Hir, G. (2002), "Antoine de Saint-Exupéry et Jules Verne: Vol de nuit et Les Indes noires", Bulletin de la Société Jules Verne (141): 13–18
  29. Unwin, Timothy (2009), "Brunel's Great Eastern and the Vernian Imagination: The Writing of Une Ville flottante", Verniana, 2: 23–46, retrieved 13 May 2013
  30. Hughes, Graham (2008), "Frequently Asked Questions", The Odyssey Expedition, retrieved 5 August 2013
  31. Hooker, Mark (2013), "Journey to the Centre of Middle-earth", Beyond Bree (May): 3–5
  32. Long, Roderick (16 December 2005), "Journey to the Centre of Middle Earth", Austro-Athenian Empire, praxeology.net, retrieved 2 June 2013
  33. Butcher, William (2005), "Notes", in Verne, Jules (ed.), The Adventures of Captain Hatteras, Oxford: Oxford University Press, p. 402, retrieved 11 May 2014
  34. Butcher 2006, p. xv.
  35. Drabble, Margaret (12 July 2007), "What Writers are Reading", Time.com, Time Magazine, retrieved 2 March 2013
  36. Bradbury, Ray (1990), "Introduction", in Butcher, William (ed.), Verne's Journey to the Centre of the Self, London: Macmillan, p. xiii, retrieved 11 May 2014
  37. Strickland, Jonathan (2008), How Steampunk Works, HowStuffWorks, p. 5, retrieved 26 March 2013
  38. Le Jules Verne, restaurant at the Eiffel Tower in Paris, DininginFrance.com, 2008-11-22, archived from the original on 2012-06-14, retrieved 2011-06-27
  39. Rhodes, Peter (2006-12-18), Food court on Merry Hill menu, Express & Star, retrieved 2011-06-27
  40. International Astronomical Union (2010), "Jules Verne", Gazetteer of Planetary Nomenclature, USGS, retrieved 22 April 2013
  41. Science Fiction and Fantasy Hall of Fame, Mid American Science Fiction and Fantasy Conventions, Inc. (official website of the Hall of Fame to 2004), 22 February 2008, archived from the original on 21 May 2013, retrieved 15 May 2013
  42. Malik, Tariq (7 March 2008), "Europe's 'Jules Verne' spacecraft carries namesake's notes on maiden voyage", collectSPACE.com, retrieved 22 April 2013
  43. Roberts, Laura (8 February 2011). "Jules Verne Google doodle: science fiction author's birthday marked with 'tilting' logo". The Telegraph. Retrieved 16 December 2014.
  44. Lamarre, Thomas (2013). The Anime Machine: A Media Theory of Animation. University of Minnesota Press. p. 317. ISBN 978-1-4529-1477-0.
  45. Cavallaro, Dani (2015). "Nadia: The Secret of Blue Water (Fushigi no Umi no Nadia)". The Art of Studio Gainax: Experimentation, Style and Innovation at the Leading Edge of Anime. McFarland & Company. pp. 40-53 (40-1). ISBN 978-1-4766-0070-3.

Citations
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