Qianlima

The qianlima (also chollima, cheollima, and senrima; literally "thousand-li horse") is a mythical horse that originates from the Chinese classics and is commonly portrayed in East Asian mythology. The winged horse is said to be too swift and elegant to be mounted by any mortal man and is named after its ability to travel one thousand li in a single day.

For other uses, see Chollima (disambiguation).
Qianlima
Chinese name
Traditional Chinese千里馬
Simplified Chinese千里马
Literal meaningThousand li horse
Korean name
Chosŏn'gŭl천리마
Hancha千里馬
Japanese name
Kanji千里馬
Kanaチョンリマ

Since the 3rd century BCE, the qianlima was used as a metaphor for exceptionally talented people and animals, such as Red Hare. The chollima is an important symbol in North Korea and is the namesake of the Chollima Movement.

China

Beginning around the 3rd century BCE, Chinese classics mention Bole, a mythological horse-tamer, as an exemplar of horse judging. Bole is frequently associated with the fabled qianlima (Chinese: 千里馬) "thousand-miles horse", which was supposedly able to gallop one thousand li (approximately 400 km) in a single day (e.g. Red Hare). Qianlima was a literary Chinese word for people with latent talent and ability; and Spring (1988:180) suggests, "For centuries of Chinese history, horses had been considered animals capable of performing feats requiring exceptional strength and endurance.[1] Possibly it is for this reason that from early times horses have been used allegorically to represent extraordinary people." Bole recognizing a qianlima was a metaphor for a wise ruler selecting talented shi "scholar-officials". Thus, (Henry 1987:28) "Geniuses in obscurity were called thousand li horses who had not yet met their [Bole]".[2]

Japan

Keitoku Senrima (Kim Ge-Dok), a professional middleweight boxer in Japan, uses the stage name "Senrima" (the Japanese form of Qianlima/Chollima) to reference North Korea's Chollima campaigns and thereby express his Zainichi Korean heritage.[3]

North Korea
The Chollima Statue in Pyongyang symbolizes the advance of Korean society at the speed of the Chollima

The chollima is an important symbol in North Korea. It is used as the nickname of its national association football team. The state also gave the name to the Chollima Movement, which promoted fast economic development, similar to that of the Chinese Great Leap Forward and the Soviet Stakhanovite movement. After the Korean War, the country required rebuilding to function again. In order to expedite the construction, President Kim Il-sung devised the slogan "rush as the speed of chollima".

Several statues are found of this creature in Pyongyang, the capital of North Korea. The Chollima Statue symbolizes "heroism, the constant, fighting spirit of the Korean people, and the innovations and advance so quickly, at the speed of the chollima". A notable one can be found near Mansu Hill, which was finished on 15 April 1961. It stands roughly 46 meters high and 16 meters long, measured from the pavement to the top of the Red Letter of the Central Committee of the Workers' Party of Korea representing the working class.

gollark: 1984 is actually part of the English GCSE course at my school (and/or exam board or whatever, not sure how that works). It's amazing how picking apart random bits of phrasing or whatever for hours on end ruin your enjoyment of a work.
gollark: Vaguely relatedly I think 1984 is entering the public domain next year. Copyright lasts for an excessively long time in my opinion.
gollark: Okay, but if you're talking about real-world examples I don't see why it's remotely relevant to say that the author of a book vaguely relating to those real-world examples believed X.
gollark: But why do his *beliefs* actually matter?
gollark: No, I mean I don't see how talking about Orwell's beliefs is relevant at all.

See also

References
  1. Spring, Madeline K. (1988). "Fabulous Horses and Worthy Scholars in Ninth-Century China". T'oung Pao (74.4/5): 173–210.
  2. Henry, Eric (1987). "The Motif of Recognition in Early China". Harvard Journal of Asiatic Studies. 47 (1): 5–30 [28]. doi:10.2307/2719156.
  3. Goodman, Lauren Seth (2006). Endless Punchers: Body, Narrative, and Performance in the World of Japanese Boxing. ProQuest. p. 442.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.