Brunello Rondi

Brunello Rondi (26 November 1924 – 7 November 1989) was a prolific Italian screen writer and film director best known for his frequent script collaborations with Federico Fellini.

Brunello Rondi Anni 1963

His brother, Gian Luigi Rondi, was an Italian film critic.

Biography

Noted chiefly as a script-writer and script consultant, Rondi began his film career with the script for 1947's Last Love for which he was also assistant director.[1]

He worked as assistant director as well as an uncredited writer on The Flowers of St. Francis (1950) by Roberto Rossellini and was a credited writer on Rossellini's Europa '51 (1952).[1]

He started to work with Federico Fellini as artistic director on La Strada (1954) and Nights of Cabiria (1957).[1] His most prized collaborations were on the film scripts of La Dolce Vita (1960), 8½ (1963), Juliet of the Spirits (1964), Orchestra Rehearsal (1978), and City of Women (1980), all co-written and directed by Fellini.

On the writing of La Dolce Vita, Rondi helped build up the character of Steiner, the intellectual who kills his wife and children.[2] As a Fellini intimate, Rondi also played a crucial role in the early stages of 8½. In a letter dated October 1960, Fellini outlined his initial ideas to Rondi that were later developed into the screenplay with co-writers Ennio Flaiano and Tullio Pinelli.[3]

He made his directorial debut with Violent Life in 1961 based on the novel by Pier Paolo Pasolini.[1]

He died of a heart attack.[1]

Filmography

Director and scriptwriter
  • Violent Life, co-directed with Paolo Heusch (1961)
  • Il demonio (1963)
  • Domani non siamo più qui (1967)
  • Run, Psycho, Run (1968)
  • Le tue mani sul mio corpo (1970)
  • Valeria dentro e fuori (1972)
  • Racconti proibiti... di niente vestiti (1972)
  • Ingrid sulla strada (1973)
  • Tecnica di un amore (1973)
  • Prigione di donne (1974)
  • Velluto nero (1976)
  • I prosseneti (1976)
  • La vocazione di Suor Teresa (1982)

Screenplays

Director
  • Tecnica di un amore (1973)

Assistant director

Actor
  • Le ore dell'amore, directed by Luciano Salce (1963)
  • Colpo di stato, directed by Luciano Salce (1969)

Notes
  1. "Obituaries". Variety. November 15, 1989. p. 60.
  2. Alpert, 126
  3. Bondanella, 164
gollark: > Earning tons of money through a job that indirectly exploits developing nations and then donating some part of that money to a charity that helps developing nations is probably a net negative for these nations.How do most jobs go around exploiting developing nations? Also, IIRC the figures are something like one life saved per few hundred/thousand $, so I doubt it.
gollark: There seem to be lots of "elites" who are basically *fine*, except you don't hear about them because people only go on about "SOME ELITES DID BAD THINGS".
gollark: > In capitalism, being selfish and ruthless tends to give you more profit and thus economical power. That's why most of the elite are bad, while so many of the poor have good hearts. Though the pressure to survive also ruins and corrupts the poor.Have you never heard of positive-sum stuff? Have you actually *checked* this in any way or are you just pulling in a bunch of stereotypes?
gollark: Newtonian ethics and all.
gollark: It would only practically work if people cared enough to expend significant resources locally to help people far away, and humans don't seem to like that.

References
  • Alpert, Hollis (1988). Fellini: A Life. New York: Paragon House. ISBN 1-55778-000-5
  • Bondanella, Peter (1992). The Cinema of Federico Fellini. Princeton University Press. ISBN 0-691-00875-2
  • Parigi, Stefania e Alberto Pezzotta (2010). Il lungo respiro di Brunello Rondi (prefazione di Gian Luigi Rondi). Roma: Edizioni Sabinae.
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