Alessandro Blasetti

Alessandro Blasetti (3 July 1900 – 1 February 1987) was an Italian film director and screenwriter who influenced Italian neorealism with the film Quattro passi fra le nuvole. Blasetti was one of the leading figures in Italian cinema during the Fascist era. He is sometimes known as the "father of Italian cinema" because of his role in reviving the struggling industry in the late 1920s.[1]

Alessandro Blasetti
Blasetti in 1965
Born(1900-07-03)3 July 1900
Rome, Italy
Died1 February 1987(1987-02-01) (aged 86)
Rome, Italy
OccupationFilm director
Years active1917–1981

Early life
Blasetti in 1954
Blasetti in 1965

Blasetti was born in Rome, where he also died. After studying law at university, Blasetti chose to become a journalist and film critic. He worked for several film magazines and led a campaign for national film production, which had largely ceased by this point.[2] In 1919 he made a brief foray into acting when he appeared as an extra in Mario Caserini's Tortured Soul.

Director

In 1929 Blasetti made his directorial debut with Sun, a fictional story set against the ongoing draining of the Pontine Marshes. The film was well received at a time when there were few Italian films being made. Benito Mussolini described it as "the dawn of the Fascist film".[3] Like many of his early productions, it had elements that were a precursor to neorealism.

The strong reception for Sun led to Blasetti receiving an offer from Stefano Pittaluga, the only significant commercial producer left working in Italy at the time. Pittaluga had recently converted his Rome studios for sound films. Blasetti directed what would have been the first Italian sound film Resurrection, but delays meant that it was released after Gennaro Righelli's The Song of Love.[4]

In 1934 Blasetti directed the play 18 BL a "mass theatre" performed outdoors with 2,000 amateur actors.[5]

Blasetti was a driving force in the revival of the Italian film industry in the 1930s, having lobbied for greater state funding and support. One outcome was the construction of the large Cinecittà studios in Rome.

Later life

He played himself in Luchino Visconti's film Bellissima starred by Anna Magnani, a Roman mother who desires to make her daughter a filmstar in Cinecittà where Blasetti makes the screen test for the child actors.

He was President of the Jury at the 1967 Cannes Film Festival. His 1969 film Simón Bolívar was entered into the 6th Moscow International Film Festival.[6]

Selected filmography
gollark: Well, the NSA and other TLAs don't really affect people's lives much, regardless of how much abstract badness surrounds them.
gollark: The NSA and whatnot probably mostly focus on h4xxing the endpoints and stuff more than actually breaking encryption on in-transit communications, given that the encryption used is pretty good generally.
gollark: UK government being insane as usual and claiming that end-to-end encryption threatens "lives and the safety of our children". Of all things...<https://www.bbc.co.uk/news/technology-49919464>
gollark: We should just upgrade this server a bit with bots to handle moderation whatnot and then market it as the New StackOverflow™.
gollark: I can't boycott it or I'll be unable to program.

References
  1. Moliterno p. 40
  2. Moliterno p. 41
  3. Reich, Jacqueline & Garofalo, Piero (2002). Re-Viewing Fascism: Italian Cinema, 1922 to 1943. Indiana University Press. p. 235. ISBN 0253109140.
  4. Moliterno pp. 40–41
  5. Balfour, Michael (2001). Theatre and War, 1933–1945: Performance in Extremis. Berghahn Books. pp. 12–19. ISBN 157181762X.
  6. "6th Moscow International Film Festival (1969)". MIFF. Archived from the original on 16 January 2013. Retrieved 21 December 2012.

Bibliography
  • Moliterno, Gino (2008). Historical Dictionary of Italian Cinema. Scarecrow Press. ISBN 0810860732.
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