Bhoothath Azhwar

Bhoothath Azhwar (also spelt Bhoothathalvar or Bhoothath Alvar) is one of the twelve azhwar saints of South India, who are known for their affiliation to Vaishnava tradition of Hinduism. The verses of azhwars are compiled as Nalayira Divya Prabandham and the 108 temples revered are classified as Divya desam.[3] Bhoothath is considered second in the list of the three principal azhwars, with the other two being Poigai Azhwar and Pey Azhwar, collectively called Muthalamazhwargal who are known to be born out of divinity. Bhoothath composed hundred verses that are classified as Irandam Tiruvandadhi and his composition is set in the Andhadhi style in which the ending syllable is the starting one for the next verse.

Bhoothath Azhwar
Personal
Born4203 BCE[1][2]
Thirukadalmallai
ReligionHinduism
PhilosophyVaishnava Bhakti
Religious career
Literary worksIrandaam Thiruvandaadhi
HonorsAzhwar saint

As per Hindu legend, Bhoothath was found in a liquorice flower in Thirukadalmallai (modern-day Mahabalipuram). In Tamil, Bhootham refers to one who is possessed and since the saint was madly attracted to Hindu god Vishnu, he got the name.

As per legend, the three azhwars were once were confined in a small dark enclosure during a rain in Thirukovilur and they experienced a fourth individual among them. They found out that it was god Vishnu and Poigai wished to see his face continuously but could view only from the simmering light of the lightning. With a view to maintain the continuity of light, Poigai instantly composed hundred songs wishing light to emerge. Pey and Bhoothath continued composing hundred songs each on Vishnu. The works of these earliest saints contributed to the philosophical and theological ideas of Vaishnavism. Along with the three Saiva nayanmars, they influenced the ruling Pallava kings of the South Indian region, resulting in changing the religious geography from Buddhism and Jainism to the two sects of Hinduism.

Azhwars

The word azhwar means the one who dives deep into the ocean of the countless attributes of god. Azhwars are considered the twelve supreme devotees of Vishnu, who were instrumental in popularising Vaishnavism. The religious works of these saints in Tamil, songs of love and devotion, are compiled as Nalayira Divya Prabandham containing 4000 verses and the 108 temples revered in their songs are classified as Divya desam.[3][4] The saints had different origins and belonged to different castes. As per tradition, the first three azhwars, Poigai, Bhutha and Pey were born miraculously. Tirumizhisai was the son of a sage, Thondaradi, Mathurakavi, Peria and Andal were from brahmin community, Kulasekhara from Kshatria community, Namm was from a cultivator family, Tirupana from panar community and Tirumangai from kazhwar community. Divya Suri Saritra by Garuda-Vahana Pandita (11th century AD), Guruparamparaprabavam by Pinbaragiya Perumal Jiyar, Periya tiru mudi adaivu by Anbillai Kandadiappan, Yatindra Pranava Prabavam by Pillai Lokacharya, commentaries on Divya Prabandam, Guru Parampara (lineage of Gurus) texts, temple records and inscriptions give a detailed account of the azhwars and their works. According to these texts, the saints were considered incarnations of some form of Vishnu. Poigai is considered an incarnation of Panchajanya (Krishna's conch), Bhoothath of Kaumodakee (Vishnu's Mace/Club), Pey of Nandaka (Vishnu's sword), Thirumalisai of Sudarshanam (Vishnu's discus), Namm of Vishvaksena (Vishnu's commander), Madhurakavi of Vainatheya (Vishnu's eagle, Garuda), Kulasekhara of Kaustubha (Vishnu's necklace), Periy of Garuda (Vishnu's eagle), Andal of Bhoodevi (Vishnu's wife, Lakshmi, in her form as Bhudevi), Thondaradippodi of Vanamaalai (Vishnu's garland), Thiruppaan of Srivatsa (An auspicious mark on Vishnu's chest) and Thirumangai of Saranga (Rama's bow). The songs of Prabandam are regularly sung in all the Vishnu temples of South India daily and also during festivals.[4][5]

Early life

Since the saint had intuitive knowledge about god Vishnu, he got the name Bhoothath. As per Hindu legend, Bhoothath was found in a liquorice flower in Thirukadalmallai (modern-day Mahabalipuram).[6] His knowledge on Vishnu is inferred by his description of Vishnu in five different forms as para (supreme being), vyuha (cosmic form), vibhava (incarnations), antaryamin (inner dweller) and archa (consecrated image).[6]

Composition

As per Hindu legend, Vishnu appeared to the muthalam azhwars (first three azhwars) at Thirukkoilur. It was day time, but it darkened and started raining heavily. The wandering Poigai found out a small hide out, which has a space for one person to lie down. Bhoothath arrived there looking for a hiding place and Poigai accommodated him, with both sitting together. In the meanwhile, Pey also came to the same place as all the three preferred to stand because of lack of space. The darkness became dense and inside the small room, they were not able to see each other. In the meanwhile, they felt a fourth person also forced his way among them. The three azhwars realised from the light of the lightning that the fourth one had a charming face that was sublime and divine. The trio could immediately realize that it was Vishnu who was huddling among them. Poigai wished to see Vishnu's face continuously but could view only from the simmering light of the lightning. With a view to maintain the continuity of light, he instantly composed hundred songs wishing the earth to be a big pot full of ghee like an ocean where the Sun could be the burning wick.[7][8][9]

I who wrote this song that bestows wisdom, with love as the lamp, endearing involvement as the lubricant ghee,and knowledge as the wick of the burning torch, dedicated myself to the service of the Lord [10]

Bhoothathazhwar also sang 100 songs imagining to light the lamp constantly through ardent love for Him. Peyazhwar sang another 100 songs where he described the enchanting charm of the divine face and the association of Narayana equipped with chakra and sankha, and his divine consort goddess Lakshmi.[11][8]

Bhoothath composed hundred verses that are classified as Irandam Tiruvandadhi (Transliteration: Second Tiruvandadhi).[12] Bhoothath’s composition was set in the Andhadhi style. The word Andha means end and Adi means beginning. Andhadhi style has ending word or the syllable of each verse as the beginning word of the succeeding verse and the last word of the hundredth verse becomes the beginning of the first verse, making the hundred verses a true garland of verses. The works of these earliest saints contributed to the philosophical and theological ideas of Vaishnavism.[11] The verses of the trio speak of Narayana (another name for Vishnu) as the supreme deity and they refer frequently to Trivikrama and Krishna, the avatars of Vishnu.[13][14]

Mangalasasanam

There are 30 of his paasurams in the 4000 Divya Prabhandham. He has sung in praise of thirteen temples.[15]

S.No. Name of the temple Location Photo Number of Pasurams Presiding deity Notes/Beliefs
1 Tirupathi 13.143°N 79.907°E / 13.143; 79.907
9 Alamelumanga
Venkateswara		 Venkateswara Temple is a landmark Vaishnavite temple situated in the hill town of Tirumala at Tirupati in Chittoor district of Andhra Pradesh, India. The Temple is dedicated to Lord Sri Venkateswara, an incarnation of Vishnu, who is believed to have appeared here to save mankind from trials and troubles of Kali Yuga. Hence the place has also got the name Kaliyuga Vaikuntham and Lord here is referred to as Kaliyuga Prathyaksha Daivam. The temple is also known by other names like Tirumala Temple, Tirupati Temple, Tirupati Balaji Temple. Lord Venkateswara is known by many other names: Balaji, Govinda, and Srinivasa.[16] Tirumala Hills are part of Seshachalam Hills range. The hills are 853 metres (2,799 ft) above sea level. The Temple is constructed in Dravidian architecture and is believed to be constructed over a period of time starting from 300 AD. The Garbagriha (Sanctum Sanctorum) is called AnandaNilayam. It is the richest temple in the world in terms of donations received and wealth.[17][18][19] The temple is visited by about 50,000 to 100,000 pilgrims daily (30 to 40 million people annually on average), while on special occasions and festivals, like the annual Brahmotsavam, the number of pilgrims shoots up to 500,000, making it the most-visited holy place in the world.[20]
2 Srirangam. Srirangam, Trichy district
Tamil Nadu
10.8625°N 78.689722°E / 10.8625; 78.689722
4 Ranganayagi
Ranganathar (Periya Perumal)		 Srirangam temple is often listed as the largest functioning Hindu temple in the world, the still larger Angkor Wat being the largest existing temple. The temple occupies an area of 156 acres (631,000 m²) with a perimeter of 4,116m (10,710 feet) making it the largest temple in India and one of the largest religious complexes in the world.[21][22] The annual 21-day festival conducted during the Tamil month of Margazhi (December–January) attracts 1 million visitors.[23]
3 Thirumaliruncholai Alagar Koyil,
Madurai district,
Tamil Nadu9.988609°N 78.2643428°E / 9.988609; 78.2643428
3 Sri Sundaravalli sametha Sri Kallazhagar Perumal Kallazhagar was worshiped by Yama, the Hindu god of death. He requested Vishnu to stay in the place and built a temple with the help of Vishwakarma, the divine architect.[24] Kallazhagar is believed to have appeared to redeem sage Suthapava off his curse from sage Durvasa.[25] The temple houses some rare Vijayanagara sculptures.[26]
4 Thiruparkadal Heavenly
Kurma
 2 Lakshmi
Vishnu		 In Hindu cosmology, Thiruparkadal (Ocean of milk) is the fifth from the center of the seven oceans. It surrounds the continent known as Krauncha.[27] According to Hindu mythology, the devas (gods) and asuras (demons) worked together for a millennium to churn the ocean and release Amrita the nectar of immortal life.[28] It is spoken of in the Samudra manthana chapter of the Puranas, a body of ancient Hindu legends. It is also the place where Vishnu reclines over Shesha Naga, along with his consort Lakshmi.
5 Thirukudanthai Kumbakonam, Thanjavur district,
Tamil Nadu
10.959649°N 79.374999°E / 10.959649; 79.374999
2 Sri Komalavalli sametha Sri Aravamuda Perumal The temple is called Ubaya Pradhana Kshetram as the Moolavar (presiding deity) and utsavar (festive deity) enjoy the same importance.It is believed that the presiding deity asked Nathamuni to compile the four thousand verses of Nalayira Divya Prabandham at this place.[29] The twin temple chariots weigh 300 t (660,000 lb) each and are next only in size to the ones in Thygaraja temple in Thiruvarur and Andal Temple in Srivilliputhur.[30] This temple is along Kaveri and is one of the Pancharanga Kshetrams.[31]
6 Thirukkoshtiyur Thirukoshtiyur,
Sivaganga district,
Tamil Nadu9.98860°N 78.2643°E / 9.98860; 78.2643
2 Sri Mahalakshmi sametha Sri Uraga Mellanayaan Perumal The temple is known as the place where Ramanuja, the expounder of Vaishnavadatta philosophy preached the holy syllable "Ohm Namo Narayana" to all people irrespective of their caste. Sowmyanarayana Perumal is believed to have appeared as Narasimha avatar to the Devas, the celestial deities.[32]
7 Thirukkachi - Atthigiri Kanchipuram,
Kanchipuram district,
Tamil Nadu12.819137°N 79.724646°E / 12.819137; 79.724646
2 Sri Perundevi sametha Sri Devadiraja Perumal One of the greatest Hindu scholars of Vaishnava VisishtAdvaita philosophy, Ramanuja is believed to have resided in this temple.[33] The temple along with Ekambareswarar Temple and Kamakshi Amman Temple in Kanchipuram is popularly known as Mumurtivasam (abode of trio),[34] while Srirangam is referred to as ‘ The Koil’ (meaning: "temple") and Tirupati as the ‘Malai’ (Meaning: "hill").
8 Thiruppadagam Kanchipuram,
Kanchipuram district,
Tamil Nadu12.842726°N 79.696941°E / 12.842726; 79.696941
1 Sri Rukmani sametha Sri Pandavadootha Perumal The temple is considered one of three oldest temples in Kanchipuram and is believed to have been built by the Pallavas of the late 8th century AD, with later contributions from Medieval Cholas and Vijayanagar kings. The temple is associated with a chapter in Mahabharata when Krishna went to the Kauravas as a missive (called Thoota locally) to the Pandavas.[35]
9 Thirukkovalur Thirukoyilur,
Tiruvannamalai district,
Tamil Nadu11.967006°N 79.202479°E / 11.967006; 79.202479
1 Sri Pushpavalli sametha Sri Trivikrama Perumal The temple is believed to be the place where the first three Azhwars, the Vaishnava saints, namely, Poigai Alvar, Bhoothathalvar and Peyalvar attained salvation. The temple is one of the Panchakanna (Krishnaranya) Kshetrams, the five holy temples associated with Krishna, an avatar of Vishnu.[36][9]
10 Thiruthanjai Mamanikoil Thanjavur,
Thanjavur district,
Tamil Nadu
10.815669°N 79.138677°E / 10.815669; 79.138677		 1 Sri Raktapankajavalli
sametha Sri Neelamegha Perumal		 Unlike other Divyadesams where a single shrine is referred, this set of temples is referred together in all the paasurams(poems). During the Treta Yuga, there were three demons by name Tanchakan, Tantakan and Kacamukan who were blessed by Shiva became very powerful. They grew arrogant and troubled sage Parashara who was doing penance at this place. Vishnu killed Thanjakan after whom Thanjavur was named, with his Chakra, Kachamukan by taking the form of a yali, a mythical creature and took the form of Varaha the boar to kill the third demon Tantakan, who feld to Srimushnam.[37]
11 Thiruneermalai Kanchipuram,
Kanchipuram district,
Tamil Nadu12.963808°N 80.114953°E / 12.963808; 80.114953
1 Sri Animamalar Mangai sametha Sri Neervanna Perumal Brahmanda Purana refers this place Toyatri, meaning a mountain surrounded by water. Thiruneermalai, the modern Tamil name also means a sacred mountain surrounded by water. Among the eight sacred Vishnu temples where he manifested himself called "Ashtaswayamvaka Kshetra".[38]
12 Thirukkadalmallai Mahabalipuram, Kanchipuram district,
Tamil Nadu12.617464°N 80.193303°E / 12.617464; 80.193303
1 Sri Boosthalamangadevi sametha Sri Sthalasayana Perumal The temple is believed to be the birthplace of the Vaishnava Azhwar saint Bhoothathalvar. Sthalasayana Perumal is believed to have appeared to sage Pundarika. The temple is one of the 32 Group of Monuments at Mahabalipuram that are declared as UN world heritage sites, but unlike others that are maintained by the Archaeological Survey of India, the temple is maintained and administered by the Hindu Religious and Endowment Board of the Government of Tamil Nadu.[39]
13 Thiruthangal Thiruthankal
Virudhunagar district,
Tamil Nadu9.010702°N 77.8853°E / 9.010702; 77.8853
Sri Sengamala thaayar sametha Sri Narayana Perumal The temple in its present form was believed to have been built by Devendra Vallabha, a Pandya king. The temple has three inscriptions in its two rock-cut caves, two dating from the period of 8th century. Ninra Narayana is believed to have appeared to Sridevi and Bhoomadevi. Ranganatha from Srirangam Ranganathaswamy temple was enamoured by the devotion of Andal. He started a journey to Srivilliputhur Divya Desam to seek her hand for marriage. While reaching the place, it became dark and he decided to spend the night in the place. Since he stayed at this place, it came to be known as Thiruthangal and the hillock came to be known as Thalagiri.[40]

Notes
  1. L. Annapoorna (2000). Music and temples, a ritualistic approach. p. 23. ISBN 9788175740907.
  2. Sakkottai Krishnaswami Aiyangar (1911). Ancient India: Collected Essays on the Literary and Political History of Southern India. pp. 403–404. ISBN 9788120618503.
  3. Rao, P.V.L. Narasimha (2008). Kanchipuram – Land of Legends, Saints & Temples. New Delhi: Readworthy Publications (P) Ltd. p. 27. ISBN 978-93-5018-104-1.
  4. Dalal 2011, pp. 20-21
  5. Ramaswamy, Vijaya (2007). Historical Dictionary of the Tamils. Scarecrow Press. p. 211. ISBN 9780810864450.
  6. Dalal 2011, p. 76
  7. Dalal 2011, p. 308
  8. Lochtefeld, James (2002). The Illustrated Encyclopedia of Hinduism: N-Z. The Rosen Publishing Group. p. 515. ISBN 9780823931804. poygai.
  9. Garg, Gaṅgā Rām (1992). Encyclopaedia of the Hindu World: Ak-Aq. Concept Publishing Company. pp. 352–354. ISBN 9788170223757.
  10. N., Rajagopalan. "Irandam Thiruvandhadi translation" (PDF). azhwar.org. p. 4.
  11. Chari 1997, pp. 16-17
  12. Dalal 2011, p. 269
  13. Panda, Harihar (2007). Prof. H. C. Raychaudhuri: As a Historian. Northern Book Centre. p. 86. ISBN 9788172112103.
  14. D.C., Sircar (1971). Studies In The Religious Life Of Ancient And Medieval India. Motilal Banarsidass Publisher. p. 56. ISBN 9788120827905.
  15. Pillai, M. S. Purnalingam (1904). A Primer of Tamil Literature. Madras: Ananda Press. pp. 182–83.
  16. "Tirumala Temple". Archived from the original on 11 October 2007. Retrieved 13 September 2007.
  17. "NDTV Report". Retrieved 13 September 2007.
  18. Sivaratnam, C (1964). An Outline of the Cultural History and Principles of Hinduism (1 ed.). Colombo: Stangard Printers. OCLC 12240260. Koneswaram temple. Tiru-Kona-malai, sacred mountain of Kona or Koneser, Iswara or Siva. The date of building the original temple is given as 1580 BCE according to a Tamil poem by Kavi Raja Virothayan translated into English in 1831 by Simon Cassie Chitty ...
  19. Ramachandran, Nirmala (2004). The Hindu legacy to Sri Lanka. Pannapitiya: Stamford Lake (Pvt.) Ltd. 2004. ISBN 9789558733974. OCLC 230674424. Portuguese writer De Queyroz compares Konesvaram to the famous Hindu temples in Rameswaram, Kanchipuram, Tirupatti-Tirumalai, Jagannath and Vaijayanthi and concludes that while these latter temples were well visited by the Hindus, the former had surpassed all the latter temples by the early 1600s
  20. "Ghazal programme at Tirumala temple". The Hindu. Chennai, India. 30 September 2003. Retrieved 2 July 2020.
  21. Mittal, Sushil; Thursby, G.R. (2005). The Hindu World. New York: Routelge. p. 456. ISBN 0-203-67414-6.
  22. Vater, Tom (2010). Moon Spotlight Angkor Wat. USA: Perseus Books Group. p. 40. ISBN 9781598805611.
  23. Jones, Victoria (2004). Wonders of the World Dot-to-Dot. New York: Sterling Publishing Co., Inc. p. 4. ISBN 1-4027-1028-3.
  24. Dalal, Roshan (2010). Hinduism: An Alphabetical Guide. Penguin Books India. p. 18. ISBN 9780143414216.
  25. "Kallazhagar temple". Dinamalar. 2014. Retrieved 31 May 2014.
  26. S., Gopalakrishnan (December 1996). "The Raṅga-maṇḍapa of the Tāṭikkompu Temple A Study of an Iconographic Programme of the Vijayanagara Tradition". East and West. 46 (3/4): 415–431. JSTOR 29757285.
  27. Hudson, D. Dennis (2008). The body of God: an emperor's palace for Krishna in eighth-century Kanchipuram. Oxford University Press US. pp. 164–168. ISBN 978-0-19-536922-9.
  28. "Churning the Ocean of Milk by Michael Buckley".
  29. R., Dr. Vijayalakshmy (2001). An introduction to religion and Philosophy - Tévarám and Tivviyappirapantam (1st ed.). Chennai: International Institute of Tamil Studies. pp. 473–4.
  30. "Immortalised in stone". The Hindu. 2 July 2009. Retrieved 8 April 2013.
  31. "Pancharanga Kshetrams". Indiantemples.com. Retrieved 20 June 2007.
  32. K. V., Soundara Rajan (1967). "The Typology of the Anantaśayī Icon". Artibus Asiae. 29 (1): 80. JSTOR 3250291.
  33. "The Templenet Encyclopedia - Varadaraja Perumal Temple at Kanchipuram".
  34. Rao 2008, p. 154
  35. Soundara Rajan, Kodayanallur Vanamamalai (2001). Concise classified dictionary of Hinduism. New Delhi: Concept Publishing Company. p. 38. ISBN 81-7022-857-3.
  36. M., Rajagopalan (1993). 15 Vaishnava Temples of Tamil Nadu. Chennai, India: Govindaswamy Printers. pp. 57–65.
  37. R., Dr. Vijayalakshmy (2001). An introduction to religion and Philosophy - Tévarám and Tivviyappirapantam (1st ed.). Chennai: International Institute of Tamil Studies. pp. 500–1.
  38. C., Chandramouli (2003). Temples of Tamil Nadu Kancheepuram District. Directorate of Census Operations, Tamil Nadu.
  39. "Acme of devotion". Chennai: The Hindu. 14 November 2008. Retrieved 19 October 2014.
  40. T.S. Sridhar, ed. (2004). Excavations of Archaeological sites in Tamil Nadu(1969-95) (PDF) (Report). Department of Archaeology, Government of Tamil Nadu, Chennai. p. 6. Archived from the original (PDF) on 4 March 2016. Retrieved 26 April 2020.
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References
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