Bart Sells His Soul

"Bart Sells His Soul" is the fourth episode of The Simpsons' seventh season. It first aired on the Fox network in the United States on October 8, 1995. In the episode, Bart scornfully dismisses the concept of the soul, and to show he is serious in his skepticism he agrees to sell his soul to Milhouse. However, after several strange events make him think he really has lost his soul, he desperately tries to regain it.

"Bart Sells His Soul"
The Simpsons episode
Promotional artwork for "Bart Sells His Soul"
Episode no.Season 7
Episode 4 (132nd overall)
Directed byWes Archer
Written byGreg Daniels
Production code3F02
Original air dateOctober 8, 1995[1]
Episode features
Chalkboard gag"I am not a lean, mean, spitting machine"
Couch gagThe Simpsons drive to the couch in motorized clown carts[2]
CommentaryMatt Groening
Bill Oakley
Josh Weinstein
Greg Daniels
Wes Archer
David Silverman

"Bart Sells His Soul" was written by Greg Daniels, who was inspired by an experience from his youth where he had purchased a bully's soul. Director Wesley Archer and his team of animators visited Chili's for examples to use in Moe's family restaurant. The episode includes cultural references to the song "In-A-Gadda-Da-Vida", by Iron Butterfly, Chilean poet Pablo Neruda, and a parody of the book Are You There God? It's Me, Margaret., by Judy Blume.

Writers from the fields of religion, philosophy, popular culture, and psychology cited the episode in books discussing The Simpsons and the show's approach to the nature of the soul.

The episode was positively received by the media, and is regarded as one of the series' best. The creative team of The Simpsons puts the episode among the top five best episodes of the series, and series creator Matt Groening cited "Bart Sells His Soul" as one of his favorite episodes. It has been used by secondary schools in religious education courses as a teaching tool.

Plot

As punishment for changing the church's opening hymn to "In the Garden of Eden" by I. Ron Butterfly, Reverend Lovejoy makes Bart clean the organ pipes; Milhouse is forced to help for snitching on Bart. After proclaiming there is no such thing as a soul, Bart agrees to sell his to Milhouse for $5 on a piece of paper which reads "Bart Simpson's soul". Lisa warns Bart that he will regret selling his soul, but he dismisses her fears.

Bart experiences several unusual phenomena, such as automatic doors refusing to open for him and no longer finding any humor in Itchy and Scratchy. He begins to fear that he really has lost his soul and tries to get it back from Milhouse, who refuses to return it for less than $50. After having a nightmare and being taunted by Lisa, Bart again desperately tries to persuade Milhouse to return his soul. Milhouse informs Bart that he traded the paper to Comic Book Guy at the Android's Dungeon.

The next morning, Comic Book Guy tells Bart that he sold the piece of paper but refuses to reveal its new owner. Saddened, Bart walks home in the rain and prays to God for his soul in his bedroom. When a piece of paper with the words "Bart Simpson's soul" floats down from above, Bart discovers that Lisa bought his soul to return it to him. While she explains philosophers' views on the human soul, Bart eats the piece of paper, overjoyed at getting his soul back.

In the subplot, Moe tries to expand his customer base by turning his bar into a family theme restaurant. The stress of running the business by himself ultimately unnerves him, and he soon snaps at a little girl. The horrified customers abandon the restaurant, forcing Moe's to revert to a run-down tavern.

Production

"Bart Sells His Soul" was the second episode to have Bill Oakley and Josh Weinstein as executive producers. Oakley and Weinstein wanted to start the season with episodes that had an emotional bias in an effort to center the Simpson family.[3] The episode was written by Greg Daniels, who originally had an idea for a plot that dealt with racism in Springfield. The writers did not think The Simpsons was the right forum for it, so Daniels suggested the idea of selling someone's soul, which originated in his childhood.[3] In high school, Daniels encouraged a bully to sell him his soul for 50 cents, and then convinced classmates to frighten the bully into buying his soul back for an inflated price. Daniels repeated this ploy, but stopped when he realized that the only other person in history who has profited off others' souls was Satan, and that "scared" him.[4] In the opening scene of the episode, the congregation of the First Church of Springfield are tricked into singing "In a Gadda Da Vida" by Iron Butterfly. Daniels had originally intended for the song to be "Jesus He Knows Me" by British rock band Genesis, but the producers were unable to obtain the rights for it to be featured in the episode.[4]

The episode was directed by Wesley Archer. Archer and his team of animators went to the restaurant chain Chili's to get inspiration for the background designs of Moe's family restaurant. He said it was "quite a task" to transform Moe's Tavern into a family-oriented establishment. Archer added that he was not "quite happy" with the result, and that they could have designed it "a little better".[5] Weinstein recalled that there was contention between the animators about the way Moe looked in the episode. Moe's original design includes a missing tooth, but Weinstein and Oakley felt that it did not "look right" because Moe was such a prominent character in the episode.[3] Archer showed the original design of Moe from the first season to the show runners, and said: "Here, look. He's got a missing tooth!", but the scenes that had Moe with a missing tooth in them were still reanimated.[6] Archer was disappointed with the dream sequence in which Bart sees his friends playing with their souls. Archer said that he had forgotten to tell the animators to make the souls transparent, so they were painted blue instead.[5] George Meyer pitched the joke restaurant title "The Texas Cheesecake Depository."[7]

Themes

Kurt M. Koenigsberger comments in Leaving Springfield that "a good deal of enjoyment" is to be had from the episode, due to "the exposure of the hypocrisy behind 'the finance of salvation' and the ambivalent operations of the commercial world".[8] Don Cupitt, a fellow of Emmanuel College, Cambridge, believes that when Lisa lectures Bart about the soul, she "shows a degree of theological sophistication which is simply not tolerated in Britain."[9] Paul Bloom and David Pizarro wrote in The Psychology of The Simpsons that although Lisa does show "healthy religious skepticism" she still believes in an eternal soul.[10] However, Lisa tells Bart at the end of the episode, "some philosophers believe that no one is born with a soul, you have to earn one through suffering".[10] Bloom and Pizarro acknowledge: "Indeed, some philosophers and theologians say that without belief in a soul, one cannot make sense of the social concepts on which we rely, such as personal responsibility and freedom of the will."[10]

M. Keith Booker cites the episode in Drawn to Television, while discussing The Simpsons' treatment of religion.[11] Booker cites a scene from the episode where Milhouse asks Bart what religions have to gain by lying about concepts such as the existence of a soul – and then the scene cuts to Reverend Lovejoy counting his money; Booker believes that this implies that religions create mythologies so that they can gain money from followers. He juxtaposes this with Bart's realization later in the episode that "life suddenly feels empty and incomplete" without a soul, which suggests "either that the soul is real or it is at least a useful fiction".[11] Mark I. Pinsky and Samuel F. Parvin discuss the episode in their book The Gospel According to the Simpsons: Leader's Guide for Group Study, and use examples from it to stimulate discussion among youth about the nature of the soul.[12] Pinsky and Parvin note Bart's statement to Milhouse from the beginning of the episode: "Soul — come on, Milhouse, there's no such thing as a soul. It's just something they made up to scare kids, like the Boogie Man or Michael Jackson", and then suggest questions to ask students, including whether they know individuals that agree with Bart, and their views on the existence of a soul.[13]

In Planet Simpson, Chris Turner quotes Bart's revelation to Lisa that he sold his soul to Milhouse for five dollars and used the money to buy sponges shaped like dinosaurs.[14] After Lisa criticizes Bart for selling his soul, Bart responds: "Poor gullible Lisa. I'll keep my crappy sponges, thanks."[14] Turner comments: "Here Bart is the epitome of the world-weary hipster, using the degraded language of modern marketing to sell off the most sacred parts of himself because he knows that some cheap sponge is more real, hence more valuable, than even the loftiest of abstract principles."[14]

Cultural references

On the DVD audio commentary for the episode, writer Greg Daniels cited Martin Scorsese's 1985 film After Hours as an influence on Bart's night-time trek to retrieve his soul from Milhouse, only to experience a series of unusual encounters.[4] Reverend Lovejoy leads his congregation in a hymnal version of the song "In-A-Gadda-Da-Vida", by Iron Butterfly,[15] titled "In the Garden of Eden", by "I. Ron Butterfly".[16][17]

During an argument between Lisa and Bart, while discussing the relationship between laughter and the soul, Lisa quotes Chilean poet Pablo Neruda, and Bart responds "I am familiar with the works of Pablo Neruda."[8] Kurt M. Koenigsberger comments in Leaving Springfield: "While Bart may be familiar with the canon of Chilean poetry, the joke takes its force in part from the probability that The Simpsons' viewers are not."[8] Bart begins a prayer to God with "Are you there, God? It's me, Bart Simpson". This is an allusion to the book Are You There God? It's Me, Margaret., by Judy Blume.[8] The chalkboard gag is a reference to the advertising slogan of the lean mean grilling machine by George Foreman. The title of the Itchy and Scratchy Show episode “Skinless in Seattle” is a reference to the film Sleepless in Seattle.

Reception

In its original broadcast, "Bart Sells His Soul" finished 43rd in the ratings for the week of October 2–8, 1995, with a Nielsen rating of 8.8, equivalent to approximately 8.4 million viewing households. It was the fourth highest-rated show on the Fox network that week after The X-Files, Melrose Place, and Beverly Hills, 90210.[18]

In July 2007, an article in the San Mateo County Times notes that "Bart Sells His Soul" is seen as one of "the most popular episodes in 'Simpsons' history".[19] Noel Holston of the Star Tribune highlighted the episode in the paper's "Critic's choice" section.[20] The Intelligencer Journal described "Bart Sells His Soul" as "a particularly good episode" of The Simpsons.[21] The Lansing State Journal highlighted the episode in the season seven DVD release, along with the conclusion of "Who Shot Mr. Burns?" and "The Simpsons 138th Episode Spectacular".[22] The Sunday Herald Sun called it one of the "show's most memorable episodes",[23] as did The Courier Mail.[24]

The Aberdeen Press & Journal described the episode as "one of the darkest episodes of the Simpsons".[25]

In their section on the episode in the book I Can't Believe It's a Bigger and Better Updated Unofficial Simpsons Guide, Warren Martyn and Adrian Wood comment: "Undoubtedly the most disturbing episode of the series, with Bart's nightmare of losing his soul — illustrated by a macabre playground where all the souls of his playmates are visible, and his is tagging along with Milhouse — more frightening than funny. ... An illustration of just how far the series could go by this point."[2]

In April 2003, the episode was listed by The Simpsons creative team as among the top five best episodes of the series, including "Last Exit to Springfield", "Cape Feare", "22 Short Films About Springfield", and "Homer at the Bat".[26][27]

In a 2005 interview The Simpsons creator Matt Groening commented "I don't have a single favorite. There's a bunch I really like", but cited "Bart Sells His Soul" and "Homer's Enemy" as among episodes he loves.[28]

Bart's voice actress Nancy Cartwright stated "Bart Sells His Soul" is one of her top three episodes together with "Lisa's Substitute" and "Bart the Mother".[29] Lisa's voice actress Yeardley Smith stated in an interview that "Bart Sells His Soul" is one of her favorite episodes along with "Girly Edition".[30]

The episode has been used in church courses in Connecticut and in the United Kingdom about the nature of a soul,[31][32] and was shown by a minister in Scotland in one of his sermons.[33] A 2005 report on religious education in secondary schools, by the United Kingdom education regulator Office for Standards in Education, Children's Services and Skills (Ofsted), noted that the episode was being used as a teaching tool.[34]

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gollark: Okay, I successfully managed to reverse-engineer account creation.
gollark: And it doesn't complain.
gollark: As in, I can create a user without a password.
gollark: Apparently the user creation API endpoint doesn't require a password?!?

References
  1. "Bart Sells His Soul". The Simpsons.com. Fox Broadcasting Corporation. Archived from the original on 2009-02-25. Retrieved 2009-03-31.
  2. Martyn, Warren; Adrian Wood (February 10, 2000). I Can't Believe It's a Bigger and Better Updated Unofficial Simpsons Guide. Virgin Books. ISBN 0-7535-0495-2.
  3. Weinstein, Josh (2005). The Simpsons season 7 DVD commentary for the episode "Bart Sells His Soul" (DVD). 20th Century Fox.
  4. Daniels, Greg (2005). The Simpsons season 7 DVD commentary for the episode "Bart Sells His Soul" (DVD). 20th Century Fox.
  5. Archer, Wesley (2005). The Simpsons season 7 DVD commentary for the episode "Bart Sells His Soul" (DVD). 20th Century Fox.
  6. Oakley, Bill (2005). The Simpsons season 7 DVD commentary for the episode "Bart Sells His Soul" (DVD). 20th Century Fox.
  7. Reiss, Mike; Klickstein, Mathew (2018). Springfield confidential: jokes, secrets, and outright lies from a lifetime writing for the Simpsons. New York City: Dey Street Books. p. 73. ISBN 978-0062748034.
  8. Koenigsberger, Kurt M. (2003). Alberti, John (ed.). Leaving Springfield: the Simpsons and the possibility of oppositional culture. Wayne State University Press. pp. 49, 55. ISBN 0-8143-2849-0.
  9. Cupitt, Don (February 24, 2001). "Face to Faith: The Simpsons in search of Jesus". The Guardian.
  10. Brown, Alan S.; Chris Logan (2006). The Psychology of The Simpsons: D'oh!. BenBella Books, Inc. p. 73. ISBN 1-932100-70-9.
  11. Booker, M. Keith (2006). Drawn to television: prime-time animation from the Flintstones to Family Guy. Greenwood Publishing Group. p. 65. ISBN 0-275-99019-2.
  12. Ostling, Richard N. (Associated Press) (August 10, 2002). "What's Next For Bored Sunday School Classes? – The Simpsons". The Wichita Eagle. p. 3F.
  13. Pinsky, Mark I.; Samuel F. Parvin (2002). The Gospel According to the Simpsons: Leader's Guide for Group Study. Westminster John Knox Press. pp. 27–29. ISBN 978-0-664-22590-2.
  14. Turner 2005, p. 125.
  15. Goldmark, Daniel; Yuval Taylor (2002). The cartoon music book. Chicago Review Press. p. 254. ISBN 1-55652-473-0.
  16. von Sternberg, Bob (May 30, 1998). "The gospel according to HOMER". Star Tribune. p. 05B.
  17. Randolph, Laurel (August 17, 2016). "Cooking The Simpsons: Million Dollar Birthday Fries". Paste Magazine. Retrieved August 26, 2016.
  18. "Nielsen Ratings". The Tampa Tribune. October 12, 1995. p. 6.
  19. Young, Susan (July 26, 2007). "'Simpsons' creators pick perfect time to sent Springfield sillies to big screen". San Mateo County Times. p. Section: TV Film.
  20. Holston, Noel (December 30, 1995). "Critic's choice". Star Tribune. p. 08E.
  21. Intelligencer Journal staff (February 5, 2000). "There's Never Too Much Time On My Hands". Intelligencer Journal. Lancaster Newspapers Inc. p. A–7.
  22. Lansing State Journal staff (December 13, 2005). "Get out!". Lansing State Journal. p. 1D.
  23. Sunday Herald Sun staff (April 2, 2006). "Simpsons' magnificent seven". Sunday Herald Sun. p. F03.
  24. O'Brien, John (April 20, 2006). "dvd reviews". The Courier Mail. p. 047.
  25. Aberdeen Press & Journal staff (October 9, 2004). "Shows are not afraid to take on politics and religion". Aberdeen Press & Journal. Retrieved 2009-04-02. (archived at AccessMyLibrary.com)
  26. McMullen, Marion (April 19, 2003). "WEEKEND: WEEKEND TV: Woo-hoo! – 300 and not out — The Simpsons Creative Team's Top Five Episodes". Coventry Evening Telegraph. Retrieved 2009-04-02. (archived at Questia Online Library)
  27. Mayer, Cathy (April 19, 2003). "There's no business like Doh! business". The Birmingham Post. Retrieved 2009-04-02. (archived at Questia Online Library)
  28. Porter, Rick (Zap2it.com) (April 28, 2005). "Groening ponders the future of 'The Simpsons'". Southern Illinoisan. p. 7C.
  29. Oakes, Keily (July 30, 2004). "Voice of Bart Simpson steps into limelight". BBC. Retrieved 2009-04-04.
  30. "Yeardley Smith on one of her favorite episode of "The Simpsons" - EMMYTVLEGENDS.ORG".
  31. The Hartford Courant staff (February 21, 2004). "Religion Notes". The Hartford Courant. The Hartford Courant Co. p. D4.
  32. Radnedge, Aidan (February 10, 2004). "Sunday school turns to Homer Simpson". East Sussex County Publications.
  33. Aberdeen Press & Journal staff (October 9, 2004). "Kirk minister puts Simpsons in pulpit". Aberdeen Press & Journal. Retrieved 2009-04-02. (archived at AccessMyLibrary.com)
  34. Harris, Sarah (January 1, 2006). "On 7th day, God created.". Sunday Territorian. p. 047.

Bibliography

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