Au Secours!

Au Secours! is a 1924 short French silent comedy film directed by Abel Gance [2] and starring Max Linder. The French title translates into English as "Help!". The film is also known as The Haunted House in some reference books. The film was made on a dare, with Gance filming the entire project in three days, with the help of his friend, actor Max Linder. Linder had just returned to France after several years of trying to start an acting career in Canada.[3]

Au Secours!
Directed byAbel Gance
Produced byAbel Gance
Written byMax Linder
Abel Gance
StarringMax Linder
CinematographyÉmile Pierre
André-Wladimir Reybas
Georges Specht
Release date
17 June 1924
Running time
23 minutes[1]
CountryFrance
LanguageSilent

Max Linder, depressed since his service in World War I, had earlier entered into a suicide pact with his younger wife in 1924, the year after they were married, but the attempt failed and the event was hushed up. Their second attempt succeeded however in 1925, and the pair succumbed to an overdose of poison and blood loss from slitting their wrists, leaving behind a very young daughter. Quentin Tarantino included a reference/ homage to Linder in his 2009 film, Inglourious Basterds.[4]

Plot

The boastful Count Maulette dares some guests in a private club to spend one hour in a haunted house he knows of. A young newlywed named Max takes on the challenge, and they bet a thousand francs on it. Max must stay in the castle from 11 PM until midnight in order to win the bet. The Count arranges for Max to have a bell he can ring for help, but if he rings the bell, he loses the bet.

After Max is locked inside, he is assaulted by a wild barrage of seemingly weird supernatural events (a mannaquin comes to life and assaults him, men in skeleton costumes prance about, wild animals wander the corridors and ghosts seem to fly about). Finally, just as he is about to win the bet, the phone rings and Max is told that his wife back home is being threatened by an intruder. Panic-stricken, Max rings the bell minutes before midnight to run to his wife's defense, and therein loses the bet. The audience later discovers it was the Count calling him on the phone, pretending Max's wife was in danger.

Cast

Criticism

Critic Christopher Workman writes the film's "horrific incidents.....none of it particularly funny or scary, employ props, techniques and effects that were already old hat in 1924 --- fast motion, slow motion, wire work, superimpositions, stunt doubles on trampolines, men in ghost and skeleton costumes, a man on stilts, etc....".[5]

gollark: The main issue is that the rest of the stuff I have to implement is kind of boring but there are vast quantities of it.
gollark: Although technically the present one is Minoteaur 7.1, not 7, they're both pythonous.
gollark: Not particularly.
gollark: Well, Minoteaur 7 is pythonous.
gollark: You should sleep then make Minoteaur.

References
  1. Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 273. ISBN 978-1936168-68-2.
  2. "Progressive Silent Film List: Au Secours!". Silent Era. Retrieved 2008-11-05.
  3. Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 273. ISBN 978-1936168-68-2.
  4. Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 273. ISBN 978-1936168-68-2.
  5. Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 273. ISBN 978-1936168-68-2.


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.