At San Quentin

"A Boy Named Sue"
Johnny Cash at San Quentin
Live album by Johnny Cash
Released	June 16, 1969
Recorded	February 24, 1969
Venue	San Quentin State Prison, California
Genre	Country[1]; rock and roll[2];
Length	34:04
Label	Columbia
Producer	Bob Johnston (original); Bob Irwin (re-release)
Johnny Cash chronology
Singles from Johnny Cash at San Quentin
	"A Boy Named Sue"; Released: July 2, 1969;

Johnny Cash at San Quentin is the 31st overall album by Johnny Cash, recorded live at San Quentin State Prison on February 24, 1969 and released on June 16 of that same year. The concert was filmed by Granada Television, produced and directed by Michael Darlow.[3] The album was the second in Cash's conceptual series of live prison albums that also included At Folsom Prison (1968), På Österåker (1973), and A Concert Behind Prison Walls (1976).

The album was certified gold on August 12, 1969, platinum and double platinum on November 21, 1986, and triple platinum on March 27, 2003 by the RIAA. The album was nominated for a number of Grammy Awards, including Album of the Year and won Best Male Country Vocal Performance for "A Boy Named Sue."

There have been several releases with different songs and set order. The album cover photo by Jim Marshall is considered to be an iconic image of Cash, with Marshall Grant's Epiphone Newport bass guitar famously silhouetted in the foreground.

Recording

Johnny Cash had previously recorded a concert at prison in 1968 at Folsom Prison. This concert was recorded for a live LP and a television documentary for the UK. On the original LP release, the song order was changed and several songs were cut, presumably for space reasons. Despite the timing limitations of the vinyl LP format, however, both performances of the song "San Quentin" (Cash agreed to perform an encore at the audience's request) are included on the original album. Some of the songs were censored. Despite the title of the version released on CD in 2000 – At San Quentin (The Complete 1969 Concert) – the CD does not contain the entire concert uncut, but does feature additional tracks and running order that parallels the actual setlist. In 2010, the album was reissued on vinyl by Sundazed Records with the original Columbia catalog number LP 5362. The reissued Sundazed vinyl is an exact copy of the original record except that the back cover has a barcode and indicates it is a Sundazed issue. Performed but not included were the songs "Jackson" and "Orange Blossom Special", which are included in the video release of the show (both songs had been included in At Folsom Prison). Two songs were somehow slowed down by half a step ("Starkville City Jail" and "Blistered"), possibly due to using another tape machine while the tape on the original machine was changed.

This was Cash's first album recorded without his longtime lead guitar player and Tennessee Two founder Luther Perkins, who had died several months earlier. On the album, Cash is heard paying tribute to Perkins (who was not related to Carl Perkins, who appears on the recording as lead guitarist on several tracks).

Two songs are performed live on stage for the first time during the show: "San Quentin" and "A Boy Named Sue". According to biographer Robert Hilburn, the decision had already been made for Cash to perform "San Quentin" twice as it was considered the major new song of the set, though on record Cash makes it appear as if the encore is due to audience demand; producer Bob Johnson ultimately chose to include both versions of the song on the album. According to Hilburn, Cash spontaneously decided to perform "A Boy Named Sue" during the show and neither the TV crew nor his band knew he planned to do it (though he gave them advance warning by announcing early in the show his intent to play it); he used a lyric sheet on stage while Perkins and the band improvised the backing.[4]

European version

At the Dutch 1969 CBS Vinyl LP, is the CBS number S-63629 printed at the top left of the cover. The songs are the same (including "San Quentin" twice at side two), but the song's lengths are not presented officially.[5]

TV special and middle finger photo

A crew from Granada Television in the UK filmed the concert for broadcast on television. In the extended version of the concert released by Columbia/Legacy in 2000, Cash is heard expressing frustration at being told what to sing and where to stand prior to his performance of "I Walk the Line". The famous image of an angry-looking Cash giving the middle finger gesture to a camera originates from the performance; in his liner notes for the 2000 reissue, Cash explains that he was frustrated at having Granada's film crew blocking his view of the audience. When the crew ignored his request to "clear the stage", he made the gesture.[6]

Reception

Professional ratings
Review scores
Source	Rating
AllMusic	[7]
Blender (2000 edition)	[8]
Encyclopedia of Popular Music	[9]
The Great Rock Discography	7/10[9]
Music Story	[9]
MusicHound Country	4.5/5[9]
PopMatters (2006 edition)	10/10[1]
The Rolling Stone Album Guide	[9]
The Village Voice	B–[10]
Q	[11]

Reviewing for The Village Voice in 1969, Robert Christgau said of the album, "Much inferior to Folsom Prison and Greatest Hits, which is where to start if you're just getting into Cash. Contains only nine songs, one of which is performed twice. Another was written by Bob Dylan."[10] Rolling Stone magazine's Phil Marsh wrote, "Cash sounds very tired on this record ('ol' Johnny does best under pressure,' he says), his voice on some songs just straying off pitch. But the feeling that actual human communication is taking place more than compensates for this. Communicating to an audience at the time is becoming a lost art because of the ascension of recorded music as the music of this culture."[12]

The album was nominated for a number of Grammy Awards, including Album of the Year and won Best Male Country Vocal Performance for "A Boy Named Sue".

Reviewing the 2000 Columbia/Legacy reissue, Blender magazine's Phil Sutcliffe said, "Cash, just 25 [sic], sings as old as the hills — and looks oddly Volcanic. Prisoners 'have their hearts torn out,' Cash reckoned. It sounds as if he did too, wild-eyed and shuddering at the oppression of the walls. The crowd is a 1,000-strong caged animal. The reissue, with nine extra tracks, surpasses the vinyl original."[8]

Track listing

Side one
No.	Title	Writer(s)	Length
1.	"Wanted Man"	Bob Dylan	3:24
2.	"Wreck of the Old 97"	arranged by Cash, Bob Johnston, Norman Blake	2:17
3.	"I Walk the Line"	Johnny Cash	3:13
4.	"Darling Companion"	John Sebastian	6:10
5.	"Starkville City Jail"	Johnny Cash	2:01

Side two
No.	Title	Writer(s)	Length
1.	"San Quentin"	Johnny Cash	4:07
2.	"San Quentin" (performed a second time at the audience's request)	Johnny Cash	3:13
3.	"A Boy Named Sue"	Shel Silverstein	3:53
4.	"(There'll Be) Peace in the Valley"	Thomas A. Dorsey	2:37
5.	"Folsom Prison Blues"	Johnny Cash	1:29

CD reissue (2000)

All tracks written by Johnny Cash except where noted.
No.	Title	Length
1.	"Big River"	1:56
2.	"I Still Miss Someone" (J. Cash, Roy Cash)	1:52
3.	"Wreck of the Old 97" (*arranged by Cash, Johnston, Blake)	2:05
4.	"I Walk the Line"	3:29
5.	"Darlin' Companion" (Sebastian)	3:21
6.	"I Don't Know Where I'm Bound" (Terry Cuddy)	2:24
7.	"Starkville City Jail"	6:15
8.	"San Quentin"	4:07
9.	"San Quentin"	3:13
10.	"Wanted Man" (Dylan)	3:24
11.	"A Boy Named Sue" (Silverstein)	3:59
12.	"(There'll Be) Peace in the Valley" (Dorsey)	2:30
13.	"Folsom Prison Blues"	4:24
14.	"Ring of Fire" (June Carter, Merle Kilgore)	2:07
15.	"He Turned the Water Into Wine"	4:01
16.	"Daddy Sang Bass" (Carl Perkins)	2:43
17.	"The Old Account Was Settled Long Ago" (L.R. Dalton)	2:16
18.	"Closing Medley: Folsom Prison Blues/I Walk the Line/Ring of Fire/The Rebel-Johnny Yuma" (Cash/Cash/Carter, Kilgore/R. Markowitz, A. Fenady)	5:08

* Has no author-credit. Apparently David G. George did not win a lawsuit against RCA-Victor in 1933 over the copyrights for this song.

It is worth noting, however, that it seems to be widely accepted that Henry Whitter wrote the music, as "The Ship That Never Returned"; Fred Lewey wrote the original words, and Charles Noell wrote the original two additional verses. Source: http://www.ezfolk.com/bgbanjo/bgb-tabs/wreck97/wreckbio/wreckbio.html

Legacy edition (2006)

Disc one
No.	Title	Writer(s)	Performer	Length
1.	"Blue Suede Shoes"	Carl Perkins	Carl Perkins	3:52
2.	"Flowers on the Wall"	Lew DeWitt	The Statler Brothers	3:27
3.	"The Last Thing on My Mind"	Tom Paxton	The Carter Family	3:34
4.	"June Carter Talks to The Audience"	N/A	June Carter	3:27
5.	"Wildwood Flower"	Maud Irving, Joseph Philbrick Webster	The Carter Family	3:49
6.	"Big River"	Johnny Cash	Johnny Cash	1:43
7.	"I Still Miss Someone"	Johnny Cash, Roy Cash	Johnny Cash	1:50
8.	"Wreck of the Old '97"	Johnny Cash, Johnston, Blake	Johnny Cash	3:24
9.	"I Walk The Line"	Johnny Cash	Johnny Cash	2:28
10.	"Medley: Long Black Veil/Give My Love to Rose"	Danny Dill, Marijohn Wilkin	Johnny Cash	4:06
11.	"Folsom Prison Blues"	Johnny Cash	Johnny Cash	3:00
12.	"Orange Blossom Special"	Ervin T. Rouse	Johnny Cash	3:03
13.	"Jackson"	Jerry Leiber, Billy Edd Wheeler	Johnny Cash, June Carter and Carl Perkins	3:23
14.	"Darlin' Companion"	John B. Sebastian	Johnny Cash, June Carter, Carl Perkins	2:24
15.	"Break My Mind"	John Loudermilk	The Carter Family, Carl Perkins	2:56
16.	"I Don't Know Where I'm Bound"	Terry Cuddy	Johnny Cash, Carl Perkins	5:14
17.	"Starkville City Jail"	Johnny Cash	Johnny Cash, Carl Perkins	3:32

Disc two
No.	Title	Writer(s)	Performer	Length
1.	"San Quentin"	Johnny Cash	Johnny Cash	4.09
2.	"San Quentin"	Johnny Cash	Johnny Cash	3:13
3.	"Wanted Man"	Johnny Cash, Bob Dylan	Johnny Cash	3:29
4.	"Restless"	Carl Perkins	Carl Perkins	3:54
5.	"A Boy Named Sue"	Shel Silverstein	Johnny Cash, Carl Perkins	3:45
6.	"Blistered"	Billy Edd Wheeler	Johnny Cash, Carl Perkins	1:46
7.	"(There'll Be) Peace in the Valley"	Thomas A. Dorsey	Johnny Cash, The Carter Family, Carl Perkins	3:13
8.	"The Outside Looking In"	Carl Perkins	Carl Perkins	3:00
9.	"Less of Me"	Glen Campbell	The Statler Brothers, Carl Perkins	2:45
10.	"Ring of Fire"	June Carter, Merle Kilgore	Johnny Cash, The Carter Family, Carl Perkins	2:07
11.	"He Turned The Water Into Wine"	Johnny Cash	Johnny Cash, The Carter Family, Carl Perkins	4:01
12.	"Daddy Sang Bass"	Carl Perkins	Johnny Cash, The Carter Family, Carl Perkins	2:43
13.	"The Old Account Was Settled Long Ago"	Larry Dalton	Johnny Cash, The Carter Family, Carl Perkins	2:16
14.	"Closing Medley: Folsom Prison Blues/I Walk The Line/Ring of Fire/Folsom Prison Blues/The Rebel – Johnny Yuma/Folsom Prison Blues"	Johnny Cash/Johnny Cash/June Carter, Merle Kilgore/Johnny Cash/Andrew Fenady, Richard Markowitz/Johnny Cash	June Carter/The Carter Family/The Statler Brothers/Carl Perkins/Johnny Cash/Johnny Cash	5:08

Disc 3 (DVD)

The original 1969 documentary produced by Granada TV in the U.K. chronicles Cash's historic concert at the maximum security prison. Includes footage of the concert that became the 1969 best-selling LP, and features an edited performance of the number 1 hit "A Boy Named Sue". Also contains one-on-one interviews with several of the prison guards and inmates, talking about their time and experiences behind bars. (Running time: approx. 60 minutes)

Sundazed (2010)

"Wanted Man"
"Wreck of the Old 97"
"I Walk the Line"
"Darling Companion"
"Starkville City Jail"
"San Quentin"
"San Quentin"
"A Boy Named Sue"
"Peace in the Valley"
"Folsom Prison Blues"

Several tracks on the original LP are preceded by several minutes of Cash talking to the audience, including a tangent where Cash is recorded trying to get his guitar tuned on stage. The original LP release bleeps profanity, including on "A Boy Named Sue" but later issues including the Legacy edition are uncensored. The original album's closing track "Folsom Prison Blues" is a partial performance of the song edited from a longer medley available in complete form in later reissues.

Personnel

Johnny Cash – vocals, acoustic guitar
June Carter Cash – vocals
Carter Family – vocals, autoharp, acoustic guitar
Marshall Grant – bass guitar
W.S. Holland – drums
Carl Perkins – electric guitar
Bob Wootton – electric guitar
The Statler Brothers – vocals

Charts

Album – U.S. Billboard

Year	Chart	Position
1969	Country Albums	1
1969	Pop Albums	1

Singles – U.S. Billboard charts

Year	Single	Chart	Position
1969	"A Boy Named Sue"	Country Singles	1
1969	"A Boy Named Sue"	Pop Singles	2

Certifications and sales


Region	Certification	Certified units/sales
Canada (Music Canada)[13]	Platinum	100,000^{^}
Ireland (IRMA)[14]	Gold	7,500^{^}
Sweden (GLF)[15]	Platinum	130,000^{^}
United Kingdom (BPI)[16]	Gold	100,000^{^}
United States (RIAA)[17]	3× Platinum	3,000,000^{^}
^*sales figures based on certification alone ^{^}shipments figures based on certification alone

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References

Friedman, Lou (November 15, 2006). "Johnny Cash: At San Quentin". PopMatters. Retrieved June 1, 2019.
Hendrickson, John (December 2, 2014). "Exclusive: New Photos of Johnny Cash at San Quentin Prison". Equire. Retrieved July 24, 2019.
Independents Struggle. Quartet Books. 2004. ISBN 0-7043-8155-9.
Robert Hilburn, Johnny Cash: The Life (New York: Little, Brown, 2013), p. 353-355
Source is mentioned in the statement
Johnny Cash (March 2000), "The Bird," Johnny Cash at San Quentin liner notes, Columbia/Legacy CK 66017, 2000
Erlewine, Stephen Thomas. Johnny Cash at San Quentin Review at AllMusic. Retrieved 18 July 2011.
Sutcliffe, Phil (July 4, 2000). "Guide". Blender. Archived from the original on October 19, 2006. Retrieved October 19, 2006.
"At San Quentin". Acclaimed Music. Retrieved June 1, 2019.
Christgau, Robert (July 31, 1969). "Consumer Guide (2)". The Village Voice. Retrieved June 26, 2016.
Duerden, Nick (April 2007). "Johnny Cash - At San Quentin". Q (249): 126.
Marsh, Phil (26 July 1969). "Johnny Cash: At San Quentin". Rolling Stone. San Francisco: Straight Arrow Publishers, Inc. (38): 36. Archived from the original on October 21, 2007. Retrieved 10 September 2015.
"Canadian album certifications – Johnny Cash – At San Quentin". Music Canada. Retrieved November 10, 2019.
"Irish album certifications – Johnny Cash – At San Quentin". Irish Recorded Music Association.
"Yes, We Accept Cash" (PDF). Cash Box. May 15, 1975. p. 47. Retrieved November 10, 2019 – via World Radio History.
"British album certifications – Johnny Cash – San Quentin". British Phonographic Industry. Select albums in the Format field. Select Gold in the Certification field. Type San Quentin in the "Search BPI Awards" field and then press Enter.
"American album certifications – Johnny Cash – At San Quentin". Recording Industry Association of America. Retrieved November 10, 2019. If necessary, click Advanced, then click Format, then select Album, then click SEARCH.

External links

At San Quentin (2000 CD release) (Adobe Flash) at Radio3Net (streamed copy where licensed)
Sony/Columbia/Legacy Johnny Cash At San Quentin liner notes legacyrecordings.com.
At San Quentin – Legacy Edition
Daniel Geary, "'The Way I Would Feel About San Quentin': Johnny Cash and the Politics of Country Music," Daedalus, 142 (Fall 2013), 64-72. http://www.mitpressjournals.org/doi/abs/10.1162/DAED_a_00234

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.

[PM-1] Friedman, Lou (November 15, 2006). "Johnny Cash: At San Quentin". PopMatters. Retrieved June 1, 2019.

[2] Hendrickson, John (December 2, 2014). "Exclusive: New Photos of Johnny Cash at San Quentin Prison". Equire. Retrieved July 24, 2019.

[3] Independents Struggle. Quartet Books. 2004. ISBN 0-7043-8155-9.

[4] Robert Hilburn, Johnny Cash: The Life (New York: Little, Brown, 2013), p. 353-355

[5] Source is mentioned in the statement

[6] Johnny Cash (March 2000), "The Bird," Johnny Cash at San Quentin liner notes, Columbia/Legacy CK 66017, 2000

[7] Erlewine, Stephen Thomas. Johnny Cash at San Quentin Review at AllMusic. Retrieved 18 July 2011.

[blender-8] Sutcliffe, Phil (July 4, 2000). "Guide". Blender. Archived from the original on October 19, 2006. Retrieved October 19, 2006.

[AM-9] "At San Quentin". Acclaimed Music. Retrieved June 1, 2019.

[VV-10] Christgau, Robert (July 31, 1969). "Consumer Guide (2)". The Village Voice. Retrieved June 26, 2016.

[11] Duerden, Nick (April 2007). "Johnny Cash - At San Quentin". Q (249): 126.

[12] Marsh, Phil (26 July 1969). "Johnny Cash: At San Quentin". Rolling Stone. San Francisco: Straight Arrow Publishers, Inc. (38): 36. Archived from the original on October 21, 2007. Retrieved 10 September 2015.

[CanadaJohnny_CashAt_San_QuentinalbumCertRef-13] "Canadian album certifications – Johnny Cash – At San Quentin". Music Canada. Retrieved November 10, 2019.

[IrelandJohnny_CashAt_San_QuentinalbumCertRef-14] "Irish album certifications – Johnny Cash – At San Quentin". Irish Recorded Music Association.

[15] "Yes, We Accept Cash" (PDF). Cash Box. May 15, 1975. p. 47. Retrieved November 10, 2019 – via World Radio History.

[United_KingdomJohnny_CashSan_QuentinalbumCertRef-16] "British album certifications – Johnny Cash – San Quentin". British Phonographic Industry. Select albums in the Format field. Select Gold in the Certification field. Type San Quentin in the "Search BPI Awards" field and then press Enter.

[United_StatesJohnny_CashAt_San_QuentinalbumCertRef-17] "American album certifications – Johnny Cash – At San Quentin". Recording Industry Association of America. Retrieved November 10, 2019. If necessary, click Advanced, then click Format, then select Album, then click SEARCH.