Amphitheatre

An amphitheatre or amphitheater (/ˈæmfɪˌθiːətər/)[1][2] is an open-air venue used for entertainment, performances, and sports. The term derives from the ancient Greek ἀμφιθέατρον (amphitheatron),[3] from ἀμφί (amphi), meaning "on both sides" or "around"[4] and θέατρον (théātron), meaning "place for viewing".[5][6]

For other uses, see Amphitheatre (disambiguation).

The interior of the Colosseum, an amphitheatre in Rome (built 72–80 CE), considered one of the greatest works of architecture and engineering

Ancient Roman amphitheatres were oval or circular in plan, with seating tiers that surrounded the central performance area, like a modern open-air stadium. In contrast both ancient Greek and ancient Roman theatres were built in a semicircle, with tiered seating rising on one side of the performance area. In modern usage, an "amphitheatre" may consist of theatre-style stages with spectator seating on only one side, theatres in the round, and stadia. Natural formations of similar shape are sometimes known as natural amphitheatres.

Arles Amphitheatre, France: a Roman arena still used[7] for bullfighting, plays and summer concerts.

Roman amphitheatres

Main article: Roman amphitheatre

Pula Arena, Croatia

Ancient Roman amphitheatres were major public venues, circular or oval in plan, with perimeter seating tiers. They were used for events such as gladiator combats, chariot races, venationes (animal hunts) and executions. About 230 Roman amphitheatres have been found across the area of the Roman Empire. Their typical shape, functions and name distinguish them from Roman theatres, which are more or less semicircular in shape; from the circuses (similar to hippodromes) whose much longer circuits were designed mainly for horse or chariot racing events; and from the smaller stadia, which were primarily designed for athletics and footraces.[8]

The earliest Roman amphitheatres date from the middle of the first century BCE, but most were built under Imperial rule, from the Augustan period (27 BCE–14 CE) onwards.[9] Imperial amphitheatres were built throughout the Roman empire; the largest could accommodate 40,000–60,000 spectators. The most elaborate featured multi-storeyed, arcaded façades and were elaborately decorated with marble, stucco and statuary.[10] After the end of gladiatorial games in the 5th century and of staged animal hunts in the 6th, most amphitheatres fell into disrepair. Their materials were mined or recycled. Some were razed, and others were converted into fortifications. A few continued as convenient open meeting places; in some of these, churches were sited.[11]

Natural amphitheatres

Bryce Canyon Amphitheatre from Sunrise Point

A natural amphitheatre is a performance space located in a spot where a steep mountain or a particular rock formation naturally amplifies or echoes sound, making it ideal for musical and theatrical performances. An amphitheatre can be naturally occurring formations which would be ideal for this purpose, even if no theatre has been constructed there.

Notable natural amphitheatres include the Drakensberg amphitheatre in South Africa, Slane Castle in Ireland, the Supernatural Amphitheatre in Australia, and the Red Rocks and Gorge amphitheatres in the western United States.

See also

• Arena
• Stadium
• Thingplatz
• List of Roman amphitheatres
• List of contemporary amphitheatres
• List of indoor arenas
  • List of ancient Greek theatres
  • Roman theatre (structure)

Footnotes

1. New Oxford American Dictionary (3rd ed.). Oxford University Press. 2010.
2. "Definition of Amphitheatre in Oxford dictionary. Meaning, pronunciation and origin of the word". Oxford Dictionaries. Oxford University Press. 2014. Retrieved 23 February 2014.
3. ἀμφιθέατρον, Henry George Liddell, Robert Scott, '56'An Intermediate Greek-English Lexicon, on Peseus
4. ἀμφί, Henry George Liddell, Robert Scott, A Greek-English Lexicon, on Perseus
5. θέατρον, Henry George Liddell, Robert Scott, A Greek-English Lexicon, on Perseus
6. Hoad, T.F. (1996). The Concise Oxford Dictionary of English Etymology. Oxford University Press. pp. 14, 489. ISBN 0-19-283098-8.
7. Michel Tournier, Le coq de bruyère, W. D. Redfern, Fairleigh Dickinson Univ Press, 1996, p. 69
8. Bomgardner, 37.
9. Bomgardner, 59.
10. Bomgardner, 62.
11. Bomgardner, 201–223.

References

• Bomgardner, David Lee (October 2000). The Story of the Roman Amphitheatre. Routledge. ISBN 0-415-16593-8.