Alexander Bogen

Alexander Bogen (Hebrew: אלכסנדר בוגן‎; born January 24, 1916 – October 20, 2010) was a Polish-Israeli visual artist, a decorated leader of partisans during World War II, a key player in 20th century Yiddish culture, and one of the trailblazers for art education and Artists' associations in the emerging state of Israel.

Alexander Bogen
Alexander Bogen
Born
Alexander Katzenbogen

January 24, 1916
Tartu, Estonia, Russian Empire
DiedOctober 20, 2010(2010-10-20) (aged 94)
Tel Aviv, Israel
NationalityPolish-Israeli
EducationWilno University
Academie des Beaux Arts
Known forPainting, Sculpture, Book Illustration and for being a partisan through the Holocaust
Notable work
Apocalipse
MovementSocial realism, lyrical abstraction, abstract expressionism, tachisme[1]

Biography

Alexander Bogen was born in Tartu, Estonia[2] and brought up in Wilno. As a young boy he adhered to the values of the Yiddish culture of Yung Vilne, as well as to the modern Polish culture. After completing his studies at the gymnasium, he was accepted to the Stefan Batory art academy affiliated with the Wilno University, where he studied painting and sculpture. His parents were physicians. His father came from a secular family and his mother was the daughter of Rabbi Tuvia Lobitzki, the rabbi of Wołkowysk, Poland. His studies were interrupted by World War II.[3] Bogen joined the partisans and became a commander of the Jewish partisan unit in the Narocz Forests.[4] He buried many of the drawings he made at this time near Lake Narocz.[5][6] He returned to the ghetto in September 1943 and helped to facilitate the rescue of members of the United Partisan Organization (FPO), a Jewish underground movement active in the ghetto and lead by poet Abba Kovner, Bogen's school friend.[7][8][9]

When the Vilna Ghetto was about to be destroyed, Bogen and his partisans tried to rescue some key people, one of whom was Abraham Sutzkever. With the help of the soviet partisans, they managed to finally smuggle him into Moscow along with some of Bogen's drawings, which were eventually exhibited in Moscow[10][11][12]

After the war Bogen returned to his studies, finished his academic degree and was mastered as an artist of monumental painting at the USB Academy of Art in Vilna. In 1947, he taught as a professor at The Academy of Fine Arts In Łódź and became a well-known artist, set designer and book illustrator.[13]

Alongside his recognition as a Polish Artist and war hero, receiving several accolades and awards as well as a large retrospective exhibition (Łódź State Museum, 1950) - Bogen was also very active in the resuscitation of the cultural life of the Jewish Community in post war Poland.[14][15]

In 1951, Bogen and his wife immigrated to Israel and settled in Tel Aviv.[16]

Memorial plaque to Alexander Bogen in Tel Aviv

During his time in Israel, Bogen continued his cultural and educational activities in the arts. In 1957 he initiated the art program in WIZO France - Ironi Yud-Dalet high school in Tel Aviv and lead it for 22 years. Bogen completed his academic studies of art at the Ecole des Beaux Arts in Paris and was an art lecturer in the Hebrew University in Jerusalem. Bogen continued painting, drawing and sculpting until his death at the age of 94 in Tel Aviv on October 20, 2010.

In July 2018, Mayor Ron Huldai, on behalf of the city of Tel Aviv, has inaugurated a Memorial plaque in Bogen's honor on the house where he lived and worked.

Resistance through art

Bogen continued to draw during the war, documenting what he saw:

"We saw abandoned children. We saw people being led to the slaughter.

I did not lay down my pencil for a moment.

An artist condemned to death portraying people condemned to extermination...

I sketched the forest, my brothers-in-arms, the battle itself. There was no table. There were no paints. There was no paper.

I found packing paper. I made ink from blueberries, fixer out of pulverized milk and burnt dry branches for charcoal for my sketches.

I asked myself why I was drawing, when I was fighting day and night…

This was something similar to biological continuation. Every man, every people, is interested in continuing his people, his family,

in bringing children into the world for the future – in leaving this one thing.

Another motivation was to get information to the so-called free world,

but mostly Being creative during the Holocaust was also a show of protest -

people facing brutal danger, facing death, react in their own different way.

the artist's reaction is artistic. This is his weapon."[17][18][19]

Selected Solo exhibitions
  • 1949 Municipal Museum, Breslau, Poland
  • 1950 Municipal Museum, Lodz, Poland
  • 1951 Yad-Lebanim Museum, Petach Tikva
  • 1956 Museum of Art, Ein-Harod
  • 1961 The Tel Aviv Museum of Art;
  • 1961 Artists’ House, Haifa
  • 1962 Artists’ House, Jerusalem
  • 1962 St. Placide Gallery, Paris
  • 1963 Rider Gallery, Los Angeles;
  • 1963 Merkup Gallery, Mexico
  • 1975 Glezer Gallery, N.Y.;
  • 1975 Chelsea Gallery, São Paulo, Brazil
  • 1976 Yad-Lebanim Museum, Petach Tikva
  • 1979 Museum of Israel Art, Ramat-Gan
  • 1980 Artists’ House, Jerusalem;
  • 1980 Artists’ House, Tel Aviv;
  • 1980 Old Jaffa Gallery
  • 1981 Citè Internationale des Arts, Paris
  • 1984 Bat-Yam Museum, Bat Yam
  • 1985 Institute Francais, Tel Aviv;
  • 1985 Petach Tikva Museum, Israel
  • 1987 Herzog Anton Ulrich Museum, Braunschweig
  • 1988 Museum Zons, Dormagen Neuss;
  • 1988 Kreishaus, Ludwigsburg
  • 1991 Artists’ House, Tel Aviv
  • 1992 State Gallery, Lodz
  • 1993 State Abakus Gallery, Warsaw
  • 1994 State Gallery, Kraków
  • 1995 Rathaus, Gerlingen, Germany;
  • 1996 Vesoul Museum, France
  • 1998 Beit Ariela Municipal Gallery, Tel Aviv
  • 2001 The Ghetto Fighters’ House museum, Kibbutz Lohamei Haghettaot, Israel
  • 2002 Alexander Bogen – Drawings for Poems in Yiddish, Reuben and Edith Hecht Museum, University of Haifa
  • 2003 Drawing and painting Exhibition, Beit Shalom Halechem, Tel Aviv
  • 2005 Drawing and Painting Exhibition, Bar'Am Museum
  • 2009 Whitebox Gallery, Munich
  • 2010 Kreishaus, Ludwigsburg
  • 2010 The Russian Institut, Tel Aviv

An exhibition of Bogen's work was held at the Hecht Museum in Haifa. His drawings, especially those that survived from his partisan days, offer a gallery of characters and document the history of a people fighting for its life during the Holocaust. Among the drawings on show were illustrations for poems by two Yiddish poets: Gebirtig and Abraham Sutzkever.[20][21]

Monuments & murals
  • “Revolt” – Partisan Museum, Tel Aviv
  • “Holocaust” – Partisan Museum, Tel Aviv
  • Vitrage, Jabotinsky Institute, Tel Aviv
  • Vitrage, 14th Vocational High School, Kiryal Hachinuch, Tel Aviv
  • Memorial Monument, Commemorating the Holocaust and the Revolt, Latroun Museum, Jerusalem

Awards
  • 1951 State Prize, Polish Government Prize
  • 1961 The Histadrut Prize, Israel
  • 1962 The Israel Ministry of Education & Culture Prize
  • 1980 Prize of the Sea League of Israel
  • 1982 The Negev Prize
  • 1993 Medal of the City of Vesoul, France
  • 1995 Shalom Aleichem Prize, Israel
gollark: If you have stopped now, you are no longer a heretic.
gollark: You did earlier.
gollark: Denying the existence of Eric is antiEric.
gollark: You're going around spreading your belief that Eric isn't real. That's antiEric heresy.
gollark: Or, well, the explicit belief that Eric doesn't exist is.

See also

References
  1. Bogen, Alexander; Amishai-Maisels, Ziva (2005). Aleksander Bogen (in Hebrew and English). OCLC 068745453.
  2. Interview with Alexander Bogen, Survivor and Artist, Yad Vashem
  3. "Alexander Bogen Collection at the United States Holocaust Memorial Museum". Archived from the original on June 29, 2015. Retrieved September 20, 2014.
  4. Bogen, Alexander (1991). "The Onset of the Partisan Units in the Forest of Naroch". In Kalcheim, Moshe (ed.). With Proud Bearing, 1939–1945: Chapters in the History of Jewish Fighting in the Naroch Forests. Translated by Levitan, Eilat Gordin. Organization of Partisans, Underground Fighters, and Rebels in Israel.
  5. Levin, Nora (1990). The Jews in the Soviet Union Since 1917: Paradox of Survival. 1. NYU Press. p. 429. ISBN 978-0-8147-5051-3.
  6. Rosen, Philip; Apfelbaum, Nina (2002). Bearing Witness: A Resource Guide to Literature, Poetry, Art, Music, and Videos by Holocaust Victims and Survivors. Greenwood Publishing Group. p. 122. ISBN 9780313310768.
  7. "Biography — The Pen and the Sword: Jewish Artist and Partisan, Alexander Bogen". YadVashem.org.
  8. Kerenji, Emil (October 10, 2014). Jewish Responses to Persecution: 1942–1943. Rowman & Littlefield. p. 227. ISBN 9781442236271.
  9. Blatter, Janet; Milton, Sybil (1982). Art of the Holocaust (1st ed.). London: Book Club Associates. ISBN 0831704187. OCLC 7463993.
  10. Rosen, Philip; Apfelbaum, Nina (2002). Bearing Witness: A Resource Guide to Literature, Poetry, Art, Music, and Videos by Holocaust Victims and Survivors. Greenwood Publishing Group. p. 128. ISBN 9780313310768.
  11. Costanza, Mary S. (1982). The living witness: art in the concentration camps and ghettos. New York: Free Press. ISBN 0029066603. OCLC 8195509.
  12. בוגן, אלכסנדר; Bogen, Alexander; ביבר, אברהם; בבר, אברהם; כלפנתזכי, כפל (2006). פרטיזנים מספרים (in Hebrew). משרד הבטחון, ההוצאה לאור.
  13. Rosenberg, Pnina. "Alexander Bogen (1916– ) — Biography". Learning about the Holocaust through art.
  14. Tarnowska, Magdalena. "Aleksander Bogen. Przemiany postawy w świetle twórczości i krytyki artystycznej z lat 1945–1951" (in Polish). Cite journal requires |journal= (help)
  15. Łysiak, Wojciech, ed. (2015). Oblicza utopii, obłudy i zakłamania (in Polish). III. Wydawnictwo Eco. ISBN 978-83-87437-31-X. OCLC 909962031.CS1 maint: ignored ISBN errors (link)
  16. Jewish resistance in the Holocaust
  17. "Resistance through art" (PDF). JCouncil.org. 2013.
  18. Rudavsky, Joseph (August 1, 1997). To Live with Hope, to Die with Dignity: Spiritual Resistance in the Ghettos and Camps. Jason Aronson, Incorporated. ISBN 9781461734598.
  19. Houtman, Alberdina; Poorthuis, Marcel; Schwartz, Joshua J.; Turner, Joseph (November 28, 2014). The Actuality of Sacrifice: Past and Present. BRILL. ISBN 9789004284234.
  20. "Alexander Bogen – Drawings for Poems in Yiddish". Archived from the original on July 14, 2014. Retrieved July 2, 2014.
  21. ha-Umah (in Hebrew). Umah ve-ḥevrah be-ʻa.m., ʻal-yad ha-mesader ʻa.sh. Zeʾev Jaboṭinsḳy. 2003.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.