Alex Turner

Alexander David Turner (born 6 January 1986) is an English musician, singer, songwriter, and record producer. He is best known as the frontman and principal songwriter of the rock band Arctic Monkeys, with whom he has released six albums. He has also recorded with his side project The Last Shadow Puppets and as a solo artist.

This article is about the musician. For other people named Alex Turner, see Alex Turner (disambiguation).

Alex Turner
Turner in August 2018
Born (1986-01-06) 6 January 1986
Sheffield, England
Occupation
  • Musician
  • singer
  • songwriter
  • record producer
Musical career
Genres
Instruments
  • Vocals
  • guitar
  • bass
  • keyboards
  • piano
Years active2002–present
LabelsDomino
Associated acts

When Turner was 16, he and three friends formed Arctic Monkeys in their native Sheffield. Their debut album, Whatever People Say I Am, That's What I'm Not (2006), became the fastest-selling debut album in British history and was ranked at No. 30 on Rolling Stone's list of the greatest debut albums of all time.[1] The band's subsequent studio albums, Favourite Worst Nightmare (2007), Humbug (2009), Suck It and See (2011), AM (2013) and Tranquility Base Hotel & Casino (2018), have experimented with desert rock, indie pop, R&B, and lounge music. Arctic Monkeys headlined Glastonbury Festival in both 2007 and 2013, and performed during the 2012 London Summer Olympics opening ceremony.

As the co-frontmen of The Last Shadow Puppets, Turner and Miles Kane have released two orchestral pop albums: The Age Of The Understatement (2008) and Everything You've Come To Expect (2016). Turner also provided an acoustic soundtrack for the feature film Submarine (2010), and co-wrote and co-produced Alexandra Savior's debut album Belladonna of Sadness (2017).

Turner's lyricism, ranging from kitchen sink realism to surrealist wordplay, has been widely praised. Each of his eight studio albums have topped the UK Album Chart and he has won seven Brit Awards, an Ivor Novello Award, and a Mercury Prize (having been nominated five times).

Biography

Early life

Alexander David Turner was born in Sheffield on 6 January 1986,[2][3] the only child of secondary school teachers Penny (née Druce)[4] and David Turner.[5] He was raised in Sheffield's High Green suburb.[6] He has said that his parents came from "very different backgrounds"; his mother, from Amersham, Buckinghamshire,[7] taught German and was "fascinated by language".[8] His father, a Sheffield native,[7] taught music and physics.[9] Turner's parents were both music fans and his earliest musical memories involve The Beatles[10][11] and The Beach Boys.[12] During car journeys, his mother played music by Led Zeppelin,[13] David Bowie,[14] and The Eagles.[15] His father was a fan of jazz and swing music,[14] particularly Frank Sinatra.[10] He had played the saxophone, trumpet, and piano in big bands.[11][16] Turner himself was taught some scales on the family keyboard by his father[16][17] and took professional piano lessons until he was eight years old.[18][10]

From the age of five, Turner grew up alongside neighbour Matt Helders; they attended primary school, secondary school, and college together.[19][20] At their primary school graduation ceremony, Turner and Helders joined some other friends in a mimed performance of Oasis' "Morning Glory"—Helders played the role of Liam Gallagher while Turner pretended to play the bass guitar, using a tennis racket as his instrument.[15][21] The two met Andy Nicholson in secondary school,[22] and the three friends bonded over their shared enjoyment of rappers such as Dr. Dre,[23] the Wu-Tang Clan,[15] Outkast,[15] and Roots Manuva.[15] They spent their time playing basketball, skateboarding, riding BMXs,[24] and "making crap hip-hop" beats using Turner's father's Cubase system.[25][11] Turner and his friends became interested in rock music following the breakthrough of The Strokes in 2001.[26] His father let him borrow a school guitar to learn a "couple of chords" when Turner was 15[11] and, for Christmas that year, his parents bought him an electric guitar.[27]

Turner was educated at Stocksbridge High School from 1997 to 2002. His form teacher, Mark Coleman, characterised him as a "bright" and "popular" student who excelled at sports rather than music.[28] His English and drama teacher, Simon Baker, remembered him as a clever pupil who was "quite reserved" and "a little bit different".[29] He noted that Turner had an "incredibly laid-back" approach to his studies, which worried his mother and led to criticism from other teachers.[29][30] While there were books at home,[31] Turner did not read regularly[32] and was too self-conscious to share his writing with others.[33] Nonetheless, he enjoyed English lessons.[29] Turner then attended Barnsley College from 2002 to 2004. Given the opportunity to "get away without doing maths", he largely opted out of the "substantial" subjects required for university entry.[11] He studied for A-levels in music technology and media studies, as well as AS-levels in English, photography, and psychology.[34]

2002–2004: Formation of Arctic Monkeys

At the age of 15, Turner's weekends revolved around girls and drinking cider with his friends.[35] Joe Carnall, a schoolfriend, has said Turner was "always the quiet one" in their social circle.[36] After friends began forming bands and playing live,[37] Turner, Helders, and Nicholson decided to start Arctic Monkeys in mid-2002.[35][38] According to Nicholson, Turner already had "instruments about the house" and was conversant in the basics of musicianship because of his father's job as a music teacher.[24] Helders bought a drum kit,[39] while Turner suggested that Nicholson learn bass guitar, and invited Jamie Cook, a neighbour who attended a different school, to play guitar.[24] Initially, Turner played guitar in the instrumental band; he became the frontman when two other school friends declined to sing.[40] Helders considered Turner the obvious candidate for lyricist – "I knew he had a thing for words" – and he gradually began to share songs with his bandmates.[41][42] Before playing a live show, the band rehearsed for a year in Turner's garage[39] and, later, at an unused warehouse in Wath.[20] According to Helders' mother, who drove the teenagers to and from their rehearsal space three times a week: "If they knew you were there, they would just stop so we had to sneak in."[20] Their first gig was on Friday, 13 June 2003, supporting The Sound at a local pub called The Grapes.[43] The set, which was partly recorded,[44] comprised four original songs and four cover versions of songs by The Beatles, The White Stripes, The Undertones, and The Datsuns.[45][46]

In the summer of 2003, Turner played seven gigs in York and Liverpool as a rhythm guitarist for the funk band Judan Suki, after meeting the lead singer Jon McClure on a bus.[47][48] That August, while recording a demo with Judan Suki at Sheffield's 2fly Studios, Turner asked Alan Smyth if he would produce an Arctic Monkeys demo. Smyth obliged and "thought they definitely had something special going on. I told Alex off for singing in an American voice at that first session."[49] An introduction by Smyth led to the band acquiring a management team, Geoff Barradale and Ian McAndrew.[50] They paid for Smyth and Arctic Monkeys to record numerous three-song demos in 2003 and 2004.[51] Turner was quiet and observant during studio sessions, remembered Smyth: "Whenever anyone popped in the studio, he would sit and listen to them before he would say anything."[49] At their rehearsal room in Yellow Arch Studios, Arctic Monkeys developed a reputation as particularly hard workers; the owner lent the band touring equipment while the owner's wife helped Turner with his singing.[52] Barradale drove the band around venues in Scotland, the Midlands, and the north of England to establish their reputation as a live band.[22] The band handed out free copies of the demo CDs after each show[53][54] and fans began sharing the unofficial Beneath the Boardwalk demo compilation online.[55] After finishing college in mid-2004, Turner took a year out to focus on the band[34] and deferred vague plans to attend university in Manchester.[11][56] He began working part-time as a bartender at the Sheffield music venue The Boardwalk. There, he met well-known figures including musician Richard Hawley and poet John Cooper Clarke.[57][58] By the end of 2004, Arctic Monkeys' audiences were beginning to sing along with their songs[59] and the demo of "I Bet You Look Good on The Dancefloor" was played on BBC Radio 1 by Zane Lowe.[60]

2005–2007: Rise to fame
Turner performing in Newcastle Academy, 2006

Arctic Monkeys came to national attention in early 2005. They received their first mention in a national newspaper in April, with a Daily Star reporter describing them as "the most exciting band to emerge this year".[61] They self-released an EP, featuring the single "Fake Tales of San Francisco", in May[62] and commenced their first nationwide tour soon afterwards.[63] In June, in the midst of a bidding war, Arctic Monkeys signed to the independent label Domino Recording Company.[64] After initial sessions with James Ford and Mike Crossey,[65] they recorded an album in rural Lincolnshire with producer Jim Abbiss.[64] Turner began dating London-based student Johanna Bennett around this time.[66] In October, the single "I Bet You Look Good on the Dancefloor" debuted at number one on the UK Singles Chart.[67] Whatever People Say I Am, That's What I'm Not, Arctic Monkeys' debut album, was released in January 2006, and debuted at number one on the UK Albums Chart. Turner's lyrics, chronicling teenage nightlife in Sheffield, were widely praised.[68] Kelefa Sanneh of The New York Times remarked: "Mr. Turner's lyrics are worth waiting for and often worth memorizing, too ... He has an uncanny way of evoking Northern English youth culture while neither romanticizing it nor sneering at it."[69] Musically, Alexis Petridis of The Guardian noted that the album was influenced by guitar bands "from the past five years ... Thrillingly, their music doesn't sound apologetic for not knowing the intricacies of rock history."[70]

It was the fastest-selling debut album in British music history and quickly became a cultural phenomenon.[71] Turner was hailed by British press outlets as "the voice of a generation".[69] In interview profiles, however, he was described as quiet and uncomfortable with attention.[72] The band dismissed the hype, with Cook saying their goal was "to be able to grow like The Clash. When they started, it was a very basic, punky record. Then they started to take off and move in lots of directions. That’s what we want."[73] Less than two months after the album's release, Turner declared that Sheffield-inspired songwriting was "a closed book": "We're moving on and thinking about different things."[74] Years later, Turner said that the attention during this period made him "a bit frightened or nervous":[75] "We shut a lot of people out, just to try to keep some sort of control."[76] The band turned down many promotional opportunities[77] and quickly released new material – a five-track EP Who the Fuck Are Arctic Monkeys? in April, and a stand-alone single, "Leave Before the Lights Come On", in August. That summer, the band made the decision to permanently replace Nicholson,[78] who had taken a touring break due to "fatigue",[79] with Nick O'Malley, another childhood friend.[80][81] Nicholson was informed at a band meeting, during which "Al did the speaking."[82] Turner and Nicholson stopped speaking for two years[83] but later repaired their friendship.[84][85]

Turner performing at Coachella in May 2007

Arctic Monkeys' second album, Favourite Worst Nightmare, was released in April 2007, just over a year after their debut.[86] It was produced in London by Mike Crossey and James Ford.[87] As of 2020, Ford has produced every subsequent Turner project.[88] Lyrically, the album touches on fame, love, and heartache.[89] Turner and Bennett had ended their relationship in January; she was credited as a co-writer on "Fluorescent Adolescent".[90][91] While uninterested in the songs concerning fame, Marc Hogan of Pitchfork said the album displayed Turner's "usual gift for vivid imagery" and explored "new emotional depth".[89] Petridis of The Guardian noted that the band were "pushing gently but confidently at the boundaries of their sound", with hints of "woozy psychedelia" and "piledriving metal".[92] The album was a commercial success, debuting at number one in the UK,[93] while Arctic Monkeys headlined Glastonbury Festival in the summer of 2007.[94] Also that year, Turner began to collaborate with other artists. He worked with rapper Dizzee Rascal on the Arctic Monkeys B-side "Temptation", a version of which also featured on Rascal's album Maths and English.[95] He co-wrote three songs on Reverend and The Makers' debut album The State Of Things, after briefly sharing a Sheffield flat with the frontman Jon McClure.[96] Another Sheffield singer, Richard Hawley, featured on the Arctic Monkeys' B-side "Bad Woman" and performed with the band at the Manchester Apollo, as part of a concert film directed by Richard Ayoade.[97] Turner also announced plans to form a side-project band, The Last Shadow Puppets, with Ford and Miles Kane, whom he had befriended during a tour in mid-2005.[98][99]

2008–2011: Musical experimentation
Turner performing with The Last Shadow Puppets in 2008

The Last Shadow Puppets' debut album, The Age of the Understatement, was released in April 2008, shortly after Turner had moved from Sheffield to east London.[100][101] Co-written by Turner and Kane, the album was recorded in the Loire Valley, France[102] and featured string arrangements by Owen Pallett.[103] Alexa Chung, dating Turner since mid-2007,[104] featured in the music video for "My Mistakes Were Made For You".[105] Hogan of Pitchfork noted that, lyrically, Turner was "moving from his anthropologically detailed Arctics brushstrokes to bold, cinematic gestures."[106] Petridis of The Guardian detected "the audible enthusiasm of an artist broadening his scope" and praised "a certain fearlessness on display".[107] During a tour with the London Philharmonic Orchestra, Turner said Kane's presence gave him "somewhere to hide" on stage.[108][109] The Last Shadow Puppets gave a surprise performance at Glastonbury Festival, with both Matt Helders and Jack White making guest appearances.[110] Alison Mosshart performed with the band at the Olympia in Paris, and provided vocals for a B-side.[111][112] Also in 2008, Turner formed a covers band with Dev Hynes for a one-off show in London[113] and recorded a spoken word track "A Choice of Three" for Helders' compilation album Late Night Tales.[114]

Turner has described Arctic Monkeys' third album, Humbug, released in August 2009, as "a massive turning point" in the band's career.[115] They travelled to Joshua Tree, California to work with producer Josh Homme of Queens of the Stone Age; it was the band's first experience of working in a studio for extended period of time.[116] Homme has said the album's heavier sound was initiated by the band themselves, while he encouraged Turner to embrace longer guitar solos[117] and to develop his newfound "crooning" style of singing.[118] While Petridis of The Guardian found some lyrics "too oblique to connect", he was impressed by the band's "desire to progress". He described "Cornerstone" as a "dazzling display of what Turner can do: a fabulously witty, poignant evocation of lost love."[119] Joe Tangari of Pitchfork felt the album was a "legitimate expansion of the band's songwriting arsenal" and described "Cornerstone" as the highlight.[120] During a break in the UK Humbug tour, Turner joined Richard Hawley on stage at a London charity concert,[121] and played a seven-song acoustic set.[122] Homme joined Arctic Monkeys for a live performance in Pioneertown, California.[123]

While living in Brooklyn, New York, where he moved with Chung in the spring of 2009,[124] Turner wrote an acoustic soundtrack for the coming-of-age feature film Submarine (2010);[125] it was released as an EP in March 2011.[126] Director Richard Ayoade initially approached Turner to sing cover versions[127] but, instead, he recorded six original songs in London, accompanied by James Ford and Bill Ryder-Jones.[128][129] Two of the songs had already been written; Turner wrote the rest after watching dailies from the film set.[130] The songs existed within the world of the film as a mixtape made by the main character's father.[131] Paul Thompson of Pitchfork felt "Turner's keen wit and eye for detail" had created a "tender portrayal" of adolescent uncertainty.[132] Ben Walsh of The Independent said the "exquisite" soundtrack was "reminiscent" of Cat Stevens's work on Harold and Maude.[133] In 2014, the Submarine soundtrack appeared on The Times's list of 100 Soundtracks to Love.[134] Turner also co-wrote six songs for Miles Kane's debut solo album Colour of the Trap (2011) and co-wrote Kane's standalone single "First of My Kind" (2012).[135]

Turner wrote Arctic Monkeys' fourth album, Suck It and See, in New York[136] and met up with his bandmates and James Ford for recording sessions in Los Angeles. Marc Hogan of Pitchfork enjoyed the album's "chiming indie pop balladry" and "muscular glam-rock".[137] Petridis of The Guardian remarked that Turner's new lyrical style of "dense, Dylanesque wordplay is tough to get right. More often than not, he pulls it off. There are beautifully turned phrases and piercing observation."[138] Richard Hawley co-wrote and provided vocals for the B-side, "You and I", and performed the song with the band at the Olympia in Paris.[139] Turner joined Elvis Costello on stage in New York to sing "Lipstick Vogue".[140]

2012–2017: International success

By 2012, Arctic Monkeys were based in Los Angeles, with Turner and Helders sharing a house.[141] Arctic Monkeys toured the US as the support act for The Black Keys in early 2012. While they had previously opened for Oasis and Queens of the Stone Age at one-off shows, it was the band's first time to tour as a supporting act.[142] They released "R U Mine?" as a standalone single in preparation for the tour, with Turner's new girlfriend, Arielle Vandenberg, appearing in the music video. Later that year, Arctic Monkeys performed "I Bet You Look Good on the Dancefloor" and a cover of "Come Together" by The Beatles at the 2012 London Summer Olympics opening ceremony. In early 2013, Turner provided backing vocals for the Queens of the Stone Age song "If I Had a Tail"[143] and played bass guitar on "Get Right", a Miles Kane B-side.[144] Arctic Monkeys headlined Glastonbury Festival for a second time in June.[145][146]

Turner performing in Zurich in 2013

AM was released in September 2013.[147][148][149] Ryan Dombal of Pitchfork said that the album, dealing with "desperate 3 a.m. thoughts", managed to modernise "T. Rex bop, Bee Gees backup vocals, Rolling Stones R&B, and Black Sabbath monster riffage".[150] Phil Mongredien of The Guardian described it as "their most coherent, most satisfying album since their debut": "Turner proves he has not lost his knack for an insightful lyric."[151] Arctic Monkeys promoted the album heavily in the US, in contrast to previous album campaigns where, according to Helders, they had refused to do radio promotion: "We couldn’t even have told you why at the time. Just stubborn teenage thinking."[13] Arctic Monkeys spent 18 months touring AM; they were joined onstage by Josh Homme in both Los Angeles and Austin.[152][153] Turner briefly reunited with Chung in the summer of 2014, having ended his two-year relationship with Vandenberg earlier that year.[154]

Columbia Records approached Turner about working with Alexandra Savior in 2014, and he co-wrote her debut album, Belladonna of Sadness, in between Arctic Monkeys' touring commitments. Turner and James Ford co-produced the album in 2015, with Turner also playing bass, guitars, keyboards, and synthesisers.[155][156][157] An additional song "Risk" was recorded with T Bone Burnett for an episode of the crime drama True Detective.[158] While Turner and Savior performed together in Los Angeles in 2016,[159] the album was not released until April 2017. In reviewing it, Hilary Hughes of Pitchfork remarked: "Turner’s musical ticks are so distinct that they’re instantly recognizable when someone else tries to dress them up as their own."[160] Savior later said the press attention surrounding Turner's involvement was overwhelming: "I'm so grateful for him, but I'm also like, 'Alright, alright!'"[157]

The Last Shadow Puppets released their second album, Everything You've Come to Expect, in April 2016. Turner, Kane and Ford were joined by Zach Dawes of Mini Mansions, with whom Turner had collaborated on the songs "Vertigo" and "I Love You All The Time" in 2015.[161][162] Owen Pallett again composed the string arrangements, this time working in the studio with the band rather than remotely.[163] According to Turner, the album featured "the most straight-up love letters" of his career, written for American model Taylor Bagley whom he dated from 2016 to 2018.[164][165] Laura Snapes of Pitchfork detected an air of "misanthropy" in the album. However, she acknowledged that Turner was "no less a gifted lyricist than ever" and described some songs as "totally gorgeous ... the structures fluid and surprising".[166] Alexis Petridis of The Guardian enjoyed Turner's "characteristically sparkling use of language" and "melodic skill". However, he felt the pair's "in-joking" during interviews and Kane's "leery" encounter with a female Spin journalist sullied the album.[167] From March until August 2016, they toured in Europe and North America.[168] Johnny Marr played guitar with the band at two shows,[169] while Turner's father David played saxophone at a Berlin show.[170]

2018 onward: Tranquility Base Hotel & Casino

Tranquility Base Hotel & Casino, Arctic Monkeys' sixth album, was released in May 2018.[171] After receiving a Steinway Vertegrand piano as a 30th birthday present from his manager, Turner wrote the space-themed album from the perspective of "a lounge-y character".[172][173] He recorded demos at home, alone and later with Helders,[174] and shared them with Cook in early 2017. Cook was initially taken-aback by the change in direction but was "very, very excited by what he’d come up with."[175] By mid–2017, the whole band was recording the project, produced by Turner and James Ford, in both Los Angeles and France.[173] They were joined by musicians from the bands Tame Impala, Klaxons, and Mini Mansions.[176] Upon release, Jonah Weiner of Rolling Stone characterised Tranquility Base as "a captivatingly bizarre album about the role of entertainment – the desire to escape into it, and the desire to create it – during periods of societal upheaval and crisis."[175] Alexis Petridis of The Guardian found it "quietly impressive" that the band chose to release the "thrilling, smug, clever and oddly cold album" rather than more crowd-pleasing fare.[177] Jazz Monroe of Pitchfork declared it "a delirious and artful satire directed at the foundations of modern society."[178] The album became the eighth number one album of Turner's career in the UK.[179] The band toured the album from May 2018 to April 2019.[180][181] Turner began dating French singer Louise Verneuil in mid–2018.[182]

Artistry

Influences
Turner performing at the Royal Albert Hall in 2018

Turner was "into hip-hop in a big way" as a teenager.[15] When he first started writing lyrics, Roots Manuva's Run Come Save Me was his main influence.[183][184] He also listened to Rawkus Records and Lyricist Lounge compilations,[185] and artists such as Dr Dre,[184] Snoop Dogg,[186] OutKast, Eminem[15] and The Streets.[184][187] He has repeatedly cited Method Man as one of his favourite lyricists,[15][184][188] and has referenced the Wu-Tang Clan in his own lyrics.[189]

For Turner, The Strokes were "that one band that comes along when you are 14 or 15 years old that manages to hit you in just the right way and changes your whole perception of things."[190] He changed his style of dress and began to take an interest in guitar music.[191] He has since referenced the band in his lyrics.[191] The Vines were the first band Turner ever saw live and Craig Nicholls provided inspiration for his early stage persona.[192] Other early guitar influences included The Libertines,[193] The Coral,[194] The Hives[21] and The White Stripes.[195] In his late teens, Turner began "delving" into older music and discovered lyricists including Elvis Costello,[10] Ray Davies of The Kinks,[10][15] Jarvis Cocker of Pulp,[196] Paul Weller of The Jam,[197] and Morrissey of The Smiths.[198][199] Turner has since performed with Jack White of The White Stripes,[110] Costello[140] and Johnny Marr of The Smiths.[200]

John Cooper Clarke, whose poetry Turner first encountered at school, was a "massive" source of early inspiration.[201][29] Turner was working as a barman at The Boardwalk in Sheffield in late 2004 when Clarke appeared on stage as the opening act for The Fall.[58] The performance made a big impression on the eighteen-year-old: "He's talking 100 miles an hour, and he's really funny ... It just blew my mind."[202] He was inspired by Clarke's use of a regional accent and the early Arctic Monkeys song "From the Ritz to the Rubble" was his homage to Clarke's style ("my best shot at it, at least").[203] Later in his career, Turner requested to interview Clarke for Mojo Magazine, published two Clarke poems as part of a single's artwork[204] and used another ("I Wanna Be Yours") as the lyrical basis for a song.[205] In 2018, Arctic Monkeys invited Clarke to perform his reading of "I Wanna Be Yours" at one of their Sheffield arena shows.[206][207]

Turner is a fan of pop. In 2007, he told Q Magazine that he is a huge Beyoncé Knowles fan.[208] Nick Lowe,[209] Jake Thackray,[210] Nick Cave,[209] John Cale,[184] Leonard Cohen,[211] Bob Dylan[212] and Lou Reed[213] are among the lyricists Turner admires. He has spoken of his respect for country music songwriters like Roger Miller, Willie Nelson, Townes Van Zandt,[214] and Hank Williams.[215] He has been drawn to artists who reinvented themselves throughout their careers: "The Beatles, David Bowie… the big ones."[216][217] When forming The Last Shadow Puppets in 2007, Turner was inspired by the music of Bowie, Scott Walker, Serge Gainsbourg, David Axelrod and Ennio Morricone.[218] Songs that Turner has discussed repeatedly in interviews are Michael Chapman's "You Say",[219][220][221] Leon Russell's "A Song for You"[222][183][223] and Dion's "Only You Know", describing the latter as "one of my favourite tunes of all time".[48][224][225]

Songwriting

Kate Mossman of the New Statesman described Turner as "one of the great lyricists of the 21st century", writing that his songs are "full of lovingly extended metaphors" and "mordant Morrissey-style observations".[226] Mike Laws of the Village Voice characterised him as "a writer without peer in virtually all of rock" and identified "rapid-fire prosody and facility with internal rhyme" as Turner's trademarks.[227] Simon Armitage, writing in The Guardian, said: "Of all those writing lyrics today, Turner is among the most poetic. His use of internal rhyme exists to be admired and envied ... Turner is a storyteller and scene-setter."[228] "Like all the estimable British lyricists, be it Noël Coward or Morrissey, Turner has always been willing to risk a delicious irony or witty turn of phrase, even in a sad song."[229] Kitty Empire of The Observer considers him "probably the finest lyricist of his generation."[230]

Turner's early songs chronicled teenage nightlife in England,[231] and, according to Armitage, were "of the kitchen-sink, social-realism variety."[228] Sasha Frere-Jones of the New Yorker described him as "a prodigy at both character sketches and song form."[232] Turner drew comparisons to Alan Bennett[233] and Victoria Wood.[234] As Turner has aged, Laws of the Village Voice noted: "His lyrics have shied away from making themselves amenable to easy reading. [They have become] more oblique and abstruse — more apt, too, to adopt the perspective of somebody else entirely, and so more editorially unreliable."[227] Turner himself acknowledges that, after writing "so directly" on his early songs, he went through a period of "wanting to reject that and, you know… just be the walrus for a bit."[235] He first "attempted to write lyrics that weren’t so observational" with his side-project The Last Shadow Puppets, later remarking that he had sometimes veered too far "into abstraction".[236] He considers the lyrics on 2018's Tranquility Base Hotel and Casino to be the most direct since his earliest songs: "I think that was something I was trying to get away from, and perhaps I’ve returned to it now."[237]

Turner has said his songs are preoccupied with romance,[235] loneliness, and longing.[238] Jazz Monroe of Drowned in Sound remarked: "Turner seems part of an elite club of songwriters whose best love songs are the requited ones."[239] Similarly, in reviewing 2013's AM, Mossman found the depiction of romantic partners "two-dimensional. In "Fluorescent Adolescent", or the memorably titled "Mardy Bum", he somehow managed to tell a girl's side of the story even in the act of mocking her."[226] Neil McCormick of The Telegraph noted "a particularly North of England, working-class quality of sarcastic misanthropy" in Turner's lyrics[231] while Frere-Jones of the New Yorker said Turner "manages to summon the intractable bleakness of someone three times his age".[232] Later songs have alluded to "questions of consumerism, hyper-reality, [and] accelerating technology".[240] Monroe of The Independent highlights "anti-industry sloganeering," "lyrical abstraction," "postmodern scepticism," and a "rejection of the entire rock construct" as the "through-line in Turner's work."[240]

Turner himself says that his songwriting is "absolutely not" poetry: "Poetry and the written word are harder, you've no melodies to hide behind."[53][235] After initial reluctance,[241] he began publishing his lyrics with Arctic Monkeys' fourth album.[235] In an in-depth conversation about songcraft with New York's Lane Brown, he said: "I don’t really get the ‘I wrote the whole song on the back of a cigarette packet in 20 minutes’ sort of thing ... I would keep adding or changing words forever if somebody didn't stop me."[242]

Turner has said writing melodies is the more difficult part of the songwriting process for him.[243][244] Alexis Petridis of The Guardian believes "Turner’s melodic skill sometimes gets overlooked" because he "arrived in the public consciousness words-first."[245]

Voice

In the early years of his career, Turner performed in a strong Sheffield dialect.[246] Simon Armitage remarked: "I can't think of another singer whose regional identity has been so unapologetically and naturally intoned through his singing voice."[247] By 2018's Tranquility Base Hotel, Alexis Petridis of The Guardian noted: "The Yorkshire dialect that was once his USP is now deployed sparingly, as a jolting effect."[248] One critic claimed that the tone of Turner's voice has also transformed over time, from a "fidgety whine" to "a worn-in baritone croon".[249]

Stage persona

In an otherwise positive review of a 2006 show, Richard Cromelin of the Los Angeles Times noted that Turner seemed "a little spooked by the attention" and hoped he would learn "to reach out more to the audience" in time.[21][250] In 2007, Kitty Empire of The Observer noted that he was a "reserved" presence on stage: "He chats a bit to about 15 people in the middle of the front rows, and only looks up at the balcony, once, a little apprehensively."[251] Following Arctic Monkeys' headlining appearance at Glastonbury Festival in 2007, Rosie Swash of The Guardian remarked upon Turner's "steady, wry stage presence": "Arctic Monkeys don't do ad-libbing, they don't do crowd interaction, and they don't do encores."[94] Simon Price of The Independent said Turner seemed "to freeze like a rabbit in the spotlights" during a headlining set at Reading Festival in 2009.[252]

In late 2011, Turner began to change his stage persona and style, most notably changing his hairstyle to a "rockabilly-inspired quiff".[253] Brian Hiatt of Rolling Stone noted of his "newfound showmanship" that he "puts his guitar down to strut and dance, drops to his knees for solos when he does play, [and] flirts shamelessly with the female fans".[13] In reviewing a 2013 concert, Dorian Lynskey of The Guardian said, "Turner, a shy sort for a frontman, used to seem unnerved by attention and he's coped by adopting a tongue-in-cheek persona that suggests a comic-strip version of a 50s rock star, a Blackpool Buddy Holly: all quiff and quips. It's a curious pose, entertaining but alienating in the same way as some of his more arch lyrics. [...] Turner always holds something back, which makes the band more interesting but somewhat distant."[254][255] Ben Beaumont-Thomas of The Guardian noted in 2018 that Turner ironically "played with the role" of being a rockstar but simultaneously "can't help but be a real rock star".[256]

Turner has described public speaking as almost being his "worst nightmare"[257] and does not consider himself a "born performer", stating that he "enjoy[s] the studio side of it more than touring".[258] Although an admitted "control freak" by nature,[235] he describes being a frontman as an "awkward" and "strange" experience that he does not "take too seriously".[259] He said, "I can't go out there and absolutely be myself. The situation is so fundamentally unnatural. [...] It's not a full-on, 'right, get into character' thing ... [sometimes] part of how you actually feel comes out. But I think I always feel weird about that afterwards."[260]

Discography

Solo

Arctic Monkeys

Main article: Arctic Monkeys discography

The Last Shadow Puppets

  • The Age Of The Understatement (2008)
  • Everything You've Come To Expect (2016)

Other collaborations

gollark: An IRC network.
gollark: And no, they cannot have custom CSS.
gollark: `for k, v in pairs (getfenv()) do getfenv()[k] = nil end` you.
gollark: Well, I hate the environment and am actively working to destroy it.
gollark: ALL observing members are utterly equal to this.

References
  1. "100 Best Debut Albums of All Time". Rolling Stone. 22 March 2013. Retrieved 27 July 2018.
  2. "UPI Almanac for Sunday, Jan. 6, 2019". United Press International. 6 January 2019. Archived from the original on 11 September 2019. Retrieved 10 September 2019. rock singer Alex Turner (Arctic Monkeys) in 1986 (age 33)
  3. "Alexander David Turner in the England & Wales, Civil Registration Birth Index, 1916-2007". Ancestry.com.
  4. "Alexander David Turner in the England & Wales, Civil Registration Birth Index, 1916-2007". Ancestry.com.
  5. Sterdan, Darryl. "Monkeys Still Shining for Turner". Toronto Sun. Archived from the original on 24 July 2018. Retrieved 24 July 2018.
  6. "The Arctic Monkeys from High Green, Sheffield make their jubilant return home". NME. 19 September 2018. Retrieved 18 April 2020.
  7. Gilbert, Pat (2007). "Poets Cornered". MOJO Magazine. p. 46.
  8. "Arctic Monkeys talk to NME in 2007 about 'Favourite Worst Nightmare'". NME Music News, Reviews, Videos, Galleries, Tickets and Blogs | NME.COM. 8 May 2018. Retrieved 15 January 2020.
  9. Day, Elizabeth (26 October 2013). "Arctic Monkeys: 'In Mexico it was like Beatlemania'". The Guardian. Retrieved 24 July 2018.
  10. Matheny, Skip (12 March 2010). "Drinks With: Arctic Monkeys". American Songwriter. Retrieved 24 July 2018.
  11. Cameron, Keith (July 2007). "The Reluctant Genius of Alex Turner". Q. No. 252.
  12. Rachel, T. Cole (31 May 2011). "Progress Report: Arctic Monkeys". Stereogum. Retrieved 26 August 2015.
  13. Hiatt, Brian (21 October 2013). "How Arctic Monkeys Reinvented Their Sound". Rolling Stone. Retrieved 27 July 2018.
  14. "Arctic Monkeys interview on Absolute Radio". Absolute Radio's Youtube. 7 November 2011. Retrieved 24 July 2018.
  15. Dombal, Ryan (10 May 2012). "5–10–15–20: Alex Turner". Pitchfork. Retrieved 26 August 2015.
  16. Divola, Barry (11 May 2018). "Arctic Monkeys' Alex Turner on long-awaited album Tranquility Base Hotel & Casino". The Sydney Morning Herald. Retrieved 15 May 2018.
  17. "Arctic Monkeys Alex Turner BBC Radio 1 Interview - 10th May 2018". Retrieved 5 February 2020.
  18. Armitage, Simon (12 July 2009). "Highly evolved". The Observer. Retrieved 28 March 2016.
  19. Halo, Martin (30 May 2007). "Interview: Arctic Monkeys 'Setting Fire to the Dancefloor'". TheWaster.com. Retrieved 12 August 2018.
  20. "Jill Helders: Arctic Mummy". BBC Yorkshire. 25 February 2009. Retrieved 25 July 2018.
  21. "Welcome to the jungle". Los Angeles Times. 2 April 2006. Retrieved 26 January 2020.
  22. McLean, Craig (1 January 2006). "Craig McLean spends three months on the road with the Arctic Monkeys". The Guardian. Retrieved 26 July 2018.
  23. Murphy, Lauren (5 September 2013). "Arctic Monkeys get funky on album number five". The Irish Times. Retrieved 26 August 2015.
  24. "Episode 53: Via Hillsborough, Please (ft Andy Nicholson)". Retrieved 5 January 2020.
  25. "Hanging Out With Andy Nicholson: Ex-Arctic Monkey, Producer & Photographer". Orbiter Lover. 29 January 2015. Retrieved 26 August 2015.
  26. Hilburn, Robert (2 April 2006). "Welcome to the jungle". Los Angeles Times. Retrieved 26 August 2015.
  27. Caesar, Ed (14 April 2007). "Alex Turner: That's what he's not. So what is he?". The Independent. London. Archived from the original on 17 May 2011. Retrieved 17 February 2013.
  28. Coleman, Mark (12 September 2008). "What were today's celebrities like as children?". The Guardian. Retrieved 24 July 2018.
  29. Rogers, Jude (25 April 2010). "Schoolteachers of Rock". The Guardian. Retrieved 24 July 2018.
  30. Baker, Simon. "Human Potential and the Arctic Monkeys. – Steve Baker Education". www.stevebakereducation.co.uk. Retrieved 21 January 2020.
  31. Armitage, Simon (11 July 2009). "Simon Armitage meets Arctic Monkeys". The Observer. Retrieved 15 September 2015.
  32. Button, James (15 April 2007). "Back for Seconds". The Age. Retrieved 24 July 2018.
  33. Martin, Rick (5 April 2011). "Arctic Monkeys: Read Their First Ever NME Feature – NME". NME. Retrieved 25 May 2005.
  34. Shimmon, Katie (29 November 2005). "College days". The Guardian. Retrieved 18 July 2018.
  35. Plagenhoef, Scott (11 August 2008). "Scott Walker 'Til the Band Comes In". Pitchfork Media. Retrieved 15 July 2016.
  36. Moody, Paul (December 2006). "It's great when you're ape..yeah!". Uncut Magazine. p. 74.
  37. Guardian Staff (15 April 2006). "Weekend: The Arctic Monkeys in New York". The Guardian. Retrieved 23 January 2020.
  38. Simpson, Dave (2 February 2018). "Made of steel: how South Yorkshire became the British indie heartland". The Guardian. Retrieved 25 July 2018.
  39. "Arctic Monkeys' Matt Helders at 16 – he left school and spent his savings on a drum kit stored in Alex Turner's garage". Loud And Quiet. Retrieved 5 January 2020.
  40. "Andy Nicholson | The 279 Podcast". 1 August 2019. Retrieved 5 January 2020.
  41. Murison, Krissi (20 May 2018). "Arctic Monkeys' Alex Turner on their new album and returning to the limelight". Retrieved 25 July 2018.
  42. Odell, Michael (15 August 2009). "Monkey business". The National. Retrieved 26 August 2015.
  43. McLean, Craig (21 November 2009). "Arctic Monkeys hit their stride". The Times. Retrieved 26 August 2015.
  44. "The real story about the Arctic Monkeys first ever gig at The Grapes in Sheffield. – Reyt Good Magazine". www.rgm.press. Retrieved 16 July 2018.
  45. "Arctic Monkeys, Geese Confession, Job Interview Hacks, Jo Whiley & Simon Mayo – BBC Radio 2". BBC. Retrieved 12 July 2018.
  46. McLean, Craig (1 January 2006). "Craig McLean spends three months on the road with the Arctic Monkeys". The Observer. Retrieved 17 January 2020.
  47. Beaumont, Mark (8 May 2018). "Arctic Monkeys talk to NME in 2007 about 'Favourite Worst Nightmare'". NME. Retrieved 26 July 2018.
  48. Stokes, Paul. "Alex Turner". Q Magazine (November 2011). p. 63.
  49. Lynskey, Dorian (May 2006). "The Lads Are Alright". Blender.
  50. Saunders, Chris (17 October 2011). "Alan Smyth". Counterfeit Magazine. Retrieved 26 August 2015.
  51. "Monkey business: Ian McAndrew on 25 years of Wildlife Entertainment – Music Business Worldwide". Music Business Worldwide. 31 July 2015. Retrieved 21 July 2018.
  52. "Inside the room where Arctic Monkeys first rehearsed in Sheffield: 'They were definitely going to be stars'". www.thestar.co.uk. Retrieved 22 January 2020.
  53. "Monkey business". Independent.ie. Retrieved 15 January 2020.
  54. Boyd, Brian (20 April 2007). "Primates of all England". The Irish Times. Retrieved 20 January 2020.
  55. Lanham, Tom (2 April 2006). "Monkey business". SFGate. Retrieved 26 July 2018.
  56. "Go Nuts with the Monkeys". Manchester Evening News. 29 August 2007. Retrieved 24 July 2018.
  57. Creighton, Keith (21 August 2012). "Richard Hawley Aims His Guitar At The 1 Percent". Popdose. Retrieved 11 August 2018.
  58. Fitzmaurice, Larry (19 September 2013). "Interviews: Arctic Monkeys". Pitchfork. Retrieved 28 March 2016.
  59. Hasted, Nick (16 December 2005). "Year of the Arctic Monkeys". The Independent. Retrieved 30 July 2018.
  60. Webb, Rob (4 February 2005). "Too much Monkey business?". BBC South Yorkshire. Retrieved 26 August 2015.
  61. "Insiders' guide to Arctic Monkeys". BBC. 23 April 2007. Retrieved 29 July 2018.
  62. Webb, Rob (25 May 2005). "Single Review: Arctic Monkeys – Five Minutes With Arctic Monkeys". DrownedInSound. Retrieved 29 July 2018.
  63. "Hey, hey it's the Monkeys!". BBC Yorkshire. 2005. Retrieved 27 July 2018.
  64. Muir, Ava (21 June 2018). "Arctic Monkeys' Career So Far: From Rubble to the Ritz". Exclaim!. Retrieved 29 July 2018.
  65. "Arctic Monkeys – How We Wrote 'I Bet You Look Good On The Dancefloor'". Retrieved 24 January 2020.
  66. Davis, Ben (18 May 2010). "Thorney girl living the rock star life with Kings of Leon boyfriend – Latest Local News". Peterborough Evening Telegraph. Retrieved 28 June 2013.
  67. Barton, Laura (25 October 2005). "The question: Have the Arctic Monkeys changed the music business?". The Guardian. Retrieved 29 July 2018.
  68. Sullivan, Caroline (27 January 2006). "Caroline Sullivan: Whatever they say they are, that's what they are". The Guardian. Retrieved 21 July 2018.
  69. Sanneh, Kelefa (30 January 2006). "Teen Spirit: Arctic Monkeys Observed in the Wild". The New York Times. Retrieved 27 July 2018.
  70. Petridis, Alexis (13 January 2006). "CD: Arctic Monkeys, Whatever People Say I Am, That's What I'm Not". The Guardian. Retrieved 20 July 2018.
  71. Cromelin, Richard (15 March 2006). "Arctic Monkeys play it cool". Los Angeles Times. Retrieved 21 July 2018.
  72. Petridis, Alexis (15 April 2006). "Weekend: The Arctic Monkeys in New York". The Guardian. Retrieved 31 July 2018.
  73. Hilburn, Robert (2 April 2006). "Welcome to the jungle". Los Angeles Times. Retrieved 26 January 2020.
  74. Bendersky, Ari (1 March 2006). "Monkeys of the Arctic Kind". Arizona Daily Star. Retrieved 30 July 2018.
  75. Kandell, Steve (June 2007). "How to Suddenly Become the Biggest Band Ever". Spin Magazine. p. 79.
  76. Ellen, Barbara (28 May 2011). "Arctic Monkeys: 'We want to get better rather than get bigger'". The Observer. Retrieved 25 January 2020.
  77. Sinclair, David (26 May 2006). "Arctic Monkeys: Too much monkey business". The Independent. Retrieved 1 August 2018.
  78. "Arctic Monkeys bass player quits". The Sydney Morning Herald. 21 June 2006. Retrieved 30 July 2018.
  79. Hasted, Nick (26 May 2006). "Arctic Monkeys: Too much monkey business". The Independent. Retrieved 13 January 2020.
  80. Raihala, Ross (5 May 2007). "Better late than never for Arctic Monkeys' bassist". St. Paul Pioneer Press. Retrieved 30 July 2018.
  81. says, Chris. "Arctic Monkeys interview : Illinois Entertainer". Illinoisentertasiner.com. Retrieved 12 January 2020.
  82. "Episode 53: Via Hillsborough, Please (ft Andy Nicholson)". Soundcloud.com. Retrieved 13 January 2020.
  83. "Ex Arctic Monkeys bassist considered suicide after leaving band". Radio X. Retrieved 13 January 2020.
  84. "Former Arctic Monkeys bassist Andy Nicholson tells us about life after the band and going solo as Goldteeth | NME". NME Music News, Reviews, Videos, Galleries, Tickets and Blogs | NME.COM. 14 June 2019. Retrieved 13 January 2020.
  85. "Hanging Out With Andy Nicholson: Ex-Arctic Monkey, Producer & Photographer". Orbiter Lover. 29 January 2015. Retrieved 20 July 2018.
  86. "Cheeky Monkeys do it their way". 2 February 2006. Retrieved 6 February 2020.
  87. Robinson, John (23 April 2007). "Alex Turner Q & A – Uncut". Uncut. Retrieved 1 August 2018.
  88. "Arctic Monkeys co-producer James Ford on new album 'AM' | NME". NME Music News, Reviews, Videos, Galleries, Tickets and Blogs | NME.COM. 1 August 2013. Retrieved 28 January 2020.
  89. Hogan, Marc (24 April 2007). "Arctic Monkeys: Favourite Worst Nightmare Album Review". Pitchfork. Retrieved 2 August 2018.
  90. "ARCTIC HEARTACHE". The Mirror. 15 January 2007. Retrieved 26 August 2015.
  91. Hodgson, Jaimie (15 July 2007). "Ex-girlfriend helps Arctic Monkeys to a hit". The Observer. London: Guardian News and Media. Archived from the original on 26 July 2008. Retrieved 23 August 2008.
  92. Petridis, Alexis (20 April 2007). "CD: Arctic Monkeys, Favourite Worst Nightmare". The Guardian. Retrieved 22 July 2018.
  93. Swash, Rosie (25 April 2007). "Arctic Monkeys outselling the rest of the top 20 combined". The Guardian. Retrieved 2 August 2018.
  94. Swash, Rosie (23 June 2007). "Review: Arctic Monkeys, Pyramid stage, Friday 11.05pm". The Guardian. Retrieved 22 July 2018.
  95. Thompson, Ben (21 April 2007). "Ben Thompson speaks frankly to Dizzie Rascal". The Guardian. Retrieved 3 August 2018.
  96. Youngs, Ian (9 October 2007). "Reverend preaches the power of pop". BBC. Retrieved 3 August 2018.
  97. "Interview: Richard Hawley". BBC South Yorkshire. 25 November 2008. Retrieved 28 March 2016.
  98. Muir, Ava (21 June 2018). "Arctic Monkeys' Career So Far: From Rubble to the Ritz". Exclaim!. Retrieved 27 July 2018.
  99. Fletcher, Alex (2 August 2007). "Arctic Monkey plans side project". Digital Spy. Retrieved 29 September 2014.
  100. Cobb, Ben (7 June 2017). "Alex Turner". AnotherMan. Retrieved 17 August 2018.
  101. "Reverend and The Makers' Jon McClure gets it all off his chest". The Mirror. 22 February 2008. Retrieved 3 August 2018.
  102. Hermann, Andy (28 March 2016). "The Last Shadow Puppets Joke Around About Everything, Except Their Music". L.A. Weekly. Retrieved 10 August 2018.
  103. Thompson, Ben (16 March 2008). "What do you get when you mix one Arctic Monkey and one young Rascal, asks Ben Thompson". The Guardian. Retrieved 3 August 2018.
  104. "When Alex met Alexa: Arctic Monkeys singer hand-in-hand with Channel 4". Evening Standard. Retrieved 21 July 2018.
  105. Knight, David (26 February 2009). "Richard Ayoade wins best video and best DVD at NME Awards on Promo News". PromoNews.tv. Retrieved 3 August 2018.
  106. Hogan, Marc. "The Last Shadow Puppets: The Age of the Understatement Album Review | Pitchfork". Pitchfork. Retrieved 4 August 2018.
  107. Petridis, Alexis (17 April 2008). "CD of the week: The Last Shadow Puppets, The Age of the Understatement". The Guardian. Retrieved 23 July 2018.
  108. "Monkey business". The National. Retrieved 10 February 2020.
  109. Green, Thomas H. (19 August 2008). "The Last Shadow Puppets review: satisfied relief". The Daily Telegraph. London. Retrieved 22 September 2008.
  110. "Last Shadow Puppets and Jack White play secret Glastonbury gig – NME". NME. 28 June 2008. Retrieved 7 August 2018.
  111. Thompson, Paul. "Last Shadow Puppets Enlist Kills' Mosshart for EP | Pitchfork". pitchfork.com. Retrieved 11 August 2018.
  112. "The Kills discuss Arctic Monkeys collaboration – NME". NME. 12 August 2008. Retrieved 11 August 2018.
  113. Duff, Oliver (1 February 2008). "How all hell broke loose when two indie icons celebrated their past". The Independent. Retrieved 3 August 2018.
  114. Michaels, Sean (5 September 2008). "Alex Turner to make spoken-word debut". The Guardian. Retrieved 23 July 2018.
  115. "Arctic Monkeys Q&A". The Daily Telegraph. 27 November 2013. Retrieved 28 March 2016.
  116. Eliscu, Jenny (3 September 2009). "Arctic Monkeys' Desert Journey: The Making of 'Humbug'". Rolling Stone. Retrieved 13 February 2020.
  117. "Arctic Monkey Alex Turner gives Uncut the lowdown on new LP!". Uncut. 3 August 2009. Retrieved 28 March 2016.
  118. "Josh Homme". www.soundonsound.com. Retrieved 13 February 2020.
  119. Petridis, Alexis (20 August 2009). "Arctic Monkeys: Humbug | CD review". The Guardian. Retrieved 23 July 2018.
  120. "Arctic Monkeys: Humbug Album Review | Pitchfork". pitchfork.com. Retrieved 23 July 2018.
  121. Davies, Rodrigo (20 November 2009). "Hawley joined by Monkey on stage". BBC News. Retrieved 11 August 2018.
  122. Empire, Kitty (22 November 2009). "Richard Hawley, Alex Turner and I Blame Coco | Pop reviews". The Guardian. Retrieved 11 August 2018.
  123. "Alex Turner: 'If I could play guitar like Josh Homme, I f**king would'". www.gigwise.com. Retrieved 12 August 2018.
  124. Ellen, Barbara (28 May 2011). "Arctic Monkeys: 'We want to get better rather than get bigger'". The Guardian. Retrieved 23 July 2018.
  125. "Periscope up: Richard Ayoade and Alex Turner unite their talents in". The Independent. Retrieved 23 July 2018.
  126. "Alex Turner – Official Chart History". Official Charts Company. 26 March 2011. Retrieved 10 August 2018.
  127. "Alex Turner: GQ Music Issue 2011: The Survivors". GQ. 15 November 2011. Retrieved 13 July 2018.
  128. "Bill Ryder Jones – Interview". Part Time Wizards. Archived from the original on 14 September 2015. Retrieved 26 August 2015.
  129. "Bill-Ryder Jones – former The Coral guitarist and solo artist". Your Move Magazine. 2 August 2014. Retrieved 26 August 2015.
  130. "Periscope up: Richard Ayoade and Alex Turner unite their talents in hot new Brit flick Submarine". The Independent. 20 March 2011. Retrieved 14 April 2020.
  131. John DeFore (9 June 2011). "'Submarine' is director Richard Ayoade's coming of age". The Washington Post. Retrieved 14 April 2020.
  132. "Alex Turner: Submarine OST Album Review | Pitchfork". pitchfork.com. Retrieved 13 July 2018.
  133. "What happened to movie music?". The Independent. 5 August 2011. Retrieved 13 February 2020.
  134. "100 soundtracks to love | The Sunday Times". Thetimes.co.uk. 9 November 2014. Retrieved 14 April 2020.
  135. "First Of My Kind / Miles Kane". ASCAP. Retrieved 23 May 2018.
  136. Norris, John (31 May 2011). "Craft Service: Arctic Monkeys Branch Out – Interview Magazine". Interview Magazine. Retrieved 10 August 2018.
  137. "Arctic Monkeys: Suck It and See Album Review". pitchfork.com. Retrieved 23 July 2018.
  138. Petridis, Alexis (2 June 2011). "Arctic Monkeys: Suck It and See – review". The Guardian. Retrieved 23 July 2018.
  139. "Check Out: Arctic Monkeys feat. Richard Hawley "You & I"". Consequence of Sound. 20 January 2012. Retrieved 11 August 2018.
  140. Friedman, Roger (24 May 2011). "Elvis Costello Spins a Wheel of Fortune, Diana Krall Dances". Showbiz411. Retrieved 11 August 2018.
  141. "Arctic Monkeys go California". The San Francisco Examiner. Retrieved 10 August 2018.
  142. "Q&a Arctic Monkeys' Matt Helders – On touring the US with The Black Keys, life as a support band, getting love from Metallica & new album plans". Q Magazine. Retrieved 23 July 2018.
  143. "Kalopsia by Queens of the Stone Age". Songfacts.com. Retrieved 8 April 2014.
  144. "Miles Kane – Don't Forget Who You Are (Vinyl)". Discogs. 3 June 2013. Retrieved 8 April 2014.
  145. Beaumont, Mark (29 June 2013). "Arctic Monkeys at Glastonbury 2013 – review". The Guardian. Retrieved 26 July 2018.
  146. Savage, Mark (29 June 2013). "Arctic Monkeys headline Glastonbury". BBC News. Retrieved 5 August 2018.
  147. "Arctic Monkeys' Alex Turner on "AM," Working with Josh Homme, and Adapting John Cooper Clarke". www.undertheradarmag.com. Retrieved 24 July 2018.
  148. "Arctic Monkeys' Alex Turner: 'I want to start writing follow-up to 'Suck It And See'". NME. 9 March 2012. Retrieved 28 June 2013.
  149. Dunning, JJ (September 2013). "Arctic Monkeys are all over the place". The Fly.
  150. "Arctic Monkeys: AM Album Review | Pitchfork". pitchfork.com. Retrieved 24 July 2018.
  151. Mongredien, Phil (7 September 2013). "Arctic Monkeys: AM – review". The Guardian. Retrieved 24 July 2018.
  152. Cubarrubia, RJ (4 October 2013). "Josh Homme Joins Arctic Monkeys Onstage". Rolling Stone. Retrieved 11 August 2018.
  153. Webb, Jacob (13 October 2013). "Live Review: Austin City Limits 2013, Friday". The KEXP Blog. Retrieved 12 August 2018.
  154. "Alexa Chung and Alex Turner Meet in New York – ASOS". 1 October 2015. Archived from the original on 1 October 2015.
  155. "Interview: Alexandra Savior on her upcoming debut album". Coup De Main Magazine. 10 October 2016. Retrieved 14 April 2020.
  156. "Alexandra Savior On Songwriting, Working With Alex Turner & Visiting Australia – Music Feeds". Music Feeds. 13 April 2017. Retrieved 16 July 2018.
  157. Graves, Shahlin (10 October 2016). "Interview: Alexandra Savior on her upcoming debut album". Coup De Main Magazine. Retrieved 16 July 2018.
  158. "Meet Alexandra Savior: The LA Songwriter Who's Made An Entire Album With Alex Turner". NME. 16 May 2016. Retrieved 10 August 2018.
  159. "Check Out Alexandra Savior, Alex Turner's New Songwriting Partner". NME. 16 May 2016. Retrieved 16 July 2018.
  160. "Alexandra Savior: Belladonna of Sadness Album Review | Pitchfork". pitchfork.com. Retrieved 16 July 2018.
  161. Renshaw, David (10 March 2015). "Mini Mansions song with Arctic Monkeys' Alex Turner released online". NME. Retrieved 10 March 2015.
  162. "Arctic Monkeys' Alex Turner appears on Eagles of Death Metal charity cover – listen | NME". NME Music News, Reviews, Videos, Galleries, Tickets and Blogs | NME.COM. 20 December 2015. Retrieved 19 January 2020.
  163. Grand-Pierre, Ken (15 February 2017). "The Last Shadow Puppets". Retrieved 19 January 2020.
  164. MOJO June 2018, page 79, Andrew Cottirill
  165. Distefano, Alex (28 June 2018). "R.I.P. Steve Soto of The Adolescents, Manic Hispanic". L.A. Weekly. Retrieved 4 July 2018.
  166. "The Last Shadow Puppets: Everything You've Come to Expect Album Review | Pitchfork". pitchfork.com. Retrieved 17 July 2018.
  167. Petridis, Alexis (24 March 2016). "The Last Shadow Puppets: Everything You've Come to Expect review – more a smirking in-joke than a band". The Guardian. Retrieved 17 July 2018.
  168. "The Last Shadow Puppets – The Dream Synopsis EP". The Last Shadow Puppets – Everything You've Come To Expect. Retrieved 17 December 2016.
  169. "Johnny Marr discusses the "poignant" moment he played live with Alex Turner". Far Out Magazine. 14 June 2018. Retrieved 15 January 2020.
  170. "Alex Turner's Dad Played Sax At A Recent Last Shadow Puppets Gig And it Will Make You Weak At The Knees". NME Music News, Reviews, Videos, Galleries, Tickets and Blogs | NME.COM. 24 August 2016. Retrieved 15 January 2020.
  171. Trendell, Andrew (5 April 2018). "Arctic Monkeys announce new album 'Tranquility Base Hotel & Casino'". NME. Retrieved 5 April 2018.
  172. Newstead, Al (11 May 2018). "Alex Turner unpacks Arctic Monkeys' subversive, sci-fi referencing new album". triple j. Retrieved 13 July 2018.
  173. "Inside Arctic Monkeys' New Album: Alex Turner Discusses Why Swapping Guitar for Piano Led to the Band's Most Ambitious Album". Retrieved 20 June 2018.
  174. "Arctic Monkeys Drummer Matt Helders on Tranquility Base Hotel & Casino and Drumming with Restraint". www.kexp.org. Retrieved 15 January 2020.
  175. Weiner, Jonah (3 May 2018). "Arctic Monkeys Start Over: Inside Their Weird New Sci-Fi Opus". Rolling Stone. Retrieved 13 July 2018.
  176. "NME Big Read: Arctic Monkeys 'from the Ritz to the Hubble'". NME. Retrieved 14 July 2018.
  177. Petridis, Alexis (10 May 2018). "Arctic Monkeys: Tranquility Base Hotel & Casino review – funny, fresh and a little smug | Alexis Petridis' album of the week". The Guardian. Retrieved 13 July 2018.
  178. "Arctic Monkeys: Tranquility Base Hotel & Casino Album Review | Pitchfork". pitchfork.com. Retrieved 14 July 2018.
  179. "Arctic Monkeys set new chart record with massive sales as 'Tranquility Base Hotel + Casino' tops UK album chart – NME". NME. 18 May 2018. Retrieved 15 July 2018.
  180. "Here's everywhere you can see Arctic Monkeys live in 2018". Retrieved 15 July 2018.
  181. "Arctic Monkeys have played their last show "until the next record"". NME. 8 April 2019. Retrieved 10 January 2020.
  182. "Dicono che questa cantautrice sia la nuova Jane Birkin". Rolling Stone Italia (in Italian). 11 December 2019. Retrieved 13 January 2020.
  183. Murphy, Lauren (6 September 2013). "Arctic Monkeys get funky on album number five". The Irish Times. Retrieved 10 August 2018.
  184. Bevan, David (10 September 2013). "The SPIN Interview: Arctic Monkeys' Alex Turner". Spin. Retrieved 3 August 2018.
  185. "'We'll Be Dropped Within A Year' – Read Arctic Monkeys' First NME Cover Feature | NME". NME Music News, Reviews, Videos, Galleries, Tickets and Blogs | NME.COM. 5 April 2011. Retrieved 12 January 2020.
  186. "Believe the hype: Arctic Monkeys rock". TODAY.com. 23 February 2006. Retrieved 13 August 2018.
  187. Taylor, Chris (2 April 2006). "Arctic Monkeys Formed By Hip-Hop Love". www.gigwise.com. Retrieved 14 August 2018.
  188. Ryzik, Melena (13 May 2011). "Alex Turner on Arctic Monkeys' 'Suck It and See'". The New York Times. Retrieved 13 August 2018.
  189. Hyden, Steven (10 May 2018). "Arctic Monkeys Grow Up and Get Weird On Their Inspired New Album". UPROXX. Retrieved 13 August 2018.
  190. Cole, Rachel T. (31 May 2011). "Progress Report: Arctic Monkeys". Stereogum. Retrieved 12 August 2018.
  191. Smith, Thomas (25 July 2018). "Alex Turner loves The Strokes even more than you do – here's how a certain bromance unfolded – NME". NME. Retrieved 12 August 2018.
  192. McLean, Craig (5 March 2006). "Stop making sense". The Observer. Retrieved 22 August 2015.
  193. Gordon, Scott (22 May 2007). "Random Rules: Alex Turner of Arctic Monkeys". AV Club. Retrieved 12 August 2018.
  194. "The Coral speak about hero worship from Arctic Monkeys – NME". NME. 30 July 2008. Retrieved 13 August 2018.
  195. Trendell, Andrew (2 August 2018). "Here's Arctic Monkeys covering The White Stripes in Detroit last night – NME". NME. Retrieved 13 August 2018.
  196. "Arctic Monkeys diss 'annoying' Kaiser Chiefs – NME". NME. 27 October 2005. Retrieved 15 August 2018.
  197. Harris, John (24 June 2005). "John Harris asks why pop lyrics are in such decline". The Guardian. Retrieved 3 August 2018.
  198. "Alex Turner – The Record(s) That Changed My Life – NME". NME. 25 April 2012. Retrieved 14 August 2018.
  199. Fennessey, Sean (15 November 2011). "Alex Turner: GQ Music Issue 2011: The Survivors". GQ. Retrieved 14 August 2018.
  200. "'He can't destroy history': Johnny Marr on veganism, Man City and Morrissey's legacy". The Guardian. 14 June 2018. Retrieved 14 August 2018.
  201. Fink, Matt (8 November 2013). "Arctic Monkeys' Alex Turner on "AM," Working with Josh Homme, and Adapting John Cooper Clarke". www.undertheradarmag.com. Retrieved 14 August 2018.
  202. Bevan, David (10 September 2013). "The SPIN Interview: Arctic Monkeys' Alex Turner". Spin. Retrieved 26 August 2015.
  203. "Evidently... John Cooper Clarke". BBC Four. 15 December 2013. Retrieved 28 March 2016.
  204. "Arctic Monkeys collaborate with punk legend – NME". NME. 6 July 2007. Retrieved 3 August 2018.
  205. Hall, Duncan (18 April 2014). "Punk poet John Cooper Clarke talks art, Arctic Monkeys and the possibility of an autobiography". The Argus. Retrieved 27 July 2018.
  206. Krol, Charlotte (22 September 2018). "Arctic Monkeys play 'Mardy Bum' for first time in four years at Sheffield homecoming show". NME. Retrieved 4 January 2019.
  207. Blackledge, Richard. "John Cooper Clarke interview: 'I hated school but teachers like me – I get their pupils interested in poetry'". www.thestar.co.uk. Retrieved 4 January 2019.
  208. "Alex Turner Admits He 'Loves' Beyonce Knowles". GigWise. 5 June 2007. Retrieved 13 March 2020.
  209. Orellana, Patricio (26 March 2012). "Alex Turner: "Creo que las cosas eran más cool en el pasado" – Rolling Stone Argentina". Rolling Stone. Archived from the original on 15 August 2018. Retrieved 15 August 2018.
  210. "Drinks With: Arctic Monkeys". American Songwriter. 12 March 2010. Retrieved 19 January 2020.
  211. Daly, Rhian (14 May 2018). "Alex Turner says hearing Leonard Cohen talk about songwriting 'spurred him on' to write 'Tranquility Base Hotel + Casino'". NME. Retrieved 19 January 2020.
  212. "Dylan & Me". The Irish Times. Retrieved 2 February 2020.
  213. Kelly, Emma (31 October 2013). "'I'll make techno tunes for a laugh' Arctic Monkeys' Alex Turner on their musical future". The Daily Star. Retrieved 16 August 2018.
  214. Sweeney, Eamon (27 May 2011). "Monkey business – Independent.ie". The Irish Independent. Retrieved 15 August 2018.
  215. "Arctic Monkeys – Alex Turner's Guide To 'Suck It And See' | NME". NME Music News, Reviews, Videos, Galleries, Tickets and Blogs | NME.COM. 26 April 2011. Retrieved 21 January 2020.
  216. Robinson, John (11 May 2018). "Alex Turner: "Making an Arctic Monkeys album is not an easy alchemy"". Uncut. Retrieved 12 January 2020.
  217. "Liam Gallagher, Alex Turner, Paul Weller And More On The True Genius Of John Lennon – NME". NME. 8 October 2015. Retrieved 17 August 2018.
  218. "The Last Shadow PUPPETS". Interview Magazine. 26 March 2016. Retrieved 25 January 2020.
  219. "Michael Chapman Album Reviews". www.michaelchapman.co.uk. Retrieved 22 January 2020.
  220. Murphy, Lauren. "Arctic Monkeys get funky on album number five". The Irish Times. Retrieved 22 January 2020.
  221. Seban, Johanna. "Alex Turner par Etienne Daho". Les Inrocks (in French). Retrieved 22 January 2020.
  222. Brown, Lane (10 August 2018). "How to Write a Great Rock Lyric". Vulture. Retrieved 10 August 2018.
  223. "PLAYLIST: Alex Turner Lists More Influences On New Album". Radio X. Retrieved 10 August 2018.
  224. Havens, Lyndsey (20 April 2018). "Inside Arctic Monkeys' New Album: Alex Turner Discusses Why Swapping Guitar for Piano Led to the Band's Most Ambitious Album". Billboard. Retrieved 15 August 2018.
  225. Stolworthy, Jacob (26 April 2018). "Alex Turner lists the songs that inspired the new Arctic Monkeys album". The Independent. Retrieved 15 August 2018.
  226. Mossman, Kate. "Sometimes I wonder how Alex Turner can make being young sound so boring – maybe that's the point". www.newstatesman.com. Retrieved 13 January 2020.
  227. "Arctic Monkeys Jettison Their Guitars and Shoot the Moon | The Village Voice". www.villagevoice.com. Retrieved 16 January 2020.
  228. Armitage, Simon (26 June 2008). "Simon Armitage on the Arctic Monkeys". The Guardian. Retrieved 13 January 2020.
  229. Armitage, Simon (11 July 2009). "Simon Armitage meets Arctic Monkeys". The Observer. Retrieved 14 January 2020.
  230. Empire, Kitty (22 November 2009). "Richard Hawley, Alex Turner and I Blame Coco | Pop reviews". The Observer. Retrieved 1 February 2020.
  231. McCormick, Neil (9 February 2006). "'That's me, they're singing my life'". Retrieved 18 January 2020.
  232. Frere-Jones, Sasha. "Blighted". The New Yorker. Retrieved 2 February 2020.
  233. "Poets of pop: a reply". www.newstatesman.com. Retrieved 14 January 2020.
  234. Petridis, Alexis (20 April 2007). "CD: Arctic Monkeys, Favourite Worst Nightmare". The Guardian. Retrieved 28 January 2020.
  235. Ellen, Barbara (28 May 2011). "Arctic Monkeys: 'We want to get better rather than get bigger'". The Observer. Retrieved 15 January 2020.
  236. "Interview: The Last Shadow Puppets". We All Want Someone To Shout For. 6 April 2016. Retrieved 26 January 2020.
  237. "NME Big Read: Arctic Monkeys 'from the Ritz to the Hubble'". NME Music News, Reviews, Videos, Galleries, Tickets and Blogs | NME.COM. 10 May 2018. Retrieved 20 January 2020.
  238. "How The Arctic Monkeys Saved Rock 'N' Roll". Esquire.com. 1 January 1970. Retrieved 14 April 2020.
  239. "Album Review: Arctic Monkeys – AM". DrownedInSound. Retrieved 17 January 2020.
  240. "Arctic Monkeys review, O2 Arena, London: Indulgence is Alex Turner's secret weapon". www.msn.com. Retrieved 26 January 2020.
  241. Armitage, Simon (11 July 2009). "Simon Armitage meets Arctic Monkeys". The Observer. Retrieved 16 January 2020.
  242. Brown, Lane (10 August 2018). "How to Write a Great Rock Lyric". Vulture. Retrieved 14 January 2020.
  243. "Arctic Monkeys' Alex Turner: 'I've forgotten how to write a hit single'". UNCUT. 20 December 2011. Retrieved 20 January 2020.
  244. "Drinks With: Arctic Monkeys | American Songwriter". Retrieved 1 February 2020.
  245. Petridis, Alexis (24 March 2016). "The Last Shadow Puppets: Everything You've Come to Expect review – more a smirking in-joke than a band". The Guardian. Retrieved 1 February 2020.
  246. "Sheffield dialect in pop music – Sound and vision blog". blogs.bl.uk. Retrieved 14 January 2020.
  247. Armitage, Simon (26 June 2008). "Simon Armitage on the Arctic Monkeys". The Guardian. Retrieved 13 January 2020.
  248. Petridis, Alexis (10 May 2018). "Arctic Monkeys: Tranquility Base Hotel & Casino review – funny, fresh and a little smug | Alexis Petridis' album of the week". The Guardian. Retrieved 14 January 2020.
  249. Lachno, James (10 September 2013). "Arctic Monkeys, iTunes Festival, Roundhouse, review". The Daily Telegraph. Retrieved 2 May 2018.
  250. "The Arctic Monkeys are a thriving species". Los Angeles Times. 27 September 2007. Retrieved 1 February 2020.
  251. Empire, Kitty (14 April 2007). "Pop: Arctic Monkeys, Astoria, London WC2". The Observer. Retrieved 25 January 2020.
  252. "Reading Festival, Berkshire". The Independent. 6 September 2009. Retrieved 8 February 2020.
  253. Empire, Kitty (6 November 2011). "Arctic Monkeys – review". The Observer. Retrieved 28 January 2020.
  254. Lynskey, Dorian (10 September 2013). "Arctic Monkeys – review". The Guardian. Retrieved 26 January 2020.
  255. McLean, Craig (31 October 2013). "Arctic Monkeys: 'We've raised the bar as a live band'". Retrieved 22 January 2020.
  256. Beaumont-Thomas, Ben (8 June 2018). "Arctic Monkeys review – cheesy irony dissolves into masterful rock'n'roll". The Guardian. Retrieved 29 January 2020.
  257. "Alex Turner: "Making an Arctic Monkeys album is not an easy alchemy" - Page 2 of 5". UNCUT. 11 May 2018. Retrieved 1 February 2020.
  258. "The surprising truth about the Arctic Monkeys". www.dailytelegraph.com.au. 13 November 2018. Retrieved 17 January 2020.
  259. "Arctic Monkeys Conquer America: Alex Turner Q&A". Billboard. Retrieved 17 January 2020.
  260. McLean, Craig (31 October 2013). "Arctic Monkeys: 'We've raised the bar as a live band'". Retrieved 1 February 2020.
  261. "Alexandra Savior – Risk". AllMusic. Retrieved 20 September 2015.
  262. "HBO Shop". HBO. Retrieved 20 September 2015.
  263. "True Detective: Music from the HBO Series". Barnes & Noble. Retrieved 1 October 2015.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.